| arranged |
---|
| To Music | | | Caroline Shaw & Sō Percussion | 5:57 |
| holds phonographic copyright (℗) for |
---|
2022 | And So | Caroline Shaw | | Caroline Shaw & Attacca Quartet | 5:06 |
2022 | Blueprint | Caroline Shaw | | Caroline Shaw & Attacca Quartet | 7:21 |
2022 | Cant voi l’aube | Caroline Shaw | | Caroline Shaw & Attacca Quartet | 4:16 |
2022 | Other Song | Caroline Shaw | | Caroline Shaw & Attacca Quartet | 3:42 |
2022 | The Evergreen: I. Moss | Caroline Shaw | | Caroline Shaw & Attacca Quartet | 5:04 |
2022 | The Evergreen: II. Stem | Caroline Shaw | | Caroline Shaw & Attacca Quartet | 3:10 |
2022 | The Evergreen: III. Water | Caroline Shaw | | Caroline Shaw & Attacca Quartet | 5:01 |
2022 | The Evergreen: IV. Root | Caroline Shaw | | Caroline Shaw & Attacca Quartet | 8:00 |
2022 | Three Essays: First Essay (Nimrod) | Caroline Shaw | | Caroline Shaw & Attacca Quartet | 8:30 |
2022 | Three Essays: Second Essay (Echo) | Caroline Shaw | | Caroline Shaw & Attacca Quartet | 6:19 |
2022 | Three Essays: Third Essay (Ruby) | Caroline Shaw | | Caroline Shaw & Attacca Quartet | 5:14 |
| instruments |
---|
| Candles | | strings | Beth Orton | 3:45 |
| For Heart, Breath, and Orchestra | | violin | Nico Muhly & orchestra | 12:22 |
| Last Leaves of Autumn | | strings | Beth Orton | 4:01 |
| Lean | | additional and violin | The National | 4:31 |
| Rise/Other Song | | electronic instruments [electronics] | Caroline Shaw | 9:35 |
| See Through Blue | | strings | Beth Orton | 1:54 |
| Something More Beautiful | | strings | Beth Orton | 3:28 |
| State of Grace | | strings | Beth Orton | 4:15 |
| produced |
---|
| A Gradual Dazzle | | | Caroline Shaw & Sō Percussion | 4:10 |
| A Man Without Letters | | | Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | 2:20 |
| A Veil Awave Upon the Waves | | | Caroline Shaw & Sō Percussion | 3:21 |
| Atmosphere | | | Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | 2:23 |
| Blood Flow | | | Attacca Quartet, Sō Percussion | 2:42 |
| Body as Nature | | | Attacca Quartet, Sō Percussion | 2:43 |
| Cast the Bells in Sand | | | Caroline Shaw & Sō Percussion | 4:45 |
| Cesare Borgia | | | Attacca Quartet, John Patitucci, Sō Percussion | 3:03 |
| Flying Machines | | | Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | 6:05 |
| Freestyle 4 | | additional | Kanye West | 2:02 |
| Ginevra de' Benci | | | Attacca Quartet, John Patitucci | 3:44 |
| Guru of the Court | | | Attacca Quartet, Sō Percussion, Roomful of Teeth | 1:11 |
| Il Paradiso | | | Attacca Quartet, John Patitucci, Sō Percussion | 1:09 |
| Intentions of the Mind | | | Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | 2:00 |
| La pittura è mentale | | | Attacca Quartet | 2:57 |
| Lady with an Ermine | | | Attacca Quartet, Sō Percussion | 2:48 |
| Lay All Your Love on Me | | | Caroline Shaw & Sō Percussion | 4:32 |
| Let the Soil Play Its Simple Part | | | Caroline Shaw & Sō Percussion | 4:38 |
| Long Ago We Counted | | | Caroline Shaw & Sō Percussion | 3:27 |
| Machine Drawings | | | Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | 1:37 |
| Microcosm and Macrocosm | | | Attacca Quartet, John Patitucci, Sō Percussion | 2:42 |
| Notebooks | | | Attacca Quartet, John Patitucci | 2:11 |
| Optics, Light & Shadow | | | Attacca Quartet | 3:57 |
| Other Song | | | Caroline Shaw & Sō Percussion | 5:02 |
| Painter-Philosopher | | | Sō Percussion, Roomful of Teeth | 1:40 |
| Pleasure and Pain | | | Attacca Quartet, Sō Percussion, Roomful of Teeth | 2:53 |
| Pt. 2 | | additional | Kanye West | 2:10 |
| Renaissance | | | Attacca Quartet, Sō Percussion | 2:32 |
| Senso comune | | | Attacca Quartet, John Patitucci, Sō Percussion | 2:18 |
| Some Bright Morning | | | Caroline Shaw & Sō Percussion | 5:57 |
| Symbol of the Modern Idea | | | Attacca Quartet, John Patitucci, Sō Percussion | 1:47 |
| The Flood Is Following Me | | | Caroline Shaw & Sō Percussion | 2:58 |
| The Grandchild of Nature | | | Attacca Quartet, John Patitucci, Sō Percussion | 1:50 |
| The Last Supper | | | Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | 4:17 |
| The Mona Lisa | | | Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | 3:55 |
| The Virgin and Child with Saint Anne | | | Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | 5:10 |
| To the Sky | | | Caroline Shaw & Sō Percussion | 4:00 |
| Treatise on Painting | | | Roomful of Teeth | 3:12 |
| Virgin of the Rocks | | | Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | 2:11 |
| Water Studies | | | Attacca Quartet, Sō Percussion | 3:42 |
| Wolves | | additional | Kanye West | 5:01 |
| vocals |
---|
2011-11-18 – 2011-11-22 | A E I O U | | alto vocals | Roomful of Teeth | 6:17 |
2011-11-18 – 2011-11-22 | Amid the Minotaurs | | alto vocals | Roomful of Teeth | 7:42 |
2011-11-18 – 2011-11-22 | Ansa ya | | alto vocals and solo | Roomful of Teeth | 6:44 |
2011-11-18 – 2011-11-22 | Cesca's View | | alto vocals | Roomful of Teeth | 3:03 |
2011-11-18 – 2011-11-22 | Montmartre | | alto vocals | Roomful of Teeth | 5:16 |
2011-11-18 – 2011-11-22 | No | | alto vocals | Roomful of Teeth | 6:43 |
2011-11-18 – 2011-11-22 | Partita for 8 Voices: No. 1. Allemande | | alto vocals | Roomful of Teeth | 5:53 |
2011-11-18 – 2011-11-22 | Partita for 8 Voices: No. 2. Sarabande | | alto vocals | Roomful of Teeth | 4:49 |
2011-11-18 – 2011-11-22 | Partita for 8 Voices: No. 3. Courante | | alto vocals | Roomful of Teeth | 8:59 |
2011-11-18 – 2011-11-22 | Partita for 8 Voices: No. 4. Passacaglia | | alto vocals | Roomful of Teeth | 5:55 |
2011-11-18 – 2011-11-22 | Quizassa | | alto vocals | Roomful of Teeth | 3:42 |
2011-11-18 – 2011-11-22 | Run Away | | alto vocals | Roomful of Teeth | 4:17 |
2011-11-18 – 2011-11-22 | The Orchard | | alto vocals | Roomful of Teeth | 4:45 |
2020-08 | And So | | | Caroline Shaw & Attacca Quartet | 5:06 |
2020-08 | Cant voi l’aube | | | Caroline Shaw & Attacca Quartet | 4:16 |
2020-08 | Other Song | | | Caroline Shaw & Attacca Quartet | 3:42 |
| A Man Without Letters | | | Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | 2:20 |
| Accusers’ Waltz | | | Caroline Shaw | 3:10 |
| Atmosphere | | | Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | 2:23 |
| Breaking | | | Caroline Shaw, Petra Haden & Susanna Hoffs | 2:32 |
| Clear and Simple | | | Caroline Shaw, Petra Haden & Susanna Hoffs | 2:43 |
| DIABLO | | background vocals | ROSALÍA | 2:46 |
| Dressing Room | | | Caroline Shaw, Petra Haden & Susanna Hoffs | 1:54 |
| Elevator Trio | | | Caroline Shaw, Petra Haden & Susanna Hoffs | 3:11 |
| Explode | | | Caroline Shaw | 2:47 |
| Flying Machines | | | Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | 6:05 |
| Fox News Apologies | | | Caroline Shaw, Petra Haden & Susanna Hoffs | 2:13 |
| Guru of the Court | | | Attacca Quartet, Sō Percussion, Roomful of Teeth | 1:11 |
| Intentions of the Mind | | | Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | 2:00 |
| Machine Drawings | | | Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | 1:37 |
| Painter-Philosopher | | | Sō Percussion, Roomful of Teeth | 1:40 |
| Pleasure and Pain | | | Attacca Quartet, Sō Percussion, Roomful of Teeth | 2:53 |
| Pt. 2 | | additional | Kanye West | 2:10 |
| Rise/Other Song | | | Caroline Shaw | 9:35 |
| Shelter: American Home | | soprano vocals | Martha Cluver, Mellissa Hughes, Caroline Shaw, Ensemble Signal, Brad Lubman | 7:53 |
| Shelter: Before I Enter | | soprano vocals | Martha Cluver, Mellissa Hughes, Caroline Shaw, Ensemble Signal, Brad Lubman | 9:03 |
| Shelter: I Want to Live | | soprano vocals | Martha Cluver, Mellissa Hughes, Caroline Shaw, Ensemble Signal, Brad Lubman | 4:31 |
| Shelter: Is the Wind | | soprano vocals | Martha Cluver, Mellissa Hughes, Caroline Shaw, Ensemble Signal, Brad Lubman | 10:42 |
| Shelter: Porch | | soprano vocals | Martha Cluver, Mellissa Hughes, Caroline Shaw, Ensemble Signal, Brad Lubman | 8:25 |
| Shelter: The Boy Sleeps | | soprano vocals | Martha Cluver, Mellissa Hughes, Caroline Shaw, Ensemble Signal, Brad Lubman | 13:20 |
| Shelter: What We Build | | soprano vocals | Martha Cluver, Mellissa Hughes, Caroline Shaw, Ensemble Signal, Brad Lubman | 10:37 |
| Talking Points | | | Caroline Shaw, Petra Haden & Susanna Hoffs | 3:13 |
| The Last Supper | | | Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | 4:17 |
| The Mona Lisa | | | Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | 3:55 |
| The Questions | | | Caroline Shaw, Petra Haden & Susanna Hoffs | 2:25 |
| The Virgin and Child with Saint Anne | | | Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | 5:10 |
| Treatise on Painting | | | Roomful of Teeth | 3:12 |
| Virgin of the Rocks | | | Attacca Quartet, John Patitucci, Sō Percussion, Roomful of Teeth | 2:11 |
| when I am alone | | | Caroline Shaw | 22:21 |
| Will there be any Stars in my Crown | | | Caroline Shaw, Recap, TRANSIT New Music | 3:58 |
| Wolves | | | Kanye West | 5:01 |
| vocals arranged |
---|
| BULERÍAS | | | ROSALÍA | 2:36 |
| COMO UN G | | | ROSALÍA | 4:22 |
| DIABLO | | | ROSALÍA | 2:46 |
| G3 N15 | | | ROSALÍA | 4:12 |
| LA COMBI VERSACE | | | ROSALÍA feat. Tokischa | 2:40 |
| LA FAMA | | | ROSALÍA feat. The Weeknd | 3:08 |
| holds copyright (©) for |
---|
2022 | Evergreen | Caroline Shaw | | Caroline Shaw & Attacca Quartet | |
| holds phonographic copyright (℗) for |
---|
2022 | Evergreen | Caroline Shaw | | Caroline Shaw & Attacca Quartet | |
| instruments |
---|
| San Fermin | | violin | San Fermin | |
| Trouble Will Find Me | | violin | The National | |
| liner notes for |
---|
| Evergreen | | | Caroline Shaw / Attacca Quartet | |
| The Wheel | | | Caroline Shaw; I Giardini | |
| produced |
---|
| Leonardo da Vinci | | task: soundtrack | Caroline Shaw | |
| Rectangles and Circumstance | | | Caroline Shaw & Sō Percussion | |
| vocals |
---|
| Rectangles and Circumstance | | vocal | Caroline Shaw & Sō Percussion | |
| arranged |
---|
2014 | Entr'acte | | | | |
| Tierkreis: Leo | | | | |
| composed |
---|
2009 | Punctum | | | | |
2009 – 2012 | Partita for 8 Voices | | | | |
2009 – 2012 | Partita for 8 Voices: No. 1. Allemande | | | | |
2009 – 2012 | Partita for 8 Voices: No. 2. Sarabande | | | | |
2009 – 2012 | Partita for 8 Voices: No. 3. Courante | | | | |
2009 – 2012 | Partita for 8 Voices: No. 4. Passacaglia | | | | |
2011 | Entr'acte | | | | |
2011 | Entr'acte | | | | |
2012 | Taxidermy | | | | |
2012 | Valencia | | | | |
2014 | Music in Common Time | | | | |
2017 | Narrow Sea | | | | |
2017 | Narrow Sea: I. | | | | |
2017 | Narrow Sea: II. | | | | |
2017 | Narrow Sea: III. | | | | |
2017 | Narrow Sea: IV. | | | | |
2017 | Narrow Sea: V. | | | | |
2018 | Other Song | | | | |
2018 | Schisma | | | | |
2019 | The Observatory | | | | |
– 2012 | Limestone & Felt | | | | |
| 24th Amendment | | | | |
| And So | | | | |
| And the Swallow | | | | |
| And the Swallow | | | | |
| Aurora Borealis | | | | |
| Blueprint | | | | |
| Boris Kerner | | | | |
| Cant voi l'aube | | | | |
| Draft of a High-Rise | | | | |
| Draft of a High-Rise: I. Inked Frame | | | | |
| Draft of a High-Rise: II. A Scribbled Veneer | | | | |
| Draft of a High-Rise: III. Their Stenciled Breath | | | | |
| From Rivers | | | | |
| Gustave Le Gray | | | | |
| how do i find you | | | | |
| in manus tuas | | | | |
| Is a Rose | | | | |
| Is a Rose: No. 1. The Edge | | | | |
| Is a Rose: No. 2. And So | | | | |
| Is a Rose: No. 3. Red, Red Rose | | | | |
| Like a Drum | | | | |
| Microfictions [volume 1] | | | | |
| Microfictions [volume 1]: I. Under the hot sun… | | | | |
| Microfictions [volume 1]: II. The photographs smeared… | | | | |
| Microfictions [volume 1]: III & 1/2. Between the third and fourth... | | | | |
| Microfictions [volume 1]: III. The summer storm laughed… | | | | |
| Microfictions [volume 1]: IV. The complete taxonomy… | | | | |
| Microfictions [volume 1]: V. Waking up on the early side… | | | | |
| Microfictions [volume 1]: VI. The mountains folded in… | | | | |
| Narrow Sea: I. | | | | |
| Narrow Sea: II. | | | | |
| Narrow Sea: III. | | | | |
| Narrow Sea: IV. | | | | |
| Narrow Sea: V. | | | | |
| Other Song | | | | |
| Plan & Elevation | | | | |
| Plan & Elevation: I. The Ellipse | | | | |
| Plan & Elevation: II. The Cutting Garden | | | | |
| Plan & Elevation: III. The Herbaceous Border | | | | |
| Plan & Elevation: IV. The Orangery | | | | |
| Plan & Elevation: IV. The Orangery | | | | |
| Plan & Elevation: V. The Beech Tree | | | | |
| Really Craft When You | | | | |
| Rectangles and Circumstance | | | | |
| Rise | | | | |
| Ritornello 2.sq.2.j.a | | | | |
| Second Essay: Echo | | | | |
| Silently Invisibly | | | | |
| Sing On | | | | |
| Slow Motion | | | | |
| The Blue Hour | | | | |
| The Evergreen | | | | |
| The Evergreen: I. Moss | | | | |
| The Evergreen: II. Stem | | | | |
| The Evergreen: III. Water | | | | |
| The Evergreen: IV. Root | | | | |
| The Listeners | | | | |
| The Listeners: No. 1. Prologue | | | | |
| The Listeners: No. 2. Let Your Soul Stand Cool | | | | |
| The Listeners: No. 3. Greeting | | | | |
| The Listeners: No. 4. in World's Vast Frame | | | | |
| The Listeners: No. 5. Of a Million Million | | | | |
| The Listeners: No. 6. That's Us | | | | |
| The Listeners: No. 7. Maps | | | | |
| The Listeners: No. 8. Sail Through This to That | | | | |
| The Listeners: No. 9. Pulsar | | | | |
| The Listeners: No. 10. Epilogue | | | | |
| The Wheel | | | | |
| Third Essay: Ruby | | | | |
| This | | | | |
| Thousandth Orange | | | | |
| Three Essays | | | | |
| Three Essays: First Essay (Nimrod) | | | | |
| To the Hands | | | | |
| To the Hands: I. Prelude: Wordless | | | | |
| To the Hands: II. In medio/in the midst | | | | |
| To the Hands: III. Her beacon-hand beckons | | | | |
| To the Hands: IV. Ever ever ever | | | | |
| To the Hands: V. Litany of the Displaced | | | | |
| See all 102 relationships |
| lyrics |
---|
| And So | | | | |
| how do i find you | | | | |
| Other Song | | | | |
| Rectangles and Circumstance | | | | |
| Sing On | | | | |
| Slow Motion | | | | |
| To the Hands: III. Her beacon-hand beckons | | | | |
| To the Hands: IV. Ever ever ever | | | | |
| To the Hands: VI. I will hold you | | | | |
| revised |
---|
2013 | Punctum | | | | |