| Aria for Soprano & Orchestra in F major, K. 577: "Al desio di chi t'adora" | | | | Aria | | | |
| Aria for Soprano, 2 Horns, Violin, Viola and Bass, K. deest NMA II/7/1 No. 7: Andante "Cara, se le mie pene" | | | | Aria | | | |
| Concerto for 2 Oboes and Trumpet, TWV 53:D2: I. Allegro | | - Maurice André, Tess Miller, Celia Nicklin, Academy of St Martin in the Fields, Sir Neville Marriner
- Jürgen Kussmaul, Peter Masseurs, Paul Verhey, Rob Visser, Amsterdam Bach Soloists
- Tafelmusik
- John Wallace, English String Orchestra, William Boughton
- (show 13 more)
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| Concerto for 2 Oboes and Trumpet, TWV 53:D2: II. Adagio | | - Tafelmusik
- John Wallace, English String Orchestra, William Boughton
- Jürgen Kussmaul, Peter Masseurs, Paul Verhey, Rob Visser, Amsterdam Bach Soloists
- Maurice André, Tess Miller, Celia Nicklin, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 13 more)
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| Concerto for 2 Oboes and Trumpet, TWV 53:D2: III. Aria | | - Jürgen Kussmaul, Peter Masseurs, Paul Verhey, Rob Visser, Amsterdam Bach Soloists
- Maurice André, Tess Miller, Celia Nicklin, Academy of St Martin in the Fields, Sir Neville Marriner
- Tafelmusik
- John Wallace, English String Orchestra, William Boughton
- (show 13 more)
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| Concerto for 2 Oboes and Trumpet, TWV 53:D2: IV. Vivace | | - Jürgen Kussmaul, Peter Masseurs, Paul Verhey, Rob Visser, Amsterdam Bach Soloists
- Maurice André, Tess Miller, Celia Nicklin, Academy of St Martin in the Fields, Sir Neville Marriner
- Tafelmusik
- John Wallace, English String Orchestra, William Boughton
- (show 11 more)
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| Concerto for 3 Violins in D major, BWV 1064R: I. Allegro | | - Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists
- Christopher Hirons, Monica Huggett, Catherine Mackintosh, Academy of Ancient Music, Christopher Hogwood
- Christoph Poppen, Bach‐Collegium Stuttgart, Helmuth Rilling
- David Greenberg, Jeanne Lamon, Linda Melsted, Tafelmusik
- (show 19 more)
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| Concerto for 3 Violins in D major, BWV 1064R: II. Adagio | | - Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists
- Christopher Hirons, Monica Huggett, Catherine Mackintosh, Academy of Ancient Music, Christopher Hogwood
- Christoph Poppen, Bach‐Collegium Stuttgart, Helmuth Rilling
- David Greenberg, Jeanne Lamon, Linda Melsted, Tafelmusik
- (show 19 more)
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| Concerto for 3 Violins in D major, BWV 1064R: III. Allegro | | - Rainer Kussmaul, Henk Rubingh, Thomas Hengelbrock, Amsterdam Bach Soloists
- Christopher Hirons, Monica Huggett, Catherine Mackintosh, Academy of Ancient Music, Christopher Hogwood
- Christoph Poppen, Bach‐Collegium Stuttgart, Helmuth Rilling
- David Greenberg, Jeanne Lamon, Linda Melsted, Tafelmusik
- (show 17 more)
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| Concerto for Violin, Piano and Strings in F major, Hob. XVIII:6: I. Allegro moderato | | | | | | | |
| Concerto for Violin, Piano and Strings in F major, Hob. XVIII:6: II. Largo | | | | | | | |
| Concerto for Violin, Piano and Strings in F major, Hob. XVIII:6: III. Allegro | | | | | | | |
| Concerto in A major for Oboe d'Amore, Strings and Basso Continuo: I. [no tempo marking] | | | | | | | |
| Concerto in A major for Oboe d'Amore, Strings and Basso Continuo: II. Larghetto | | | | | | | |
| Concerto in A major for Oboe d'Amore, Strings and Basso Continuo: III. Allegro ma non tanto | | | | | | | |
| Così fan tutte: Atto II. No. 25 Rondò “Per pietà, ben mio, perdona” (Fiordiligi) | | | | | | | |
| Horn Concerto no. 1 in E-flat major: I. Con discretione | | | | | | | |
| Horn Concerto no. 1 in E-flat major: II. Adagio | | | | | | | |
| Horn Concerto no. 1 in E-flat major: III. Allegro | | | | | | | |
| Konzert für Oboe, Streicher und Basso Continuo F-Dur: I. Andante | | | | | | | |
| Konzert für Oboe, Streicher und Basso Continuo F-Dur: II. Larghetto | | | | | | | |
| Konzert für Oboe, Streicher und Basso Continuo F-Dur: III. Rondeau. Allegretto | | | | | | | |
| Konzert für Violine und Orchester E-Dur, BWV 1042 | | | | Concerto | | | |
| Konzert für Violine und Orchester E-Dur, BWV 1042: I. Allegro | | | | | | | |
| Konzert für Violine und Orchester E-Dur, BWV 1042: II. Adagio | | | | | | | |
| Konzert für Violine und Orchester E-Dur, BWV 1042: III. Allegro assai | | | | | | | |
| La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto) | | | | | | | |
| La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" / "Infelice! qual orrore!" (Vitellia) | | | | | | | |
| Oboe d’Amore Concerto in A major, BWV 1055R: I. Allegro | | | | | | | |
| Oboe d’Amore Concerto in A major, BWV 1055R: II. Larghetto | | | | | | | |
| Oboe d’Amore Concerto in A major, BWV 1055R: III. Allegro ma non tanto | | | | | | | |
| Ouverture in C-Dur, TWV 55 C6: I. Ouverture: Grave - Allegro - Grave | | | | | | | |
| Ouverture in C-Dur, TWV 55 C6: II. Harlequinade | | | | | | | |
| Ouverture in C-Dur, TWV 55 C6: III. Espagniol | | | | | | | |
| Ouverture in C-Dur, TWV 55 C6: IV. Bourée en trompette | | | | | | | |
| Ouverture in C-Dur, TWV 55 C6: V. Sommeille | | | | | | | |
| Ouverture in C-Dur, TWV 55 C6: VI. Rondeau | | | | | | | |
| Ouverture in C-Dur, TWV 55 C6: VII. Menuet I/II | | | | | | | |
| Ouverture in C-Dur, TWV 55 C6: VIII. Gigue | | | | | | | |
| Ouverture-Suite, TWV 55:C6 | | | | | | | |
| Passions-Oratorium TWV 5:2: Aria (Petrus): Foltern, foltern | | | | | | | |
| Passions-Oratorium TWV 5:2: Aria (Petrus): Foltern, foltern | | | | | | | |
| Recitative and Aria for Soprano, Piano & Orchestra in E-flat major, K. 505: "Ch'io mi scordi di te… Non temer, amato bene" | | | | Aria | | | |
| Recitative and Aria for Tenor & Orchestra in B‐flat major, K. 490: “Non più, tutto ascoltai” … “Non temer, amato bene” | | - Kiri Te Kanawa, Rainer Küchl, Wiener Kammerorchester, György Fischer
- Peter Schreier, Peter Mirring, Staatskapelle Dresden
- Irmgard Seefried, Wolfgang Schneiderhan, Wiener Symphoniker, Ferdinand Leitner
- Christiane Oelze, Kammerorchester Carl Philipp Emanuel Bach, Hartmut Haenchen
- (show 11 more)
| | Aria | | | |
| Trumpet Concerto in D major, TWV 51:D7: II. Allegro | | | | | | | |
| Violin Concerto in A major, Hob. VIIa:3 "Melker Konzert": I. Moderato | | | | | | | |
| Violin Concerto in A major, Hob. VIIa:3 "Melker Konzert": II. Adagio | | | | | | | |
| Violin Concerto in A major, Hob. VIIa:3 "Melker Konzert": III. Finale. Allegro | | | | | | | |
| Violin Concerto in A minor, BWV 1041 | | | | Concerto | | | |
| Violin Concerto in A minor, BWV 1041: I. Allegro | | | | | | | |
| Violin Concerto in A minor, BWV 1041: II. Andante | | | | | | | |
| Violin Concerto in A minor, BWV 1041: III. Allegro assai | | | | | | | |
| Violin Concerto in C major, Hob. VIIa:1: I. Allegro moderato | | | | | | | |
| Violin Concerto in C major, Hob. VIIa:1: II. Adagio | | | | | | | |
| Violin Concerto in C major, Hob. VIIa:1: III. Finale. Presto | | | | | | | |
| Violin Concerto in D minor, BWV 1052R | | | | Concerto | | | |
| Violin Concerto in D minor, BWV 1052R: I. Allegro | | | | | | | |
| Violin Concerto in D minor, BWV 1052R: II. Adagio | | | | | | | |
| Violin Concerto in D minor, BWV 1052R: III. Allegro | | | | | | | |
| Violin Concerto in G major, Hob. VIIa:4: I. Allegro moderato | | | | | | | |
| Violin Concerto in G major, Hob. VIIa:4: II. Adagio | | | | | | | |
| Violin Concerto in G major, Hob. VIIa:4: III. Allegro | | | | | | | |
| Violin Concerto in G minor, BWV 1056R | | | | Concerto | | | |
| Violin Concerto in G minor, BWV 1056R: I. Allegro | | | | | | | |
| Violin Concerto in G minor, BWV 1056R: II. Largo | | | | | | | |
| Violin Concerto in G minor, BWV 1056R: III. Presto | | | | | | | |
