A Mass of Life, part I: I. ‘O Du mein Wille, Du Wende aller Not!’ | | | | | | | |
A Mass of Life, part I: II. ‘Erhebt eure Herzen, meine Bruder...’ | | | | | | | |
A Mass of Life, part I: III. ‘In dein Auge schaute ich jüngst, O Leben.’ | | - The Bach Choir, Andrew Kennedy, Alan Opie, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- Heather Harper, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
- Claudia Huckle, Gemma Summerfield, Bror Magnus Tødenes, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
| | | | | |
A Mass of Life, part I: IV. ‘Wehe mir!’ – | | - The Bach Choir, Alan Opie, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- London Philharmonic Choir, Benjamin Luxon, London Philharmonic Orchestra, Sir Charles Groves
- Bergen Philharmonic Choir, Edvard Grieg Kor, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
| | | | | |
A Mass of Life, part I: V. ‘Nacht ist es...’ | | - The Bach Choir, Alan Opie, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- London Philharmonic Choir, Benjamin Luxon, London Philharmonic Orchestra, Sir Charles Groves
- Bergen Philharmonic Choir, Edvard Grieg Kor, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
| | | | | |
A Mass of Life, part II: I. ‘Herauf! Nun herauf, du großer Mittag!’ | | - The Bach Choir, Andrew Kennedy, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill
- Heather Harper, London Philharmonic Choir, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
- Bournemouth Symphony Orchestra, Richard Hickox
- Bergen Philharmonic Choir, Edvard Grieg Kor, Claudia Huckle, Gemma Summerfield, Bror Magnus Tødenes, Bergen Philharmonic Orchestra, Sir Mark Elder
| | | | | |
A Mass of Life, part II: II. ‘Süße Leier! Ich liebe deinen Ton...!’ | | | | | | | |
A Mass of Life, part II: III. ‘La, la, la!...’ | | - The Bach Choir, Alan Opie, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- London Philharmonic Orchestra, Sir Charles Groves
- Heather Harper, London Philharmonic Choir, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
- Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
| | | | | |
A Mass of Life, part II: IV. ‘Heißer Mittag schläft auf den Fluren.’ – | | - The Bach Choir, Andrew Kennedy, Alan Opie, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- Heather Harper, London Philharmonic Choir, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
- Bergen Philharmonic Choir, Edvard Grieg Kor, Claudia Huckle, Gemma Summerfield, Bror Magnus Tødenes, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
| | | | | |
A Mass of Life, part II: On the Mountains: Andante – | | | | | | | |
A Mass of Life, part II: V. ‘Gottes Weh ist tiefer...’ – | | - Alan Opie, Bournemouth Symphony Orchestra, David Hill, The Bach Choir
- Bournemouth Symphony Orchestra, Richard Hickox
- London Philharmonic Choir, Benjamin Luxon, London Philharmonic Orchestra, Sir Charles Groves
- Bergen Philharmonic Choir, Edvard Grieg Kor, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
| | | | | |
A Mass of Life, part II: VI. ‘Kommt. Laßt uns jetzt wandeln!’ | | - The Bach Choir, Andrew Kennedy, Alan Opie, Janice Watson, Catherine Wyn‐Rogers, Bournemouth Symphony Orchestra, David Hill
- Bournemouth Symphony Orchestra, Richard Hickox
- Heather Harper, London Philharmonic Choir, Benjamin Luxon, Robert Tear, Helen Watts, London Philharmonic Orchestra, Sir Charles Groves
- Bergen Philharmonic Choir, Edvard Grieg Kor, Claudia Huckle, Gemma Summerfield, Bror Magnus Tødenes, Roderick Williams, Bergen Philharmonic Orchestra, Sir Mark Elder
| | | | | |
A Shakespeare Suite from "Richard III": I. Fanfare | | | | | | | |
A Shakespeare Suite from "Richard III": II. Music Plays | | | | | | | |
A Shakespeare Suite from "Richard III": III. The Princes in the Tower | | | | | | | |
A Shakespeare Suite from "Richard III": IV. With Drum and Colours | | | | | | | |
A Shakespeare Suite from "Richard III": V. I Would I Knew Thy Heart | | | | | | | |
A Shakespeare Suite from "Richard III": VI. Trumpets Sound | | | | | | | |
A Song of Summer | | | | Symphonic poem | | | |
Adagio for Strings and Organ in G minor | | | | | | | |
Alceste, HWV 45: Act I. Grand entree | | - Michael Laird, The English Concert, Trevor Pinnock
- Emma Kirkby,Judith Nelson,Margaret Cable,Paul Elliott, David Thomas, Christina Pound, Catherine Denley, Rogers Covey‐Crump, Christopher Keyte, Academy of Ancient Music, Christopher Hogwood
- E. Power Biggs, Royal Philharmonic Orchestra, Sir Charles Groves
| | | | | |
An Arabesque | | | | | | | |
Appalachia, RT ii/2 | | | | | | | |
Capriccio burlesco | | | | | | | |
Caractacus, op. 35: Scene III, The Forest Near the Severn: Introduction | | | | | | | |
Cello Concerto in B minor, op. 104: I. Allegro | | | | | | | |
Cello Concerto in B minor, op. 104: II. Adagio ma non troppo | | | | | | | |
Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato – Andante – Allegro vivo | | | | | | | |
Cello Concerto in E minor, op. 85: I. Adagio – Moderato | | | | | | | |
Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | | | | | | | |
Cello Concerto in E minor, op. 85: III. Adagio | | | | | | | |
Cello Concerto in E minor, op. 85: IV. Allegro – Moderato – Allegro ma non troppo | | | | | | | |
Chanson de matin, op. 15 no. 2 | | | | | | | |
Chanson de nuit, op. 15 no. 1 | | | | | | | |
Choral Hymns from the Rig Veda: Second Group, op. 26 no. 2: No. 1. To Varuna (God of the Waters) | | | | | | | |
Choral Hymns from the Rig Veda: Second Group, op. 26 no. 2: No. 2. To Agni (God of Fire) | | | | | | | |
Choral Hymns from the Rig Veda: Second Group, op. 26 no. 2: No. 3. Funeral Chant | | | | | | | |
Clarinet Concertino in E-flat major, J. 109, op. 26 | | | | Concerto | | | |
Clarinet Concerto in A minor, op. 80: I. Allegro moderato | | | | | | | |
Clarinet Concerto in A minor, op. 80: II. Andante con moto | | | | | | | |
Clarinet Concerto in A minor, op. 80: III. Allegro moderato | | | | | | | |
Coastal Command: Dawn Patrol | | | | | | | |
Cockaigne (In London Town), op. 40 | | | | Overture | | | |
Concerto a due cori no. 2 in F major, HWV 333: III. A tempo giusto | | | | | | | |
Concerto for Clarinet and Orchestra no. 2 in F minor, op. 5 "Grand": I. Allegro | | | | | | | |
Concerto for Clarinet and Orchestra no. 2 in F minor, op. 5 "Grand": II. Andante pastorale | | | | | | | |
Concerto for Clarinet and Orchestra no. 2 in F minor, op. 5 "Grand": III. Rondo | | | | | | | |
Concerto for Clarinet and String Orchestra, op. 31: I. Allegro vigoroso | | | | | | | |
Concerto for Clarinet and String Orchestra, op. 31: II. Adagio ma senza rigore | | | | | | | |
Concerto for Clarinet and String Orchestra, op. 31: III. Rondo | | | | | | | |
Concerto for Guitar and Chamber Orchestra: I. Allegro comodo | | | | | | | |
Concerto for Guitar and Chamber Orchestra: II. Lento | | | | | | | |
Concerto for Guitar and Chamber Orchestra: III. Molto vivace | | | | | | | |
Concerto for Guitar and Orchestra no. 1 in D major, op. 99: I. Allegretto | | | | | | | |
Concerto for Guitar and Orchestra no. 1 in D major, op. 99: II. Andantino alla romanza | | | | | | | |
Concerto for Guitar and Orchestra no. 1 in D major, op. 99: III. Ritmico e cavalleresco | | | | | | | |
Concerto for Lute in D major, RV 93: II. Largo | | | | | | | |
Concerto No. 2 for Guitar and Chamber Orchestra | | | | Concerto | | | |
Coronation March, op. 65 | | | | | | | |
Crown Imperial | | | | | | | |
Donna Diana: Overture | | | | Overture | | | |
English Dances, Set 1, op. 27: I. Andantino | | | | | | | |
English Dances, Set 1, op. 27: II. Vivace | | | | | | | |
English Dances, Set 1, op. 27: III. Mesto | | | | | | | |
English Dances, Set 1, op. 27: IV. Allegro risoluto | | | | | | | |
English Dances, Set 2, op. 33: I. Allegro non troppo | | | | | | | |
English Dances, Set 2, op. 33: II. Con brio | | | | | | | |
English Dances, Set 2, op. 33: III. Grazioso | | | | | | | |
English Dances, Set 2, op. 33: IV. Giubiloso | | | | | | | |
Enter Spring | | | | Symphonic poem | | | |
Fairest of Stars | | | | | | | |
Fantasia on “Greensleeves” | | | | | | | |
Fantasia on a Theme by Thomas Tallis | | | | | | | |
Fantasia on British Sea Songs | | | | | | | |
Fantasia on British Sea Songs: V. Jack’s the Lad (Hornpipe) | | | | | | | |
Fantasía para un gentilhombre | | | | Concerto | | | |
Fantasía para un gentilhombre: I. Villano y ricercare | | | | | | | |
Fantasía para un gentilhombre: II. Españoleta y fanfare de la caballería de Nápoles | | | | | | | |
Fantasía para un gentilhombre: III. Danza de las hachas | | | | | | | |
Fantasía para un gentilhombre: IV. Canario | | | | | | | |
Four Welsh Dances, op. 15: I. Moderato | | | | | | | |
Four Welsh Dances, op. 15: II. Presto | | | | | | | |
Four Welsh Dances, op. 15: III. Lento | | | | | | | |
Four Welsh Dances, op. 15: IV. Allegro | | | | | | | |
From Meadow to Mayfair: I. In the Country (Rustic Dance) | | | | | | | |
Grania and Diarmid, op. 42: II. Funeral March | | | | | | | |
Hamlet Film Score: Funeral March | | | | | | | |
Henry V Suite: Touch her soft lips and part | | | | Suite | | | |
Hugh the Drover: Act I, I. Buy, buy, buy | | | | | | | |
Hugh the Drover: Act I, II. Cold blows the wind on Cotsall | | | | | | | |
Hugh the Drover: Act I, III. As I was a-walking | | | | | | | |
Hugh the Drover: Act I, IV. Show me a richer man | | | | | | | |
Hugh the Drover: Act I, IX. In the night-time I have seen you riding | | | | | | | |
Hugh the Drover: Act I, V. Here come the Morris men | | | | | | | |
Hugh the Drover: Act I, VI. Life must be full of care | | | | | | | |
Hugh the Drover: Act I, VII. Sweet little linnet that longs to be free | | | | | | | |
Hugh the Drover: Act I, VIII. “Horse-hoofs thunder down the valley” | | | | | | | |
Hugh the Drover: Act I, X. Mary! Mary! | | | | | | | |
Hugh the Drover: Act I, XI. Oh! The devil and Bonyparty | | | | | | | |
Hugh the Drover: Act I, XII. Yes, I! | | | | | | | |