| A Set of Three Short Pieces, S. 84: III. Adagio cantabile: The Innate | | | | | | | |
| Canto Ostinato | | | | | | | |
| Écossaises, op. 72 no. 3: No. 1 in D major | | | | | | | |
| Écossaises, op. 72 no. 3: No. 2 in G major | | | | | | | |
| Écossaises, op. 72 no. 3: No. 3 in D-flat major | | | | | | | |
| Hallowe'en, S. 71 | | | | | | | |
| Horizon | | | | | | | |
| Hümn suurele linnale | | | | | | | |
| In Re Con Moto et al., S. 72 | | | | | | | |
| Largo Risoluto No. 1, S. 74 | | | | | | | |
| Largo Risoluto No. 2, S. 75 | | | | | | | |
| Méandres | | | | | | | |
| Neither Shadow nor Prey | | | | | | | |
| Sonata for Piano no. 1 in C minor, op. 4: I. Allegro maestoso | | | | | | | |
| Sonata for Piano no. 1 in C minor, op. 4: II. Menuetto | | | | | | | |
| Sonata for Piano no. 1 in C minor, op. 4: III. Larghetto | | | | | | | |
| Sonata for Piano no. 1 in C minor, op. 4: IV. Finale. Presto | | | | | | | |
| Sonata for Piano no. 2 in B-flat minor, op. 35: I. Grave - Doppio movimento | | | | | | | |
| Sonata for Piano no. 2 in B-flat minor, op. 35: II. Scherzo | | | | | | | |
| Sonata for Piano no. 2 in B-flat minor, op. 35: III. Marche funèbre. Lento | | | | | | | |
| Sonata for Piano no. 2 in B-flat minor, op. 35: IV. Finale. Presto | | | | | | | |
| Sonata for Piano no. 3 in B minor, op. 58: I. Allegro maestoso | | | | | | | |
| Sonata for Piano no. 3 in B minor, op. 58: II. Scherzo. Molto vivace | | | | | | | |
| Sonata for Piano no. 3 in B minor, op. 58: III. Largo | | | | | | | |
| Sonata for Piano no. 3 in B minor, op. 58: IV. Finale. Presto non tanto | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 1: No. 1: Articulation of the fingers with quiet hand | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 1: No. 2: The passing of the thumb | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 1: No. 3: Clarity in velocity | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 1: No. 4: Light articulation in half-staccato | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 1: No. 5: Evenness in double runs | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 1: No. 6: Clarity in broken chords | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 1: No. 7: Changing fingers on the same key | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 1: No. 8: Light articulation of the left hand | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 2: No. 9: Delicacy in skips and staccatos | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 2: No. 10: Exercise for thirds | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 2: No. 11: Skill in alternating fingers | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 2: No. 12: Flexibility of the left hand | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 2: No. 13: Maximum velocity | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 2: No. 15: Wide position in fortissimo | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 3: No. 17: Minor scales at high speed | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 3: No. 19: Tense positions with a "peaceful wrist" | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 3: No. 22: Exercise for the trill | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 3: No. 23: Light touch of the left hand | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 3: No. 24: The thumb on the black keys with the hand absolutely quiet | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 4: No. 25: Agility and clarity | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 4: No. 26: Maximum velocity in arpeggios | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 4: No. 27: Independence of the fingers | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 4: No. 31: Exercise for the passing of the thumbs | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 4: No. 32: Uniformity in raising the fingers | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 5: No. 33: Lightness of touch in octave skips | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 5: No. 34: Trills of thirds | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 5: No. 37: Strength and clarity | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 5: No. 40: Light or half-staccato in chords | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 6: No. 45: Legato melody with spread chords | | | | | | | |
| The Art of Finger Dexterity, op. 740: Book 6: No. 49: Octaves with bravura | | | | | | | |
