A Flowering Tree | | | | | | | |
A Flowering Tree: “Days Passed…” | | | | | | | |
A Flowering Tree: “Kumudha Once More…” | | | | | | | |
A Flowering Tree: “You Are Cruel.” | | | | | | | |
A Flowering Tree: Act I Scene 1 | | | | | | | |
A Flowering Tree: Act Il Scene 1: Orchestral Prelude | | | | | | | |
A Flowering Tree: Bride and Groom | | | | | | | |
A Flowering Tree: Kumudha and Her Sister… | | | | | | | |
A Flowering Tree: Kumudha’s Final Transformation | | | | | | | |
A Flowering Tree: Kumudha’s Prayer | | | | | | | |
A Flowering Tree: Mamá Mamá, ¿Por Qué Nos Pegas? | | | | | | | |
A Flowering Tree: One Morning… | | | | | | | |
A Flowering Tree: Scene 2: Flores Chorus | | | | | | | |
A Flowering Tree: Scene 3: Audience With the King | | | | | | | |
A Flowering Tree: Scene 3: Before I Laughed With Him Nightly | | | | | | | |
A Flowering Tree: Scene 4: Kumudha and the Beggar Minstrels | | | | | | | |
A Flowering Tree: Scene 4: The Wedding | | | | | | | |
A Flowering Tree: Scene 5: We Had All but Forgotten You, Prince | | | | | | | |
A Flowering Tree: The Bride Sunk Her Face… | | | | | | | |
A Flowering Tree: The Prince Recognizes Kumudha | | | | | | | |
A Flowering Tree: They Brought Her to Me | | | | | | | |
Absolute Jest | | | | | | | |
American Berserk | | | | | | | |
American Standard | | | | | | | |
American Standard: Christian Zeal and Activity | | | | | | | |
American Standard: John Philip Sousa | | | | | | | |
American Standard: Sentimentals | | | | | | | |
Berceuse élégiaque | | | | | | | |
Century Rolls | | | | Concerto | | | |
Chamber Symphony | | | | Symphony | | | |
Chamber Symphony: I. Mongrel Airs | | | | | | | |
Chamber Symphony: II. Aria with Walking Bass | | | | | | | |
Chamber Symphony: III. Roadrunner | | | | | | | |
China Gates | | | | | | | |
City Noir | | | | | | | |
City Noir: Boulevard Night | | | | | | | |
City Noir: I. The City and its Double | | | | | | | |
City Noir: II. The Song is for You | | | | | | | |
City Noir: III. Boulevard Night | | | | | | | |
City Noir: The City and Its Double | | | | | | | |
City Noir: The Song Is for You | | | | | | | |
Common Tones in Simple Time | | | | | | | |
Concerto no. 1: SERMON – A Devised Concerto for Voice and Orchestra | | | | Concerto | | | |
Departure | | | | Song | | | |
Doctor Atomic | | | | Opera | | | |
Doctor Atomic Symphony | | | | Symphony | | | |
Doctor Atomic Symphony: I. The Laboratory | | | | | | | |
Doctor Atomic Symphony: II. Panic. Agitato - Same tempo - New tempo - | | | | | | | |
Doctor Atomic Symphony: III. Trinity. Animato - Solennemente - Animato - | | | | | | | |
Doctor Atomic: Act 1 | | | | | | | |
Doctor Atomic: Act 1: Am I in your light? | | | | | | | |
Doctor Atomic: Act 1: Batter my heart | | | | | | | |
Doctor Atomic: Act 1: Electrical storm | | | | | | | |
Doctor Atomic: Act 1: First of all, let me say | | | | | | | |
Doctor Atomic: Act 1: Five hundred US Superfortresses are raining incendiary bombs | | | | | | | |
Doctor Atomic: Act 1: General, you are bearing up with remarkable fortitude | | | | | | | |
Doctor Atomic: Act 1: Get them out of here. From now on I'm making my own weather predictions | | | | | | | |
Doctor Atomic: Act 1: I have been preoccupied with many matters | | | | | | | |
Doctor Atomic: Act 1: I'll sign the report, sir | | | | | | | |
Doctor Atomic: Act 1: Long let me inhale, deeply | | | | | | | |
Doctor Atomic: Act 1: Many of us are inclined to say | | | | | | | |
Doctor Atomic: Act 1: No. Before the bomb is used | | | | | | | |
Doctor Atomic: Act 1: The end of June 1945 | | | | | | | |
Doctor Atomic: Act 1: The motive of it all was loneliness | | | | | | | |
Doctor Atomic: Act 1: The nation's fate | | | | | | | |
Doctor Atomic: Act 1: The test must go on as scheduled | | | | | | | |
Doctor Atomic: Act 1: This is a petition | | | | | | | |
Doctor Atomic: Act 1: We are bedeviled by faulty detonators | | | | | | | |
Doctor Atomic: Act 1: We surround the plutonium core | | | | | | | |
Doctor Atomic: Act 1: What if it's a dud? | | | | | | | |
Doctor Atomic: Act 1: What the hell is wrong with the weather? | | | | | | | |
Doctor Atomic: Act 1: With respect, sir, anyone with good eyes | | | | | | | |
Doctor Atomic: Act 2 | | | | | | | |
Doctor Atomic: Act 2: A delay in issuing the Potsdam ultimatum | | | | | | | |
Doctor Atomic: Act 2: And love which contains all human spirit | | | | | | | |
Doctor Atomic: Act 2: Chorus: At the sight of this | | | | | | | |
Doctor Atomic: Act 2: Countdown | | | | | | | |
Doctor Atomic: Act 2: Easter Eve 1945 | | | | | | | |
Doctor Atomic: Act 2: Edward, the test will be delayed an hour | | | | | | | |
Doctor Atomic: Act 2: Fermi is taking wagers | | | | | | | |
Doctor Atomic: Act 2: I just finished reading The Magic Mountain | | | | | | | |
Doctor Atomic: Act 2: I've dreamed the same dream | | | | | | | |
Doctor Atomic: Act 2: I've spent a great deal of time indulging in controlled fantasies | | | | | | | |
Doctor Atomic: Act 2: In the midnight, in the flame-brilliant midnight | | | | | | | |
Doctor Atomic: Act 2: In the north the cloud-flower blossoms | | | | | | | |
Doctor Atomic: Act 2: Interlude: Rain over the Sangre de Cristo | | | | | | | |
Doctor Atomic: Act 2: It's midnight, Jack | | | | | | | |
Doctor Atomic: Act 2: Lieutenant Bush. Keep a weather eye on Oppenheimer | | | | | | | |
Doctor Atomic: Act 2: Panic | | | | | | | |
Doctor Atomic: Act 2: That's their signal | | | | | | | |
Doctor Atomic: Act 2: The only saviors are the ham sandwiches | | | | | | | |
Doctor Atomic: Act 2: The Program has been plagued from the start | | | | | | | |
Doctor Atomic: Act 2: The sky is clear to the east | | | | | | | |
Doctor Atomic: Act 2: The winter dawned, but the dead did not come back | | | | | | | |
Doctor Atomic: Act 2: To keep the weakness secret | | | | | | | |
Doctor Atomic: Act 2: To the farthest west, the sea and the striped country | | | | | | | |
Doctor Atomic: Act 2: To what benevolent demon do I owe the joy of being thus surrounded | | | | | | | |
Doctor Atomic: Act 2: Zero minus two minutes | | | | | | | |
Doctor Atomic: Overture | | | | Overture | | | |
Dog Meat | | | | | | | |