| vocals |
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1987-05 | Ernani: Atto I. “Mio signor, dolente i sono” / “Io tuo fido? …” (SIlva, Carlo, Elvira, Ernani, Riccardo, Giovanna, Jago, Coro) | bass vocals [Jago] | Andrew Greenwood, Paata Burchuladze, Chorus of the Welsh National Opera, Linda McLeod, Alastair Miles, Richard Morton, Leo Nucci, Luciano Pavarotti, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 3:57 |
1987-05 | Ernani: Atto I. “Uscite...Ma signore …” / “Vedi come il buon vegliardo” (Silva, Ernani, Carlo, Jago, Riccardo, Elvira, Giovanna, Coro) | bass vocals [Jago] | Andrew Greenwood, Paata Burchuladze, Chorus of the Welsh National Opera, Linda McLeod, Alastair Miles, Richard Morton, Leo Nucci, Luciano Pavarotti, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 4:14 |
1987-05 | Ernani: Atto II. "D'Ernani i fidi chiedono" (Jago, Silva, Ernani, Coro) | bass vocals | Luciano Pavarotti, Leo Nucci, Alastair Miles | 7:48 |
1987-05 | Ernani: Atto II. “D'Ernani i fidi chiedono” (Jago Silva, Ernani, Coro) / “In arcion, in arcion cavalieri” (Silva, Ernani, Coro) | bass vocals [Jago] | Andrew Greenwood, Paata Burchuladze, Chorus of the Welsh National Opera, Alastair Miles, Luciano Pavarotti, Orchestra of the Welsh National Opera, Richard Bonynge | 7:59 |
1987-05 | Ernani: Atto III. "Ad augusta! Chi va là?" (Coro, Ernani, Silva, Jago) | bass vocals | Luciano Pavarotti, Leo Nucci, Paata Burchuladze, Alastair Miles | 4:10 |
1987-05 | Ernani: Atto III. "O sommo Carlo, più del tuo nome" (Carlo, Elvira, Ernani, Riccardo, Giovanna, Jago, Silva, Coro) | bass vocals | Luciano Pavarotti, Dame Joan Sutherland, Leo Nucci, Paata Burchuladze, Linda McLeod, Richard Morton, Alastair Miles | 3:49 |
1987-05 | Ernani: Atto III. "Qual rumore? Che sarà" (Ernani, Silva, Jago, Carlo, Riccardo, Coro) | bass vocals | Luciano Pavarotti, Leo Nucci, Paata Burchuladze, Richard Morton, Alastair Miles | 2:12 |
1987-05 | Ernani: Atto III. “Ad augusta! Chi va là?” (Coro, Silva, Ernani, Jago) | bass vocals [Jago] | Andrew Greenwood, Paata Burchuladze, Chorus of the Welsh National Opera, Alastair Miles, Luciano Pavarotti, Orchestra of the Welsh National Opera, Richard Bonynge | 4:10 |
1987-05 | Ernani: Atto III. “O sommo Carlo, più del tuo nome“ (Carlo, Silva, Elvira, Ernani, Giovanna, Jago, Riccardo, Coro) | bass vocals [Jago] | Andrew Greenwood, Paata Burchuladze, Chorus of the Welsh National Opera, Linda McLeod, Alastair Miles, Richard Morton, Leo Nucci, Luciano Pavarotti, Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | 3:56 |
1987-05 | Ernani: Atto III. “Si redeste il Leon di Castiglia” (Ernani, Jago, Silva, Coro) | bass vocals [Jago] | Andrew Greenwood, Paata Burchuladze, Chorus of the Welsh National Opera, Alastair Miles, Luciano Pavarotti, Orchestra of the Welsh National Opera, Richard Bonynge | 1:37 |
1989-05 | Vespro della Beata Vergine, SV 206: II. Dixit dominus | bass vocals | Alastair Miles, Ann Monoyios, Monteverdi Choir, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | 7:15 |
1989-05 | Vespro della Beata Vergine, SV 206: IV. Laudate pueri | bass vocals | Alastair Miles, Ann Monoyios, Monteverdi Choir, Sandro Naglia, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | 5:42 |
1989-05 | Vespro della Beata Vergine, SV 206: VI. Laetatus sum | bass vocals | Alastair Miles, Ann Monoyios, Monteverdi Choir, Marinella Pennicchi, Nigel Robson, Mark Tucker, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | 6:35 |
1989-05 | Vespro della Beata Vergine, SV 206: XIII. Magnificat a 7 voci | bass vocals | Patrick Russill, Michael Chance, London Oratory Junior Choir, Alastair Miles, Ann Monoyios, Monteverdi Choir, Sandro Naglia, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, Ian Watson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | 17:45 |
1989-06 | Handel: Saul, HWV 53 / Act 1 - "'Tis all in vain...A serpent in my bosom warm'd...Has he escaped my rage?" (Live) | bass vocals [Saul] | English Baroque Soloists, Sir John Eliot Gardiner | 2:17 |
1989-06 | Handel: Saul, HWV 53 / Act 1 - "Behold, O King, the brave victorious youth" (Live) | bass vocals [Saul] | English Baroque Soloists, Sir John Eliot Gardiner | 0:45 |
1989-06 | Handel: Saul, HWV 53 / Act 1 - "Thou, Merab, first in birth... My soul rejects the thought...See, see with what a scornful air... Ah! lovely youth!" (Live) | bass vocals [Saul] | English Baroque Soloists, Sir John Eliot Gardiner | 3:22 |
1989-06 | Handel: Saul, HWV 53 / Act 1 - "What do I hear?... David his ten thousands slew...To him ten thousands!" (Live) | bass vocals [Saul] | English Baroque Soloists, Sir John Eliot Gardiner | 1:09 |
1989-06 | Handel: Saul, HWV 53 / Act 1 - "With rage I shall burst his praises to hear!" (Live) | bass vocals [Saul] | English Baroque Soloists, Sir John Eliot Gardiner | 1:20 |
1989-06 | Handel: Saul, HWV 53 / Act 2 - "Appear, my friend" (Live) | bass vocals [Saul] | English Baroque Soloists, Sir John Eliot Gardiner | 0:30 |
1989-06 | Handel: Saul, HWV 53 / Act 2 - "As great Jehovah lives" (Live) | bass vocals [Saul] | English Baroque Soloists, Sir John Eliot Gardiner | 1:17 |
1989-06 | Handel: Saul, HWV 53 / Act 2 - "My father comes...Hast thou obey'd my orders" (Live) | bass vocals [Saul] | English Baroque Soloists, Sir John Eliot Gardiner | 0:44 |
1989-06 | Handel: Saul, HWV 53 / Act 2 - "The time at length is come...Where is the son of Jesse" (Live) | bass vocals [Saul] | English Baroque Soloists, Sir John Eliot Gardiner | 1:33 |
1989-06 | Handel: Saul, HWV 53 / Act 2 - "Your words, O King...Yes he shall wed my daughter!" (Live) | bass vocals [Saul] | English Baroque Soloists, Sir John Eliot Gardiner | 1:24 |
1989-06 | Handel: Saul, HWV 53 / Act 3 - "Why hast thou forc'd me from the realms of peace" (Live) | bass vocals [Saul] | English Baroque Soloists, Sir John Eliot Gardiner | 3:02 |
1989-06 | Handel: Saul, HWV 53 / Act 3 - "Wretch that I am...'Tis said, here lives a woman...With me what would'st thou?" (Live) | bass vocals [Saul] | English Baroque Soloists, Sir John Eliot Gardiner | 3:45 |
1989-07 | Vespro della Beata Vergine, SV 206a: XII. Magnificat a 6 voci | bass vocals | Patrick Russill, London Oratory Junior Choir, Alastair Miles, Ann Monoyios, Monteverdi Choir, Marinella Pennicchi, Nigel Robson, Bryn Terfel, Mark Tucker, Ian Watson, English Baroque Soloists, His Majestys Sagbutts and Cornetts, Sir John Eliot Gardiner | 18:28 |
1989-11 | Cantata for Mixed Chorus and Orchestra, Op. 112 "Meeresstille und glückliche Fahrt": I. Meeresstille. Sostenuto "Tiefe Stille herrscht im Wasser" Sostenuto / II. Glückliche Fahrt. Allegro vivace "Die Nebel zerreißen" | bass vocals | Orchestre Révolutionnaire et Romantique, Monteverdi Choir, John Eliot Gardiner | 7:19 |
1989-11 | Mass in C major, op. 86: Agnus Dei | bass vocals | Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | 6:21 |
1989-11 | Mass in C major, op. 86: Credo | bass vocals | Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | 10:30 |
1989-11 | Mass in C major, op. 86: Gloria | bass vocals | Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | 8:49 |
1989-11 | Mass in C major, op. 86: Kyrie | bass vocals | Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | 5:35 |
1989-11 | Mass in C major, op. 86: Sanctus (Benedictus) | bass vocals | Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | 10:47 |
1989-11 | Missa solemnis, op. 123: 1. Kyrie. Assai sostenuto (Mit Andacht) | bass vocals and solo | William Kendall, Charlotte Margiono, Alastair Miles, Monteverdi Choir, Catherine Robbin, Alastair Ross, English Baroque Soloists, Sir John Eliot Gardiner | 8:51 |
1989-11 | Missa solemnis, op. 123: 2. Gloria. Allegro vivace | bass vocals and solo | William Kendall, Charlotte Margiono, Alastair Miles, Monteverdi Choir, Catherine Robbin, Alastair Ross, English Baroque Soloists, Sir John Eliot Gardiner | 16:29 |
1989-11 | Missa solemnis, op. 123: 3. Creedo. Allegro ma non troppo | bass vocals and solo | William Kendall, Charlotte Margiono, Alastair Miles, Monteverdi Choir, Catherine Robbin, Alastair Ross, English Baroque Soloists, Sir John Eliot Gardiner | 17:29 |
1989-11 | Missa solemnis, op. 123: 4. Sanctus. Adagio (Mit Andacht) - Benedictus. Andante molto cantabile e non troppo mosso | bass vocals and solo | William Kendall, Charlotte Margiono, Alastair Miles, Monteverdi Choir, Catherine Robbin, Alastair Ross, English Baroque Soloists, Sir John Eliot Gardiner | 15:17 |
1989-11 | Missa solemnis, op. 123: 5. Agnus Dei. Adagio | bass vocals and solo | William Kendall, Charlotte Margiono, Alastair Miles, Monteverdi Choir, Catherine Robbin, Alastair Ross, English Baroque Soloists, Sir John Eliot Gardiner | 13:34 |
1991-07-13 – 1991-07-22 | Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina) | bass vocals | Jerry Hadley, Barbara Hendricks, Alastair Miles, Peter Svensson, Scottish Chamber Orchestra, Charles Mackerras | 8:16 |
1991-09 | Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) | bass vocals [Raimondo] | Alexandru Agache, Ambrosian Singers, Edita Gruberová, Bernard Lombardo, Alastair Miles, Diana Montague, Neil Shicoff, London Symphony Orchestra, Richard Bonynge | 3:55 |
1991-09 | Lucia di Lammermoor: Atto III, Scena 1. no. 13. Scena con coro “Deh, cessate quel contento” … “Dalle stanze ove Lucia” (Raimondo, Coro) | bass vocals [Raimondo] | Ambrosian Singers, Alastair Miles, London Symphony Orchestra, Richard Bonynge | 3:10 |
1991-09 | Lucia di Lammermoor: Atto III, Scena 1. no. 14. “S'avanza Enrico!” (Raimondo, Enrico, Coro, Lucia) | bass vocals [Raimondo] | Alexandru Agache, Ambrosian Singers, Edita Gruberová, Alastair Miles, London Symphony Orchestra, Richard Bonynge | 3:33 |
1991-09 | Lucia di Lammermoor: Atto III, Scena 1. no. 14. “Spargi d’amaro pianto” (Lucia, Enrico, Raimondo, Coro) | bass vocals [Raimondo] | Alexandru Agache, Ambrosian Singers, Edita Gruberová, Alastair Miles, London Symphony Orchestra, Richard Bonynge | 6:11 |
1991-09 | Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) | bass vocals [Raimondo] | Ambrosian Singers, Alastair Miles, Neil Shicoff, London Symphony Orchestra, Richard Bonynge | 4:42 |
1991-09 | Requiem, KV. 626: IIIb. Sequenz: Tuba mirum | bass vocals | Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, The London Classical Players, Sir Roger Norrington | 2:46 |
1991-09 | Requiem, KV. 626: IIId. Sequenz: Recordare | bass vocals | Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, The London Classical Players, Sir Roger Norrington | 4:35 |
1991-09 | Requiem, KV. 626: IVa. Offertorium: Domine Jesu | bass vocals | Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, The London Classical Players, Sir Roger Norrington | 3:19 |
1991-09 | Requiem, KV. 626: Va. Sanctus et Benedictus: Sanctus / Vb. Sanctus et Benedictus: Osanna I | bass vocals | Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, The Schütz Choir of London, The London Classical Players | 2:19 |
1991-10 | Thamos, König in Ägypten, KV 345: 7. Chor mit Solo (Sethos): "Ihr Kinder des Staubes, erzittert und bebet" (final version) | bass vocals [Sethos] | Alastair Miles, Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 7:11 |
1991 | Messiah, K. 572: Accompanied Recitative: Blick auf! Nacht bedecket das Erdreich (Bass) | bass vocals | Alastair Miles, Bach‐Collegium Stuttgart, Helmuth Rilling | 2:16 |
1991 | Messiah, K. 572: Accompanied Recitative: Merkt auf! (Bass) | bass vocals | Alastair Miles, Bach‐Collegium Stuttgart, Helmuth Rilling | 0:38 |
1991 | Messiah, K. 572: Accompanied Recitative: So spricht der Herr (Bass) | bass vocals | Alastair Miles, Bach‐Collegium Stuttgart, Helmuth Rilling | 1:21 |
1991 | Messiah, K. 572: Aria: Das Volk, das im Dunkeln wandelt (Bass) | bass vocals | Alastair Miles, Bach‐Collegium Stuttgart, Helmuth Rilling | 4:01 |
1991 | Messiah, K. 572: Aria: Doch wer mag ertragen den Tag seiner Ankunft (Bass) | bass vocals | Alastair Miles, Bach‐Collegium Stuttgart, Helmuth Rilling | 4:28 |
1991 | Messiah, K. 572: Aria: Sie schallt, die Posaun' (Bass) | bass vocals | Alastair Miles, Bach‐Collegium Stuttgart, Helmuth Rilling | 2:26 |
1991 | Messiah, K. 572: Aria: Warum entbrennen die Heiden (Bass) | bass vocals | Alastair Miles, Bach‐Collegium Stuttgart, Helmuth Rilling | 4:53 |
1992-02 | La traviata: Atto III. “Se una pudica vergine” | bass vocals [Dottore Grenvil] | Ambrosian Singers, Monica Bacelli, Edita Gruberová, Alastair Miles, Neil Shicoff, Giorgio Zancanaro, London Symphony Orchestra, Carlo Rizzi | 3:33 |
1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello) | bass vocals | London Classical Players, Roger Norrington | 5:16 |
1992-08 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello) | bass vocals | London Classical Players, Roger Norrington | 5:16 |
1992-08 | Mass in B-flat major “Theresienmesse”, Hob. XXII:12: Agnus Dei. Agnus Dei - Dona nobis pacem | bass vocals | Nancy Argenta, The English Concert Choir, Alastair Miles, Catherine Robbin, Michael Schade, The English Concert, Trevor Pinnock | 7:47 |
1992-08 | Mass in B-flat major “Theresienmesse”, Hob. XXII:12: Credo. Credo in unum Deum - Et incarnatus est - Et resurrexit | bass vocals | Nancy Argenta, The English Concert Choir, Alastair Miles, Catherine Robbin, Michael Schade, The English Concert, Trevor Pinnock | 10:02 |
1992-08 | Mass in B-flat major “Theresienmesse”, Hob. XXII:12: Gloria. Gloria in excelsis Deo - Gratias agimus tibi - Quoniuam tu solus Sanctus | bass vocals | Nancy Argenta, The English Concert Choir, Alastair Miles, Catherine Robbin, Michael Schade, The English Concert, Trevor Pinnock | 12:43 |
1992-08 | Mass in B-flat major “Theresienmesse”, Hob. XXII:12: Kyrie | bass vocals | Nancy Argenta, The English Concert Choir, Alastair Miles, Catherine Robbin, Michael Schade, The English Concert, Trevor Pinnock | 5:48 |
1992-08 | Mass in B-flat major “Theresienmesse”, Hob. XXII:12: Sanctus - Benedictus. Sanctus, Dominus Deus Sabaoth - Pleni sunt coeli - Osanna - Benedictus, qui venit - Osanna | bass vocals | Nancy Argenta, The English Concert Choir, Alastair Miles, Catherine Robbin, Michael Schade, The English Concert, Trevor Pinnock | 8:33 |
1992-08 | Mass in G major “Sancti Nicolai”, Hob. XXII:6: Agnus Dei. Agnus Dei - Dona nobis pacem | bass vocals | Nancy Argenta, The English Concert Choir, Alastair Miles, Catherine Robbin, Michael Schade, The English Concert, Trevor Pinnock | 6:22 |
1992-08 | Mass in G major “Sancti Nicolai”, Hob. XXII:6: Credo. Fredo in unum Deum - Et incarnatus est - Et resurrexit | bass vocals | Nancy Argenta, The English Concert Choir, Alastair Miles, Catherine Robbin, Michael Schade, The English Concert, Trevor Pinnock | 5:53 |
1992-08 | Mass in G major “Sancti Nicolai”, Hob. XXII:6: Gloria. Gloria in excelsis Deo - Gratias agimus tibi - Quoniam tu solus Sanctus | bass vocals | Nancy Argenta, The English Concert Choir, Alastair Miles, Catherine Robbin, Michael Schade, The English Concert, Trevor Pinnock | 4:20 |
1992-08 | Mass in G major “Sancti Nicolai”, Hob. XXII:6: Kyrie | bass vocals | Nancy Argenta, The English Concert Choir, Alastair Miles, Catherine Robbin, Michael Schade, The English Concert, Trevor Pinnock | 2:51 |
1992-08 | Mass in G major: Sanctus -- Benedictus | bass vocals | Nancy Argenta, The English Concert Choir, Alastair Miles, Catherine Robbin, Michael Schade, The English Concert, Trevor Pinnock | 7:51 |
1992-12-16 – 1992-12-18 | Messiah: Behold, I tell you a mystery | bass vocals | The Brandenburg Consort, Stephen Cleobury | 0:36 |
1992-12-16 – 1992-12-18 | Messiah: For behold, darkness shall cover the earth | bass vocals | The Brandenburg Consort, Stephen Cleobury | 2:08 |
1992-12-16 – 1992-12-18 | Messiah: The people that walked in darkness | bass vocals | The Brandenburg Consort, Stephen Cleobury | 3:50 |
1992-12-16 – 1992-12-18 | Messiah: The trumpet shall sound | bass vocals | The Brandenburg Consort, Stephen Cleobury | 8:44 |
1992-12-16 – 1992-12-18 | Messiah: Thus saith the lord of hosts | bass vocals | The Brandenburg Consort, Stephen Cleobury | 1:20 |
1992-12-16 – 1992-12-18 | Messiah: Why do the nations so furiously rage | bass vocals | The Brandenburg Consort, Stephen Cleobury | 1:25 |
1992-12 | Requiem: I. Requiem | bass vocals | Luca Canonici, Alastair Miles, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | 8:52 |
1992-12 | Requiem: IIb. Dies irae: Tuba mirum | bass vocals | Alastair Miles, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | 2:59 |
1992-12 | Requiem: IIe. Dies irae: Rex tremendae | bass vocals | Luca Canonici, Alastair Miles, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | 3:25 |
1992-12 | Requiem: IIh. Dies irae: Confutatis | bass vocals | Alastair Miles, Monteverdi Choir, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | 4:49 |
1992-12 | Requiem: IIi. Dies irae: Lacrymosa | bass vocals | Luca Canonici, Alastair Miles, Monteverdi Choir, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | 5:49 |
1992-12 | Requiem: III. Offertorio | bass vocals | Luca Canonici, Alastair Miles, Ľuba Orgonášová, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | 10:09 |
1992-12 | Requiem: VI. Lux aeterna | bass vocals | Luca Canonici, Alastair Miles, Anne Sofie von Otter, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | 6:15 |
1993-02-05 – 1993-02-07 | Mass No. 1 in D minor, WAB 26: Agnus Dei | bass vocals | Corydon Singers, Corydon Orchestra, Matthew Best | 8:42 |
1993-02-05 – 1993-02-07 | Mass No. 1 in D minor, WAB 26: Benedictus | bass vocals | Corydon Singers, Corydon Orchestra, Matthew Best | 7:18 |
1993-02-05 – 1993-02-07 | Mass No. 1 in D minor, WAB 26: Credo | bass vocals | Corydon Singers, Corydon Orchestra, Matthew Best | 13:03 |
1993-02-05 – 1993-02-07 | Mass No. 1 in D minor, WAB 26: Gloria | bass vocals | Corydon Singers, Corydon Orchestra, Matthew Best | 6:06 |
1993-02-05 – 1993-02-07 | Te Deum in C major, WAB 45: In te, Domine | bass vocals | Corydon Singers, Corydon Orchestra, Matthew Best | 5:29 |
1993-02-05 – 1993-02-07 | Te Deum in C major, WAB 45: Salvum fac | bass vocals | Corydon Singers, Corydon Orchestra, Matthew Best | 6:55 |
1993-02-05 – 1993-02-07 | Te Deum in C major, WAB 45: Te ergo | bass vocals | Corydon Singers, Corydon Orchestra, Matthew Best | 2:57 |
1993-03-14 – 1993-03-16 | Messiah: Behold, I tell you a mystery | bass vocals | The Brandenburg Consort, Stephen Cleobury | 0:36 |
1993-03-14 – 1993-03-16 | Messiah: For behold, darkness shall cover the earth | bass vocals | The Brandenburg Consort, Stephen Cleobury | 2:08 |
1993-03-14 – 1993-03-16 | Messiah: The people that walked in darkness | bass vocals | The Brandenburg Consort, Stephen Cleobury | 3:50 |
1993-03-14 – 1993-03-16 | Messiah: The trumpet shall sound | bass vocals | The Brandenburg Consort, Stephen Cleobury | 8:44 |
1993-03-14 – 1993-03-16 | Messiah: Thus saith the lord of hosts | bass vocals | The Brandenburg Consort, Stephen Cleobury | 1:20 |
1993-03-14 – 1993-03-16 | Messiah: Why do the nations so furiously rage | bass vocals | The Brandenburg Consort, Stephen Cleobury | 1:25 |
1994-10-02 – 1994-10-05 | L’Enfance du Christ: Première partie, Le Songe d’Hérode: Scène 2: Air d’Hérode « Toujours ce rêve ! encore cet enfant » (Hérode) | bass vocals [Hérode] | Alastair Miles, Corydon Orchestra, Matthew Best | 9:26 |
1994-10-02 – 1994-10-05 | L’Enfance du Christ: Première partie, Le Songe d’Hérode: Scène 3: « Seigneur ! » (Polydorus, Hérode) | bass vocals [Hérode] | Alastair Miles, Robert Poulton, Corydon Orchestra, Matthew Best | 0:42 |
1994-10-02 – 1994-10-05 | L’Enfance du Christ: Première partie, Le Songe d’Hérode: Scène 4: « Eh bien ! eh bien ! par le fer qu’ils périssent ! » (Hérode, Les Devins) | bass vocals [Hérode] | Corydon Singers, Alastair Miles, Corydon Orchestra, Matthew Best | 2:50 |
1994-10-02 – 1994-10-05 | L’Enfance du Christ: Première partie, Le Songe d’Hérode: Scène 4: « La voix dit vrai, seigneur » (Les Devins, Hérode) | bass vocals [Hérode] | Corydon Singers, Alastair Miles, Corydon Orchestra, Matthew Best | 1:30 |
1994-10-02 – 1994-10-05 | L’Enfance du Christ: Première partie, Le Songe d’Hérode: Scène 4: Hérode et les devins « Les sages de Judée » (Les Devins, Hérode) | bass vocals [Hérode] | Corydon Singers, Alastair Miles, Corydon Orchestra, Matthew Best | 3:38 |
| See all 320 relationships |
| vocals |
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1991-07 | Missa in C, K. 257 "Credo" / Litaniae de Venerabili Altaris Sacramento, K.243 | bass vocals | Wolfgang Amadeus Mozart; Angela Maria Blasi, Elisabeth von Magnus, Deon van der Walt, Alastair Miles, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | |
2007-07 | La Cour de Célimène | | Ambroise Thomas; Laura Claycomb, Alastair Miles, Joan Rodgers, Sébastien Droy; Philharmonia Orchestra, Andrew Litton | |
| L’Enfance du Christ | bass vocals [La Père de la Famille] | Hector Berlioz; Swedish Radio Symphony Orchestra & Choir, Robin Ticciati | |
| Messiah | bass vocals | Handel; Dawson, Summers, Ainsley, Miles, Choir of King’s College, Cambridge, Brandenburg Consort, Stephen Cleobury | |
| Messiah | bass vocals | Handel; Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis | |
| Messiah | bass vocals | George Frideric Handel; Lynne Dawson, Hilary Summers, John Mark Ainsley, Alastair Miles, The Choir of King’s College, Cambridge, Brandenburg Consort, Stephen Cleobury | |
| Missa in angustiis "Nelsonmesse" / Te Deum | bass-baritone vocals | Joseph Haydn; Nikolaus Harnoncourt, Arnold Schönberg Chor, Concentus Musicus Wien | |
| Requiem / Maurerische Trauermusik / Ave verum corpus | bass vocals | Wolfgang Amadeus Mozart; Nancy Argenta, Catherine Robbin, John Mark Ainsley, Alastair Miles, Schütz Choir & Consort, The London Classical Players, Sir Roger Norrington | |
| Stabat Mater, Hob. XXbis | bass-baritone vocals | Haydn; Bonney, Von Magnus, Lippert, Miles, Arnold Schoenberg Chor, Concentus Musicus Wien, Harnoncourt | |
| Symphony no. 9 | bass vocals | Ludwig van Beethoven; Atlanta Symphony Orchestra, Chorus, Donald Runnicles | |
| The Dream of Gerontius | bass vocals | Elgar; Sir Colin Davis, David Rendall, Anne Sofie von Otter, Alastair Miles, London Symphony Chorus, London Symphony Orchestra | |
| The Dream of Gerontius (disc 1) | bass vocals | Sir Edward Elgar; London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis | |