Alleluja! Lobet den Herren in seinem Heiligtum (Psalm 150), SWV 38 | | | | | | | |
Ascanio in Alba, K. 111: Act I, Scene II. No. 5 Aria "Cara, lontano ancora" (Ascanio) | | | | | | | |
Ascanio in Alba, K. 111: Act I, Scene II. Recitativo "Perché tacer degg'io?" (Ascanio) | | | | | | | |
Cantata "Jesu, meine Freude", BuxWV 60: I. Sonata | | | | | | | |
Cantata "Jesu, meine Freude", BuxWV 60: II. Jesu meine Freude | | | | | | | |
Cantata "Jesu, meine Freude", BuxWV 60: III. Unter deinen Schirmen | | | | | | | |
Cantata "Jesu, meine Freude", BuxWV 60: IV. Trotz dem alten Drachen | | | | | | | |
Cantata "Jesu, meine Freude", BuxWV 60: V. Weg mit allen Schätzen | | | | | | | |
Cantata "Jesu, meine Freude", BuxWV 60: VI. Gute Nacht, o Wesen | | | | | | | |
Cantata "Jesu, meine Freude", BuxWV 60: VII. Weicht, ihr Trauergeister | | | | | | | |
Capriccio XI obligo di cantare la quinta parte, F 4.11 | | | | | | | |
Clori amorosa d’amor rubella, SV 243 | | | | | | | |
Concertante for Flute, Violin and Orchestra: I. Allegro | | | | | | | |
Concertante for Flute, Violin and Orchestra: II. Andante | | | | | | | |
Concertante for Flute, Violin and Orchestra: III. Rondo. Allegro – Andante – Allegro | | | | | | | |
Così fan tutte: Atto I. No. 11 Aria “Smanie implacabili che m’agitate” (Dorabella) | | | | Aria | | | |
Così fan tutte: Atto I. Recitativo “Ah, scostati!” (Dorabella) | | - Nan Merriman, Philharmonia Orchestra, Herbert von Karajan
- Wiener Philharmoniker, Karl Böhm
- La Petite Bande, Sigiswald Kuijken
- Dame Janet Baker, Montserrat Caballé, Ileana Cotrubaş, John Constable, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
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Da mihi Domine | | | | | | | |
Damigella tutta bella, SV 235 | | | | Song | | | |
Danket dem Herrn, denn er ist freundlich (Psalm 136), SWV 32 | | - Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
- Cantus Cölln, Concerto Palatino, Konrad Junghänel
- David Erler, Stephan MacLeod, Dorothee Mields, Tobias Mäthger, Georg Poplutz, Dresdner Barockorchester, Hans-Christoph Rademann, Dresdner Kammerchor
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De la bellezza le dovute lodi, SV 245:2.1 | | | | | | | |
De Profundis | | | | | | | |
Déploration sur la mort de Johannes Ockeghem | | | | Song | | | |
Der Geist hilft unsrer Schwachheit auf, BWV 226 | | | | Motet | | | |
Der Herr hat seinen Stuhl | | | | | | | |
Der Herr sprach zu meinem Herren (Psalm 110), SWV 22 | | | | | | | |
Douleur me bat | | | | | | | |
Du aber, Daniel, gehe hin TWV 04:17: III. Recitativo (Bass): "Mit Freuden folgt die Seele" | | | | | | | |
Du aber, Daniel, gehe hin TWV 04:17: IV. Aria: "Du Aufenthalt der blassen Sorgen", Accompagnato: "Du bist ein ungestümes Meer", Arioso: "Komm, sanfter Tod", Recitativo: "Im Himmel ist der Sitz" (Bass) | | | | | | | |
Du aber, Daniel, gehe hin TWV 04:17: VII. Recitativo (Bass): "Dir ist, hochsel'ger Mann" | | | | | | | |
Ehre sei Gott in der Höhe | | | | | | | |
Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate | | | | | | | |
Exsultate, jubilate, K. 158a/165: II. Fulget amica dies | | | | | | | |
Exsultate, jubilate, K. 158a/165: III. Tu virginum corona | | | | | | | |
Exsultate, jubilate, K. 158a/165: IV. Alleluia | | | | | | | |
Fugge il verno dei dolori SV 232 | | - María Cristina Kiehr, Stephan MacLeod, Concerto Soave, Jean-Marc Aymes
- Sergio Vartolo, Concerto delle Dame di Ferrara
- Michel Brodard, Ensemble Vocal de Lausanne, Rosemary Hardy, Nicole Rossier, Lars Brolin, Thierry Fischer, Ake Hedlund, Pedrag Novovic, Alf Petersen, Bertrand Sauvin, Lennart Sköld, Matthias Spaeter, Drottningholms Barockensemble, Michel Corboz
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Fürchte dich nicht, ich bin bei dir, BWV 228 | | | | Motet | | | |
Geistliches Konzert, "Jauchzet dem Herren alle Welt" | | | | Cantata | | | |
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison | | | | Mass | | | |
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison | | | | Mass | | | |
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison | | | | Mass | | | |
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo | | | | Mass | | | |
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi | | | | Mass | | | |
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax | | | | | | | |
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te | | | | Mass | | | |
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi | | | | Mass | | | |
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus | | | | Mass | | | |
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris | | - Concentus Musicus Wien, Nikolaus Harnoncourt
- Michael Chance, Sophia McKenna, English Baroque Soloists, Sir John Eliot Gardiner
- Hertha Töpper, Münchener Bach‐Orchester, Karl Richter
- Roberto Gabbiani, Cecilia Bartoli, Coro dell’Accademia Nazionale di Santa Cecilia, Orchestra dell’Accademia Nazionale di Santa Cecilia, Myung-Whun Chung
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| | Mass | | | |
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus | | | | Mass | | | |
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu | | | | Mass | | | |
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum | | | | Mass | | | |
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem | | | | Mass | | | |
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum | | | | Mass | | | |
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est | | | | Mass | | | |
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto | | | | Mass | | | |
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus | | | | Mass | | | |
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit | | | | Mass | | | |
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum | | | | Mass | | | |
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor | | | | Mass | | | |
h-Moll-Messe, BWV 232: III. Sanctus | | | | Mass | | | |
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis | | | | Mass | | | |
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus | | | | Mass | | | |
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur | | | | Mass | | | |
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei | | | | Mass | | | |
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem | | | | Mass | | | |
Herr, unser Herrscher (Psalm 8), SWV 27 | | - Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
- Cantus Cölln, Concerto Palatino, Konrad Junghänel
- Chapelle Rhénane, Benoît Haller
- David Erler, Stefan Kunath, Stephan MacLeod, Dorothee Mields, Tobias Mäthger, Georg Poplutz, Felix Schwandtke, Marie Luise Werneburg, Dresdner Barockorchester, Hans-Christoph Rademann, Dresdner Kammerchor
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Hoe schoon lichtet de morghen ster | | | | | | | |
Ich bin eine Blume zu Saron, BuxWV 45 | | | | Cantata | | | |
Ich danke dem Herrn von ganzem Herzen (Psalm 111), SWV 34 | | - Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
- Dresdner Kreuzchor, Ernst-Ludwig Hammer, Werner Jaroslawski, Hans Otto, Mitglieder Der Staatskapelle Dresden, Rudolf Mauersberger
- Cantus Cölln, Concerto Palatino, Konrad Junghänel
- David Erler, Stefan Kunath, Stephan MacLeod, Dorothee Mields, Tobias Mäthger, Georg Poplutz, Felix Schwandtke, Marie Luise Werneburg, Dresdner Barockorchester, Hans-Christoph Rademann, Dresdner Kammerchor
- Schütz-Akademie, Howard Arman
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Ich freu mich des, das mir geredt ist (Psalm 122), SWV 26 | | - Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
- Cantus Cölln, Concerto Palatino, Konrad Junghänel
- David Erler, Stefan Kunath, Stephan MacLeod, Dorothee Mields, Tobias Mäthger, Georg Poplutz, Felix Schwandtke, Marie Luise Werneburg, Dresdner Barockorchester, Hans-Christoph Rademann, Dresdner Kammerchor
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Ich hebe meine Augen auf zu den Bergen (Psalm 121), SWV 31 | | | | | | | |
Ich lasse dich nicht, du segnest mich denn, BWV Anh. 159 | | | | Motet | | | |
Io ch’armato sin hor, SV 249a:6 | | - Marco Longhini, Delitiæ Musicæ
- Stephan MacLeod, Concerto Soave, Jean-Marc Aymes
- Ensemble Vocal de Lausanne, Philippe Huttenlocher, Lars Brolin, Thierry Fischer, Ake Hedlund, Pedrag Novovic, Alf Petersen, Bertrand Sauvin, Lennart Sköld, Matthias Spaeter, Drottningholms Barockensemble, Michel Corboz
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Ist nicht Ephraim mein teurer Sohn (Motet), SWV 40 | | - Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
- Ruth Holton, The Monteverdi Choir, Ashley Stafford, The English Baroque Soloists, His Majesties Sagbutts and Cornetts, John Eliot Gardiner
- Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble, Ulsamer Collegium, Hanns‐Martin Schneidt, Regensburger Domspatzen
- Dresdner Kreuzchor, Capella Fidicinia, Martin Flämig
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Jauchzet dem Herren, alle Welt (Concerto), SWV 47 | | - Kammerchor Stuttgart, Musica Fiata, Frieder Bernius
- Hamburger Bläserkreis für Alte Musik Instrumental-Ensemble, Ulsamer Collegium, Hanns‐Martin Schneidt, Regensburger Domspatzen
- Cantus Cölln, Concerto Palatino, Konrad Junghänel
- Chapelle Rhénane, Benoît Haller
- David Erler, Birgit Jacobi, Isabel Jantschek, Stephan MacLeod, Dorothee Mields, Tobias Mäthger, Georg Poplutz, Marie Luise Werneburg, Dresdner Barockorchester, Hans-Christoph Rademann, Dresdner Kammerchor
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Jauchzet dem Herren, alle Welt (Psalm 100), SWV 36 | | | | | | | |
Jesu, meine Freude, BWV 227: I. Corale „Jesu, meine Freude“ | | | | | | | |
Jesu, meine Freude, BWV 227: II. "Es ist nun nichts Verdammliches" | | | | | | | |
Jesu, meine Freude, BWV 227: III. Corale: "Unter deinem Schirmen" | | | | | | | |
Jesu, meine Freude, BWV 227: IV. "Denn das Gesetz des Geistes" | | |