Robert Holl

~ Person

Relationships

Discogs: https://www.discogs.com/artist/848263 [info]
IMDb: http://www.imdb.com/name/nm0992532/ [info]
Wikidata: Q873760 [info]

Appearances

Date Title Attributes Artist Length
vocal
1977-06-29 Quartett: An die Sonne D 439 »O Sonne, Königin der Welt« bass vocals Helen Donath, Robert Holl, Marga Schiml, Peter Schreier, Leonard Hokanson 6:13
1977-06-29 Quartett: Der Tanz D 826: »Es redet und träumet die Jugend so viel« bass vocals Helen Donath, Robert Holl, Marga Schiml, Peter Schreier, Leonard Hokanson 1:45
1977-06-29 Quartett: Gebet D 815 »Du Urquell aller Güte« bass vocals Helen Donath, Robert Holl, Marga Schiml, Peter Schreier, Leonard Hokanson 10:57
1977-06-29 Quartett: Gott der Weltschöpfer D 986 »Zu Gott, zu Gott lieg auf« bass vocals Helen Donath, Robert Holl, Marga Schiml, Peter Schreier, Leonard Hokanson 2:34
1977-06-29 Quartett: Gott im Ungewitter D 985 »Du Schrecklicher« bass vocals Helen Donath, Robert Holl, Marga Schiml, Peter Schreier, Leonard Hokanson 4:33
1977-06-29 Quartett: Lebenslust D 609 »Wer Lebenslust fühlet« bass vocals Helen Donath, Robert Holl, Marga Schiml, Peter Schreier, Leonard Hokanson 1:07
1977-06-29 Terzett: Die Advokaten D 37: »Mein Herr, ich komm’ mich anzufragen« bass vocals Robert Holl, Hermann Prey, Peter Schreier, Leonard Hokanson 7:09
1977-06-29 Terzett: Kantate zum Geburtstag des Sängers Johann Michael Vogl D 666 »Sänger, der von Herzen singet« bass vocals Helen Donath, Robert Holl, Peter Schreier, Leonard Hokanson 10:32
1978-04 Missa Sacrum, RV 586: IIc. Gloria: Allegro non molto "Laudamus te" bass-baritone vocals Antonio Vivaldi 1:21
1978-04 Missa Sacrum, RV 586: IIe. Gloria: Allegro "Domine Deus" bass-baritone vocals Antonio Vivaldi 1:25
1978-04 Missa Sacrum, RV 586: IIg. Gloria: Allegro "Quoniam" bass-baritone vocals Antonio Vivaldi 3:02
1978-04 Missa Sacrum, RV 586: IIIb. Credo: Andante "Et incarnatus est" bass-baritone vocals Antonio Vivaldi 3:27
1978-04 Missa Sacrum, RV 586: IIIc. Credo: Allegro "Et resurrexit" bass-baritone vocals Antonio Vivaldi 2:14
1978-04 Missa Sacrum, RV 586: Vb. Agnus Dei: Adagio "Agnus Dei". Allegro non molto "Dona nobis pacem" bass-baritone vocals Antonio Vivaldi 1:48
1979-12-13 – 1981-01-24 Cantata, BWV 119 "Preise, Jerusalem, dem Herrn," IV. Recitativo (bass). So herrlich stehst du, liebe Stadt bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 1:52
1981-01-16 Cantata, BWV 123 "Liebster Immanuel, Herzog der Frommen," IV. Recitativo (bass). Kein Höllenfeind kann mich verschlingen bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 0:44
1981-01-16 Cantata, BWV 123 "Liebster Immanuel, Herzog der Frommen," V. Aria (bass). Laß, o Welt, mich aus Verachtung bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 7:54
1981-10-21 – 1982-05-23 Cantata, BWV 138 "Warum betrübst du dich, mein Herz," II. Recitativo (bass). Ich bin veracht' bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 1:00
1981-10-21 – 1982-05-23 Cantata, BWV 138 "Warum betrübst du dich, mein Herz," V. Aria (bass). Auf Gott steht meine Zuversicht bass vocals Gerhard Schmidt‐Gaden, Robert Holl, Tölzer Knabenchor, Concentus Musicus Wien, Nikolaus Harnoncourt 5:10
1981-10-21 – 1982-05-23 Cantata, BWV 139 "Wohl dem, der sich auf seinen Gott," IV. Aria (bass). Das Unglück schlägt auf allen Seiten bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 5:08
1981-10-22 Cantata, BWV 131 "Aus der Tiefe rufe ich, Herr, zu dir," II. Aria (Duetto) (soprano, bass). So du willst, Herr, Sünde zurechnen bass vocals Allan Bergius, Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 4:30
1981-10 – 1981-11 Requiem in D minor, K. 626 (Beyer Edition): IIIb. Sequenz: "Tuba mirum" bass vocals Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 3:44
1981-10 – 1981-11 Requiem in D minor, K. 626 (Beyer Edition): IIId. Sequenz: "Recordare" bass vocals Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 6:20
1981-10 – 1981-11 Requiem in D minor, K. 626 (Beyer Edition): IVa. Offertorium: "Domine Jesu" bass vocals Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Konzertvereinigung Wiener Staatsopernchor, Concentus Musicus Wien, Nikolaus Harnoncourt 3:47
1981-10 – 1981-11 Requiem in D minor, K. 626 (Beyer Edition): VI. "Benedictus" bass vocals Rachel Yakar, Ortrun Wenkel, Kurt Equiluz, Robert Holl, Konzertvereinigung Wiener Staatsopernchor, Concentus Musicus Wien, Nikolaus Harnoncourt 5:17
1983-01 – 1985-11 Cantata, BWV 163 "Nur jedem das Seine," II. Recitativo (bass). Du bist, mein Gott bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 1:28
1983-01 – 1985-11 Cantata, BWV 163 "Nur jedem das Seine," III. Aria (bass). Laß mein Herz die Münze sein bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 2:52
1983-01 – 1986-04 Cantata, BWV 162 "Ach, ich sehe, itzt, da ich zur Hochzeit gehe," I. Aria (bass). Ach, ich sehe, itzt, da ich zur Hochzeit gehe bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 3:44
1983 Cantata BWV 205, "Zerreisset, zersprenget, zertrümmert die Gruft,": Aria "Wie will ich lustig lachen" bass vocals [Aeolus] Concentus Musicus Wien, Nikolaus Harnoncourt 4:15
1983 Cantata BWV 205, "Zerreisset, zersprenget, zertrümmert die Gruft,": Aria "Zurücke, zurücke, geflügelten Winde" bass vocals [Aeolus] Concentus Musicus Wien, Nikolaus Harnoncourt 3:24
1983 Cantata BWV 205, "Zerreisset, zersprenget, zertrümmert die Gruft,": Recitativo "Ja! ja! die Stunden sind nunmehro nah'" bass vocals [Aeolus] Concentus Musicus Wien, Nikolaus Harnoncourt 1:39
1983 Cantata BWV 205, "Zerreisset, zersprenget, zertrümmert die Gruft,": Recitativo "Mein Äolus, Ach!" bass vocals [Aeolus] Concentus Musicus Wien, Nikolaus Harnoncourt 2:19
1983 Cantata BWV 205, "Zerreisset, zersprenget, zertrümmert die Gruft,": Recitativo: 'Beinahe wirst du mich bewegen' bass vocals [Aeolus] Concentus Musicus Wien, Nikolaus Harnoncourt 0:36
1984-05-24 – 1984-07-19 Der Messias: Accompagnato bass vocals Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner 2:22
1984-05-24 – 1984-07-19 Der Messias: No. 5 Accompagnato bass vocals Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner 1:25
1984-05-24 – 1984-07-19 Der Messias: No. 10 Arie bass vocals Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner 4:05
1984-05-24 – 1984-07-19 Der Messias: No. 32 Arie bass vocals Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner 3:27
1984-05-24 – 1984-07-19 Der Messias: No. 36 Arie bass vocals Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner 2:52
1984-05-24 – 1984-07-19 Der Messias: No. 42 Accompagnato bass vocals Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner 0:39
1984-05-24 – 1984-07-19 Der Messias: No. 43 Arie bass vocals Robert Holl, Radio‐Sinfonieorchester Stuttgart des SWR, Sir Neville Marriner 8:53
1984-10 Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus bass vocals and solo Wolfgang Amadeus Mozart 6:40
1984 Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:59
1986-04 Messe in H-moll, BWV 232: I. Missa. Gloria. Quoniam tu solus bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 5:14
1986-04 Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et in Spiritum bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 5:13
1986-11-01 Messe Nr. 6 Es-Dur, D 950: V. Benedictus. "Benedictus, qui venit" Andante bass vocals Wiener Philharmoniker, Claudio Abbado 5:00
1986-11-01 Messe Nr. 6 Es-Dur, D 950: V. Benedictus. "Osanna in excelsis" Allegro, ma non troppo bass vocals Wiener Philharmoniker, Claudio Abbado 1:12
1986-11-01 Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Agnus Dei, qui tollis peccata mundi" Allegro molto moderato bass vocals Wiener Philharmoniker, Claudio Abbado 0:54
1986-11-01 Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Agnus Dei, qui tollis peccata mundi" Andante con moto bass vocals Wiener Philharmoniker, Claudio Abbado 3:57
1986-11-01 Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Dona nobis pacem" Andante bass vocals Wiener Philharmoniker, Claudio Abbado 3:31
1986-11-01 Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Dona nobis pacem" Andantino bass vocals Wiener Philharmoniker, Claudio Abbado 2:08
1988-03 Te Deum: I. Te Deum Laudamus bass vocals Wiener Philharmoniker, Bernard Haitink, Chor des Bayerischen Rundfunks, Karita Mattila, Susanne Mentzer, Vinson Cole, Robert Holl 6:32
1988-03 Te Deum: II. Te Ergo bass vocals Wiener Philharmoniker, Bernard Haitink, Chor des Bayerischen Rundfunks, Karita Mattila, Susanne Mentzer, Vinson Cole, Robert Holl 2:40
1988-03 Te Deum: III. Aeterna Fac bass vocals Wiener Philharmoniker, Bernard Haitink, Chor des Bayerischen Rundfunks, Karita Mattila, Susanne Mentzer, Vinson Cole, Robert Holl 1:37
1988-03 Te Deum: IV. Salvum Fac bass vocals Wiener Philharmoniker, Bernard Haitink, Chor des Bayerischen Rundfunks, Karita Mattila, Susanne Mentzer, Vinson Cole, Robert Holl 7:09
1988-03 Te Deum: V. In Te, Domine, Speravi bass vocals Wiener Philharmoniker, Bernard Haitink, Chor des Bayerischen Rundfunks, Karita Mattila, Susanne Mentzer, Vinson Cole, Robert Holl 5:53
1988-05 Aria "Ihr Felder und Auen" bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:20
1988-05 Bauernkantate - Recitativo "Das ist zu klug vor dich" bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:05
1988-05 Bauernkantate - Recitativo "Du hast wohl recht" bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 6:11
1988-05 Bauernkantate - Recitativo "Er hilft uns allen, alt und jung" bass vocals Angela Maria Blasi, Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 1:47
1988-05 Bauernkantate - Recitativo "Mein Schatz, erraten !" bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:40
1988-05 Bauernkantate - Recitativo "Nu, Mieke, gib dein Guschel immer her" bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 2:03
1988-05 Bauernkantate - Recitativo "Und damit sei es auch genug" bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:59
1988-05 Bauernkantate - Recitativo "Und unsre gnäd'ge Frau" bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:36
1988-05 BWV 208-06. Recitativo 'Ich, der sonst ein Gott' bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:38
1988-05 BWV 208-07. Aria 'Ein Fürst ist seines Landes Pan' bass vocals [Pan] Concentus Musicus Wien, Nikolaus Harnoncourt 2:33
1988-05 BWV 208-11. Coro 'Lebe, Sonne dieser Erden' bass vocals [Pan] Concentus Musicus Wien, Nikolaus Harnoncourt 3:15
1988-05 BWV 208-14. Aria 'Ihr Felder und Auen' bass vocals [Pan] Concentus Musicus Wien, Nikolaus Harnoncourt 3:20
1988-05 BWV 212-02. Aria (Duetto) 'Mer hahn en neue Oberkeet' bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:35
1988-05 BWV 212-03. Recitativo 'Nu, Mieke, gib dein Guschel immer her' bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:58
1988-05 BWV 212-05. Recitativo 'Der Herr ist gut' bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:23
1988-05 BWV 212-06. Aria 'Ach, Herr Schösser' bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:12
1988-05 BWV 212-09. Recitativo 'Er hilft uns allen, alt und jung' bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:32
1988-05 BWV 212-11. Recitativo 'Und unsre Gnäd'ge Frau' bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:46
1988-05 BWV 212-12. Aria 'Fünfzig Taler bares Geld' bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:50
1988-05 BWV 212-15. Recitativo 'Das ist zu klug vor dich' bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:22
1988-05 BWV 212-16. Aria 'Es nehme zehntausend Dukaten' bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:43
1988-05 BWV 212-19. Recitativo 'Du hast wohl recht' bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:20
1988-05 BWV 212-20. Aria 'Dein Wachstum sei feste' bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 5:51
1988-05 BWV 212-21. Recitativo 'Und damit sei es auch genug' bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:15
1988-05 BWV 212-23. Recitativo 'Mein Schatz, erraten!' bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 0:33
1988-05 BWV 212-24. Coro 'Wir gehn nun' bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:07
1988-05 Kantate, BWV 212 "Mer hahn en neue Oberkeet": II. Aria (Soprano, Basso) "Mer hahn en neue Oberkeet" bass vocals Academy of Ancient Music, Christopher Hogwood 0:35
1988-05 Kantate, BWV 212 "Mer hahn en neue Oberkeet": III. Recitativo (Sopran, Bass) "Nu, Mieke, gib dein Guschel immer her" bass vocals Bach‐Collegium Stuttgart, Helmuth Rilling 1:01
1988-05 Kantate, BWV 212 "Mer hahn en neue Oberkeet": IX. Recitativo (Sopran, Bass) "Er hilft uns allen, alt und jung" bass vocals Bach‐Collegium Stuttgart, Helmuth Rilling 0:37
1988-05 Kantate, BWV 212 "Mer hahn en neue Oberkeet": V. Recitativo (Bass) "Der Herr ist gut" bass vocals Bach‐Collegium Stuttgart, Helmuth Rilling 0:26
1988-05 Kantate, BWV 212 "Mer hahn en neue Oberkeet": VI. Aria (Bass) "Ach, Herr Schösser, geht nicht gar zu schlimm" bass vocals Bach‐Collegium Stuttgart, Helmuth Rilling 1:09
1988-05 Kantate, BWV 212 "Mer hahn en neue Oberkeet": XI. Recitativo (Bass) "Und unsre gnädge Frau" bass vocals Bach‐Collegium Stuttgart, Helmuth Rilling 0:48
1988-05 Kantate, BWV 212 "Mer hahn en neue Oberkeet": XII. Aria (Bass) "Fünfzig Taler bares Geld" bass vocals Bach‐Collegium Stuttgart, Helmuth Rilling 0:52
1988-05 Kantate, BWV 212 "Mer hahn en neue Oberkeet": XIX. Recitativo (Bass) "Du hast wohl recht" bass vocals Bach‐Collegium Stuttgart, Helmuth Rilling 0:20
1988-05 Kantate, BWV 212 "Mer hahn en neue Oberkeet": XV. Recitativo (Bass) "Das ist zu klug vor dich" bass vocals Bach‐Collegium Stuttgart, Helmuth Rilling 0:24
1988-05 Kantate, BWV 212 "Mer hahn en neue Oberkeet": XVI. Aria (Bass) "Es nehme zehntausend Dukaten" bass vocals Bach‐Collegium Stuttgart, Helmuth Rilling 0:44
1988-05 Kantate, BWV 212 "Mer hahn en neue Oberkeet": XX. Aria (Basso) "Dein Wachstum sei feste" bass vocals Academy of Ancient Music, Christopher Hogwood 5:44
1988-05 Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXI. Recitativo (Sopran, Bass) "Und damit sei es auch genug" bass vocals Bach‐Collegium Stuttgart, Helmuth Rilling 0:20
1988-05 Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIII. Recitativo (Sopran, Bass) "Mein Schatz! erraten" bass vocals Bach‐Collegium Stuttgart, Helmuth Rilling 0:35
1988-05 Kantate, BWV 212 "Mer hahn en neue Oberkeet": XXIV. Chor (Sopran, Bass) "Wir gehn nun, wo der Tudelsack" bass vocals Bach‐Collegium Stuttgart, Helmuth Rilling 1:06
1988-05 Recitativo "Der Herr ist gut" bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:35
1988-05 Recitativo "Ich, der ich sonst ein Gott" bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:11
1990-12-05 – 1990-12-06 Grande Messe en ut mineur K. 427 : V. Benedictus (Allegro comodo) bass vocals Arleen Augér, Hans Peter Blochwitz, Barbara Bonney, Robert Holl, Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado 5:26
1990-12-05 – 1990-12-06 Mass in C minor, K. 427: I. Kyrie. Andante moderato bass-baritone vocals Arleen Augér, Hans Peter Blochwitz, Barbara Bonney, Robert Holl, Rundfunkchor Berlin, Berliner Philharmoniker, Claudio Abbado 6:40
1991-06-21 Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - Allegro assai - Presto - Rezitativo - Allegro assai bass vocals The Chamber Orchestra of Europe, Nikolaus Harnoncourt 24:24
1993-10 – 1993-11 Johannes-Passion, BWV 245: II. Recit - Chorus bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 2:32
1993-10 – 1993-11 Johannes-Passion, BWV 245: IV. Recit: Auf daß das Wort erfüllet wurde bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:11
1993-10 – 1993-11 Johannes-Passion, BWV 245: X. Recit: Derselbige Jünger bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:06
1993-10 – 1993-11 Johannes-Passion, BWV 245: XII. Recit - Chorus bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 2:05
1993-10 – 1993-11 Johannes-Passion, BWV 245: XVI. Recit - Chorus bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 4:23
1993-10 – 1993-11 Johannes-Passion, BWV 245: XVIII. Recit - Chorus bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:58
1993-10 – 1993-11 Johannes-Passion, BWV 245: XXI. Recit - Chorus bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 5:57
1993-10 – 1993-11 Johannes-Passion, BWV 245: XXIX. Recit: Und von Stund an nahm sie der Jünger bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:15
1993-10 – 1993-11 Johannes-Passion, BWV 245: XXVII. Recit - Chorus bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 3:26
1996-05-19 – 1996-05-20 Das Buch mit 7 Siegeln: Ich bin das A und das O [Die Stimme des Herrn, Johannes, Solo-Quartett, Chor] bass vocals and solo Johannes Prinz, Kurt Azesberger, Eberhard Büchner, Gabriele Fontana, Margareta Hintermeier, Robert Holl, Robert Holzer, Wiener Singverein, Wiener Symphoniker, Horst Stein 13:22
1996-05-19 – 1996-05-20 Das Buch mit 7 Siegeln: Und als das Lamm der Siegel fünftes auftat [Johannes, Chor, Die Stimme des Herrn] bass vocals and solo Johannes Prinz, Eberhard Büchner, Robert Holl, Wiener Singverein, Martin Haselböck, Wiener Symphoniker, Horst Stein 6:17
1996-05-19 – 1996-05-20 Das Buch mit 7 Siegeln: Vor dem Angesichte dessen [Johannes, Die Stimme des Herrn] bass vocals and solo Eberhard Büchner, Robert Holl, Wiener Singverein, Wiener Symphoniker, Horst Stein 8:55
2007-04 Symphony no. 8 in E-flat major: "Accende lumen sensibus" bass vocals and solo Twyla Robinson, Johan Botha, Michelle DeYoung, Robert Holl, Hanno Müller‐Brachmann, Chor der Deutschen Staatsoper Berlin, Rundfunkchor Berlin, Simone Schröder, Erin Wall, Staatskapelle Berlin, Pierre Boulez 4:54
2007-04 Symphony no. 8 in E-flat major: "Alles Vergängliche" bass vocals [Pater Profundus] and solo Twyla Robinson, Aurelius Sängerknaben Calw, Chor der Deutschen Staatsoper Berlin, Michelle DeYoung, Robert Holl, Hanno Müller‐Brachmann, Johan Botha, Rundfunkchor Berlin, Simone Schröder, Erin Wall, Staatskapelle Berlin, Pierre Boulez 6:05
2007-04 Symphony no. 8 in E-flat major: "Gloria sit Patri Domino" bass vocals and solo Twyla Robinson, Aurelius Sängerknaben Calw, Chor der Deutschen Staatsoper Berlin, Michelle DeYoung, Robert Holl, Hanno Müller‐Brachmann, Johan Botha, Rundfunkchor Berlin, Simone Schröder, Erin Wall, Staatskapelle Berlin, Pierre Boulez 3:03
2007-04 Symphony no. 8 in E-flat major: "Imple superna gratia" bass vocals and solo Twyla Robinson, Johan Botha, Michelle DeYoung, Robert Holl, Hanno Müller‐Brachmann, Chor der Deutschen Staatsoper Berlin, Rundfunkchor Berlin, Simone Schröder, Erin Wall, Staatskapelle Berlin, Pierre Boulez 3:21
2007-04 Symphony no. 8 in E-flat major: "Infirma nostri corporis" bass vocals and solo Twyla Robinson, Johan Botha, Michelle DeYoung, Robert Holl, Hanno Müller‐Brachmann, Chor der Deutschen Staatsoper Berlin, Rundfunkchor Berlin, Simone Schröder, Erin Wall, Staatskapelle Berlin, Pierre Boulez 2:31
2007-04 Symphony no. 8 in E-flat major: "Infirma nostri corporis" bass vocals and solo Johan Botha, Michelle DeYoung, Robert Holl, Hanno Müller‐Brachmann, Twyla Robinson, Simone Schröder, Erin Wall, Staatskapelle Berlin, Pierre Boulez 3:18
2007-04 Symphony no. 8 in E-flat major: "Veni, Creator...Da gaudiorum praemia" bass vocals and solo Twyla Robinson, Aurelius Sängerknaben Calw, Chor der Deutschen Staatsoper Berlin, Michelle DeYoung, Robert Holl, Hanno Müller‐Brachmann, Johan Botha, Rundfunkchor Berlin, Simone Schröder, Erin Wall, Staatskapelle Berlin, Pierre Boulez 3:47
2007-04 Symphony no. 8 in E-flat major: "Wie Felsenabgrund mir zu Füßen" bass vocals [Pater Profundus] and solo Robert Holl, Staatskapelle Berlin, Pierre Boulez 5:04
Cantata, BWV 167 "Ihr Menschen, rühmet Gottes Liebe," IV. Recitativo (bass). Des Weibes Samen kam bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 1:07
Cantata, BWV 168 "Tue Rechnung! Donnerwort," I. Aria (bass). Tue Rechnung! Donnerwort bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 3:27
Cantata, BWV 168 "Tue Rechnung! Donnerwort," IV. Recitativo (bass). Jedoch, erschrocknes Herz bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 1:44
Cantata, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm," V. Recitativo (bass). Und da du, Herr, gesagt bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 1:40
Cantata, BWV 173 "Erhöhtes Fleisch und Blut," IV. Aria (Duetto) (bass, soprano). So hat Gott die Welt geliebt bass vocals Concentus Musicus Wien, Nikolaus Harnoncourt 4:04
Cantata, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte," IV. Aria (bass). Greifet zu, faßt das Heil bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 3:19
Cantata, BWV 178 "Wo Gott der Herr nicht bei uns hält," III. Aria (bass). Gleichwie die wilden Meereswellen bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 3:33
Cantata, BWV 178 "Wo Gott der Herr nicht bei uns hält," V. Choral-Recitativo (alto, tenor, bass). Aufsperren sie den Rachen weit bass vocals Gerhard Schmidt‐Gaden, Kurt Equiluz, Robert Holl, Panito Iconomou, Tölzer Knabenchor, Concentus Musicus Wien, Nikolaus Harnoncourt 1:27
Cantata, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei," IV. Recitativo (bass). Wer so von innen wie von außen ist bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 1:39
Cantata, BWV 182 "Himmelskönig, sei willkommen," III. Recitativo (bass). Siehe, siehe, ich komme bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 0:47
Cantata, BWV 182 "Himmelskönig, sei willkommen," IV. Aria (bass). Starkes Lieben, das dich, großer Gottessohn bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 2:51
Cantata, BWV 186 "Ärgre dich, o Seele, nicht," Prima Parte: II. Recitativo (bass). Die Knechtsgestalt, die Not, der Mangel bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 1:28
Cantata, BWV 186 "Ärgre dich, o Seele, nicht," Prima Parte: III. Aria (bass). Bist du, der mir helfen soll bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 2:37
Cantata, BWV 186 "Ärgre dich, o Seele, nicht," Seconda Parte: I. Recitativo (bass). Es ist die Welt die große Wüstenei bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 1:44
Cantata, BWV 188 "Ich habe meine Zuversicht," III. Recitativo (bass). Gott meint es gut mit jedermann bass vocals Robert Holl, Concentus Musicus Wien, Nikolaus Harnoncourt 2:00
Christmas Oratorio, BWV 248 / Part One - For the First Day of Christmas - No. 8 Aria (Baß): ''Großer Herr, O starker König'' bass vocals Robert Holl, Sächsische Staatskapelle Dresden, Peter Schreier 4:42
Der Winterabend, D. 938 bass-baritone vocals Robert Holl, Roger Vignoles 6:58
Herbst, D. 945 bass-baritone vocals Robert Holl, Roger Vignoles 3:41
Im großen Schweigen: I. Hier ist das Meer bass-baritone vocals and guest Residentie Orkest, Hans Vonk 6:53
Im großen Schweigen: II. Das Meer liegt bleich und glänzend da bass-baritone vocals and guest Residentie Orkest, Hans Vonk 5:06
Im großen Schweigen: III. Sei es drum! bass-baritone vocals and guest Residentie Orkest, Hans Vonk 3:37
Im großen Schweigen: IV. Ach, es wird noch stiller bass-baritone vocals and guest Residentie Orkest, Hans Vonk 2:49
Im großen Schweigen: V. Oh Meer! Oh Abend! bass-baritone vocals and guest Residentie Orkest, Hans Vonk 4:31
Johannes-Passion, BWV 245: 3 arien aus Fassung II: Aria (Baß) - Coral: Himmel, reiße, Welt, erbebe - Jesus, deine Passion, BWV 245a bass vocals [Baß] Gothart Stier, Robert Holl, Rundfunkchor Leipzig 4:18
Johannes-Passion, BWV 245: Erster Teil, Nr. 2a Evangelist, Jesus: Jesus ging mit seinen Jüngern / Nr. 2b Chorus: Jesum von Nazareth! / Nr. 2c Evangelist, Jesus: Jesus sprich zu ihnen / Nr. 2d Chorus: Jesum von Nazareth! / Nr. 2e Evangelist, Jesus: Jesus antwortete bass vocals [Baß] Robert Holl, Peter Schreier 2:33
Johannes-Passion, BWV 245: Erster Teil, Nr. 4 Evangelist, Jesus: Auf daß das Wort erfüllet würde bass vocals [Baß] Robert Holl, Peter Schreier 1:20
Johannes-Passion, BWV 245: Erster Teil, Nr. 10 Evangelist, Ancilla, Petrus, Jesus, Servus: Derselbige Jünger war dem Hohenpriester bekannt bass vocals [Baß] Robert Holl, Egbert Junghanns, Ekkehard Wagner, Peter Schreier 3:21
Johannes-Passion, BWV 245: Zweiter Teil, Nr. 16a Evangelist, Pilatus: Da führeten sie Jesum / Nr. 16b Chorus: Wäre dieser nicht ein ûbeltäter / Nr. 16c Evangelist, Pilatus: Da sprech Pilatus zu ihnen / 16d Chorus: Wir dürfen niemanden töten / Nr. 16e Evangelist, Pilatus, Jesus, Auf daß erfüllt würde bass vocals [Baß] Gothart Stier, Robert Holl, Andreas Scheibner, Rundfunkchor Leipzig, Peter Schreier 4:07
Johannes-Passion, BWV 245: Zweiter Teil, Nr. 18a Evangelist, Pilatus, Jesus: Da sprach Pilatus zu ihm / Nr 18b Chorus: Nicht diesen, sondern Barrabam! / Nr. 16c Evangelist: Barrabas aber war ein Mörder bass vocals [Baß] Gothart Stier, Robert Holl, Andreas Scheibner, Rundfunkchor Leipzig, Peter Schreier 2:10
Johannes-Passion, BWV 245: Zweiter Teil, Nr. 19 Arioso: (Baß): Betrachte, meine Seel bass vocals [Baß] Robert Holl 2:19
Johannes-Passion, BWV 245: Zweiter Teil, Nr. 21a Evangelist: Und die Kriegsknechte flochten / Nr. 21b Chorus: Sei gegrüßet, lieber Jüdenkönig / Nr. 21c Evangelist, Pilatus: Und gaben ihm Backenstreiche / Nr. 21d Chorus: Kreuzige, Kreuzige! / Nr. 21e Evangelist, Pilatus: Pilatus sprach zu ihnen / Nr. 21f Chorus: Wir haben ein Gesetz / Nr 21g Evangelist, Pilatus, Jesus: Da Pilatus das Wort hörete bass vocals [Baß] Gothart Stier, Robert Holl, Andreas Scheibner, Rundfunkchor Leipzig, Peter Schreier 5:40
Johannes-Passion, BWV 245: Zweiter Teil, Nr. 27a Evangelist: Die Kriegsknechte aber / Nr. 27b Chorus: Lasset uns den nicht zerteilen / Nr. 27c Evangelist, Jesus: Auf daß erfüllet würde die Schrift bass vocals [Baß] Gothart Stier, Robert Holl, Rundfunkchor Leipzig, Peter Schreier 3:38
Johannes-Passion, BWV 245: Zweiter Teil, Nr. 29 Evangelist, Jesus: Und von Stund an bass vocals [Baß] Robert Holl, Peter Schreier 1:22
Mass in D major, op. 123 "Missa Solemnis": I. Kyrie bass vocals The Chamber Orchestra of Europe, Nikolaus Harnoncourt 12:11
Mass in D major, op. 123 "Missa Solemnis": II. Gloria bass vocals The Chamber Orchestra of Europe, Nikolaus Harnoncourt 17:26
Mass in D major, op. 123 "Missa Solemnis": III. Credo bass vocals The Chamber Orchestra of Europe, Nikolaus Harnoncourt 19:01
Mass in D major, op. 123 "Missa Solemnis": IV. Sanctus bass vocals The Chamber Orchestra of Europe, Nikolaus Harnoncourt 5:30
Mass in D major, op. 123 "Missa Solemnis": V. Benedictus bass vocals The Chamber Orchestra of Europe, Nikolaus Harnoncourt 10:24
Mass in D major, op. 123 "Missa Solemnis": VI. Agnus Dei bass vocals The Chamber Orchestra of Europe, Nikolaus Harnoncourt 16:24
Matthäus-Passion, BWV 244: Nr. 22 Rezitativ (Bass): "Der Heiland fällt vor seinem Vater nieder" bass vocals Sächsische Staatskapelle Dresden, Peter Schreier 1:06
Matthäus-Passion, BWV 244: Nr. 23 Aria (Bass): "Gerne will ich mich bequemen" bass vocals Sächsische Staatskapelle Dresden, Peter Schreier 4:21
Matthäus-Passion, BWV 244: Nr. 42 Aria (Bass) "Gebt mir meinen Jesum wieder" bass vocals Sächsische Staatskapelle Dresden, Peter Schreier 3:10
Matthäus-Passion, BWV 244: Nr. 64 Rezitativ (Bass): "Am Abend, da es kühle war" bass vocals Sächsische Staatskapelle Dresden, Peter Schreier 2:01
Matthäus-Passion, BWV 244: Nr. 67 Rezitativ (Sopran, Alt, Tenor, Bass, Chor): "Nun ist der Herr zur Ruh gebracht" bass vocals Sächsische Staatskapelle Dresden, Peter Schreier 2:29
Matthäus-Passion: LVI. Rezitativ (Bass): Ja freilich will in uns das Fleisch und Blut bass vocals Sächsische Staatskapelle Dresden, Peter Schreier 0:42
Matthäus-Passion: LVII. Aria (Bass): Komm, süßes Kreuz bass vocals Sächsische Staatskapelle Dresden, Peter Schreier 6:49
Matthäus-Passion: LXV. Aria (Bass): Mache dich, mein Herze, rein bass vocals Sächsische Staatskapelle Dresden, Peter Schreier 6:39
Missa in Angustiis, Hob.XXII:11 "Nelsonmesse": Kyrie bass vocals Robert Holl, Keith Lewis, MDR Rundfunkchor Leipzig, Margaret Marshall, Christine Schönknecht, Staatskapelle Dresden, Carolyn Watkinson, Hansjürgen Scholze, Sir Neville Marriner 4:30
Missa Solemnis: Kyrie baritone vocals Erwin Ortner, Arnold Schoenberg Choir, Robert Holl, Marjana Lipovšek, Eva Mei, Rolfe Johnson, The Chamber Orchestra of Europe, Nikolaus Harnoncourt 6:47
Schwanengesang, D. 957 No. 1: Liebesbotschaft bass-baritone vocals Robert Holl, Roger Vignoles 3:00
Schwanengesang, D. 957 No. 2: Kriegers Ahnung bass-baritone vocals Robert Holl, Roger Vignoles 5:12
Schwanengesang, D. 957 No. 3: Frühlingssehnsucht bass-baritone vocals Robert Holl, Roger Vignoles 3:54
Schwanengesang, D. 957 No. 4: Ständchen bass-baritone vocals Robert Holl, Roger Vignoles 4:09
Schwanengesang, D. 957 No. 5: Aufenthalt bass-baritone vocals Robert Holl, Roger Vignoles 3:31
Schwanengesang, D. 957 No. 6: In der Ferne bass-baritone vocals Robert Holl, Roger Vignoles 5:47
Schwanengesang, D. 957 No. 7: Abschied bass-baritone vocals Robert Holl, Roger Vignoles 4:33
Schwanengesang, D. 957 No. 8: Der Atlas bass-baritone vocals Robert Holl, Roger Vignoles 2:13
Schwanengesang, D. 957 No. 9: Ihr Bild bass-baritone vocals Robert Holl, Roger Vignoles 2:33
Schwanengesang, D. 957 No. 10: Das Fischermädchen bass-baritone vocals Robert Holl, Roger Vignoles 2:08
Schwanengesang, D. 957 No. 11: Die Stadt bass-baritone vocals Robert Holl, Roger Vignoles 2:49
Schwanengesang, D. 957 No. 12: Am Meer bass-baritone vocals Robert Holl, Roger Vignoles 4:01
Schwanengesang, D. 957 No. 13: Der Doppelgänger bass-baritone vocals Robert Holl, Roger Vignoles 3:44
Schwanengesang, D. 957 No. 14: Die Taubenpost bass-baritone vocals Robert Holl, Roger Vignoles 3:57
Symphony no. 9 "Ode to Joy" baritone vocals Erwin Ortner, Arnold Schoenberg Choir, Robert Holl, Charlotte Margiono, Birgit Remmert, Rudolf Schasching, The Chamber Orchestra of Europe, Nikolaus Harnoncourt 14:45
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro - Allegro moderato - Allegro bass vocals Stuart Burrows, Julia Hamari, Robert Holl, London Symphony Chorus, Kiri Te Kanawa, London Symphony Orchestra, Eugen Jochum 23:49
Symphony no. 9 in D minor, op. 125: IV. (c) Allegro assai bass-baritone vocals Koninklijk Concertgebouworkest, Bernard Haitink 2:44
Symphony no. 9 in D minor, op. 125: IV. (g) Allegro ma non tanto bass-baritone vocals Koninklijk Concertgebouworkest, Bernard Haitink 4:24
Winterreise, D. 911 No. 1: Gute Nacht bass-baritone vocals Robert Holl, Naum Grubert 6:25
Winterreise, D. 911 No. 2: Die Wetterfahne bass-baritone vocals Robert Holl, Naum Grubert 1:49
Winterreise, D. 911 No. 3: Gefrorne Tränen bass-baritone vocals Robert Holl, Naum Grubert 2:36
Winterreise, D. 911 No. 4: Erstarrung bass-baritone vocals Robert Holl, Naum Grubert 2:30
Winterreise, D. 911 No. 5: Der Lindenbaum bass-baritone vocals Robert Holl, Naum Grubert 5:08
Winterreise, D. 911 No. 6: Wasserflut bass-baritone vocals Robert Holl, Naum Grubert 5:16
Winterreise, D. 911 No. 7: Auf dem Flusse bass-baritone vocals Robert Holl, Naum Grubert 3:18
Winterreise, D. 911 No. 8: Rückblick bass-baritone vocals Robert Holl, Naum Grubert 1:58
Winterreise, D. 911 No. 9: Irrlicht bass-baritone vocals Robert Holl, Naum Grubert 2:56
Winterreise, D. 911 No. 10: Rast bass-baritone vocals Robert Holl, Naum Grubert 4:01
Winterreise, D. 911 No. 11: Frühlingstraum bass-baritone vocals Robert Holl, Naum Grubert 4:21
Winterreise, D. 911 No. 12: Einsamkeit bass-baritone vocals Robert Holl, Naum Grubert 2:54
Winterreise, D. 911 No. 13: Die Post bass-baritone vocals Robert Holl, Naum Grubert 2:13
Winterreise, D. 911 No. 14: Der greise Kopf bass-baritone vocals Robert Holl, Naum Grubert 3:32
Winterreise, D. 911 No. 15: Die Krähe bass-baritone vocals Robert Holl, Naum Grubert 1:49
Winterreise, D. 911 No. 16: Letzte Hoffnung bass-baritone vocals Robert Holl, Naum Grubert 2:08
Winterreise, D. 911 No. 17: Im Dorfe bass-baritone vocals Robert Holl, Naum Grubert 3:09
Winterreise, D. 911 No. 18: Der stürmische Morgen bass-baritone vocals Robert Holl, Naum Grubert 1:02
Winterreise, D. 911 No. 19: Täuschung bass-baritone vocals Robert Holl, Naum Grubert 1:43
Winterreise, D. 911 No. 20: Der Wegweiser bass-baritone vocals Robert Holl, Naum Grubert 4:41
Winterreise, D. 911 No. 21: Das Wirtshaus bass-baritone vocals Robert Holl, Naum Grubert 4:29
Winterreise, D. 911 No. 22: Mut bass-baritone vocals Robert Holl, Naum Grubert 1:30
Winterreise, D. 911 No. 23: Die Nebensonnen bass-baritone vocals Robert Holl, Naum Grubert 2:56
Winterreise, D. 911 No. 24: Der Leiermann bass-baritone vocals Robert Holl, Naum Grubert 4:01
1975-12-02 – 1975-12-05 Das Buch mit sieben Siegeln bass vocals [Stimme des Herrn] and solo Franz Schmidt; Anton Dermota, Robert Holl, Margarita Kyriaki, Hertha Töpper, Thomas Moser, Artur Korn, Rudolf Scholz, Grazer Concertchor, Niederösterreichisches Tonkünstlerorchester, Alois J. Hochstrasser
Die sieben letzten Worte unseres Erlösers am Kreuze bass-baritone vocals Haydn; Nielsen, Hintermeier, Rolfe Johnson, Holl, Arnold Schoenberg Chor, Concentus Musicus Wien, Harnoncourt
Don Giovanni bass vocals Wolfgang Amadeus Mozart; Royal Concertgebouw Orchestra, Nikolaus Harnoncourt
Don Giovanni: Highlights bass vocals Mozart; Royal Concertgebouw Orchestra, Nikolaus Harnoncourt
Fierrabras bass vocals [König Karl] Franz Schubert; Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado
Mass in B minor, BWV 232 bass vocals Johann Sebastian Bach; Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum
Symphony no. 9 "Choral" bass vocals Beethoven; London Symphony Orchestra, Eugen Jochum
The Symphonies bass vocals Beethoven; Royal Concertgebouw Orchestra, Bernard Haitink