[unknown work by Mozart] | | | | | | | |
Apollo | | | | Ballet | | | 5 |
Apollo: Scene 1. The Birth of Apollo | | | | | | | |
Apollo: Scene 2. Apothéose | | | | | | | |
Apollo: Scene 2. Coda | | | | | | | |
Apollo: Scene 2. Pas d'action | | | | | | | |
Apollo: Scene 2. Pas de deux | | | | | | | |
Apollo: Scene 2. Variation d'Apollon (I) | | | | | | | |
Apollo: Scene 2. Variation d'Apollon (II) | | | | | | | |
Apollo: Scene 2. Variation de Calliope | | | | | | | |
Apollo: Scene 2. Variation de Polymnie | | | | | | | |
Apollo: Scene 2. Variation de Terpsichore | | | | | | | |
Baba-Yaga, op. 56 | | | | Symphonic poem | | | |
Boléro | | | | Ballet | | | 5 |
Capriccio italien, op. 45 | | | | | | | |
Carmen : Acte III. Entr’acte | | | | | | | |
Cello Concerto no. 2 in A minor, op. 14: I. Allegro | | | | | | | |
Cello Concerto no. 2 in A minor, op. 14: II. Adagio | | | | | | | |
Children’s Suite: I. Morning | | | | | | | |
Children’s Suite: II. Cheerful Walk | | | | | | | |
Children’s Suite: III. Ballerina Doll | | | | | | | |
Children’s Suite: IV. Bears’ Dance | | | | | | | |
Children’s Suite: IX. Evening | | | | | | | |
Children’s Suite: V. Touch‐Last | | | | | | | |
Children’s Suite: VI. In the Glade | | | | | | | |
Children’s Suite: VII. Battle | | | | | | | |
Children’s Suite: VIII. Dance and a Cry‐Baby | | | | | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | | | | | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice | | | | | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | | | | | | | |
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: I. Allegro non troppo | | | | | | | |
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: II. Allegro appassionato | | | | | | | |
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: III. Andante – Più adagio | | | | | | | |
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: IV. Allegretto grazioso | | | | | | | |
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: II. Adagio | | | | | | | |
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: I. Allegro | | - [unknown]
- Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm
- Angelika Bamber, Angelica Berger, Hans Friedrich, Peter Jancovic, Renata Modron, Mozart Festival Orchestra, SWR Symphony Orchestra, Wiener Mozart‐Ensemble, Ernest Bour, Herbert Kraus, Alberto Lizzio
- Irena Grafenauer, Maria Graf, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 105 more)
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Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino | | - James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Angelika Bamber, Angelica Berger, Hans Friedrich, Peter Janconvic, Peter Jancovic, Akiko Miyazashi, Renata Modron, Renata Mordon, Taki Ozawa, Mozart Festival Orchestra, Orchestre de Festival Belgique, SWR Symphony Orchestra, Wiener Mozart‐Ensemble, Ernest Bour, Herbert Kraus, Alberto Lizzio, Pierre Narrato, Kurt Redel
- Hana Müllerová, Jiří Válek, Capella Istropolitana, Richard Edlinger
- (show 125 more)
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Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: III. Rondeau. Allegro | | - Angelika Bamber, Angelica Berger, Hans Friedrich, Peter Janconvic, Peter Jancovic, Renata Modron, Renata Mordon, Mozart Festival Orchestra, SWR Symphony Orchestra, Wiener Mozart‐Ensemble, Ernest Bour, Herbert Kraus, Alberto Lizzio, Kurt Redel
- Wolfgang Schulz, Nicanor Zabaleta, Wiener Philharmoniker, Karl Böhm
- Irena Grafenauer, Maria Graf, Academy of St Martin in the Fields, Sir Neville Marriner
- Nancy Allen, Susan Palma-Nidel, Orpheus Chamber Orchestra
- (show 102 more)
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Der Freischütz: Ouvertüre | | | | Overture | | | |
Die Harmonie der Welt: I. Musica Instrumentalis | | | | | | | |
Die Harmonie der Welt: II. Musica Humana | | | | | | | |
Die Harmonie der Welt: III. Musica Mundana | | | | | | | |
Die Meistersinger von Nürnberg, WWV 96: Vorspiel | | | | Overture | | | |
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt | | | | | | | |
Excerpt from Götterdämmerung, WWV 86D: Akt III, Scene II. Trauermusik beim Tode Siegfrieds | | | | | | | |
Fox-Trot | | | | | | | |
Francesca da Rimini, op. 32 | | | | Symphonic poem | | | |
Heroic Poem | | | | | | | |
Khovanshchina: Act 1 Prelude "Dawn on the Moscow River" | | | | | | | |
L’Arlésienne Suite no. 2: IV. Farandole | | | | | | | |
La Mer, trois esquisses symphoniques pour orchestre, L. 109: I. “De l’aube à midi sur la mer” | | - Orchestre philharmonique de l’ORTF, Philharmonia Slavonica, ORF-Symphonic Orchestra, Loic Bertrand, Milan Horvat, Alexander von Pitamic, Alfred Scholz
- Karlheinz Zöller, Berliner Philharmoniker, Herbert von Karajan
- Boston Symphony Orchestra, Charles Munch
- Concertgebouw Orchestra, Bernard Haitink
- (show 147 more)
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La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. “Jeux de vagues” | | | | | | | |
La Mer, trois esquisses symphoniques pour orchestre, L. 109: III. “Dialogue du vent et de la mer” | | |