| À Chloris | | | | | | | |
| A Pilgrimes Solace: No. 5. Shall I strive with wordes to move | | | | | | | |
| A Souldiers Galliard | | | | | | | |
| A Souldiers Resolution | | | | | | | |
| Amazones | | | | | | | |
| Auprès du feu l'on fait l'amour, H. 446 | | | | Aria | | | |
| Aurilla mia | | | | | | | |
| Bassoon Concerto in G minor, RV 495: I. Presto | | | | | | | |
| Bassoon Concerto in G minor, RV 495: II. Largo | | | | | | | |
| Bassoon Concerto in G minor, RV 495: III. Allegro | | | | | | | |
| Can doleful notes: I. Can doleful notes | | | | | | | |
| Canzonetta spirituale sopra la nana: Hor ch'è tempo di dormire | | | | | | | |
| Care-Charming Sleep | | | | Song | | | |
| Celle qui fait tout mon tourment, H. 450 | | | | Aria | | | |
| Cinquième suite en do mineur: Jupiter | | | | | | | |
| Cinquième suite en do mineur: VI. La Sylva | | | | | | | |
| Concerto for Cello in G minor, RV 416: I. Allegro | | | | | | | |
| Concerto for Cello in G minor, RV 416: II. Adagio | | | | | | | |
| Concerto for Cello in G minor, RV 416: III. Allegro | | | | | | | |
| Concerto for Lute in D major, RV 93: I. Allegro giusto | | | | | | | |
| Concerto for Lute in D major, RV 93: II. Largo | | | | | | | |
| Concerto for Lute in D major, RV 93: III. Allegro | | | | | | | |
| Die getreue Alceste: Act I, Scene 2: “Non ha fortuna il pianto mio” | | | | | | | |
| Die getreue Alceste: Act I: Sinfonia pour la tempête | | | | | | | |
| Dis, quand reviendras‐tu ? | | | | Song | | | |
| Drop Not, Mine Eyes | | | | Song | | | |
| Ercole amante / Sinfonia Atto I | | | | | | | |
| Ercole sul Termodonte, RV 710: Act II | | - Romina Basso, Europa Galante, Fabio Biondi
- Joyce DiDonato, Europa Galante, Fabio Biondi
- Romina Basso, Patrizia Ciofi, Joyce DiDonato, Vivica Genaux, Europa Galante, Fabio Biondi
- Topi Lehtipuu, Europa Galante, Fabio Biondi
- (show 16 more)
| | | | | |
| Ercole sul Termodonte, RV 710: Act III | | | | | | | |
| Ercole sul Termodonte, RV 710: Sinfonia | | | | | | | |
| Esther, HWV 50b: Act II. "Who calls my parting soul from death" | | | | | | | |
| Études latines: II. Néère | | | | Song | | | |
| Fortune My Foe, P. 62 | | | | | | | |
| From the Famous Peak of Derby | | | | | | | |
| Giustino: Vedro con mio diletto (Anastasio) | | - Philippe Jaroussky, Ensemble Matheus, Jean‐Christophe Spinosi
- Jakub Józef Orliński, Aleksander Dębicz, Wojciech Gumiński, Marcin Ułanowski
- Nicola Benedetti, Scottish Chamber Orchestra, Christian Curnyn
- Richard Galliano, Jean-Marc Phillips-Varjabédian, Sébastien Surel, Jean Marc Apap, Eric Levionnois, Stéphane Logerot
- (show 12 more)
| | | | | |
| Gnossienne no. 1 | | | | | | - 200035283 (ASCAP ID)
- 504055874 (ASCAP ID)
- (show 11 more)
- 003331 996 59 (SUISA ID)
| |
| Grief Keep Within | | | | Song | | | |
| Griselda, RV 718: Atto II. "Agitata da due venti" (Costanza) | | | | Aria | | | |
| Have All Our Passions? | | | | Song | | | |
| Have You Seen but a White Lily Grow? | | | | Song | | | |
| Hercules, HWV 60: Act II, no. 39: Duet "Joys of freedom, joys of power" (Dejanira, Iole) | | - English Baroque Soloists, Sir John Eliot Gardiner
- Lynne Dawson, Anne Sofie von Otter, Les Musiciens du Louvre, Marc Minkowski
- Iestyn Davies, Lea Desandre, Jupiter, Thomas Dunford
- Sarah Walker, Jennifer Smith, English Baroque Soloists, Sir John Eliot Gardiner
| | | | | |
| I Care Not for These Ladies | | | | Song | | | |
| Il Farnace, RV 711: Atto II, Scena VI. Aria "Gelido in ogni vena" (Farnace) | | | | Aria | | | |
| In Darkness Let Me Dwell | | | | | | | |
| Joseph and His Brethren, HWV 59, Act III Scene 2: Air “Prophetic Raptures Swell My Breast” (Asenath) | | | | | | | |
| Juditha triumphans devicta Holofernes barbarie, RV 644: Pars I. Aria “Veni, me sequere fida” (Juditha) | | | | | | | |
| Juditha triumphans devicta Holofernes barbarie, RV 644: Pars II. Aria “Armatae face, et anguibus” (Vagaus) | | | | Aria | | | |
| L'art de toucher le clavecin: I. Prelude in C major | | | | | | | |
| L'Eraclito amoroso, op. 2 no. 14 "Udite, amanti" | | | | | | | |
| L'Olimpiade, RV 725: "Mentre dormi Amor fomenti" (Licida) | | | | Aria | | | |
| L’Amour masqué : “J'ai deux amants” | | | | Song | | | |
| L’Antiope: Act III, Final Scene: “Vieni, corri, volami in braccio” | | | | | | | |
| L’Antiope: Act III, Scene 15: “Sdegni, furori barbari” | | | | | | | |
| La Belle Hélène : Acte I, Scène 4. Couplets « Amours divins! Ardentes flammes » (Hélène) | | | | Aria | | | |
| La Pellegrina: Quarto intermedio: La regione de' Demoni: I. Io che dal ciel cader | | | | | | | |
| Lachrimæ Pavan, P. 15 | | | | | | | |
| Laissez durer la nuit | | | | Aria | | | |
| Le doux silence de nos bois | | | | | | | |
| Le nuove musiche: 8. Amarilli, mia bella | | | | Madrigal | | | |
| Le Premier Bonheur du jour | | | | Song | | | |
| Le Temps de l’amour | | | | Song | | | |
| Les Amazones | | | | Opera | | | |
| Les Fêtes d'Hébé: Première Entrée (La Poésie), Scène V. "Je vous revois" (Le Ruisseau, la Naïade) | | | | | | | |
| Lo schiavo di sua moglie: Act I, Scene 5: “Non posso far” | | | | | | | |
| Lo schiavo di sua moglie: Act I, Scene 8: “Lasciatemi morir, stelle crudeli” | | | | | | | |
| Loves Farewell | | | | | | | |
| Ma bergère est tendre et fidelle | | | | Aria | | | |
| Marthésie, première reine des amazones: Act I, Scene 1: “Faible fierté, gloire impuissante” | | | | | | | |
| Marthésie, première reine des amazones: Act III, Scene 5: “Ô mort ! Ô triste mort” | | | | | | | |
| Marthésie, première reine des amazones: Act V, Final Scene: “Quel coup me réservait la colère céleste ?” | | | | | | | |
| Mentre che fra doglie e pene | | | | | | | |
| Mes jours s'en vont finir | | | | | | | |
| Mitilene, regina delle amazzoni: “Che farai misero core” | | | | | | | |
| Mitilene, regina delle amazzoni: “Lieti fiori, erbe odorose” | | | | | | | |
| Mitilene, regina delle amazzoni: “Sdegno all’armi, alle vendette” | | | | | | | |
| Mitilene, regina delle amazzoni: Act III, Scene 19: “Muove il piè, furia d’Averno” | | | | | | | |
| Mitilene, regina delle amazzoni: Duetto: “Io piango” / “Io peno” | | | | | | | |
| Mrs. Winter's Jump, P. 55 | | | | | | | |
| Never Weather-Beaten Saile More Willing Bent to Shore | | | | | | | |
| Nisi Dominus, RV 608: IV. Largo "Cum dederit delectis suis somnum" | | | | | | | |
| No, Let Chromatic Tunes | | | | Song | | | |
| Occasional Oratorio, HWV 62, Part I: No. 8. Soprano air “Fly from the Threat’ning Vengeance, Fly!” | | | | | | | |
| Ode for the Birthday of Queen Anne, HWV 74: “Eternal Source of Light Divine” | | | | | | | |
| Old Bones | | | | | | | |
| Ombre de mon amant | | | | | | | |
| On n'entend rien dans ce bocage | | | | Aria | | | |
| Passacaille "Versailles" | | | | | | | |
| Pelléas et Mélisande: Act III, Scene I. "Mes longs cheveux descendent" | | | | | | | |
| Pièces de clavecin: Suite no. 3 in D minor: I. Prélude | | | | | | | |
| Pièces de clavecin: Suite no. 3 in D minor: VI. Sarabande | | | | | | | |
| Pièces de théorbe et de luth, Suite No. 7 en ré mineur: I. Allemande "La Royale" | | | | | | | |
| Pièces de théorbe et de luth, Suite No. 7 en ré mineur: II. Courante I | | | | | | | |
| Pièces de théorbe et de luth, Suite No. 7 en ré mineur: III. Sarabande | | | | | | | |
| Pièces de théorbe et de luth, Suite No. 7 en ré mineur: IV. Gavotte | | | | | | | |
| Pièces de théorbe et de luth, Suite No. 7 en ré mineur: V. Chaconne | | | | | | | |
| Pièces de théorbe et de luth, Suite No. 7 en ré mineur: VI. Mascarade, rondeau | | | | | | | |
| Pièces de Viole: Livre II: 20. Couplets de Folies | | | | | | | |
| Pièces de Viole: Livre II: 63. Les Voix humaines | | | | | | | |
| Pièces de Viole: Livre IV: Suite d'un Goût Etranger: 68. L'Ameriquaine | | | | | | | |
| Pièces de Viole: Livre IV: Suite d'un Goût Etranger: 82. La Reveuse | | | | | | | |
