Ballet Music from Rosamunde | | | | | | | |
Capriccio in E minor | | | | | | | |
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio | | | | | | | |
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo | | | | | | | |
Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | | | | | | | |
Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: I. Allegro | | - David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Mark Zeltser, Anne‐Sophie Mutter, Yo‐Yo Ma, Berliner Philharmoniker, Herbert von Karajan
- Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie‐Orchester Berlin, Ferenc Fricsay
- Eugene Istomin, Leonard Rose, Isaac Stern, The Philadelphia Orchestra, Eugene Ormandy
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Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: II. Largo | | - David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Mark Zeltser, Anne‐Sophie Mutter, Yo‐Yo Ma, Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie‐Orchester Berlin, Ferenc Fricsay
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Concerto for Piano, Violin, Cello and Orchestra in C major, op. 56 “Triple Concerto”: III. Rondo alla polacca | | - David Oistrakh, Sviatoslav Richter, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan
- Yo‐Yo Ma, Anne‐Sophie Mutter, Mark Zeltser, Berliner Philharmoniker, Herbert von Karajan
- Géza Anda, Pierre Fournier, Wolfgang Schneiderhan, Deutsches Symphonie‐Orchester Berlin, Ferenc Fricsay
- [unknown]
- (show 80 more)
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Echo de Vienne | | | | | | | |
Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy” | | - Daniel Barenboim, The John Alldis Choir, Philharmonia Orchestra, Otto Klemperer
- Saint Louis Symphony Chorus, Walter Klien, Saint Louis Symphony Orchestra, Jerzy Semkow
- Schweizer Kammerchor, Yefim Bronfman, Tonhalle‐Orchester Zürich, David Zinman
- Marcus Creed, John Aler, Camille Capasso, Kristina Clemenz, Friedrich Molsberger, Hiroshi Oshima, RIAS Kammerchor, Cheryl Studer, Евгений Игоревич Кисин, Berliner Philharmoniker, Claudio Abbado
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Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: I. Adagio | | - Maurizio Pollini, Wiener Philharmoniker, Claudio Abbado
- London Philharmonic Choir, Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink
- Sveriges Radios Symfoniorkester, Esa-Pekka Salonen, Radiokören, Hélène Grimaud
- Orchestre Révolutionnaire et Romantique, John Eliot Gardiner, Robert Levin
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Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80 “Choral Fantasy”: II. Finale: Allegro – Meno allegro (Allegretto) – Allegro molto – Adagio ma non troppo – Marcia, assai vivace – Allegro – Allegretto ma non troppo quasi andante con moto »Schmeichelnd hold und liebliech klingen« – Presto | | - Maurizio Pollini, Wiener Philharmoniker, Claudio Abbado
- New York Choral Artists, Emanuel Ax, New York Philharmonic, Zubin Mehta
- Carola Höhn, Katharina Kammerloher, Andrea Bönig, Endrik Wottrich, Pär Lindskog, René Pape, Chor der Deutschen Staatsoper, Ernst Stoy, Berliner Philharmoniker, Daniel Barenboim
- London Philharmonic Choir, Alfred Brendel, London Philharmonic Orchestra, Bernard Haitink
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Frühlingsstimmen, op. 410 | | | | | | | |
Hungarian Rhapsody no. 10 in E major, S. 244 no. 10 bis | | | | | | | |
La plus que lente, L. 121, CD 128 | | | | | | | |
Nocturne no. 18 in E major, op. 62 no. 2: Lento | | | | | | | |
Nouvelles soirées de Vienne, premier suite: Valse-Caprice no. 2 "Man lebt nur einmal" | | | | | | | |
Pastorale in E minor | | | | Sonata | | | |
Piano Concerto no. 1 in G minor, op. 25: I. Molto allegro con fuoco | | | | | | | |
Piano Concerto no. 1 in G minor, op. 25: II. Andante | | | | | | | |
Piano Concerto no. 1 in G minor, op. 25: III. Presto - Molto allegro e vivace | | | | | | | |
Préludes, Livre II, L. 123: V. Bruyères. Calme | | | | | | | |
Préludes, Livre II, L. 123: VI. Général Lavine - eccentric. Dans le style et le mouvement d'un Cakewalk | | | | | | | |
Rondo Brillante in E-flat major "La Gaité", op. 62 | | | | | | | |
Soirée de Vienne, op. 56 | | | | | | | |
Tarantelle in A-flat major, op. 43 | | | | | | | |
Valse-Impromptu, S. 213 | | | | | | | |