Tracklist

CD 1
# Title Artist Rating Length
1 Adagio for Strings and Organ in G minor
Tomaso Giovanni Albinoni 11:51
2 Canon and Gigue in D major
Johann Pachelbel 5:09
3 Peer Gynt Suite No. 2, Op. 55: IV. Solveig's song
Edvard Grieg 6:06
4 Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante
Wolfgang Amadeus Mozart 5:35
5 Thaïs: Acte Deux - Meditation
Jules Massenet 6:06
6 Concerto for Violin and Strings in F minor, Op. 8 No. 4, R.297 "L'inverno": II. Largo
Antonio Vivaldi 2:21
7 Cavalleria rusticana: Intermezzo sinfonico
Pietro Mascagni 3:32
8 Suite No. 3 in D major, BWV 1068: II. Air
Johann Sebastian Bach 5 6:06
9 The Swan of Tuonela, Op. 22, No. 2
Jean Sibelius 8:00
10 Les Sylphides: II. Nocturne
Frédéric Chopin 5:58
11 Symphony No. 5 in C-sharp minor: Adagietto (Sehr langsam)
Gustav Mahler 11:58
CD 2
# Title Artist Rating Length
1 Pavane pour une infante défunte
Maurice Ravel 7:11
2 Orfeo Ed Euridice: Dance of the Blessed Spirits: Act 2
Christoph Willibald Gluck 6:50
3 Gaîté parisienne: Barcarolle
Jacques Offenbach 3:37
4 Peer Gynt Suite No. 1, Op. 46: II. The Death of Aase
Edvard Grieg 4:40
5 Adagio and Fugue in C minor, K.546 (orchestral version)
Wolfgang Amadeus Mozart 8:19
6 Carmen Suite No. 1 - Entr'acte (Act III)
Georges Bizet 2:45
7 Concerto grosso in B minor, Op. 6 No. 12: III. Larghetto, e piano
Georg Friedrich Händel 6:07
8 Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo
Antonín Dvořák 13:08
9 Romeo and Juliet, Fantasy Overture: Love Theme
Пётр Ильич Чайковский 3:34
10 Symphony No. 7 in A major, Op. 92: II. Allegretto
Ludwig van Beethoven 7:46
11 L'Arlésienne Suite No. 1: Adagietto
Georges Bizet 3:33
12 Tristan und Isolde - Concert version - Liebestod
Richard Wagner 7:23

Credits

CD 1

violin:
Michel Schwalbé (Polish violinist) (1967-09-22 – 1967-09-25) (track 5)
Michel Schwalbé (Polish violinist) (1972-08-15 – 1972-08-21) (track 6)
Leon Spierer (1983-09-28 – 1983-09-30) (track 1)
cello [cello continuo]:
Eberhard Finke (1972-08-15 – 1972-08-21) (track 6)
English horn:
Gerhard Stempnik (1984-02) (track 9)
organ:
Wolfgang Meyer (organist, harpsichordist) (1967-09-22 – 1967-09-25) (track 7)
David Bell (organist) (1983-09-28 – 1983-09-30) (tracks 1, 8)
harpsichord:
Frank Maus (1983-11) (track 2)
harpsichord [harpsichord continuo]:
Horst Göbel (1972-08-15 – 1972-08-21) (track 6)
arranger:
Max Seiffert (tracks 2, 2)
balance engineer:
Günter Hermanns (producer/engineer) (1961-04-25 – 1961-04-28) (track 10)
Günter Hermanns (producer/engineer) (1967-09-22 – 1967-09-25) (tracks 5, 7)
Günter Hermanns (producer/engineer) (1972-08-15 – 1972-08-21) (track 6)
Günter Hermanns (producer/engineer) (1973-02-13 – 1973-02-16) (track 11)
Günter Hermanns (producer/engineer) (1982-01-27 – 1982-02-18) (track 3)
Günter Hermanns (producer/engineer) (1983-09-28 – 1983-09-30) (tracks 1, 8)
Günter Hermanns (producer/engineer) (1984-02-19 – 1984-02-24) (track 9)
composer:
Fryderyk Chopin (composer) (track 10)
Remo Giazotto (track 1)
Johann Pachelbel (track 2)
Antonio Vivaldi (1723) (track 6)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 8)
Wolfgang Amadeus Mozart (classical composer) (1787) (track 4)
Edvard Grieg (1875) (track 3)
Pietro Mascagni (1888) (track 7)
Jules Massenet (1894) (track 5)
Jean Sibelius (1895) (track 9)
Gustav Mahler (1901 – 1902) (track 11)
conductor:
Herbert von Karajan (1961-04-25 – 1961-04-28) (track 10)
Herbert von Karajan (1967-09-22 – 1967-09-25) (tracks 5, 7)
Herbert von Karajan (1972-08-15 – 1972-08-21) (track 6)
Herbert von Karajan (1973-02-13 – 1973-02-16) (track 11)
Herbert von Karajan (1981-02) (track 4)
Herbert von Karajan (1982-01-27 – 1982-02-18) (track 3)
Herbert von Karajan (1983-09-28 – 1983-09-30) (tracks 1, 8)
Herbert von Karajan (1983-11) (track 2)
Herbert von Karajan (1984-02-19 – 1984-02-24) (track 9)
engineer:
Günter Hermanns (producer/engineer) (1972-08) (track 6)
Günter Hermanns (producer/engineer) (1983-11) (track 2)
executive producer:
Günther Breest (tracks 1, 8–9)
Otto Gerdes (track 5)
orchestra:
Berliner Philharmoniker (1961-04-25 – 1961-04-28) (track 10)
Berliner Philharmoniker (1967-09-22 – 1967-09-25) (tracks 5, 7)
Berliner Philharmoniker (1972-08-15 – 1972-08-21) (track 6)
Berliner Philharmoniker (1973-02-13 – 1973-02-16) (track 11)
Berliner Philharmoniker (1981-02) (track 4)
Berliner Philharmoniker (1982-01-27 – 1982-02-18) (track 3)
Berliner Philharmoniker (1983-09-28 – 1983-09-30) (tracks 1, 8)
Berliner Philharmoniker (1983-11) (track 2)
Berliner Philharmoniker (1984-02-19 – 1984-02-24) (track 9)
orchestrator:
Roy Douglas (1936) (track 10)
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer) (track 1)
producer:
Michel Glotz (tracks 1, 3, 8–9)
Werner Mayer (classical producer) (track 2)
Hans Weber (producer/engineer) (tracks 5–7, 10–11)
Hans Hirsch (producer at Deutsche Grammophon) (1972-08) (track 6)
recording engineer:
Hans Weber (producer/engineer) (1972-08) (track 6)
revised by:
Edvard Grieg (1891) (track 3)
solo violin:
Michel Schwalbé (Polish violinist) (1967-09-22 – 1967-09-25) (track 5)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1961) (track 10)
Polydor International GmbH (not for release label use!) (1968) (tracks 5, 7)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) (track 1)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1961-04-25 – 1961-04-28) (track 10)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1967-09-22 – 1967-09-25) (tracks 5, 7)
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (1972-08-15 – 1972-08-21) (track 6)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1973-02-13 – 1973-02-16) (track 11)
Berliner Philharmonie in Berlin, Germany (1982-01-27 – 1982-02-18) (track 3)
Berliner Philharmonie in Berlin, Germany (1983-09-28 – 1983-09-30) (tracks 1, 8)
Berliner Philharmonie in Berlin, Germany (1983-11) (track 2)
Berliner Philharmonie in Berlin, Germany (1984-02-19 – 1984-02-24) (track 9)
arrangement of:
arrangements:
Adagietto From Symphony no. 5 (arr. J. Nurse for piano quintet) (track 11)
Adagietto aus der 5. Symphonie (for violin and piano, Wittinger) (track 11)
Adagio for Strings and Organ in G minor (catch all for arrangements) (track 1)
Adagio of the Sky (track 1)
Air on a G String (Guitar + modern ensemble arr. Myers) (track 8)
Air on the G String (for cello and orchestra, arr. Cullen) (track 8)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 8)
Cold is Being (track 1)
Meditation from Thaïs (for violin and piano, arr. Marsick) (track 5)
Meditation from Thaïs (for trumpet and orchestra, arr. Nakariakov) (track 5)
Meditation from Thaïs (catch-all for arrangements) (track 5)
Meditation from Thaïs (for orchestra, arr. Cullen) (track 5)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 8)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 8)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 8)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 8)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 8)
Solo Amore (track 8)
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (catch-all for arrangements) (track 11)
is the basis for:
Adagio (track 1)
Anytime, Anywhere (track 1)
Ave Maria (Adapted from the Intermezzo of Cavalleria Rusticana) (track 7)
Bach Aire (track 8)
Sancta Maria (based on the Intermezzo from "Cavalleria rusticana" by Mascagni) (track 7)
Solveig's Song (track 3)
Solveig's Song (with Herik Ibsen lyrics) (track 3)
Sweetest Love (track 8)
later versions:
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 8)
part of:
Thaïs: Acte II (track 5)
Canon and Gigue in D major, T. 377 (arr. Max Seiffert) (track 2)
Les Sylphides (orch. by Douglas) (track 10)
Symphony no. 5 (movement) (track 11)
recording of:
Les Sylphides: II. Nocturne in F major, op. 15 no. 1 (orch. by Douglas) (1961-04-25 – 1961-04-28) (track 10)
Cavalleria rusticana: Intermezzo (1967-09-22 – 1967-09-25) (track 7)
Thaïs: Acte II. Entr'acte "Méditation" (1967-09-22 – 1967-09-25) (track 5)
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (1973-02-13 – 1973-02-16) (track 11)
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (1982-01-27 – 1982-02-18) (track 3)
Adagio for Strings and Organ in G minor (1983-09-28 – 1983-09-30) (track 1)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (1983-09-28 – 1983-09-30) (track 8)
Canon and Gigue in D major: I. Canon (arr. Max Seiffert) (1983-11) (track 2)
Lemminkäis-sarja (Neljä legendaa), op. 22: II. Tuonelan joutsen (The Swan of Tuonela) (1984-02-19 – 1984-02-24) (track 9)
referred to in medleys:
Hooked on Romance (track 8)
version of:

CD 2

violin:
Michel Schwalbé (Polish violinist) (track 7)
cello:
Ottomar Borwitzky (track 7)
flute:
Karlheinz Zöller (1983-09-28 – 1983-09-30) (track 2)
wind instruments:
alto saxophone:
Daniel Deffayet (1970-12) (track 11)
plucked string instruments:
Karl Scheit (classical guitarist) (track 7)
arranger:
Manuel Rosenthal (track 3)
balance engineer:
Günter Hermanns (producer/engineer) (1964-03-04 – 1964-03-05) (track 8)
Günter Hermanns (producer/engineer) (1970-12-28 – 1970-12-29) (tracks 6, 11)
Günter Hermanns (producer/engineer) (1980-06-10 – 1980-09-30) (track 3)
Günter Hermanns (producer/engineer) (1982-01-27 – 1982-02-18) (track 4)
Günter Hermanns (producer/engineer) (1983-09-28 – 1983-09-30) (track 2)
Günter Hermanns (producer/engineer) (1983-12-01 – 1983-12-05) (track 10)
Günter Hermanns (producer/engineer) (1984-02-18 – 1984-02-19) (track 12)
Günter Hermanns (producer/engineer) (1985-12-02 – 1986-02-21) (track 1)
composer:
Georges Bizet (French romantic composer) (track 6)
Wolfgang Amadeus Mozart (classical composer) (track 5)
Jacques Offenbach (tracks 3, 3)
Ludwig van Beethoven (1811 – 1812) (track 10)
Richard Wagner (1857-10 – 1859-08) (track 12)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1869) (track 9)
Georges Bizet (French romantic composer) (1872) (track 11)
Edvard Grieg (1875) (track 4)
Antonín Dvořák (1893-01-10 – 1893-05-24) (track 8)
Maurice Ravel (classical composer) (1899) (track 1)
conductor:
Herbert von Karajan (1964-03-04 – 1964-03-05) (track 8)
Herbert von Karajan (1966-10) (track 9)
Herbert von Karajan (1969-08) (track 5)
Herbert von Karajan (1970-12-28 – 1970-12-29) (tracks 6, 11)
Herbert von Karajan (1980-06-10 – 1980-09-30) (track 3)
Herbert von Karajan (1982-01-27 – 1982-02-18) (track 4)
Herbert von Karajan (1983-09-28 – 1983-09-30) (track 2)
Herbert von Karajan (1983-12-01 – 1983-12-05) (track 10)
Herbert von Karajan (1984-02-18 – 1984-02-19) (track 12)
Herbert von Karajan (1985-12-02 – 1986-02-21) (track 1)
dedicated to:
Милий Алексеевич Балакирев (Mily Alexeyevich Balakirev) (track 9)
editor:
Reinhild Schmidt (track 10)
engineer:
Günter Hermanns (producer/engineer) (1966-10) (track 9)
Günter Hermanns (producer/engineer) (1984-02) (track 12)
executive producer:
Günther Breest (tracks 3–4, 10, 12)
Otto Gerdes (track 8)
librettist:
Richard Wagner (1857-08-20 – 1857-09-18) (track 12)
orchestra:
Berliner Philharmoniker (1964-03-04 – 1964-03-05) (track 8)
Berliner Philharmoniker (1966-10) (track 9)
Berliner Philharmoniker (1969-08) (track 5)
Berliner Philharmoniker (1970-12-28 – 1970-12-29) (tracks 6, 11)
Berliner Philharmoniker (1980-06-10 – 1980-09-30) (track 3)
Berliner Philharmoniker (1982-01-27 – 1982-02-18) (track 4)
Berliner Philharmoniker (1983-09-28 – 1983-09-30) (track 2)
Berliner Philharmoniker (1983-12-01 – 1983-12-05) (track 10)
Berliner Philharmoniker (1984-02-18 – 1984-02-19) (track 12)
Berliner Philharmoniker (1985-12-02 – 1986-02-21) (track 1)
orchestrator:
Maurice Ravel (classical composer) (1910) (track 1)
performer:
Friedrich Fischer (track 7)
producer:
Michel Glotz (tracks 2–4, 10, 12)
Hans Weber (producer/engineer) (tracks 6, 9, 11)
Otto Ernst Wohlert (track 8)
Michel Glotz (1985-12) (track 1)
revised by:
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1870) (track 9)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1880) (track 9)
Edvard Grieg (1888) (track 4)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1971) (tracks 6, 11)
Polydor International GmbH (not for release label use!) (1981) (track 3)
Polydor International GmbH (not for release label use!) (1985) (track 10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1964-03-04 – 1964-03-05) (track 8)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1966-10) (track 9)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1970-12-28 – 1970-12-29) (tracks 6, 11)
Berliner Philharmonie in Berlin, Germany (1980-06-10 – 1980-09-30) (track 3)
Berliner Philharmonie in Berlin, Germany (1982-01-27 – 1982-02-18) (track 4)
Berliner Philharmonie in Berlin, Germany (1983-09-28 – 1983-09-30) (track 2)
Berliner Philharmonie in Berlin, Germany (1983-12-01 – 1983-12-05) (track 10)
Berliner Philharmonie in Berlin, Germany (1984-02-18 – 1984-02-19) (track 12)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1984-02-18 – 1984-02-19) (track 12)
Berliner Philharmonie in Berlin, Germany (1985-12-02 – 1986-02-21) (track 1)
part of:
The Tchaikovsky Handbook (number: TH 42) (track 9)
arrangement of:
arrangements:
Ballet des ombres heureuses (for solo piano, Friedman) (track 2)
Isoldens Tod (track 12)
Isoldes Liebestod from “Tristan und Isolde” (for organ, Lemare) (track 12)
Mélodie (Dance of the Blessed Spirits) (for violin and piano, arr. Kreisler) (track 2)
Mélodie de Gluck (Dance of the Blessed Spirits, arr. Sgambati for solo piano) (track 2)
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (track 2)
Romeo and Juliet, TH 42, ČW 39 (for piano four hands, Nadezhda Purgold) (track 9)
Symphony no. 7 in A major, S. 463d: II. Allegretto (for piano solo, Liszt) (track 10)
Symphony no. 7 in A major, op. 92: II. Allegretto (catch-all for arrangements) (track 10)
Tristan und Isolde: Liebestod (catch-all for arrangements) (track 12)
Tristan und Isolde: Prelude and Liebestod (concert piece) (track 12)
is based on:
Carmen: Acte II. Entr’acte (intermission between Acts II & III) (track 6)
is the basis for:
A New World (track 8)
Acid Serum (Electronic derivative of Beethoven's 7th) (track 10)
Dieron las doce (track 10)
Goin’ Home (track 8)
Güzel Sevda Bahçesi Gül Bizim Mestimize (Based on Les contes d'Hoffmann: Barcarolle) (track 3)
Más allá (track 8)
Never Say Goodbye (track 1)
(track 3)
later versions:
Going Home (Largo "From the New World") (James Last pop arrangement) (track 8)
L'Arlésienne Suite no. 1: III. Adagietto (for piano, Bizet) (track 11)
Negro Spiritual Melody (for violin and piano, Kreisler) (track 8)
Symphony no. 7 in A major, op. 92: II. Allegretto (for piano four hands) (track 10)
orchestration of:
Adagio and Fugue in C minor, K. 546 (for string quartet) (track 5)
Pavane pour une infante défunte (for solo piano) (track 1)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version) (track 2)
Symphony no. 7 in A major, op. 92 (movement) (track 10)
Carmen Suite no. 1 (track 6)
L'Arlésienne Suite no. 1, op. 23bis (for orchestra) (track 11)
partial recording of:
Romeo and Juliet, TH 42, ČW 39 (1880 version, commonly performed) (1966-10) (track 9)
parts:
recording of:
Les contes d'Hoffmann: Barcarolle (catch-all for arrangements) (track 3)
Adagio and Fugue in C minor, K. 546 (for orchestra) (1969-08) (track 5)
Carmen Suite no. 1: III. Intermezzo (based on Carmen: Entr’acte between Acts II and III) (1970-12-28 – 1970-12-29) (track 6)
L'Arlésienne Suite no. 1: III. Adagietto (for orchestra) (1970-12-28 – 1970-12-29) (track 11)
Gaîté Parisienne: XXIII. Barcarolle (arr. Manuel Rosenthal) (1980-06-10 – 1980-09-30) (track 3)
Peer Gynt Suite no. 1, op. 46: II. Åses død (1982-01-27 – 1982-02-18) (track 4)
Orfeo ed Euridice, Wq. 30: Atto II: Danza degli spiriti beati (instrumental ballet, for the original 1762 Italian version) (1983-09-28 – 1983-09-30) (track 2)
Symphony no. 7 in A major, op. 92: II. Allegretto (1983-12-01 – 1983-12-05) (track 10)
Pavane pour une infante défunte (orchestrated version) (1985-12-02 – 1986-02-21) (track 1)
referred to in medleys:
revision of:
Romeo and Juliet (1870, rarely performed) (track 9)
version of:

Release

ASIN: DE: B000CQQHIQ [info]