Tracklist

CD 1: Abbado – Chaliapin
# Title Artist Rating Length
1 Carmen: Prelude to Act IV
Georges Bizet 2:16
2 Symphony no. 10 in E minor, op. 93: II. Allegro
Дмитрий Дмитриевич Шостакович 3:52
3 2 Études de Concert, S.145 3 no. 1: Waldesrauschen
Franz Liszt 3:37
4 Trumpet Concerto in E‐flat, H.VIIe no. 1: III. Allegro
Joseph Haydn 4:36
5 Czech Dances Tance II: 2. Slepicka in B‐flat major (moderato)
Bedřich Smetana 3:03
6 Piano Concerto no. 4 in G major, op. 58: III. Presto
Maurice Ravel 3:57
7 Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
Ludwig van Beethoven 5:24
8 Cantata no. 202 “Weichet Nur, Betrübte Schatten” (Wedding Cantata), BWV 202: V. Aria: Wenn Die Frühlingslüfte Streichen
Johann Sebastian Bach 2:41
9 Suite Populaire Espagnole Nana
Manuel de Falla 1:31
10 Lieder Eines Fahrenden Gesellen Ging Heut’ Morgen Übers Feld
Gustav Mahler 4:09
11 Peer Gynt, op. 23 Sung in German Der Winter Mag Scheiden (Solveig’s Song)
Edvard Grieg 3:02
12 Piano Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto
Ludwig van Beethoven 3:02
13 Bassoon Concerto in B‐flat, K.191: III. Rondo (Tempo di menuetto)
Wolfgang Amadeus Mozart 4:24
14 Carmina Burana: III. Cour D’Amours “In Trutina”
Carl Orff 2:32
15 Nocturnes: II. Fêtes (orchestral version)
Claude Debussy 6:31
16 Tosca, Act I.: “Recondita Armonia”
Giacomo Puccini 4:05
17 Concerto in A minor for two Violins, Strings, and Continuo, R.523: II. Largo
Antonio Vivaldi 2:22
18 Boris Godounov, Act IV.: “Proshchay, Moy Syn” (Death of Boris)
Модест Петрович Мусоргский 4:44
CD 2: Collins – Galway
# Title Artist Rating Length
1 Clarinet Concerto in A major, K. 622: II. Adagio
Wolfgang Amadeus Mozart 7:44
2 Symphony no. 4 in E minor, op. 98: III. Allegro giocoso (Poco meno presto) - Tempo I
Johannes Brahms 5:38
3 Te lo juro yo
Manuel Quiroga 2:41
4 Kalinka & Grünes Gras
[unknown] 4:24
5 “West Side Story” - Symphonic Dances: IV. Mambo
Leonard Bernstein 2:21
6 Allegretto (Polka) for String Quartet
Дмитрий Дмитриевич Шостакович 2:27
7 Hora staccato
Grigoraș Dinicu 2:21
8 Lieder, op. 62: “Herr Pfarrer hat zwei Fraeulchen” Book II no. 4 (Poem: Die Pfarrjuengferchen)
Carl Loewe 2:23
9 Cantata “Christ lag in Todesbanden”, BWV 4: VI. Versus 5: “Hier ist das rechte Osterlamm”
Johann Sebastian Bach 4:25
10 Sonata for Violin and Piano in A major: I. Allegretto ben moderato
César Franck 5:48
11 Ragtime Bass in C‐sharp
Virgil Thomson 1:46
12 The Tale of Tsar Saltan: The Flight of the Bumble‐Bee
Николай Андреевич Римский‐Корсаков 1:17
13 Tritsch‐Tratsch‐Polka, op. 214
Johann Strauss II 2:29
14 Rosamunde, D.797 (Incidental music to Helmina von Chézy’s Play): Ballet Music no. 2
Franz Schubert 5:20
15 Bachianas brasileiras no. 5 for Soprano and Cellos: Aria (Cantilena)
Heitor Villa‐Lobos 6:21
16 Die Schöpfung Hob. XXI:2 Erster Teil - XIV. Chor und Terzett: “Die Himmel erzählen die Ehre Gottes” / “Dem kommenden Tage sagt es der Tag”
Joseph Haydn 3:50
17 Fantasias (7 Piano Pieces), op. 116: VII. Capriccio in D minor
Johannes Brahms 2:19
18 Requiem, Op.48: VII. In Paradisum
Gabriel Fauré 3:52
19 Ayre: II. Una Madre Comió Asado (A Mother Roasted Her Child)
Osvaldo Golijov 3:08
20 Annie’s Song (arranged by Charles Gerhardt; adapted by Craig Leon)
John Denver 2:57
CD 3: Goebel – Knappertsbusch
# Title Artist Rating Length
1 Sonate à la Marésienne: V. Très vivement
Marin Marais 2:05
2 Sonata for Cello and Piano no. 1 in E minor, op. 38: II. Allegretto quasi minuetto
Johannes Brahms 5:25
3 Stabat Mater: II. Cujus animam gementem
Gioachino Rossini 6:03
4 Sonatine: II. Mouvement de menuet
Maurice Ravel 2:53
5 String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”: III. Scherzo. Allegro molto
Franz Schubert 3:32
6 Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto
Jean Sibelius 7:16
7 Piano Sonata no. 2 in F major, K. 280: II. Adagio
Wolfgang Amadeus Mozart 4:32
8 Le prophète: Act III. Roi du ciel
Giacomo Meyerbeer 3:47
9 Tambourin
Jean‐Marie Leclair 1:44
10 6 Moments musicaux, op. 94 D. 780: no. 3 in F minor. Allegro moderato
Franz Schubert 1:58
11 Vado, ma dove? oh Dei!, K.583
Wolfgang Amadeus Mozart 4:44
12 La Vierge: Scene 4. The Assumption: Dernier sommeil de la Vierge
Jules Massenet 3:53
13 Locus Iste (Motet)
Anton Bruckner 3:42
14 Variations and Fugue on a Theme by Händel, op. 24: Theme - Variations 1‐4
Johannes Brahms 3:54
15 Sonatas for Harpsichord: Sonata in F major, K. 525: Allegro
Domenico Scarlatti 2:56
16 Ein deutsches Requiem, op. 45: IV. Chor “Wie lieblich sind deine Wohnungen, Herr Zebaoth!”
Johannes Brahms 5:43
17 Die Walküre: Act III. Walkürenritt
Richard Wagner 4:39
CD 4: Kleiber – Mravinsky
# Title Artist Rating Length
1 La traviata: Act III. Prelude
Giuseppe Verdi 3:43
2 8 Slavonic Dances for piano duet, op. 46: VII. no. 7 in C minor. Allegro assai
Antonín Dvořák 2:49
3 Le nozze di Figaro, K. 492: Act I. “Non so più cosa son, cosa faccio”
Wolfgang Amadeus Mozart 2:42
4 Concerto for violin and orchestra: I. ♩ = 104 - ♩ = 120
Philip Glass 6:37
5 Circus Polka: For a Young Elephant
Игорь Фёдорович Стравинский 3:25
6 Rhapsody on a theme of Paganini, op. 43: Variation 18
Сергей Рахманинов 2:51
7 Water Music Suite no. 1 in F, HWV 348: 15. Air
Georg Friedrich Händel 1:12
8 Ruy Blas Overture, op. 95
Felix Mendelssohn 7:46
9 Porgy and Bess Suite: “Oh, I Got Plenty o’ Nuttin’”
George Gershwin 1:26
10 El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus
Manuel de Falla 3:58
11 Après un rêve
Gabriel Fauré 3:24
12 Egmont, op. 84: I. Overture
Ludwig van Beethoven 9:12
13 Berceuse sur le nom de Gabriel Fauré
Maurice Ravel 2:40
14 Mass in C minor, K. 427 “Grosse Messe”: Gloria: Laudamus Te
Wolfgang Amadeus Mozart 4:47
15 String Quartet no. 3 in D major, op. 44 no. 1: II. Menuetto. Un poco allegro
Felix Mendelssohn 4:28
16 Partita for violin solo no. 3 in E major, BWV 1006: I. Preludio
Johann Sebastian Bach 3:38
17 Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato - Allegro
Пётр Ильич Чайковский 5:52
CD 5: Mutter – Rostropovich
# Title Artist Rating Length
1 Berceuse, op. 16
Gabriel Fauré 4:28
2 Qui es promesses
Guillaume de Machaut 1:56
3 Luisa Fernanda: Act III. “Cállate, corazón! Duèrmete y calla!”
Federico Moreno Torroba 5:28
4 Sechs Gesänge, op. 3: I. Liebestreu “O versenk’, o versenk’ dein Leid”
Johannes Brahms 2:19
5 Navarra for two violins, op. 33
Pablo de Sarasate 6:00
6 Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz”
Fryderyk Chopin 1:54
7 Schickelgruber
Kurt Weill 2:51
8 Antiche danze ed arie, Suite no. 3: I. Italiana
Ottorino Respighi 2:51
9 Faust: Act II. “Le veau d’or”
Charles‐François Gounod 1:58
10 La traviata: Act II. “Lunge da lei” ... “De’ miei bollenti spiriti”
Giuseppe Verdi 3:24
11 Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
Johann Sebastian Bach 3:03
12 6 Moments musicaux, op. 94 D. 780: no. 5 in F minor. Allegro vivace
Franz Schubert 2:15
13 Variations for piano, op. 27: I. Sehr mässig - II. Sehr schnell - III. Ruhig, fliessend
Anton Webern 5:57
14 Zigeunerweisen, op. 20
Pablo de Sarasate 6:50
15 Die schöne Müllerin, D. 795: I. Das Wandern
Franz Schubert 2:38
16 Drumming: Part IV (excerpt)
Steve Reich 2:52
17 Sinfonia in D major, Wq 183 no. 1: III. Presto
Carl Philipp Emanuel Bach 2:44
18 8 Fantasiestücke, op. 12: II. Aufschwung
Robert Schumann 2:49
19 Symphony in G major, Hob. I:92 “Oxford”: IV. Presto
Joseph Haydn 5:20
20 Nutcracker Suite, op. 71a: Dance of the Reed‐Pipes
Пётр Ильич Чайковский 2:28
CD 6: Seefried – Zimerman
# Title Artist Rating Length
1 Das Veilchen, K. 476
Wolfgang Amadeus Mozart 2:17
2 La traviata: Act I. “Libiamo ne’lieti calici”
Giuseppe Verdi 3:09
3 Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I
Ludwig van Beethoven 3:56
4 Zueignung, op. 10 no. 1
Richard Strauss 1:41
5 La Bohème: Act I. “O soave fanciulla”
Giacomo Puccini 4:02
6 Der Freischütz: Act III. “Was gleicht wohl auf Erden dem Jägervergnügen?”
Carl Maria von Weber 2:48
7 Mandoline
Claude Debussy 1:20
8 Vesperae solennes de confessore in C major, K. 339: V. Laudate Dominum omnes gentes (Ps. 116/117)
Wolfgang Amadeus Mozart 5:01
9 Fine Knacks for Ladies
John Dowland 1:49
10 La Bohème: Act II. “Quando m’en vo”
Giacomo Puccini 2:21
11 Die lustige Witwe: Act III. Duett “Lippen schweigen”
Franz Lehár 2:26
12 Don Giovanni, K.527: Act II. “Deh! vieni alla finestra”
Wolfgang Amadeus Mozart 2:04
13 Palestrina: Prelude to Act I. Ruhig (Andante)
Hans Pfitzner 7:27
14 12 Etudes, op. 10: no. 3 in E major “Tristesse”
Fryderyk Chopin 4:03
15 Piano Sonata no. 2 in B‐flat minor, op. 35: IV. Finale. Presto
Fryderyk Chopin 1:28
16 An die Musik, D. 547, op. 88/4
Franz Schubert 2:21
17 Fantasía para un gentilhombre for Guitar and Small Orchestra: I. Villano y Ricercare. Adagietto - Andante moderato
Joaquín Rodrigo 4:52
18 Harp Concerto in E minor, op. 182: II. Adagio
Carl Reinecke 5:20
19 Ballade no. 3 in A‐flat major, op. 47
Fryderyk Chopin 7:27

Credits

CD 1: Abbado – Chaliapin

recorded in:
Sankt-Peterburg, Russia (1911-10) (track 18)
Berlin, Germany (1934-10) (track 11)
violin:
Itzhak Perlman (1990-08) (track 8)
Giuliano Carmignola (2007-10) (track 17)
Виктория Муллова (2007-10) (track 17)
trumpet:
Maurice André (French trumpeter) (1966-11) (track 4)
bassoon:
Dietmar Zeman (1973-05) (track 13)
guitar:
Narciso Yepes (1976-12) (track 9)
piano:
Stefan Askenase (1952-03) (track 5)
Anda Géza (1966-05) (track 3)
Martha Argerich (1967-06) (track 6)
Daniel Barenboim (1983-12) (track 7)
Rafał Blechacz (2008-07) (track 12)
harpsichord:
Hilde Noe (1966-11) (track 4)
assistant engineer:
Bastian Schick (track 17)
balance engineer:
Karl-August Naegler (Balance engineer) (track 1)
Ulrich Vette (Engineer) (track 17)
Heinz Wildhagen (track 6)
Günter Hermanns (producer/engineer) (1973-05) (track 13)
Klaus Scheibe (editor/engineer) (1973-05) (track 13)
Klaus Scheibe (editor/engineer) (1983-12) (track 7)
Tom Lazarus (1990-08) (track 8)
Helmut Burk (1993-03) (track 15)
baritone vocals:
Thomas Hampson (1990-02-24) (track 10)
bass vocals:
Фёдор Шаляпин (1911-10) (track 18)
Fernando Corena (1979-09) (track 16)
composer:
Georges Bizet (French romantic composer) (track 1)
Gustav Mahler (track 10)
Antonio Vivaldi (track 17)
Johann Sebastian Bach (German Baroque period composer & musician) (1718 – 1723) (track 8)
Wolfgang Amadeus Mozart (classical composer) (1774) (track 13)
Ludwig van Beethoven (1794 – 1795) (track 12)
Joseph Haydn (1796) (track 4)
Ludwig van Beethoven (1798) (track 7)
Franz Liszt (1862 – 1863) (track 3)
Edvard Grieg (1875) (track 11)
Bedřich Smetana (1879) (track 5)
Giacomo Puccini (Italian composer) (1896 – 1899) (track 16)
Claude Debussy (1897-12 – 1899-12) (track 15)
Manuel de Falla (Spanish composer) (1914) (track 9)
Maurice Ravel (classical composer) (1929 – 1931) (track 6)
Carl Orff (1936) (track 14)
Дмитрий Дмитриевич Шостакович (composer) (1946 – 1953) (track 2)
conductor:
Leo Blech (1934-10) (track 11)
Karel Ančerl (1955-10) (track 2)
Hans Stadlmair (1966-11) (track 4)
Claudio Abbado (1967-06) (track 6)
Karl Böhm (Austrian conductor) (1973-05) (track 13)
Claudio Abbado (1977-09) (track 1)
Herbert von Karajan (1979-09) (track 16)
Leonard Bernstein (American composer and conductor) (1990-02-24) (track 10)
John Nelson (American conductor) (1990-08) (track 8)
Pierre Boulez (1993-03) (track 15)
André Previn (1993-10) (track 14)
Andrea Marcon (2007-10) (track 17)
editor:
Helmut Najda (track 4)
Joachim Niss (track 1)
engineer:
Klaus Scheibe (editor/engineer) (tracks 4, 7)
executive producer:
Otto Gerdes (track 6)
Hans Hickmann (track 4)
librettist:
[anonymous] (Special Purpose Artist) (track 8)
Henrik Ibsen (1867) (track 11)
Giuseppe Giacosa (1896 – 1899) (track 16)
Luigi Illica (1896 – 1899) (track 16)
lyricist:
Gustav Mahler (track 10)
mezzo-soprano vocals:
Teresa Berganza (1976-12) (track 9)
orchestra:
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) (1911-10) (track 18)
Staatskapelle Berlin (1934-10) (track 11)
Česká filharmonie (Czech Philharmonic) (1955-10) (track 2)
Münchener Kammerorchester (1966-11) (track 4)
Berliner Philharmoniker (1967-06) (track 6)
Wiener Philharmoniker (1973-05) (track 13)
London Symphony Orchestra (1977-09) (track 1)
Berliner Philharmoniker (1979-09) (track 16)
Wiener Philharmoniker (1990-02-24) (track 10)
Orchestra of St. Luke’s (1990-08) (track 8)
Cleveland Orchestra (1993-03) (track 15)
Wiener Philharmoniker (1993-10) (track 14)
Venice Baroque Orchestra (2007-10) (track 17)
producer:
Rainer Brock (track 6)
Thomas Frost (track 8)
Wolfgang Lohse (track 4)
Werner Mayer (classical producer) (tracks 7, 13)
Karl-August Naegler (Balance engineer) (track 15)
Arend Prohmann (track 17)
soprano vocals:
Erna Berger (German lyric soprano) (1934-10) (track 11)
Kathleen Battle (1990-08) (track 8)
Barbara Bonney (1993-10) (track 14)
tenor vocals:
José Carreras (1979-09) (track 16)
premiered at:
[concert] (1900-12-09) (track 15)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1968) (track 4)
Polydor International GmbH (not for release label use!) (1974) (track 13)
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (1978) (track 1)
Polydor International GmbH (not for release label use!) (1978) (track 1)
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (1991) (track 10)
publisher:
recorded at:
Beethovensaal (Hannover) in Hanover, Niedersachsen, Germany (1952-03) (track 5)
Herkulessaal in Munich, Bayern, Germany (1955-10) (track 2)
Studio Rosenhügel in Wien, Austria (1966-05) (track 3)
Herkulessaal in Munich, Bayern, Germany (1966-11) (track 4)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1967-06) (track 6)
Herkulessaal in Munich, Bayern, Germany (1976-12) (track 9)
St John’s Church (Waterloo) in London, England, United Kingdom (1977-09) (track 1)
Berliner Philharmonie in Berlin, Germany (1979-09) (track 16)
RCA Studio A (New York) in New York, New York, United States (1990-08) (track 8)
Masonic Auditorium in Cleveland, Ohio, United States (1993-03) (track 15)
Beethovensaal (Hannover) in Hanover, Niedersachsen, Germany (2008-07) (track 12)
arrangements:
Allegro (track 2)
Nocturnes, L. 91, CD 98: II. Fêtes (arranged by Ravel for piano duo) (track 15)
Peer Gynt, op. 23: Solveigs sang (catch-all for arrangements) (track 11)
Siete canciones populares españolas, G. 40, nº 5: Nana (for string quartet, arr. Andrew Haveron) (track 9)
Siete canciones populares españolas, G. 40, nº 5: Nana (catch-all for arrangements) (track 9)
Siete canciones populares españolas: N.º 5. Nana (for voice and guitar, Llobet/Pujol) (track 9)
Suite populaire espagnole: II. Nana (for violin and piano, arr. Kochanski) (track 9)
Suite populaire espagnole: IV. Nana (arr. Maréchal for cello and piano) (track 9)
is the basis for:
Carmen Suite no. 1: II. Aragonaise (based on Carmen: Entr’acte between Acts III and IV) (track 1)
Concerto (track 7)
Great Expectations (track 7)
Interludio (track 7)
Solvejg's Song (op. 23, no. 1) (orchestrated version) (track 11)
This Night (track 7)
later translated versions:
later versions:
Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" (Version für kleines Orchester von Arnold Schönberg) (track 10)
Tapt av håp (track 11)
live recording of:
orchestrations:
Siete canciones populares españolas: No. 5. Nana (orchestrated by Berio) (track 9)
part of:
Carmen: Acte III (track 1)
Tosca: Atto I (track 16)
Борис Годунов: Act IV (1872 version) (track 18)
Nocturnes, L. 91, CD 98 (for orchestra) (track 15)
Symphony no. 10 in E minor, op. 93 (movement) (track 2)
Piano Concerto in G major (movement) (track 6)
Peer Gynt, op. 23 (track 11)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV) (1977-09) (track 1)
referred to in medleys:
Hooked on Romance (track 7)

CD 2: Collins – Galway

composed in:
Mühlhausen, Thüringen, Germany (1707 – 1708) (track 9)
recorded in:
Berlin, Germany (1939-04) (track 2)
revised in:
Leipzig, Sachsen, Germany (1724 – 1725) (track 9)
clarinet:
Michael Collins (clarinettist & conductor) (1997-07) (track 1)
violin:
Christian Ferras (1968-12) (track 7)
Christian Ferras (1968-12-19) (track 7)
Augustin Dumay (1993-10) (track 10)
Eugene Drucker (1998-07) (track 6)
Philip Setzer (1998-07) (track 6)
cello:
Pierre Fournier (cellist) (1969-01) (track 12)
David Finckel (1998-07) (track 6)
viola:
Lawrence Dutton (1998-07) (track 6)
flute:
James Galway (flautist) (2004-06) (track 20)
organ:
Maria Jung (1950-08) (track 9)
Timothy Farrell (organist) (1986-03) (track 18)
guitar:
José María Gallardo del Rey (2007-07) (track 3)
string quartet:
Emerson String Quartet (1998-07) (track 6)
piano:
Andor Földes (1951-09) (track 11)
Jean‐Claude Ambrosini (1968-12) (track 7)
Jean‐Claude Ambrosini (1968-12-19) (track 7)
Lamar Crowson (1969-01) (track 12)
Emil Gilels (1975-09-08 – 1975-09-10) (track 17)
Cord Garben (1987-10) (track 8)
Maria João Pires (pianist) (1993-10) (track 10)
piano and violin arranger:
Jascha Heifetz (1932) (tracks 7, 7)
additional orchestrator:
Irwin Kostal (1960) (track 5)
Sid Ramin (1960) (track 5)
arranger:
Charles Gerhardt (track 20)
Osvaldo Golijov (track 19)
balance engineer:
Klaus Scheibe (editor/engineer) (track 18)
Karl-Heinz Westphal (1951-09) (track 11)
Günter Hermanns (producer/engineer) (1961-02) (track 13)
Helmut Burk (1993-10) (track 10)
baritone vocals:
Andreas Schmidt (classical baritone) (track 18)
Dietrich Fischer‐Dieskau (1950-08) (track 9)
bass vocals:
Paul Myhalik (1964-01) (track 4)
Gerald Finley (1995-02) (track 16)
choir vocals:
Don Kosaken Chor (1964-01) (track 4)
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (1986-03) (track 18)
Monteverdi Choir (1995-02) (track 16)
chorus master:
Horst Neumann (choir master and conductor) (1986-03) (track 18)
composer:
Grigoraș Dinicu (tracks 7, 7)
Joseph Haydn (track 16)
Carl Loewe (track 8)
Manuel Quiroga (Spanish pianist and composer, 1899-1988) (track 3)
Johann Strauss (Austro-German composer, "Walzerkönig", Johann Strauss II, Sohn, Jr., the Younger, the Son) (track 13)
Virgil Thomson (track 11)
[anonymous] (Special Purpose Artist) (track 4)
[traditional] (Special Purpose Artist) (track 19)
John Denver (track 20)
Johann Sebastian Bach (German Baroque period composer & musician) (1707) (track 9)
Wolfgang Amadeus Mozart (classical composer) (1791-09-28 – 1791-10-07) (track 1)
Franz Schubert (Austrian composer Franz Peter Schubert) (1823) (track 14)
Franz Schubert (Austrian composer Franz Peter Schubert) (1825-07 – 1826-07) (track 14)
Johannes Brahms (1884 – 1885) (track 2)
César Franck (1886) (track 10)
Gabriel Fauré (French composer) (1886 – 1900) (track 18)
Johannes Brahms (1892) (track 17)
Heitor Villa‐Lobos (1938) (track 15)
Leonard Bernstein (American composer and conductor) (1960) (track 5)
conductor:
Wilhelm Furtwängler (1929-06) (track 14)
Victor de Sabata (1939-04) (track 2)
Wilhelm Furtwängler (1942-12-08) (track 14)
Fritz Lehmann (1950-08) (track 9)
Ferenc Fricsay (1961-02) (track 13)
Carlo Maria Giulini (conductor) (1986-03) (track 18)
Sir John Eliot Gardiner (1995-02) (track 16)
Mikhail Pletnev (pianist & conductor) (1997-07) (track 1)
Klauspeter Seibel (2004-06) (track 20)
Fabio Luisi (2006-07) (track 15)
Miguel Roa (2007-07) (track 3)
Gustavo Dudamel (2008-01) (track 5)
engineer:
Stephan Flock (track 3)
executive producer:
Günther Breest (track 18)
Ute Fesquet (track 3)
Valentina Granados (executive producer) (track 3)
instruments:
The Andalucian Dogs (2004-08) (track 19)
librettist:
Martin Luther (German theologian of the Reformation) (1524) (track 9)
lyricist:
Manuel Quiroga (Spanish pianist and composer, 1899-1988) (track 3)
[traditional] (Special Purpose Artist) (track 19)
John Denver (track 20)
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (1987-10) (track 8)
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (2006-07) (track 15)
orchestra:
Berliner Philharmoniker (1929-06) (track 14)
Berliner Philharmoniker (1939-04) (track 2)
Berliner Philharmoniker (1942-12-08) (track 14)
Bach Festival Orchestra 1950 (1950-08) (track 9)
Radio-Symphonie-Orchester Berlin (RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (1961-02) (track 13)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (1986-03) (track 18)
English Baroque Soloists (1995-02) (track 16)
Russian National Orchestra (Russian National Orchestra) (1997-07) (track 1)
London Symphony Orchestra (2004-06) (track 20)
Staatskapelle Dresden (2006-07) (track 15)
orchestrator:
Emilio Aragón (jr., son of Miliki) (track 3)
Leonard Bernstein (American composer and conductor) (1960) (track 5)
producer:
Fred Hamel (track 11)
Sid McLauchlan (track 3)
Arend Prohmann (track 10)
Da-Hong Seetoo (track 6)
Hans Weber (producer/engineer) (track 13)
recording engineer:
Hans Weber (producer/engineer) (track 18)
soprano vocals:
Kathleen Battle (track 18)
Sylvia McNair (1995-02) (track 16)
Dawn Upshaw (2004-08) (track 19)
tenor vocals:
Igor Seifert (1964-01) (track 4)
Georg Tymczenko (1964-01) (track 4)
Michael Schade (1995-02) (track 16)
Plácido Domingo (2007-07) (track 3)
vocals:
Plácido Domingo (2007-07) (track 3)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1961) (track 13)
Polydor International GmbH (not for release label use!) (1964) (track 4)
Polydor International GmbH (not for release label use!) (1969) (track 7)
publisher:
Editions Durand (1947-) (track 18)
recorded at:
Hochschule für Musik in Berlin, Germany (1929-06) (track 14)
Alte Philharmonie in Berlin, Germany (1942-12-08) (track 14)
Johanniskirche in Göttingen, Niedersachsen, Germany (1950-08) (track 9)
Beethovensaal (Hannover) in Hanover, Niedersachsen, Germany (1951-09) (track 11)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1961-02) (track 13)
Friedrich-Ebert-Halle in Hamburg, Germany (1964-01) (track 4)
Studio Polydor in Paris, Île-de-France, France (1968-12) (track 7)
Studio Polydor in Paris, Île-de-France, France (1968-12-19) (track 7)
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in Munich, Bayern, Germany (1969-01) (track 12)
Turun konserttitalo in Turku, Varsinais-Suomi, Finland (1975-09-08 – 1975-09-10) (track 17)
Studio Lankwitz in Berlin, Germany (1987-10) (track 8)
All Saints' Church (Tooting, London) in London, England, United Kingdom (1995-02) (track 16)
Harris Concert Hall in Aspen, Colorado, United States (1998-07) (track 6)
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (2006-07) (track 15)
Teatro Albéniz in Madrid, Comunidad de Madrid, Spain (2007-07 –) (track 3)
Teatro Albéniz in Madrid, Comunidad de Madrid, Spain (2007-07) (track 3)
Sala Simón Bolivar (CASPM) in Caracas, Venezuela (2008-01) (track 5)
edit of:
part of:
Works of Johann Strauss Jr. by opus number (number: op. 214) (track 13)
arrangement of:
Hora Staccato (for solo violin) (tracks 7, 7)
arrangements:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (catch-all for arrangements) (track 15)
Ballet Music from Rosamunde (for violin and piano) (track 14)
Flight of the Bumblebee (Stokowski transcription) (track 12)
Flight of the Bumblebee (for cello and piano, arr. Rose) (track 12)
Flight of the Bumblebee (for choir, Swingle) (track 12)
Flight of the Bumblebee (for cello and orchestra, arr. by B. Traubas) (track 12)
Flight of the Bumblebee, TN iii/9 (for piano solo, Rachmaninov) (track 12)
Hora Staccato (for band, Richards) (tracks 7, 7)
Hora Staccato (for violin and orchestra, Heifetz) (tracks 7, 7)
Le Vol du bourdon (for organ, Saint-Martin) (track 12)
Sinfonie Nr. 4 e-Moll, op. 98: III. Allegro giocoso (for piano four hands, Brahms) (track 2)
Sinfonie Nr. 4 e-Moll, op. 98: III. Allegro giocoso (for two pianos, Brahms) (track 2)
Sonata for Cello and Piano in A major: I. Allegretto (arranged by Delsart) (track 10)
Sonata for Piano and Violin in A major: I. Allegro ben moderato (transcription for Piano by Cortot) (track 10)
Sonata in A major: I. Allegretto ben moderato (for saxophone and piano, Bornkamp) (track 10)
The Flight of the Bumble-Bee (for violin and orchestra, Kennedy & Lenehan) (track 12)
The Flight of the Bumblebee (for flute and orchestra, arr. Aho) (track 12)
The Flight of the Bumblebee (for violin and piano, arr. Heifetz) (track 12)
Tritsch-Tratsch Polka, op. 214 (catch-all for arrangements) (track 13)
Tritsch–Tratsch Polka, op. 214 (for brass, Richards) (track 13)
Полёт шмеля (catch-all for arrangements) (track 12)
is the basis for:
Cans and Brahms (track 2)
Honey Man (track 12)
ボスBGM (Parodius) (track 12)
later translated versions:
later versions:
Bachianas Brasileiras nº 5, W391: I. Aria (Cantilena) (for voice and guitar) (track 15)
アリア (track 15)
live recording of:
part of:
Bachianas Brasileiras nº 5, W389 (for voice and cellos) (track 15)
Ayre (track 19)
Requiem, op. 48 (track 18)
Rosamunde, D. 797 (track 14)
recording of:
Ragtime Bass in C-sharp (1951-09) (track 11)
Tritsch–Tratsch Polka, op. 214 (1961-02) (track 13)
Kalinka & Grünes Gras (1964-01) (track 4)
Hora Staccato (for violin and piano, arr. Heifetz) (1968-12) (track 7)
Hora Staccato (for violin and piano, arr. Heifetz) (1968-12-19) (track 7)
Полёт шмеля (1969-01) (track 12)
Requiem, op. 48: VII. In Paradisum (1986-03) (track 18)
Annie’s Song (2004-06) (track 20)
Ayre: II. Una madre comió asado (2004-08) (track 19)
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos) (2006-07) (track 15)
Te lo juro yo (2007-07) (track 3)
referred to in medleys:
Hooked on Romance (track 1)

CD 3: Goebel – Knappertsbusch

composed in:
Salzburg, Salzburg, Austria (1774) (track 7)
violin:
Hilary Hahn (2007-03) (track 6)
cello:
Truls Mørk (Norwegian cellist) (2005-05) (track 2)
organ:
Wolfgang Meyer (organist, harpsichordist) (1964-05-16 – 1964-05-18) (track 16)
string quartet:
Hagen Quartett (1990-10) (track 5)
piano:
Monique Haas (1955-11) (track 4)
Clara Haskil (1960-05) (track 7)
Hélène Grimaud (2005-05) (track 2)
harpsichord:
Ralph Kirkpatrick (1970-06) (track 15)
assistant engineer:
Hans-Ulrich Bastin (track 6)
balance engineer:
Günter Hermanns (producer/engineer) (track 15)
Heinz Wildhagen (1955-11) (track 4)
Walter Alfred Wettler (1960-05) (track 7)
Günter Hermanns (producer/engineer) (1964-05-16 – 1964-05-18) (track 16)
Klaus Scheibe (editor/engineer) (1966-06) (track 13)
Stephan Flock (2001-06 – 2001-07) (track 8)
choir vocals:
Wiener Singverein (1964-05-16 – 1964-05-18) (track 16)
Chor des Bayerischen Rundfunks (1966-06) (track 13)
London Voices (2001-06 – 2001-07) (track 8)
chorus master:
Reinhold Schmid (1964-05-16 – 1964-05-18) (track 16)
Wolfgang Schubert (conductor) (1966-06) (track 13)
composer:
Johannes Brahms (track 16)
Marin Marais (composer) (track 1)
Giacomo Meyerbeer (track 8)
Wolfgang Amadeus Mozart (classical composer) (track 11)
Domenico Scarlatti (track 15)
Franz Schubert (Austrian composer Franz Peter Schubert) (tracks 5, 10)
Wolfgang Amadeus Mozart (classical composer) (1774) (track 7)
Gioachino Rossini (Italian composer 1792-1868) (1832 – 1839) (track 3)
Richard Wagner (1854 – 1856) (track 17)
Johannes Brahms (1862 – 1865) (track 2)
Anton Bruckner (1869) (track 13)
Maurice Ravel (classical composer) (1903 – 1905) (track 4)
Jean Sibelius (1903 – 1905) (track 6)
conductor:
Ferenc Fricsay (1954-09-22) (track 3)
Herbert von Karajan (1964-05-16 – 1964-05-18) (track 16)
Wilfried Boettcher (conductor) (1966-06) (track 11)
Eugen Jochum (1966-06) (track 13)
Reinhard Goebel (1978-01) (track 1)
Myung-Whun Chung (pianist and conductor) (2001-06 – 2001-07) (track 8)
Esa‐Pekka Salonen (2007-03) (track 6)
executive producer:
Otto Gerdes (track 16)
librettist:
Eugène Scribe (track 8)
lyricist:
Lorenzo Da Ponte (track 11)
orchestra:
RIAS Symphonie-Orchester (RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (1954-09-22) (track 3)
Berliner Philharmoniker (1964-05-16 – 1964-05-18) (track 16)
Wiener Symphoniker (1966-06) (track 11)
Musica Antiqua Köln (1978-01) (track 1)
London Symphony Orchestra (2001-06 – 2001-07) (track 8)
Sveriges Radios Symfoniorkester (2007-03) (track 6)
producer:
Christopher Alder (editor/engineer/producer) (track 8)
Wolfgang Lohse (track 13)
Arend Prohmann (track 6)
Hans Ritter (track 15)
Hans Weber (producer/engineer) (tracks 7, 16)
recording engineer:
Stephan Flock (2007-03) (track 6)
soprano vocals:
Gundula Janowitz (1966-06) (track 11)
tenor vocals:
Ernst Haefliger (1954-09-22) (track 3)
Ben Heppner (2001-06 – 2001-07) (track 8)
publisher:
Schott Music (Germany) (track 17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1954-09-22) (track 3)
Beethovensaal (Hannover) in Hanover, Niedersachsen, Germany (1955-11) (track 4)
Lukaskirche (Lucerne) in Lucerne, Luzern, Switzerland (1960-05) (track 7)
Wiener Musikverein: Großer Musikvereinssaal in Wien, Austria (1964-05-16 – 1964-05-18) (track 16)
Herkulessaal in Munich, Bayern, Germany (1966-06) (track 13)
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in Munich, Bayern, Germany (1970-06) (track 15)
Beethovensaal (Hannover) in Hanover, Niedersachsen, Germany (1978-01) (track 1)
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in Munich, Bayern, Germany (1990-10) (track 5)
All Saints’ Church (East Finchley, Durham Road) in London, England, United Kingdom (2001-06 – 2001-07) (track 8)
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (2005-05) (track 2)
Berwaldhallen in Stockholm, Stockholm, Sweden (2007-03) (track 6)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 23) (track 13)
Köchelverzeichnis (original numbering) (number: 583) (track 11)
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 583) (track 11)
arrangement of:
Die Walküre: Walkürenritt (arr. Hutschenruyter) (track 17)
arrangements:
An English Requiem, op. 45: IV. How lovely is Thy dwelling place (english translation of the deutsches Requiem) (track 16)
Die Walküre: Der Ritt der Walküren (for piano solo, Stradal) (track 17)
Die Walküre: Walkürenritt (for piano, Brassin) (track 17)
How Lovely Is Thy Dwelling Place (translated excerpt from "Ein deutsches Requiem" by Brahms) (translated) (track 16)
Moment musical in F minor, D. 780 no. 3 (catch-all for arrangements) (track 10)
Moment musicaux, op. 94 no. 3 (Leschetizky arr.) (track 10)
Ride of the Valkyries (OpenBSD 5.6 theme) (track 17)
Ride of the Valkyries from "Die Walküre" (for organ, Lemare) (track 17)
Sonata for Piano no. 2 in F major, K. 189e/280: II. Adagio (catch-all for arrangements) (track 7)
Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto (transcribed for violin and piano) (track 6)
is the basis for:
Mozart - Adagio (track 7)
Più delle valchirie (Il mio nome è Nessuno) (track 17)
ワルキューレの騎行 (スーパーロボット大戦F) (track 17)
later versions:
6 Moments musicaux for Piano, op. 94, D. 780: No. 3 (for violin and piano, Kreisler) (track 10)
orchestrations:
part of:
Sonatine (movement) (track 4)
Stabat Mater (track 3)
Le Prophète (track 8)
Violin Concerto in D minor, op. 47 (movement) (track 6)
Ein deutsches Requiem, op. 45 (movement) (track 16)
partial recording of:
Sonate à la Marésienne (1978-01) (track 1)
Le Prophète: Acte III (2001-06 – 2001-07) (track 8)
recording of:
Sonatine: II. Mouvement de menuet (for piano) (1955-11) (track 4)
Locus iste, WAB 23 (1966-06) (track 13)
referred to in medleys:

CD 4: Kleiber – Mravinsky

premiered in:
Wien, Austria (1810-06-15) (track 12)
violin:
Nathan Milstein (1973) (track 16)
Gidon Kremer (1992-02) (track 4)
fortepiano:
Jos van Immerseel (2005-12) (track 3)
piano:
Alfons Kontarsky (1983-10) (track 2)
Aloys Kontarsky (1983-10) (track 2)
Lang Lang (Chinese pianist) (2004-07) (track 6)
assistant engineer:
Chris Barrett (engineer) (2005-12) (track 3)
balance engineer:
Günter Hermanns (producer/engineer) (1965-06) (track 10)
Stephan Flock (2004-07) (track 6)
Ulrich Vette (Engineer) (2005-12) (track 3)
composer:
Manuel de Falla (Spanish composer) (track 10)
Felix Mendelssohn (tracks 8, 15)
Wolfgang Amadeus Mozart (classical composer) (track 3)
Maurice Ravel (classical composer) (track 13)
Giuseppe Verdi (Italian opera composer) (track 1)
Johann Sebastian Bach (German Baroque period composer & musician) (1720) (tracks 16, 16)
Ludwig van Beethoven (1809-10 – 1810-06) (track 12)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1877 – 1878) (track 17)
Antonín Dvořák (1878-03-18 – 1878-05-07) (track 2)
Сергей Васильевич Рахманинов (1934-07-03 – 1934-08-18) (track 6)
Philip Glass (1987) (track 4)
conductor:
Lorin Maazel (1965-06) (track 10)
Carlos Kleiber (1976-05-14 – 1977-06) (track 1)
Christoph von Dohnányi (German conductor) (1992-02) (track 4)
Valery Gergiev (2004-07) (track 6)
Sir Simon Rattle (2005-12) (track 3)
engineer:
Klaus Hiemann (track 16)
Klaus Scheibe (editor/engineer) (track 1)
librettist:
Lorenzo Da Ponte (track 3)
orchestra:
Radio-Sinfonie-Orchester Berlin (RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (1965-06) (track 10)
Bayerisches Staatsorchester (1976-05-14 – 1977-06) (track 1)
Wiener Philharmoniker (1992-02) (track 4)
Orchestra of the Mariinsky Theatre (Kirov Orchestra) (2004-07) (track 6)
producer:
Karl Faust (producer) (track 10)
Christian Gansch (track 6)
Werner Mayer (classical producer) (track 16)
Marita Prohmann (track 3)
Hans Weber (producer/engineer) (1976-05-14 – 1977-06) (track 1)
recording engineer:
Jürgen Bulgrin (2004-07) (track 6)
Wolf-Dieter Karwatky (2004-07) (track 6)
Wolf-Dieter Karwatky (2005-12) (track 3)
soprano vocals:
Magdalena Kožená (2005-12) (track 3)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1965-06) (track 10)
Conway Hall in London, England, United Kingdom (1973) (track 16)
Bürgerbräukeller in Munich, Bayern, Germany (1976-05-14 – 1977-06) (track 1)
AIR Studios (located at Oxford Street 1970–1991, Lyndhurst Hall 1991–present) in Hampstead, Camden, London, United Kingdom (2005-12) (track 3)
part of:
Works of Felix Mendelssohn by opus number (number: op. 95) (track 8)
arrangements:
Danza ritual del fuego (for cello and piano, Piatigorsky) (track 10)
Egmont, op. 84: Overture (for brass, Frackenpohl) (track 12)
El amor brujo: VIII. Danza ritual del fuego (catch-all for arrangements) (track 10)
Ouvertüre zu "Egmont" (arr. Posch for band) (track 12)
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII (for violin and piano, Kreisler) (track 6)
Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato (for piano four hands, Taneyev) (track 17)
Violin Partita no. 3 in E major, BWV 1006: I. Preludio (catch-all for arrangements) (tracks 16, 16)
is the basis for:
E Sarà Così (song based on "Rhapsody on a theme of Paganini") (track 6)
Regeneration (track 12)
ゴルイ (track 12)
live recording of:
orchestrations:
Violin Partita no. 3 in E major, BWV 1006: I. Preludio (orchestrated by Pick-Mangiagalli) (tracks 16, 16)
Violin Partita no. 3 in E major, BWV 1006: I. Preludio (Stokowski orchestration) (tracks 16, 16)
part of:
Egmont, op. 84 (track 12)
Violin Partita no. 3 in E major, BWV 1006 (movement) (tracks 16, 16)
Slawische Tänze, op. 46, B. 78 (for piano, four hands) (track 2)
El amor brujo (for symphony orchestra) (track 10)
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra) (track 6)
recording of:
Ruy Blas, op. 95 (track 8)

CD 5: Mutter – Rostropovich

violin:
David Oistrakh (1957-04-17) (track 5)
Igor Oistrakh (1957-04-17) (track 5)
Simon Standage (1982-05) (track 11)
treble recorder / alto recorder:
Philip Pickett (1982-05) (track 11)
oboe:
David Reichenberg (1982-05) (track 11)
baroque trumpet:
Michael Laird (1982-05) (track 11)
piano:
Bengt Forsberg (track 7)
Maurizio Pollini (track 13)
Sviatoslav Richter (Sviatoslav Richter, pianist) (1956-11) (track 18)
Daniel Barenboim (1978-03) (track 4)
Maria João Pires (pianist) (1989-02) (track 12)
Alice Sara Ott (2009-08) (track 6)
harpsichord:
Trevor Pinnock (1982-05) (track 11)
balance engineer:
Alfred Steinke (1957-03-18 – 1957-03-19) (track 19)
Günter Hermanns (producer/engineer) (1969-07) (track 17)
bass vocals:
René Pape (Bass) (2008-02) (track 9)
choir vocals:
Chor der Staatsoper Dresden (2008-02) (track 9)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (track 11)
Charles‐François Gounod (French composer) (track 9)
Pablo de Sarasate (track 5)
Franz Schubert (Austrian composer Franz Peter Schubert) (track 12)
Kurt Weill (track 7)
Robert Schumann (German classical composer) (– 1837-07) (track 18)
Joseph Haydn (1789) (track 19)
Franz Schubert (Austrian composer Franz Peter Schubert) (1823) (track 15)
Fryderyk Chopin (composer) (1846 – 1847) (track 6)
Johannes Brahms (1853) (track 4)
Pablo de Sarasate (1878) (track 14)
Gabriel Fauré (French composer) (1878 – 1879) (track 1)
Ottorino Respighi (1932) (track 8)
Anton Webern (1936) (track 13)
conductor:
David Munrow (track 2)
Seiji Ozawa (conductor) (track 8)
Hans Rosbaud (1957-03-18 – 1957-03-19) (track 19)
Franz Konwitschny (1957-04-17) (track 5)
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (1969-07) (track 17)
Trevor Pinnock (1982-05) (track 11)
Sebastian Weigle (2008-02) (track 9)
engineer:
Alfred Steinke (track 18)
lyricist:
Howard Dietz (track 7)
Wilhelm Müller (track 15)
Robert Reinick (track 4)
mezzo-soprano vocals:
orchestra:
Berliner Philharmoniker (1957-03-18 – 1957-03-19) (track 19)
Gewandhausorchester Leipzig (1957-04-17) (track 5)
Münchener Bach‐Orchester (1969-07) (track 17)
The English Concert (1982-05) (track 11)
Staatskapelle Dresden (2008-02) (track 9)
performer:
producer:
Christian Leins (track 6)
Wolfgang Lohse (tracks 18–19)
Rainer Maillard (track 6)
Gerd Ploebsch (track 17)
recording engineer:
Günter Hermanns (producer/engineer) (1957-03-18 – 1957-03-19) (track 19)
soprano vocals:
Jessye Norman (1978-03) (track 4)
vocals:
James Bowman (UK countertenor) (track 2)
Charles Brett (English counter-tenor active in late 20th century) (track 2)
recorded at:
Rudolfinum (House of Artists) in Praha, Czech Republic (1956-11) (track 18)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1957-03-18 – 1957-03-19) (track 19)
Herkulessaal in Munich, Bayern, Germany (1969-07) (track 17)
Studio Lankwitz in Berlin, Germany (1978-02 – 1978-03) (track 4)
Studio Lankwitz in Berlin, Germany (1978-10 – 1978-11) (track 4)
Studio Lankwitz in Berlin, Germany (1981-05) (track 4)
Studio Lankwitz in Berlin, Germany (1982-02 – 1982-03) (track 4)
Henry Wood Hall (London) in London, England, United Kingdom (1982-05) (track 11)
Friedrich-Ebert-Halle in Hamburg, Germany (1993-09) (track 7)
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (2008-02) (track 9)
Teldex Studio (Berlin) in Berlin, Germany (2009-08) (track 6)
part of:
Works of Gabriel Fauré by opus number (number: op. 16) (track 1)
Works of Pablo de Sarasate by opus number (number: op. 20) (track 14)
Works of Anton Webern by opus number (number: op. 27) (track 13)
Works of Pablo de Sarasate by opus number (number: op. 33) (track 5)
arrangement of:
Zigeunerweisen, op. 20 (for violin and piano) (track 14)
arrangements:
6 Gesänge, op. 3: Nr. 1. Liebestreu (catch-all for arrangements) (track 4)
Berceuse, op. 16 (catch-all for arrangements) (track 1)
Das Wandern, S. 565 no. 1 (for solo piano, Liszt) (track 15)
Valse, op. 64 no. 1 (The Minute Waltz) (for trombone and piano, Jacobsen) (track 6)
Waltz no. 6 in D-flat major, op. 64 no. 1 "Minute Waltz" (catchall work for all unspecified transcriptions. Please do not add an arranger AR to this work, create a new arrangement work instead) (track 6)
Waltz no. 6 in D-flat major, op. 64 no. 1 "Minute Waltz" (arranged by Michałowski) (track 6)
cover recording of:
Schickelgruber (1993-09) (track 7)
is the basis for:
later versions:
orchestrations:
part of:
6 Gesänge, op. 3 (track 4)
Waltzes, op. 64 (track 6)
Faust: Acte II (track 9)
parts:
recording of:
Qui es promesses (track 2)
Zigeunerweisen, op. 20 (for violin and orchestra) (track 14)
Symphony no. 92 in G major, Hob. I:92 "Oxford": IV. Presto (1957-03-18 – 1957-03-19) (track 19)
Navarra, op. 33 (1957-04) (track 5)

CD 6: Seefried – Zimerman

piano:
Richard Strauss (German composer) (track 4)
Erik Werba (track 1)
Dalton Baldwin (1961-05) (track 7)
Tamás Vásáry (1965-05) (track 14)
Hubert Giesen (1966-07) (track 16)
Krystian Zimerman (1987-07) (track 19)
harp:
Nicanor Zabaleta (1962-10) (track 18)
balance engineer:
Wolfgang Lohse (track 7)
Harald Baudis (track 7)
Klaus Scheibe (editor/engineer) (track 14)
Heinz Wildhagen (1966-07) (track 16)
Helmut Burk (1987-07) (track 19)
baritone vocals:
Heinrich Schlusnus (track 4)
Gérard Souzay (1961-05) (track 7)
choir vocals:
RIAS Kammerchor (1957-11) (track 8)
composer:
Wolfgang Amadeus Mozart (classical composer) (track 12)
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (track 17)
Giuseppe Verdi (Italian opera composer) (track 2)
John Dowland (1600) (track 9)
Wolfgang Amadeus Mozart (classical composer) (1780) (track 8)
Wolfgang Amadeus Mozart (classical composer) (1785) (track 1)
Franz Schubert (Austrian composer Franz Peter Schubert) (1817-03) (track 16)
Ludwig van Beethoven (1820) (track 3)
Fryderyk Chopin (composer) (1832) (track 14)
Fryderyk Chopin (composer) (1839) (track 15)
Fryderyk Chopin (composer) (1841) (track 19)
Claude Debussy (1882-11-15) (track 7)
Carl Reinecke (composer) (1884) (track 18)
Richard Strauss (German composer) (1885) (track 4)
conductor:
James Levine (US conductor and pianist) (track 12)
Antonino Votto (conductor) (track 2)
Gustav König (1957-11) (track 8)
Ernst Märzendorfer (1962-10) (track 18)
dedicated to:
Pauline de Noailles (track 19)
engineer:
Helmut Burk (track 19)
librettist:
Lorenzo Da Ponte (1787) (track 12)
lyricist:
Franz von Schober (track 16)
Paul Verlaine (track 7)
orchestra:
Radio-Symphonie-Orchester Berlin (RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (1957-11) (track 8)
Berliner Philharmoniker (1962-10) (track 18)
producer:
Helmut Burk (track 19)
Wolfgang Lohse (tracks 7, 14)
Hans Ritter (track 16)
Paul Verlaine (track 7)
Hanno Rinke (1987-07) (track 19)
solo baritone vocals:
Bryn Terfel (bass-baritone opera singer) (track 12)
solo tenor vocals:
Fritz Wunderlich (operatic tenor) (1966-07) (track 16)
soprano vocals:
Irmgard Seefried (soprano) (track 1)
Maria Stader (1957-11) (track 8)
soprano vocals [Violetta]:
Renata Scotto (track 2)
tenor vocals:
Fritz Wunderlich (operatic tenor) (track 16)
tenor vocals [Alfredo]:
Gianni Raimondi (track 2)
phonographic copyright by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (1962) (track 7)
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (1965) (track 14)
Polydor International GmbH (not for release label use!) (1965) (track 14)
Polydor International GmbH (not for release label use!) (1966) (track 16)
publisher:
Revue illustrée (1890-09) (track 7)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1957-11) (track 8)
Studio Lankwitz in Berlin, Germany (1961-05) (track 7)
UFA-Tonstudio in Berlin, Germany (1962-10) (track 18)
Beethovensaal (Hannover) in Hanover, Niedersachsen, Germany (1965-05) (track 14)
Austrian Academy of Sciences (Wien) in Wien, Austria (1966-07) (track 16)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 "L.") (number: L. 29) (track 7)
Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 "CD") (number: CD 43) (track 7)
Works of Fryderyk Chopin by opus number (number: op. 47) (track 19)
Köchelverzeichnis (original numbering) (number: 476) (track 1)
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 476) (track 1)
arrangement of:
Das Veilchen (track 1)
arrangements:
Fantasía para un gentilhombre: I. Villano y ricercare (for flute and orchestra, Galway 1978) (track 17)
Mandoline, L. 29, CD 43 "Les donneurs de sérénades" (catch-all for arrangements) (track 7)
Vesperae solennes de confessore, K. 339: V. Laudate dominum (catch-all for arrangements) (track 8)
Zueignung, op. 10 no. 1 (for soprano and orchestra, arr. Heger) (track 4)
Étude in E major, op. 10 no. 3: Lento ma non troppo (catch-all for arrangements) (track 14)
is the basis for:
HAPPY BIRTHDAY MR.HELP (FixEight) (track 14)
No Other Love (Chopin adaptation) (track 14)
さびしんぼう (track 14)
later translated versions:
later versions:
Chopin w Chinach (track 14)
Dans la nuit (Sarah Brightman song) (track 14)
orchestrations:
Mandoline (orch. Beydts) (track 7)
Zueignung, op. 10 no. 1 (orchestrated by Strauss) (track 4)
part of:
8 Gedichte aus »Letzte Blätter« (op 10; TrV 141) (track 4)
Études, op. 10 (track 14)
Der Freischütz: Akt III (number) (track 6)
recording of:
Zueignung, op. 10 no. 1 (for voice and piano) (track 4)
Mandoline, L. 29, CD 43 "Les donneurs de sérénades" (for voice and piano) (1961-05) (track 7)
An die Musik, D. 547 (1966-07) (track 16)
referred to in medleys: