Tracklist

CD 1: Tracks 1-6: Originaly 'Indeed!' Blue Note BLP 1538 1956 / Tracks 7-13: Originaly 'Introducing Lee Morgan' Savoy MG 12091 1956
# Title Rating Length
1 Roccus
8:19
2 Reggie of Chester
4:55
3 Lady
6:48
4 Little T
8:23
5 Gaza Strip
3:57
6 Stand By
5:51
7 Hank's Shout
7:01
8 Nostalgia
8:53
9 Bet
7:56
10 Softly, as in a Morning Sunrise
2:32
11 P.S. I Love You
4:22
12 Easy Living
2:48
13 That's All
2:43
CD 2: Tracks 1-6: Originaly 'Vo. 2' - Sextet' Blue Note BLP 1541 1957 / Tracks 7-11: Originaly 'Vol. 3' Blue Note BLP 1557 1957
# Title Rating Length
1 Whisper Not
7:21
2 Latin Hangover
6:44
3 His Sister
6:31
4 Slightly Hep
4 6:27
5 Where Am I
5:50
6 D's Fink
4 7:44
7 Hasaan's Dream
8:44
8 Domingo
9:22
9 I Remember Clifford
7:07
10 Mesabi Chant
6:09
11 Tip Toeing
6:39
CD 3: Tracks 1-5: Originaly 'City Lights' Blue Note BLP 1575 1957 / Tracks 6-10: Originaly 'The Cooker' Blue Note BLP 1578 1957
# Title Rating Length
1 City Lights
5:46
2 Tempo de Waltz
6:24
3 You're Mine You
6:02
4 Just by Myself
9:25
5 Kin Folks
9:44
6 A Night in Tunisia
9:24
7 Heavy Dipper
7:05
8 Just One of Those Things
5 7:18
9 Lover Man
5 6:50
10 New-Ma
8:14
CD 4: Tracks 1-7: Originaly 'Candy' Blue Note BLP 1590 1957 / Tracks 8-13: Originaly 'Here's Lee Morgan' Vee-Jay LP 3007 1960
# Title Rating Length
1 Candy
7:04
2 Since I Fell for You
4 5:36
3 C.T.A.
5:06
4 All the Way
4 7:22
5 Who Do You Love, I Hope
4:59
6 Personality
6:14
7 All at Once You Love Her
4 5:28
8 Terrible 'T'
4 5:24
9 Mogie
4 7:50
10 I'm a Fool to Want You
5 5:43
11 Running Brook
4 6:09
12 Off Spring
6:19
13 Bess
4 6:28
CD 5: Tracks 1-5: Originaly 'The Young Lions' Vee-Jay VJLP 3013 1960 / Tracks 6-9: Originaly 'Lee-way' Blue Note BLP 4034 1960
# Title Rating Length
1 Seeds of Sin
5:45
2 Scourn'
5:58
3 Fat Lady
5:03
4 Peaches and Cream
6:52
5 That's Right
11:37
6 These Are Soulful Days
9:26
7 The Lion and the Wolff
9:52
8 Midtown Blues
12:11
9 Nakatini Suite
8:09
CD 6: Tracks 1-6: Originaly 'Expoobident' Vee-Jay LP 3015 1960 / Tracks 7-12: Originaly 'Take Twelve' Jazz Land JLP 980 1962
# Title Rating Length
1 Expoobident
5:02
2 Easy Living
5:58
3 Fire
4:51
4 Just in Time
3:32
5 Lost & Found
3:35
6 The Hearing
3:36
7 A Waltz for Fran
5 5:00
8 Lee-Sure Time
8:31
9 Little Spain
7:50
10 Raggedy Ann
5 6:52
11 Second's Best
7:30
12 Take Twelve
4:59

Credits

CD 1: Tracks 1-6: Originaly 'Indeed!' Blue Note BLP 1538 1956 / Tracks 7-13: Originaly 'Introducing Lee Morgan' Savoy MG 12091 1956

drums:
Philly Joe Jones (US jazz drummer) (tracks 1–6)
Art Taylor (tracks 7–13)
bass:
Doug Watkins (tracks 7–13)
double bass:
Wilbur Ware (tracks 1–6)
alto saxophone:
Clarence Sharpe (tracks 1–6)
piano:
Hank Jones (tracks 7–13)
Horace Silver (tracks 1–6)
tenor saxophone:
Hank Mobley (US jazz tenor saxophonist) (tracks 7–13)
arranger:
Bernd Heitzler (track 10)
composer:
Alan Brandt (track 13)
Benny Golson (track 2)
Bob Haymes (track 13)
Owen Eugene Marshall (American Jazz Composer and Musician) (tracks 3, 5)
Hank Mobley (US jazz tenor saxophonist) (track 7)
Navarro (track 8)
Ralph Rainger (track 12)
Horace Silver (track 1)
Doug Watkins (track 9)
Leo Robin (track 12)
Sigmund Romberg (1928) (track 10)
engineer:
Rudy van Gelder (tracks 7–13)
lyricist:
Alan Brandt (track 13)
Leo Robin (track 12)
Oscar Hammerstein II (1928) (track 10)
producer:
Alfred Lion (tracks 1–6)
writer:
Byrd (American jazz trumpeter) (track 4)
Benny Golson (track 6)
Gordon Jenkins (track 11)
Johnny Mercer (track 11)
Ralph Rainger (1937) (track 12)
Leo Robin (1937) (track 12)
publisher:
Chappell Music Ltd. (track 10)
Famous Music (renamed since 2007-05 as Sony/ATV Harmony/Melody) (track 12)
Redwood Music Ltd. (Carlin) (track 10)
Warner Bros., Inc. (not for release label use!) (track 10)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (1956-11-04) (tracks 1–6)
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (1956-11-05) (tracks 7, 9–13)
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (1956-11-07) (track 8)
later translated versions:
Pour te plaire (track 13)
夏にしとくれ (track 10)
part of:
The New Moon: Act I (track 10)
recording of:
Bet (track 9)
Easy Living (track 12)
Gaza Strip (track 5)
Hank's Shout (track 7)
Lady (track 3)
Little T (track 4)
Nostalgia (track 8)
P.S. I Love You (track 11)
Reggie of Chester (track 2)
Roccus (track 1)
Softly, as in a Morning Sunrise (The New Moon) (track 10)
Stand By (track 6)
That's All (track 13)

CD 2: Tracks 1-6: Originaly 'Vo. 2' - Sextet' Blue Note BLP 1541 1957 / Tracks 7-11: Originaly 'Vol. 3' Blue Note BLP 1557 1957

drums:
Charlie Persip (tracks 1–11)
bass:
Paul Chambers (US jazz bassist) (tracks 1–11)
alto saxophone:
Kenny Rodgers (saxophone) (tracks 1–6)
piano:
Wynton Kelly (tracks 7–11)
Horace Silver (tracks 1–6)
tenor saxophone:
Golson (tracks 7–11)
Hank Mobley (US jazz tenor saxophonist) (tracks 1–6)
arranger:
Golson (tracks 7–11)
composer:
Golson (tracks 1–2, 4–5, 7–11)
Marshall (American Jazz Composer and Musician) (tracks 3, 6)
lyricist:
Leonard Feather (track 1)
producer:
Alfred Lion (tracks 1–11)
recording engineer:
Rudy van Gelder (tracks 1–11)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (1956-12-02) (tracks 1–6)
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (1957-03-24) (tracks 7–11)
later versions:
recording of:
D's Fink (track 6)
Domingo (track 8)
Hasaan's Dream (track 7)
His Sister (track 3)
Latin Hangover (track 2)
Mesabi Chant (track 10)
Slightly Hep (track 4)
Tip Toeing (track 11)
Where Am I (track 5)
Whisper Not (track 1)

CD 3: Tracks 1-5: Originaly 'City Lights' Blue Note BLP 1575 1957 / Tracks 6-10: Originaly 'The Cooker' Blue Note BLP 1578 1957

drums:
Philly Joe Jones (US jazz drummer) (tracks 6–10)
Art Taylor (tracks 1–5)
bass:
Paul Chambers (US jazz bassist) (tracks 1–10)
piano:
Ray Bryant (tracks 1–5)
Bobby Timmons (tracks 6–10)
baritone saxophone:
Pepper Adams (baritone saxophonist) (tracks 6–10)
trombone:
Curtis Fuller (tracks 1–5)
composer:
Dizzy Gillespie (track 6)
Benny Golson (tracks 1–2, 4)
Johnny Green (composer and conductor, often credited as John Green) (track 3)
Gigi Gryce (track 5)
Lee Morgan (tracks 7, 10)
Frank Paparelli (track 6)
Roger “Ram” Ramirez (Puerto Rican jazz pianist) (track 9)
Cole Porter (1935) (track 8)
Jimmy Sherman (1942) (track 9)
Jimmy Davis (songwriter, "Lover Man") (1942) (track 9)
lyricist:
Jon Hendricks (track 6)
Edward Heyman (track 3)
Cole Porter (1935) (track 8)
Jimmy Sherman (1942) (track 9)
Jimmy Davis (songwriter, "Lover Man") (1942) (track 9)
Roger “Ram” Ramirez (Puerto Rican jazz pianist) (1942) (track 9)
producer:
Alfred Lion (tracks 1–10)
recording engineer:
Rudy van Gelder (tracks 1–5)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (track 9)
Universal MCA Music Publishing (US film music publisher) (track 6)
Universal Music Publishing Group Japan (work publisher - do NOT use as a release label) (track 6)
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (1957-08-25) (tracks 1–5)
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (1957-09-29) (tracks 6–10)
later translated versions:
Yö Turengissa (track 6)
later versions:
A Night in Tunisia (track 6)
part of:
Can‐Can (1960 musical film) (track 8)
High Society (stage musical) (track 8)
Jubilee (track 8)
Panama Hattie (1942 film) (track 8)
recording of:
A Night in Tunisia (vocal version) (track 6)
City Lights (track 1)
Heavy Dipper (track 7)
Just by Myself (track 4)
Kin Folks (track 5)
Lover Man (track 9)
New-Ma (track 10)
Tempo de Waltz (track 2)
You're Mine, You (track 3)
version of:
Night in Tunisia (instrumental) (track 6)

CD 4: Tracks 1-7: Originaly 'Candy' Blue Note BLP 1590 1957 / Tracks 8-13: Originaly 'Here's Lee Morgan' Vee-Jay LP 3007 1960

drums:
Art Blakey (tracks 8–13)
Art Taylor (tracks 1–7)
bass:
Paul Chambers (US jazz bassist) (tracks 8–13)
Doug Watkins (tracks 1–7)
piano:
Sonny Clark (tracks 1–7)
Wynton Kelly (tracks 8–13)
tenor saxophone:
Cliff Jordan (tracks 8–13)
additional lyricist:
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) (1946-03-20) (track 6)
composer:
Irving Berlin (track 5)
Jimmy Heath (track 3)
Milt Jackson (track 12)
Buddy Johnson (track 2)
Morgan (tracks 8–9, 13)
Richard Rodgers (track 7)
Wayne Shorter (US jazz saxophonist and composer) (track 11)
Jimmy Van Heusen (tracks 4, 6)
lyricist:
Irving Berlin (track 5)
Buddy Johnson (track 2)
Johnny Burke (American lyricist, 1908-1964) (track 6)
Sammy Cahn (track 4)
Lorenz Hart (track 7)
producer:
Alfred Lion (tracks 1–7)
recording engineer:
Rudy van Gelder (tracks 1–7)
writer:
Davis (US composer, songwriter, and conductor) (track 1)
Kramer (track 1)
Whitney (track 1)
Joel Herron (1951) (track 10)
Frank Sinatra (1951) (track 10)
Jack Wolf (1951) (track 10)
publisher:
recorded at:
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (1957-11-18) (tracks 2, 6–7)
Van Gelder Studio (Hackensack - July 1,1959) in Hackensack, New Jersey, United States (1958-02-02) (tracks 1, 3–5)
Bell Sound Studios in New York, New York, United States (1960-02-08) (tracks 8–13)
later translated versions:
Tuhon tietä kuljen (track 10)
parody version of:
Personality (1946 song) (track 6)
part of:
Annie Get Your Gun (track 5)
recording of:
All at Once (track 7)
All the Way (from "The Joker is Wild") (track 4)
Bess (track 13)
C.T.A. (track 3)
Candy (track 1)
Mogie (track 9)
Off Spring (track 12)
Personality (Sinatra / Johnson parody) (track 6)
Running Brook (track 11)
Terrible 'T' (track 8)
Who Do You Love, I Hope? (from "Annie Get Your Gun", stage version only) (track 5)
referred to in medleys:

CD 5: Tracks 1-5: Originaly 'The Young Lions' Vee-Jay VJLP 3013 1960 / Tracks 6-9: Originaly 'Lee-way' Blue Note BLP 4034 1960

drums:
Art Blakey (tracks 6–9)
bass:
Paul Chambers (US jazz bassist) (tracks 6–9)
Bob Cranshaw (tracks 1–5)
alto saxophone:
Jackie McLean (tracks 6–9)
Frank Strozier (tracks 1–5)
piano:
Bobby Timmons (tracks 1–9)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (tracks 1–5)
composer:
Cal Massey (tracks 6, 9)
Jackie McLean (track 8)
Morgan (tracks 5, 7)
Wayne Shorter (US jazz saxophonist and composer) (tracks 1–2, 4)
Bobby Timmons (track 3)
producer:
Alfred Lion (tracks 6–9)
recorded at:
Bell Sound Studios in New York, New York, United States (1960-04-25) (tracks 1–5)
Van Gelder Studio (Englewood Cliffs, July 20, 1959 -) in Englewood Cliffs, New Jersey, United States (1960-04-28) (tracks 6–9)
recording of:
Fat Lady (track 3)
Midtown Blues (track 8)
Nakatini Serenade (track 9)
Peaches and Cream (track 4)
Scourn' (track 2)
Seeds of Sin (track 1)
That's Right (track 5)

CD 6: Tracks 1-6: Originaly 'Expoobident' Vee-Jay LP 3015 1960 / Tracks 7-12: Originaly 'Take Twelve' Jazz Land JLP 980 1962

drums:
Art Blakey (tracks 1–6)
Louis Hayes (tracks 7–12)
bass:
Bob Cranshaw (tracks 7–12)
Art Davis (US jazz double bassist) (tracks 1–6)
piano:
Barry Harris (Jazz pianist) (tracks 7–12)
Eddie Higgins (tracks 1–6)
tenor saxophone:
Clifford Jordan (tracks 1–12)
composer:
Eddie Higgins (track 1)
Hope (track 12)
Clifford Jordan (tracks 5–6, 9)
Morgan (tracks 7–8, 10–11)
Ralph Rainger (track 2)
Shorter (US jazz saxophonist and composer) (track 3)
Jule Styne (track 4)
Leo Robin (track 2)
engineer:
Ray Fowler (US recording engineer) (tracks 7–12)
lyricist:
Betty Comden (track 4)
Adolph Green (track 4)
Leo Robin (track 2)
producer:
Orrin Keepnews (tracks 7–12)
writer:
Ralph Rainger (1937) (track 2)
Leo Robin (1937) (track 2)
publisher:
Famous Music (renamed since 2007-05 as Sony/ATV Harmony/Melody) (track 2)
engineered at:
Plaza Sound Studios in New York, New York, United States (1962-01-24) (tracks 7–12)
recorded at:
Universal Recording in Chicago, Illinois, United States (1960-10-14) (tracks 1–6)
recording of:
A Waltz for Fran (track 7)
Easy Living (track 2)
Expoobident (track 1)
Fire (track 3)
Just in Time (track 4)
Lee-Sure Time (track 8)
Little Spain (track 9)
Lost and Found (track 5)
Raggedy Ann (track 10)
Second's Best (track 11)
Take Twelve (track 12)
The Hearing (track 6)