Tracklist

CD 1
# Title Artist Rating Length
1 Mass For 4 Voices: Benedictus
Thomas Tallis 2:47
2 Missa L'homme armé: Agnus Dei
Guillaume Dufay 8:22
3 Terpsichore: Ballet
Michael Praetorius 2:28
4 Miserere Mei
Gregorio Allegri 10:17
5 Mass, H.1: Agnus Dei
Marc‐Antoine Charpentier 2:05
6 Concerto Grosso in C major, op. 3 no. 12: Largo
Francesco Onofrio Manfredini 4:38
7 Cantata no. 147: Jesu bleibet meine freude
Johann Sebastian Bach 3:32
8 Mass in B minor, BWV 232: Benedictus
Johann Sebastian Bach 4:55
9 St. Matthew's Passion, BWV 244: O haupt voll blut und wunden
Johann Sebastian Bach 2:33
10 Oboe Concerto In G minor, BWV 1056: Largo
Johann Sebastian Bach 2:53
11 Mass in C major (Coronation): Benedictus
Wolfgang Amadeus Mozart 3:48
12 Requiem in D minor: Benedictus
Wolfgang Amadeus Mozart 5:43
13 Messiah: Pifa
George Frideric Handel 1:08
14 Requiem: Recordare
Giuseppe Verdi 4:25
15 A German Requiem: Wie lieblich sind deine Wohnungen
Johannes Brahms 4:47

Credits

CD 1

composed in:
Leipzig, Sachsen, Germany (1747 – 1749) (track 8)
premiered in:
Leipzig, Sachsen, Germany (1723-07-02) (track 7)
oboe:
Christian Hommel (track 10)
baritone vocals:
Andrea Martin (baritone) (track 11)
Eduard Tumagian (baritone) (track 15)
bass vocals:
Peter Mikuláš (bass) (track 12)
choir vocals:
Oxford Camerata (tracks 1–2, 4)
Slovak Philharmonic Choir (tracks 8, 12, 15)
chorus master:
Jeremy Summerly (track 4)
composer:
Gregorio Allegri (track 4)
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 8–10)
Johannes Brahms (track 15)
Guillaume Dufay (track 2)
Wolfgang Amadeus Mozart (classical composer) (track 12)
Michael Praetorius (composer and organist) (track 3)
Thomas Tallis (track 1)
Johann Sebastian Bach (German Baroque period composer & musician) (1723) (track 7)
George Frideric Handel (German‐British baroque composer) (1741) (track 13)
Wolfgang Amadeus Mozart (classical composer) (1779) (track 11)
Giuseppe Verdi (Italian opera composer) (1874) (track 14)
conductor:
Mátyás Antal (track 7)
Christian Brembeck (track 8)
Bertil Färnlöf (track 3)
Zdeněk Košler (track 12)
Jaroslav Krček (track 6)
Pier Giorgio Morandi (conductor) (track 14)
Géza Oberfrank (track 9)
Alexander Rabhari (Ali Rahbari, sometimes credited as "Alexander") (track 15)
Johannes Wildner (track 11)
Jeremy Summerly (tracks 1–2, 4)
Hervé Niquet (1996-02-12 – 1996-02-15) (track 5)
librettist:
Picander (track 9)
lyricist:
Paul Gerhardt (17th century hymn writer) (track 9)
mezzo-soprano vocals:
Jaroslava Horská (track 12)
Anna di Mauro (track 11)
Gloria Scalchi (mezzo-soprano) (track 14)
orchestra:
Camerata Cassovia (track 11)
Capella Istropolitana (tracks 6, 8)
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra) (track 14)
Hungarian State Symphony Orchestra (Hungarian National Philharmonic Orchestra) (track 9)
Slovak Philharmonic (Slovak Philharmonic, Bratislava) (track 12)
Czecho-Slovak Radio Symphony Orchestra (Slovak Radio Symphony Orchestra) (track 15)
performer:
Le Concert Spirituel (French baroque ensemble) (1996-02-12 – 1996-02-15) (track 5)
soprano vocals:
Priti Coles (coloratura soprano) (track 11)
Elena Filipova (soprano) (track 14)
Miriam Gauci (soprano) (track 15)
tenor vocals:
John Dickie (tenor) (track 11)
Jozef Kundlák (track 12)
recorded at:
Église Notre‐Dame du Liban in Paris, Île-de-France, France (1996-02-12 – 1996-02-15) (track 5)
part of:
Breitkopf 389 Choralgesänge (number: 162) (track 9)
arrangements:
"Jesus bleibet meine Freude" from Cantata, BWV 147 (for piano, Chuquisengo) (track 7)
An English Requiem, op. 45: IV. How lovely is Thy dwelling place (english translation of the deutsches Requiem) (track 15)
Benedictus from Mass in B minor, BWV 232 (arr. Henry Wood) (track 8)
How Lovely Is Thy Dwelling Place (translated excerpt from "Ein deutsches Requiem" by Brahms) (translated) (track 15)
Jesu, Joy of Man's Desire, from BWV 147 (for piano, Myra Hess) (track 7)
Jesu, Joy of Man's Desiring (for band, Reed) (track 7)
Jesu, Joy of Men's Desiring (Sportiello arrangement) (track 7)
Jesu, bleibet meine Freunde (Jesu, Joy of Man’s Desiring) (arr. for piano by Richard Tilling) (track 7)
Jesus bleibet meine Freude (for trumpet and organ, Alain) (track 7)
Jesus bleibet meine Freude (for organ, Duruflé) (track 7)
Jesus bleibet meine Freude, BWV 147 (arr. Wilhelm Kempff for piano) (track 7)
Kantate, BWV 147 "Herz und Mund und Tat und Leben": Teil II, X. Choral "Jesus bleibet meine Freude" (Jesu, Joy of Mans Desiring; catch-all for arrangements) (track 7)
Three Chorales: Jesu, Joy of Man‘s Desiring (Milko Kelemen arrangement) (track 7)
is the basis for:
Ecos (track 7)
Lady Lynda (track 7)
À la Chapelle Sixtine, S. 360 (for orchestra) (track 4)
À la Chapelle Sixtine, S. 461/1 (for solo piano, first version) (track 4)
À la Chapelle Sixtine, S. 461/2 (for solo piano, final version) (track 4)
À la Chapelle Sixtine, S. 633 (for piano four hands) (track 4)
later translated versions:
later versions:
Messiah: Sinfonia Pastoral (Stokowski orchestration) (track 13)
orchestrations:
Jesu, Joy of Man’s Desiring, BWV 147/10 (Stokowski orchestration) (track 7)
Matthäus-Passion, BWV 244: O Haupt voll Blut und Wunden (Stokowski orchestration) (track 9)
part of:
Ein deutsches Requiem, op. 45 (movement) (track 15)
Mass, H. 1 (track 5)
Messa da requiem: II. Dies irae (full sequenza) (track 14)
Requiem in D minor, K. 626 (catch-all for unknown editions) (track 12)
recording of:
Miserere mei, Deus (track 4)
Requiem in D minor, K. 626: V. Sanctus: b. Benedictus (catch-all for unknown editions) (track 12)
Mass, H. 1: Agnus Dei (1996-02-12 – 1996-02-15) (track 5)
referred to in medleys: