Tracklist

CD 1
# Title Rating Length
1 Concerto brandebourgeois No. 5 en Ré majeur, BWV 1050: Allegro (Akademie für Alte Musik Berlin)
9:26
2 Passion selon Saint Mathieu BWV 244, deuxième partie: 66a. Evangelista, 66b. Chorus I & II, 66c. Evangelista, Pilatus, 67. Recitativo (Choeur et Orchestre du Collegium Vocale Gent, dir. Philippe Herrweghe)
4:30
3 Passion selon Saint Mathieu BWV 244, deuxième partie: 68. Chorus I & II (Choeur et Orchestre du Collegium Vocale Gent, dir. Philippe Herrweghe)
5:22
4 Suites pour violoncelle seul, Suite n°5 en ut mineur: I. Prélude (violoncelle: Jean-Guihen Queyras)
6:05
5 Le clavier bien tempéré: Praelidium I en Ut majeur (Clavecin: Richard Egarr)
2:32
6 Le clavier bien tempéré: Fuga I en Ut majeur (Clavecin: Richard Egarr)
2:24
7 Toccata & Fugue en Ré mineur (pour violon seul, violon: Andrew Manze)
7:38
8 Cantate pour Alto BWV 170: I. Aria "vergnügte Ruh, beliebte Seelenlust" (Alto: Bernada Fink, Freiburger Barockorchester, Petra Müllejans)
7:00
9 Oratorio de Pâques BWV 249: Chorus "Preis and Dank" (Collegium Vocale Gent, dir. Philippe Herreweghe)
2:33
10 Partite diverse Sopra Il Corale 'O Gott, du frommer Gott' en ut mineur: Partita I (Clavecin: Andreas Staier)
1:15
11 Partite diverse Sopra Il Corale 'O Gott, du frommer Gott' en ut mineur: Partita II (Clavecin: Andreas Staier)
2:40
12 Partite diverse Sopra Il Corale 'O Gott, du frommer Gott' en ut mineur: Partita III (Clavecin: Andreas Staier)
1:11
13 Partite diverse Sopra Il Corale 'O Gott, du frommer Gott' en ut mineur: Partita IV (Clavecin: Andreas Staier)
0:42
14 Partite diverse Sopra Il Corale 'O Gott, du frommer Gott' en ut mineur: Partita V (Clavecin: Andreas Staier)
1:36
15 Partite diverse Sopra Il Corale 'O Gott, du frommer Gott' en ut mineur: Partita VI (Clavecin: Andreas Staier)
0:55
16 Partite diverse Sopra Il Corale 'O Gott, du frommer Gott' en ut mineur: Partita VII (Clavecin: Andreas Staier)
1:02
17 Partite diverse Sopra Il Corale 'O Gott, du frommer Gott' en ut mineur: Partita VIII (Clavecin: Andreas Staier)
1:57
18 Partite diverse Sopra Il Corale 'O Gott, du frommer Gott' en ut mineur: Partita IX (Clavecin: Andreas Staier)
2:47
19 L'art de la fugue, Contrapunctus de 1 à 4 voix: Thème rectus (Fretwork)
3:12
20 Cantate "Das neugeborne Kindelein" BWV 122: 4. Aria 'Ist Gott versöhnt' (Vasilika Jevovšek, Sarah Connolly, Marc Padmore, Collegium Vocale Gent, dir. Philippe Herreweghe)
2:22
21 Cantate BWV 21: Choeur 'Ich hatte viel Bekümmernis' (La Chapelle Royale, Collegium Vocale Gent, dir. Philippe Herreweghe)
4:06
22 Suites pour orchestre, Suite n°.3 en Ré majeur (Akademie für Alte Musik Berlin)
4:27
23 Suites pour orchestre, Suite n°2 en si mineur (Akademie für Alte Musik Berlin)
1:35
CD 2
# Title Rating Length
1 Cantate "Weinen, Klagen, Sorgen, Zagen" BWV 12: N.1. Sinfonia (Cantus Cölln, Konrad Junghänel)
2:40
2 Cantate "Weinen, Klagen, Sorgen, Zagen" BWV 12: N.2 Coro: "Weinen, Klagen, Sorgen, Zagen" (Cantus Cölln, Konrad Junghänel)
5:59
3 Cantate "Weinen, Klagen, Sorgen, Zagen" BWV 12: N.3 Recitativo: "Wir müssen dirch viel Trübsal" (Cantus Cölln, Konrad Junghänel)
0:44
4 Cantate "Weinen, Klagen, Sorgen, Zagen" BWV 12: N.4 aria: "Kreuz und Kronen sind verbunden" (Cantus Cölln, Konrad Junghänel)
5:21
5 Cantate "Weinen, Klagen, Sorgen, Zagen" BWV 12: N.5: "Ich folge Christo nach" (Cantus Cölln, Konrad Junghänel)
2:08
6 Cantate "Weinen, Klagen, Sorgen, Zagen" BWV 12: N.6: "Sei getreu, alle Pein" (Cantus Cölln, Konrad Junghänel)
4:07
7 Cantate "Weinen, Klagen, Sorgen, Zagen" BWV 12: N. 7. Choral: "Was Gott tutt, das ist wohlgetan" (Cantus Cölln, Konrad Junghänel)
1:02
8 Sonate pour Viole de Gambe et Clavecin BWV 1029 en Sol mineur: I. Vivace (Viole de gambe: Juan Manuel Quintana, Clavecin: Céline Frisch)
5:24
9 Variations Goldberg BWV 988: Aria (Clavecin: Kenneth Gilbert)
2:18
10 Variations Goldberg BWV 988: Variation 16. Ouverture à un clavier (Clavecin: Kenneth Gilbert)
2:53
11 Cantate pour Basse: Aria con Chorale "Welt, ade" (Basse: Peter Kooy, La Chapelle Royale, dir. Philippe Herreweghe)
7:02
12 Magnificat en Ré majeur: Choeur "Magnificat anima mea Dominum" (Soprano: Barbara Schlick, La Chapelle Royale, dir. Philippe Herreweghe)
3:03
13 Magnificat en Ré majeur: Aria + Choeur "Omnes generationes" (Soprano: Barbara Schlick, La Chapelle Royale, dir. Philippe Herreweghe)
4:11
14 Partita en Fa majeur: Prélude (Luth: Paul O'Dette)
5:11
15 Oratorio de Noël BWV 248, "Am ersten Weihnachtstag": Choeur d'ouverture "Jauchzet, frohlocket" (RIAS Kammerchor, dir. René Jacobs)
7:40
16 Motet BWV 229: Chor, Sopran "Komm, Jesu, komm" (Soprano: Sibylla Rubens, RIAS Kammerchor, dir. René Jacobs)
6:58
17 Chorals de Leipzig: "Nun dankte alle Gott" BWV 657 (Orgue Silbermann d'Arlesheim: Lionel Rogg)
3:29
18 Messe en si mineur: Sanctus (Collegium Vocale Gent, dir. Philippe Herreweghe)
5:19
19 Aria de la Pastorale en ut mineur (Piano Steinway: Alexandre Tharaud)
2:36

Credits

CD 1

composed in:
Leipzig, Sachsen, Germany (1725-04-01) (track 9)
premiered in:
Leipzig, Sachsen, Germany (1725-04-01) (track 9)
Leipzig, Sachsen, Germany (1726-07-28) (track 8)
violin:
Andrew Manze (track 7)
harpsichord:
Richard Egarr (tracks 5–6)
Andreas Staier (2006-08 – 2006-09) (tracks 10–18)
alto vocals:
Sarah Connolly (mezzo-soprano) (track 20)
Bernarda Fink (track 8)
Andreas Scholl (track 2)
assistant recording engineer:
bass vocals:
Dietrich Henschel (track 2)
choir vocals:
Collegium Vocale Gent (tracks 2, 9, 20–21)
Collegium Vocale Gent (1998-08) (track 3)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–2, 2–4, 7, 9–19, 23)
Johann Sebastian Bach (German Baroque period composer & musician) (1714) (track 21)
Johann Sebastian Bach (German Baroque period composer & musician) (1722) (tracks 5–6)
Johann Sebastian Bach (German Baroque period composer & musician) (1724) (track 20)
Johann Sebastian Bach (German Baroque period composer & musician) (1726) (track 8)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 22)
conductor:
Philippe Herreweghe (Belgian conductor) (tracks 2, 9, 20–21)
Petra Müllejans (track 8)
Philippe Herreweghe (Belgian conductor) (1998-08) (track 3)
editor:
Paul F. Witt (engineer/editor) (track 7)
engineer:
Bradley Michel (track 7)
librettist:
Picander (tracks 2, 2–3)
Georg Christian Lehms (1711) (track 8)
orchestra:
La Chapelle Royale (track 21)
Collegium Vocale Gent (tracks 2, 9, 20)
Collegium Vocale Gent (1998-08) (track 3)
performer:
Fretwork (track 19)
producer:
Robina G. Young (producer) (track 7)
recording engineer:
Jean-Martial Golaz (track 3)
soprano vocals:
Vasiljka Jezovšek (track 20)
Sibylla Rubens (track 2)
Barbara Schlick (soprano) (track 9)
tenor vocals:
Werner Güra (German classical tenor) (track 2)
Mark Padmore (British tenor) (track 20)
vocals:
Bernarda Fink (track 8)
premiered at:
St. Thomas Church in Leipzig, Sachsen, Germany (1724-12-31) (track 20)
recorded at:
St George's Bristol (Brandon Hill) in Bristol, England, United Kingdom (track 7)
Studio Christuskirche (Berlin) in Berlin, Germany (1997) (track 1)
Arsenal de Metz in Metz, Moselle, France (1998-08) (track 3)
Teldex Studio (Berlin) in Berlin, Germany (2006-08 – 2006-09) (tracks 10–18)
compilation of:
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1) (track 19)
arrangement of:
arrangements:
Air on a G String (Guitar + modern ensemble arr. Myers) (track 22)
Air on the G String (for cello and orchestra, arr. Cullen) (track 22)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 22)
Bach Lullaby (track 5)
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (catch-all for arrangements) (track 1)
Contrapunctus I (for choir, Schnebel) (track 19)
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (catch all for arrangements) (track 19)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (for piano 4 hands, Reger) (track 23)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements) (track 23)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 22)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 22)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 22)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 22)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 22)
Solo Amore (track 22)
Suite no. 5 c-Moll, BWV 1011: I. Prélude (catch-all for arrangements) (track 4)
Suite no. 5 in C minor, BWV 1011: I. Prélude (for viola, arr. Rowland-Jones) (track 4)
Suite no. 5 in C minor, BWV 1011: I. Prélude (arr. Joachim Raff for piano) (track 4)
has revision:
is the basis for:
Aimant (track 6)
Ave Maria (Bach/Gounod) (track 5)
Bach Aire (track 22)
Peace Planet (track 23)
Sweetest Love (track 22)
later translated versions:
later versions:
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 22)
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (orch. Barshai, early version) (track 19)
part of:
parts:
recording of:
Toccata und Fuge d-Moll, BWV 565 (catch-all for arrangements) (1999-03-25 – 1999-04-03) (track 7)
O Gott, du frommer Gott, BWV 767: I. (2006-08 – 2006-09) (track 10)
O Gott, du frommer Gott, BWV 767: II. (2006-08 – 2006-09) (track 11)
O Gott, du frommer Gott, BWV 767: III. (2006-08 – 2006-09) (track 12)
O Gott, du frommer Gott, BWV 767: IV. (2006-08 – 2006-09) (track 13)
O Gott, du frommer Gott, BWV 767: IX. (2006-08 – 2006-09) (track 18)
O Gott, du frommer Gott, BWV 767: V. (2006-08 – 2006-09) (track 14)
O Gott, du frommer Gott, BWV 767: VI. (2006-08 – 2006-09) (track 15)
O Gott, du frommer Gott, BWV 767: VII. (2006-08 – 2006-09) (track 16)
O Gott, du frommer Gott, BWV 767: VIII. (2006-08 – 2006-09) (track 17)
referred to in medleys:
Hooked on Bach (track 23)
Hooked on Romance (track 22)
version of:

CD 2

composed in:
Leipzig, Sachsen, Germany (1728 – 1731) (tracks 12–13, 13)
Leipzig, Sachsen, Germany (1734 – 1735) (track 15)
Leipzig, Sachsen, Germany (1747 – 1749) (track 18)
premiered in:
Leipzig, Sachsen, Germany (1733-07-02) (tracks 12–13, 13)
Leipzig, Sachsen, Germany (1734-12-25) (track 15)
violin:
Peter Van Boxelaere (violinist) (1990-01) (track 12)
Adriana Chamorro (1990-01) (track 12)
Myriam Gevers (1990-01) (track 12)
Nicolette Moonen (Violonist) (1990-01) (track 12)
Martha Moore (violinist) (1990-01) (track 12)
Ryo Terakado (violinist) (1990-01) (track 12)
cello:
Harm Jan Schwitters (cellist) (1990-01) (track 12)
Ageet Zweistra (1990-01) (track 12)
oboe:
Taka Kitazato (oboist) (1990-01) (track 12)
Marcel Ponseele (1990-01) (track 12)
trumpet:
Jonathan Impett (trumpeter) (1990-01) (track 12)
Stephen Keavy (trumpet) (1990-01) (track 12)
Léon Petré (trumpet) (1990-01) (track 12)
viola:
Christine Angot (violinist) (1990-01) (track 12)
Galina Zinchenko (violinist) (1990-01) (track 12)
lute:
Paul O’Dette (American conductor and lute player specialising in early music) (track 14)
pipe organ:
Lionel Rogg (track 17)
bassoon:
Kate Van Orden (bassoon) (1990-01) (track 12)
flute:
Patrick Beuckels (flautist) (1990-01) (track 12)
Marc Hantaï (classical flute player) (1990-01) (track 12)
organ:
Jan-Willem Jansen (organist) (1990-01) (track 12)
piano:
Alexandre Tharaud (track 19)
viola da gamba:
Céline Frisch (track 8)
harpsichord:
Kenneth Gilbert (track 10)
Kenneth Gilbert (1986-04) (track 9)
timbales:
Jean Chamboux (percussionist) (1990-01) (track 12)
alto vocals:
Elisabeth Popien (tracks 2–4, 7)
arranger:
Paul O’Dette (American conductor and lute player specialising in early music) (track 14)
assistant engineer:
Frédéric Briant (track 18)
bass vocals:
Peter Kooij (track 11)
Stephan Schreckenberger (tracks 2, 5, 7)
choir vocals:
RIAS Kammerchor (tracks 15–16)
Collegium Vocale Gent (1990-01) (track 12)
Collegium Vocale Gent (1996-07) (track 18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 8–10, 12–13, 13–19)
Johann Sebastian Bach (German Baroque period composer & musician) (1714) (tracks 1–7)
Johann Sebastian Bach (German Baroque period composer & musician) (1728 – 1731) (track 11)
concertmaster:
Roy Goodman (conductor and violinist) (1990-01) (track 12)
conductor:
Philippe Herreweghe (Belgian conductor) (tracks 11, 13)
René Jacobs (tracks 15–16)
Konrad Junghänel (tracks 1–7)
Philippe Herreweghe (Belgian conductor) (1990-01) (track 12)
Philippe Herreweghe (Belgian conductor) (1996-07) (track 18)
engineer:
Michel Pierre (audio engineer) (track 12)
librettist:
Johann Georg Albinus (1649) (track 11)
lyricist:
Samuel Rodigast (German poet) (track 7)
orchestra:
La Chapelle Royale (tracks 11, 13)
La Chapelle Royale (1990-01) (track 12)
Collegium Vocale Gent (1990-01) (track 12)
Collegium Vocale Gent (1996-07) (track 18)
performer:
Cantus Cölln (tracks 1–7)
producer:
Michel Bernard (engineer / producer) (track 12)
recording engineer:
soprano vocals:
Johanna Koslowsky (soprano) (tracks 2, 7)
Barbara Schlick (soprano) (track 13)
tenor vocals:
Gerd Türk (German tenor) (tracks 2, 6–7)
recorded at:
compilation of:
part of:
Breitkopf 389 Choralgesänge (number: 340) (track 7)
Bach-Werke-Verzeichnis (number: BWV 657) (track 17)
arrangements:
Goldberg-Variationen, BWV 988: Aria (catch-all for arrangements) (track 9)
Goldberg-Variationen, BWV 988: Variation XVI (catch-all for arrangements) (track 10)
Nun danket alle Gott, BWV 657 (for piano, Reger) (track 17)
Suite E-Dur, BWV 1006a: I. Prélude (catch all for arrangements) (track 14)
is based on:
is the basis for:
part of:
Suite E-Dur, BWV 1006a (for lute) (track 14)
Magnificat D-Dur, BWV 243 (tracks 12–13, 13)
recording of:

Release

ASIN: FR: B001L15C8M [info]