Tracklist

CD 1
# Title Artist Rating Length
1 Symphony no. 5: IV. Adagietto, Sehr langsam
Gustav Mahler 11:57
2 Canon & Gigue in D major: Canon
Johann Pachelbel 5:10
3 Thaïs: Méditation
Jules Massenet 6:05
4 Symphony no. 3 in F major, op. 90: II. Andante
Johannes Brahms 8:16
5 Sinfonia for Strings and Continuo in B minor, R.169 "Al Santo Sepolcro": I. Adagio Molto
Antonio Vivaldi 3:34
6 Peer Gynt Suite no. 1, op. 46: II. Aase's Death
Edvard Grieg 4:42
7 Divertimento no. 15 in B flat major, KV 287: IV. Adagio
Wolfgang Amadeus Mozart 7:20
8 Adagio for Strings and Organ in G minor
Tomaso Giovanni Albinoni 11:50
9 Symphony no. 7 in A major, op. 92: II. Allegretto
Ludwig van Beethoven 7:47
10 Suite for Orchestra no. 3 in D major, BWV 1068: II. Air
Johann Sebastian Bach 5 6:05
11 Valse Triste, op. 44
Jean Sibelius 6:05

Credits

CD 1

violin:
Michel Schwalbé (Polish violinist) (1967-09-22 – 1967-09-25) (track 3)
Leon Spierer (1983-09-28 – 1983-09-30) (track 8)
organ:
David Bell (organist) (1983-09-28 – 1983-09-30) (tracks 8, 10)
harpsichord:
Frank Maus (1983-11) (track 2)
arranger:
Max Seiffert (tracks 2, 2)
audio engineer:
Günter Hermanns (producer/engineer) (track 7)
balance engineer:
Günter Hermanns (producer/engineer) (1967-09-22 – 1967-09-25) (track 3)
Günter Hermanns (producer/engineer) (1970-08-20 – 1970-08-23) (track 5)
Günter Hermanns (producer/engineer) (1973-02-13 – 1973-02-16) (track 1)
Günter Hermanns (producer/engineer) (1982-01-27 – 1982-02-18) (track 6)
Günter Hermanns (producer/engineer) (1983-09-28 – 1983-09-30) (tracks 8, 10)
Günter Hermanns (producer/engineer) (1983-12-01 – 1983-12-05) (track 9)
Günter Hermanns (producer/engineer) (1984-02-19 – 1984-02-24) (track 11)
Günter Hermanns (producer/engineer) (1987-09) (track 7)
Günter Hermanns (producer/engineer) (1988-10) (track 4)
composer:
Remo Giazotto (track 8)
Johann Pachelbel (track 2)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 10)
Antonio Vivaldi (1730) (tracks 5, 5)
Wolfgang Amadeus Mozart (classical composer) (1777) (track 7)
Ludwig van Beethoven (1811 – 1812) (track 9)
Edvard Grieg (1875) (track 6)
Johannes Brahms (1883) (track 4)
Jules Massenet (1894) (track 3)
Gustav Mahler (1901 – 1902) (track 1)
Jean Sibelius (1903) (track 11)
conductor:
Herbert von Karajan (1967-09-22 – 1967-09-25) (track 3)
Herbert von Karajan (1970-08-20 – 1970-08-23) (track 5)
Herbert von Karajan (1973-02-13 – 1973-02-16) (track 1)
Herbert von Karajan (1982-01-27 – 1982-02-18) (track 6)
Herbert von Karajan (1983-09-28 – 1983-09-30) (tracks 8, 10)
Herbert von Karajan (1983-11) (track 2)
Herbert von Karajan (1983-12-01 – 1983-12-05) (track 9)
Herbert von Karajan (1984-02-19 – 1984-02-24) (track 11)
Herbert von Karajan (1987-09) (track 7)
Herbert von Karajan (1988-10) (track 4)
editor:
Reinhild Schmidt (track 9)
engineer:
Günter Hermanns (producer/engineer) (1983-11) (track 2)
executive producer:
Günther Breest (tracks 6, 8–11)
Jürgen Bulgrin (track 7)
Otto Gerdes (track 3)
Volker Martin (track 7)
orchestra:
Berliner Philharmoniker (1967-09-22 – 1967-09-25) (track 3)
Berliner Philharmoniker (1970-08-20 – 1970-08-23) (track 5)
Berliner Philharmoniker (1973-02-13 – 1973-02-16) (track 1)
Berliner Philharmoniker (1982-01-27 – 1982-02-18) (track 6)
Berliner Philharmoniker (1983-09-28 – 1983-09-30) (tracks 8, 10)
Berliner Philharmoniker (1983-11) (track 2)
Berliner Philharmoniker (1983-12-01 – 1983-12-05) (track 9)
Berliner Philharmoniker (1984-02-19 – 1984-02-24) (track 11)
Berliner Philharmoniker (1987-09) (track 7)
Berliner Philharmoniker (1988-10) (track 4)
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer) (track 8)
producer:
Michel Glotz (tracks 6–10)
Werner Mayer (classical producer) (track 2)
Hans Weber (producer/engineer) (tracks 1, 3, 5)
Michel Glotz (1988) (track 4)
revised by:
Edvard Grieg (1888) (track 6)
Jean Sibelius (1904) (track 11)
solo violin:
Michel Schwalbé (Polish violinist) (1967-09-22 – 1967-09-25) (track 3)
premiered at:
Konsertti (1904-04-25) (track 11)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1968) (track 3)
Polydor International GmbH (not for release label use!) (1985) (track 9)
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (1989) (track 4)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) (track 8)
premiered at:
Svenska Teatern in Helsinki, Uusimaa, Finland (1904-04-25) (track 11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1967-09-22 – 1967-09-25) (track 3)
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (1970-08) (track 5)
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (1970-08-20 – 1970-08-23) (track 5)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1973-02-13 – 1973-02-16) (track 1)
Berliner Philharmonie in Berlin, Germany (1982-01-27 – 1982-02-18) (track 6)
Berliner Philharmonie in Berlin, Germany (1983-09-28 – 1983-09-30) (tracks 8, 10)
Berliner Philharmonie in Berlin, Germany (1983-11) (track 2)
Berliner Philharmonie in Berlin, Germany (1983-12-01 – 1983-12-05) (track 9)
Berliner Philharmonie in Berlin, Germany (1984-02-19 – 1984-02-24) (track 11)
Berliner Philharmonie in Berlin, Germany (1987-09) (track 7)
Berliner Philharmonie in Berlin, Germany (1988-10) (track 4)
arrangement of:
arrangements:
Adagietto From Symphony no. 5 (arr. J. Nurse for piano quintet) (track 1)
Adagietto aus der 5. Symphonie (for violin and piano, Wittinger) (track 1)
Adagio for Strings and Organ in G minor (catch all for arrangements) (track 8)
Adagio of the Sky (track 8)
Air on a G String (Guitar + modern ensemble arr. Myers) (track 10)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 10)
Air on the G String (for cello and orchestra, arr. Cullen) (track 10)
Cold is Being (track 8)
Meditation from Thaïs (for orchestra, arr. Cullen) (track 3)
Meditation from Thaïs (catch-all for arrangements) (track 3)
Meditation from Thaïs (for trumpet and orchestra, arr. Nakariakov) (track 3)
Meditation from Thaïs (for violin and piano, arr. Marsick) (track 3)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 10)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 10)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 10)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 10)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 10)
Solo Amore (track 10)
Symphony no. 3 in F major, op. 90: II. Andante (for two pianos, Brahms) (track 4)
Symphony no. 3 in F major, op. 90: II. Andante (for piano four hands, Brahms) (track 4)
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (catch-all for arrangements) (track 1)
Symphony no. 7 in A major, S. 463d: II. Allegretto (for piano solo, Liszt) (track 9)
Symphony no. 7 in A major, op. 92: II. Allegretto (catch-all for arrangements) (track 9)
Valse Triste, op. 44 no. 1 (catch-all for arrangements) (track 11)
Valse triste, op. 44 no. 1 (for cello and piano, arr. Hermann) (track 11)
is the basis for:
Acid Serum (Electronic derivative of Beethoven's 7th) (track 9)
Adagio (track 8)
Anytime, Anywhere (track 8)
Bach Aire (track 10)
Dieron las doce (track 9)
Kuolema, op. 44: I. Valse triste (for piano) (track 11)
Sweetest Love (track 10)
later versions:
Symphony no. 7 in A major, op. 92: II. Allegretto (for piano four hands) (track 9)
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 10)
part of:
Thaïs: Acte II (track 3)
2 Pieces from Kuolema, op. 44 (part of collection) (track 11)
Canon and Gigue in D major, T. 377 (arr. Max Seiffert) (track 2)
Symphony no. 3 in F major, op. 90 (movement) (track 4)
Symphony no. 7 in A major, op. 92 (movement) (track 9)
Symphony no. 5 (movement) (track 1)
recording of:
Thaïs: Acte II. Entr'acte "Méditation" (1967-09-22 – 1967-09-25) (track 3)
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (1973-02-13 – 1973-02-16) (track 1)
Peer Gynt Suite no. 1, op. 46: II. Åses død (1982-01-27 – 1982-02-18) (track 6)
Adagio for Strings and Organ in G minor (1983-09-28 – 1983-09-30) (track 8)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (1983-09-28 – 1983-09-30) (track 10)
Canon and Gigue in D major: I. Canon (arr. Max Seiffert) (1983-11) (track 2)
Symphony no. 7 in A major, op. 92: II. Allegretto (1983-12-01 – 1983-12-05) (track 9)
Valse triste, op. 44 no. 1 (for orchestra) (1984-02-19 – 1984-02-24) (track 11)
referred to in medleys:
Hooked on Romance (track 10)
revision of:
version of: