Tracklist

CD 1
# Title Rating Length
1 Magnificat in D major, BWV 243: Chorus "Magnificat"
3:23
2 Fantasia on a Rondo in C minor, BWV 918
4:22
3 Orchestral Suite no. 2 in B minor, BWV 1067: Menuet
1:28
4 Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie
1:26
5 Wachet auf, ruft une die Stimme, BWV 140/7
1:27
6 Wachet auf, ruft une die Stimme, BWV 645
3:39
7 Brandenburg Concerto no.4 in G major, BWV 1049: Allegro
7:00
8 Concerto for Oboe and Violin, BWV 1060R: Adagio
4:40
9 The Well Tempered Clavier Book 2: Prelude in B-flat major, BWV 890
4:05
10 Brandenburg Concerto no. 2 in F major, BWV 1047: Allegro Assai
2:39
11 Gib dich zufrieden und sei stille, BWV 315
1:39
12 Violin Sonata in B minor, BWV 1014: Andante
2:56
13 Flute Sonata in G major, BWV 1038: Largo
3:10
14 Partita no. 3 in E major, BWV 1006
3:41
15 Jesu, Jesu, du bist mein, BWV 470
2:28
16 St. Matthew Passion, BWV 244: Wir setzen uns mit Tränen niede
5:43
17 Fantasia and Fugue in G minor, BWV 542: Fugue
5:50
18 An Wasserflussen Babylon, BWV 267
1:47
19 Mass in B minor, BWV 232: Dona nobis pacem
2:49

Credits

CD 1

composed in:
Leipzig, Sachsen, Germany (1728 – 1731) (track 1)
Leipzig, Sachsen, Germany (1747 – 1749) (track 19)
premiered in:
Leipzig, Sachsen, Germany (1731-11-25) (track 5)
Leipzig, Sachsen, Germany (1733-07-02) (track 1)
violin:
Alice Harnoncourt (tracks 8, 13)
Thomas Zehetmair (track 14)
cello:
Jaap ter Linden (track 15)
oboe:
Jürg Schaeftlein (oboist) (track 8)
organ:
Ton Koopman (conductor, organist and harpsichordist) (tracks 6, 15, 17)
viola da gamba:
Nikolaus Harnoncourt (tracks 12–13)
harpsichord:
Andreas Staier (track 2)
Herbert Tachezi (tracks 12–13)
Glen Wilson (harpsichordist) (track 9)
transverse flute:
Leopold Stastny (track 13)
bass vocals:
Klaus Mertens (classical singer, bass-baritone) (track 15)
choir vocals:
Regensburger Domchor (Regensburg Cathedral Choir) (track 16)
Rundfunkchor Berlin (tracks 11, 18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–4, 6–8, 10–13, 15–19)
Johann Sebastian Bach (German Baroque period composer & musician) (1731) (track 5)
Johann Sebastian Bach (German Baroque period composer & musician) (1744) (track 9)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (track 5)
Giovanni Antonini (tracks 7, 10)
Robin Gritton (tracks 11, 18)
Nikolaus Harnoncourt (tracks 1, 3–4, 8, 16, 19)
librettist:
Picander (track 16)
lyricist:
Paul Gerhardt (17th century hymn writer) (track 11)
orchestra:
Concentus Musicus Wien (tracks 1, 3–4, 8, 16, 19)
Il giardino armonico (tracks 7, 10)
part of:
Breitkopf 389 Choralgesänge (number: 23) (track 18)
Breitkopf 389 Choralgesänge (number: 111) (track 11)
Bach-Werke-Verzeichnis (number: BWV 267) (track 18)
Bach-Werke-Verzeichnis (number: BWV 315) (track 11)
Bach-Werke-Verzeichnis (number: BWV 470) (track 15)
Bach-Werke-Verzeichnis (number: BWV 645) (track 6)
Bach-Werke-Verzeichnis (number: BWV 890) (track 9)
Bach-Werke-Verzeichnis (number: BWV 918) (track 2)
arrangement of:
arrangements:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (catch all for arrangements) (track 7)
Concerto for Violin & Oboe in D minor, BWV 1060R: II. Adagio (catch all for arrangements) (track 8)
Fantasie und Fuge g-Moll, BWV 542: II. Fuge (catch all for arrangements) (track 17)
Fantasy and Fugue in G minor, S. 463/1 (BWV 542): II. Fugue (for solo piano, Liszt - early version) (track 17)
Morning Song, BWV 645 (for piano, Friedman) (track 6)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (catch all for arrangements) (track 3)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (for piano 4 hands, Reger) (track 3)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements) (track 4)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (for piano 4 hands, Reger) (track 4)
Synkkä yö maan peitti aivan (translated) (track 6)
Wachet auf, ruft uns die Stimme, BWV 645 (for piano, Bantock) (track 6)
is based on:
Dona nobis pacem (track 19)
is the basis for:
I Hear a Voice Calling Me to Awaken (Parasite Eve) (track 5)
Peace Planet (track 4)
later translated versions:
later versions:
orchestrations:
Fantasia and Fugue in G minor, BWV 542: Fuga (Stokowski orchestration) (track 17)
Fantasia and Fugue in G minor, BWV 542: Fugue (orchestrated by Mitropoulos) (track 17)
Wachet auf, ruft uns die Stimme, BWV 645 (Stokowski orchestration) (track 6)
Wachet auf, ruft uns die Stimme, BWV 645 (Bantock orchestration) (track 6)
part of:
Sechs Choräle von verschiedener Art (part of collection) (track 6)
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings) (track 8)
parts:
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (track 8)
referred to in medleys:
Hooked on Bach (track 4)