Tracklist

CD 1
# Title Artist Rating Length
1 Die vier Jahreszeiten: Concerto Nr. 1 "Der Frühling": I. Allegro
Antonio Vivaldi 3:35
2 Kanon in D
Johann Pachelbel 3 4:21
3 Wassermusik: Alla Hornpipe
Georg Friedrich Händel 4:03
4 Air (aus "Orchestersuite Nr.3")
Johann Sebastian Bach 3 4:28
5 Tambourin (aus "Dardanus")
Jean-Philippe Rameau 2:28
6 Largo (aus "Xerxes")
Georg Friedrich Händel 3 3:04
7 Toccata d-Moll
Johann Sebastian Bach 3 2:44
8 Reigen seliger Geister (aus "Orfeo ed Euridice")
Christoph Willibald Gluck 3 7:24
9 Konzert für Mandoline C-Dur: I. Allegro
Antonio Vivaldi 3:10
10 Menuett & Badinerie (aus "Orchestersuite Nr. 2")
Johann Sebastian Bach 4 2:53
11 Adagio (aus Concerto a cinque op. 9 Nr. 2)
Tomaso Giovanni Albinoni 4:23
12 Konzert für Blockföte und Traversflöte: III. Presto
Georg Philipp Telemann 3:05
13 Einzug der Königin aus Saba (aus "Salomon")
Georg Friedrich Händel 3 3:15
14 Siciliano (aus "Santa e-Moll")
Francesco Barsanti 1:51
15 Rejouissance (aus "Orchestersuite Nr. 4")
Johann Sebastian Bach 2:37
16 Flötenkonzert e-Moll: II. Andante
Pierre-Gabriel Buffardin 3:33
17 Brandenburgisches Konzert Nr. 2 F-Dur: III. Allegro assai
Johann Sebastian Bach 2:40
18 "Hallelujah" (aus "Der Messias")
Georg Friedrich Händel 3 3:49

Credits

CD 1

trumpet:
Wolfgang Basch (track 17)
Reinhold Friedrich (track 11)
strings:
Budapest Strings (Budapest String Orchestra) (track 3)
mandolin:
Lajos Mayer (Mandolin player) (track 9)
pipe organ:
Hannes Kästner (German organist and cembalist) (track 7)
flute:
Eckart Haupt (tracks 14, 16)
viola da gamba:
Siegfried Pank (track 14)
harpsichord:
choir vocals:
RIAS Chamber Chorus (track 18)
composer:
Tomaso Giovanni Albinoni (Italian Baroque composer) (track 11)
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 4, 7, 10, 10, 15, 17, 17)
George Frideric Handel (German‐British baroque composer) (track 6)
Johann Pachelbel (track 2)
Jean‐Philippe Rameau (French composer of the Baroque era) (track 5)
Antonio Vivaldi (track 9)
George Frideric Handel (German‐British baroque composer) (1717) (track 3)
Antonio Vivaldi (1723) (track 1)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 4)
George Frideric Handel (German‐British baroque composer) (1741) (track 18)
George Frideric Handel (German‐British baroque composer) (1748) (track 13)
conductor:
Borvay Károly (track 9)
Károly Botvay (Classical cellist and conductor) (track 9)
Béla Bánfalvi (violinist, concert master of Budapest strings) (tracks 1, 3, 6, 9, 13)
Marcus Creed (track 18)
András Kórodi (track 8)
Helmut Winschermann (tracks 4, 10, 15, 17)
Max Pommer (1982 – 1984) (track 2)
instruments:
Bläserensemble (Special Purpose Artist - Do not add releases here, if possible.) (track 3)
orchestra:
Budapest Philharmonic Orchestra (Budapest Philharmonic Orchestra) (track 8)
Budapest Strings (Budapest String Orchestra) (tracks 1, 3, 6, 9, 11, 13)
Deutsche Bachsolisten (tracks 4, 10, 15–17)
Neues Bachisches Collegium Musicum (1982 – 1984) (track 2)
performer:
Collegium Aureum (track 5)
Georg Fischer (track 12)
Günther Hölle (track 12)
Konrad Hünteler (track 12)
Reinhard Peters (track 5)
phonographic copyright by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (1985) (track 2)
publisher:
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (1982 – 1984) (track 2)
arrangement of:
Orfeo ed Euridice, Wq. 30: Atto II: Danza degli spiriti beati (instrumental ballet, for the original 1762 Italian version) (track 8)
arrangements:
Air on a G String (Guitar + modern ensemble arr. Myers) (track 4)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 4)
Air on the G String (for cello and orchestra, arr. Cullen) (track 4)
Ballet des ombres heureuses (for solo piano, Friedman) (track 8)
Canon and Gigue in D major, T. 377: I. Canon (catch-all for arrangements) (track 2)
Canon and Gigue in D major: I. Canon (arr. Max Seiffert) (track 2)
Concerto for Oboe in D minor, op. 9 no. 2: II. Adagio (arr. trumpet & organ: Marie-Claire Alain) (track 11)
Mélodie (Dance of the Blessed Spirits) (for violin and piano, arr. Kreisler) (track 8)
Mélodie de Gluck (Dance of the Blessed Spirits, arr. Sgambati for solo piano) (track 8)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (catch all for arrangements) (track 10)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (for piano 4 hands, Reger) (track 10)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (for piano 4 hands, Reger) (track 10)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements) (track 10)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 4)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 4)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 4)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 4)
Orchestersuite Nr. 4 D-Dur, BWV 1069: V. Réjouissance (catch all for arrangements) (track 15)
Orchestersuite Nr. 4 D-Dur, BWV 1069: V. Réjouissance (for piano 4 hands, Reger) (track 15)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 4)
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (track 8)
Solo Amore (track 4)
Toccata (for brass band, Sykes) (track 7)
Toccata und Fuge d-Moll, BWV 565: I. Toccata (catch all for arrangements) (track 7)
Toccata und Fuge d-Moll, BWV 565: I. Toccata (for piano 4 hands, Reger) (track 7)
has revision:
Dardanus: Tambourins I & II (1744) (track 5)
is the basis for:
Adagio (track 2)
Bach Aire (track 4)
Christmas Canon (original version) (track 2)
Happy (track 2)
Lemming 1 (Lemmings, Commodore 64) (track 2)
Lullaby (track 2)
Peace Planet (track 10)
Sanctus II (track 2)
Simple Joy (track 2)
Sweetest Love (track 4)
Toccata (lyrics by Tanzwut) (track 7)
the Fifth Death (UnEpic) (track 7)
later parody versions:
later translated versions:
later versions:
Canon in D, Mostly (track 2)
Toccata (track 7)
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 4)
Toccata and Fugue in D minor, BWV 565: Toccata (arr. S. Skrowaczewski) (track 7)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version) (track 8)
Dardanus Suite (track 5)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro) (catch-all for arrangements) (track 17)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 4)
Orfeo ed Euridice, Wq. 30: Atto II: Danza degli spiriti beati (instrumental ballet, for the original 1762 Italian version) (track 8)
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (track 8)
Serse, HWV 40: Atto I. Arioso "Ombra mai fù" (catch-all for arrangements) (track 6)
referred to in medleys:
Hooked on Bach (track 10)
Hooked on Romance (track 4)