Tracklist

CD 1
# Title Artist Rating Length
1 Only You
Praise 3:47
2 Lovely Day
Bill Withers 4:08
3 Summer Breeze
The Isley Brothers 3:08
4 Love Train
The O’Jays 4 2:57
5 How 'Bout Us
Champaign 4:35
6 Turn! Turn! Turn!
The Byrds 3:54
7 It's Over
Roy Orbison 2:48
8 Move Over Darling
Doris Day 2:36
9 I Can See Clearly Now
Johnny Nash 2:58
10 Stand by Your Man
Tammy Wynette 4 2:40
11 Always on My Mind
Willie Nelson 5 3:32
12 Blue Velvet
Bobby Vinton 2:50
13 I Can Help
Billy Swan 5 4:00
14 Take Five
Dave Brubeck 5:25
15 Summertime
Sarah Vaughan 3:15
16 Mannish Boy
Muddy Waters 5:17
17 Should I Stay or Should I Go
The Clash 3:07

Credits

CD 1

acoustic guitar:
Johnny Christopher (Guitarist) (track 13)
bass guitar:
Jerry Knight (track 2)
drums:
Hayward Bishop (track 13)
drums and shakers:
Russ Kunkel (track 2)
guitar:
Ray Parker Jr. (track 2)
Bill Withers (track 2)
bass:
Mike Leech (track 13)
electric guitar:
Chip Young (track 13)
Reggie Young (guitarist and songwriter) (track 13)
percussion:
Ralph MacDonald (track 2)
keyboard:
Clarence McDonald (track 2)
arranger:
Clarence McDonald (track 2)
composer:
Paul Desmond (track 14)
Kenneth Gamble (track 4)
George Gershwin (composer) (track 15)
Billy Swan (track 13)
Dana Walden (track 5)
Lee Morris (US songwriter) (track 12)
Bernie Wayne (track 12)
Pete Seeger (1959) (track 6)
conductor:
Charles Veal Jr. (track 2)
engineer:
Chip Young (track 13)
instruments:
Paul Richmond (engineer) (track 13)
lyricist:
Billy Swan (track 13)
Dana Walden (track 5)
Ira Gershwin (track 15)
DuBose Heyward (track 15)
Leon Huff (Philly soul producer, of Gamble & Huff) (track 4)
Lee Morris (US songwriter) (track 12)
Bernie Wayne (track 12)
[traditional] (Special Purpose Artist) (track 6)
producer:
Kenneth Gamble (track 4)
Billy Sherrill (US songwriter/producer/arranger) (track 10)
Billy Swan (track 13)
Bill Withers (track 2)
Chip Young (track 13)
Leon Huff (Philly soul producer, of Gamble & Huff) (track 4)
Clarence McDonald (track 2)
vocals:
Bill Withers (track 2)
Tammy Wynette (track 10)
Willie Nelson (track 11)
writer:
Johnny Christopher (Guitarist) (track 11)
Mark James (Francis Rodney Zambon, composer of "Suspicious Minds") (track 11)
Mick Jones (The Clash/Big Audio Dynamite) (tracks 17, 17)
Skip Scarborough (track 2)
Billy Sherrill (US songwriter/producer/arranger) (track 10)
Joe Strummer (tracks 17, 17)
Bill Withers (track 2)
Tammy Wynette (track 10)
phonographic copyright by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004; operated worldwide except in JP) (1974) (track 14)
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004; operated worldwide except in JP) (1982) (track 11)
publisher:
Bike Music (track 11)
Budde Songs Inc. (track 11)
Chappell & Co. (track 15)
Chappell Music Ltd. (track 15)
Lovolar Music (track 11)
Mijac Music (track 4)
Rose Bridge Music (track 11)
Sebanine Music (track 11)
Warner/Chappell (track 15)
Ira Gershwin Music (1935) (track 15)
WB Music Corp. (ASCAP) (1935) (track 15)
recorded at:
DJ-mixes:
mash-ups:
remixes:
Love Train (Tom Moulton Mix) by The O’Jays (track 4)
sampled by:
Minute Man by Harlem World (track 2)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 228) (track 17)
arrangements:
Summertime (catch-all for arrangements) (track 15)
cover recording of:
Always on My Mind (track 11)
How ’bout Us (track 5)
is based on:
is the basis for:
Doin’ Time (track 15)
Prisca "Five" (track 14)
Summertime (Rick Wakeman arrangement) (track 15)
The Bones of You (track 15)
later parody versions:
Should I Stay (tracks 17, 17)
The Crush (tracks 17, 17)
later translated parody versions:
Tschibuti (track 15)
later translated versions:
C'est l'été (track 15)
Soll ich bleiben oder gehen (tracks 17, 17)
Sommartid (track 15)
Summa is (track 15)
Wer Liebe sucht (track 10)
Wie mei Herzschlag (track 11)
Wie my Härzschlag (track 11)
常在我心間 (track 11)
later versions:
Du tillhör mig (track 10)
Take Five (song version) (track 14)
live recording of:
recording of:
Blue Velvet (track 12)
I Can Help (track 13)
Love Train (track 4)
Summertime (American songbook standard from 1935 opera Porgy and Bess) (track 15)
Take Five (original instrumental version) (track 14)
Stand by Your Man (1968) (track 10)
Lovely Day (1977) (track 2)
referred to in medleys:
Polkas on 45 (tracks 17, 17)