Tracklist

CD 5
# Title Artist Rating Length
1 Erlking (Erlkönig), D. 328, Part 1
Schubert 1:29
2 Erlking (Erlkönig), D. 328, Part 2
Schubert 0:24
3 Erlking (Erlkönig), D. 328, Part 3
Schubert 0:23
4 Erlking (Erlkönig), D. 328, Part 4
Schubert 0:17
5 Erlking (Erlkönig), D. 328, Part 5
Schubert 0:29
6 Erlking (Erlkönig), D. 328, Part 6
Schubert 0:12
7 Erlking (Erlkönig), D. 328, Part 7
Schubert 0:13
8 Erlking (Erlkönig), D. 328, Part 8
Schubert 0:44
9 The Trout (Die Forelle), D. 550, Part 1
Schubert 0:46
10 The Trout (Die Forelle), D. 550, Part 2
Schubert 0:37
11 The Trout (Die Forelle), D. 550, Part 3
Schubert 0:58
12 Quintet in A major for Piano and Strings (The Trout), D. 667, Fourth Movement: Part 1
Schubert 1:04
13 Quintet in A major for Piano and Strings (The Trout), D. 667, Fourth Movement: Part 2
Schubert 0:55
14 Quintet in A major for Piano and Strings (The Trout), D. 667, Fourth Movement: Part 3
Schubert 1:00
15 Quintet in A major for Piano and Strings (The Trout), D. 667, Fourth Movement: Part 4
Schubert 0:50
16 Quintet in A major for Piano and Strings (The Trout), D. 667, Fourth Movement: Part 5
Schubert 0:59
17 Quintet in A major for Piano and Strings (The Trout), D. 667, Fourth Movement: Part 6
Schubert 1:38
18 Quintet in A major for Piano and Strings (The Trout), D. 667, Fourth Movement: Part 7
Schubert 1:19
19 Mountain Yearning (Bergeslust), op. 10 no. 5, Part 1
Mendelssohn Hensel 0:25
20 Mountain Yearning (Bergeslust), op. 10 no. 5, Part 2
Mendelssohn Hensel 0:29
21 Mountain Yearning (Bergeslust), op. 10 no. 5, Part 3
Mendelssohn Hensel 0:45
22 Violin Concerto in E minor, op. 64, First Movement, Part 1
Mendelssohn 1:32
23 Violin Concerto in E minor, op. 64, First Movement, Part 2
Mendelssohn 1:27
24 Violin Concerto in E minor, op. 64, First Movement, Part 3
Mendelssohn 1:21
25 Violin Concerto in E minor, op. 64, First Movement, Part 4
Mendelssohn 1:16
26 Violin Concerto in E minor, op. 64, First Movement, Part 5
Mendelssohn 1:45
27 Violin Concerto in E minor, op. 64, First Movement, Part 6
Mendelssohn 1:34
28 Violin Concerto in E minor, op. 64, First Movement, Part 7
Mendelssohn 0:56
29 Violin Concerto in E minor, op. 64, First Movement, Part 8
Mendelssohn 2:42
30 Violin Concerto in E minor, op. 64, First Movement, Part 9
Mendelssohn 0:55
31 Symphonie fantastique: Fourth Movement, March to the Scaffold (Marche au supplice), Part 1
Berlioz 0:27
32 Symphonie fantastique: Fourth Movement, March to the Scaffold (Marche au supplice), Part 2
Berlioz 1:13
33 Symphonie fantastique: Fourth Movement, March to the Scaffold (Marche au supplice), Part 3
Berlioz 0:25
34 Symphonie fantastique: Fourth Movement, March to the Scaffold (Marche au supplice), Part 4
Berlioz 1:11
35 Symphonie fantastique: Fourth Movement, March to the Scaffold (Marche au supplice), Part 5
Berlioz 1:00
36 Symphonie fantastique: Fourth Movement, March to the Scaffold (Marche au supplice), Part 6
Berlioz 0:36
37 Symphonie fantastique: Fifth Movement, Dream of a Witches’ Sabbath (Songe d’une nuit du sabbat), Part 1
Berlioz 1:18
38 Symphonie fantastique: Fifth Movement, Dream of a Witches’ Sabbath (Songe d’une nuit du sabbat), Part 2
Berlioz 1:35
39 Symphonie fantastique: Fifth Movement, Dream of a Witches’ Sabbath (Songe d’une nuit du sabbat), Part 3
Berlioz 0:26
40 Symphonie fantastique: Fifth Movement, Dream of a Witches’ Sabbath (Songe d’une nuit du sabbat), Part 4
Berlioz 0:32
41 Symphonie fantastique: Fifth Movement, Dream of a Witches’ Sabbath (Songe d’une nuit du sabbat), Part 5
Berlioz 1:21
42 Symphonie fantastique: Fifth Movement, Dream of a Witches’ Sabbath (Songe d’une nuit du sabbat), Part 6
Berlioz 2:45
43 Symphonie fantastique: Fifth Movement, Dream of a Witches’ Sabbath (Songe d’une nuit du sabbat), Part 7
Berlioz 1:52
44 Polonaise in A-flat major, op. 53, Part 1
Chopin 0:28
45 Polonaise in A-flat major, op. 53, Part 2
Chopin 2:20
46 Polonaise in A-flat major, op. 53, Part 3
Chopin 2:29
47 Polonaise in A-flat major, op. 53, Part 4
Chopin 1:04
48 Prelude in E minor, op. 28 no. 4, Part 1
Chopin 0:51
49 Prelude in E minor, op. 28 no. 4, Part 2
Chopin 1:01
50 “And if the flowers knew” (“Und wüssten’s die Blumen”), from A Poet’s Love (Dichterliebe), no. 8, Part 1
R. Schumann 0:15
51 “And if the flowers knew” (“Und wüssten’s die Blumen”), from A Poet’s Love (Dichterliebe), no. 8, Part 2
R. Schumann 0:15
52 “And if the flowers knew” (“Und wüssten’s die Blumen”), from A Poet’s Love (Dichterliebe), no. 8, Part 3
R. Schumann 0:15
53 “And if the flowers knew” (“Und wüssten’s die Blumen”), from A Poet’s Love (Dichterliebe), no. 8, Part 4
R. Schumann 0:33
54 The Little Bell (La campanella), from Transcendental Etudes after Paganini, no. 3, Part 1
Liszt 0:09
55 The Little Bell (La campanella), from Transcendental Etudes after Paganini, no. 3, Part 2
Liszt 0:15
56 The Little Bell (La campanella), from Transcendental Etudes after Paganini, no. 3, Part 3
Liszt 0:17
57 The Little Bell (La campanella), from Transcendental Etudes after Paganini, no. 3, Part 4
Liszt 0:35
58 The Little Bell (La campanella), from Transcendental Etudes after Paganini, no. 3, Part 5
Liszt 0:29
59 The Little Bell (La campanella), from Transcendental Etudes after Paganini, no. 3, Part 6
Liszt 0:55
60 The Little Bell (La campanella), from Transcendental Etudes after Paganini, no. 3, Part 7
Liszt 0:30
61 The Little Bell (La campanella), from Transcendental Etudes after Paganini, no. 3, Part 8
Liszt 0:36
62 The Little Bell (La campanella), from Transcendental Etudes after Paganini, no. 3, Part 9
Liszt 0:16
63 The Little Bell (La campanella), from Transcendental Etudes after Paganini, no. 3, Part 10
Liszt 0:27
64 Die Walküre, Act III, Finale, Part 1
Wagner 3:36
65 Die Walküre, Act III, Finale, Part 2
Wagner 2:58
66 Die Walküre, Act III, Finale, Part 3
Wagner 1:01
67 Die Walküre, Act III, Finale, Part 4
Wagner 0:59
68 Die Walküre, Act III, Finale, Part 5
Wagner 2:26
69 Scherzo, op. 10, Part 1
C. Schumann 0:08
70 Scherzo, op. 10, Part 2
C. Schumann 0:28
71 Scherzo, op. 10, Part 3
C. Schumann 0:28
72 Scherzo, op. 10, Part 4
C. Schumann 0:26
73 Scherzo, op. 10, Part 5
C. Schumann 0:42
74 Scherzo, op. 10, Part 6
C. Schumann 0:29
75 Scherzo, op. 10, Part 7
C. Schumann 1:32
76 Scherzo, op. 10, Part 8
C. Schumann 0:44
CD 6
# Title Artist Rating Length
1 Rigoletto, Act III, excerpt: Aria, “La donna è mobile” (“Woman is fickle”), Part 1
Verdi 1:05
2 Rigoletto, Act III, excerpt: Aria, “La donna è mobile” (“Woman is fickle”), Part 2
Verdi 1:55
3 Rigoletto, Act III, excerpt: Quartet, “Un di, se ben rammentomi” (“One day, if I remember Right”), Part 1
Verdi 1:32
4 Rigoletto, Act III, excerpt: Quartet, “Un di, se ben rammentomi” (“One day, if I remember Right”), Part 2
Verdi 1:04
5 Rigoletto, Act III, excerpt: Quartet, “Un di, se ben rammentomi” (“One day, if I remember Right”), Part 3
Verdi 0:43
6 Rigoletto, Act III, excerpt: Quartet, “Un di, se ben rammentomi” (“One day, if I remember Right”), Part 4
Verdi 2:16
7 The Moldau (Vltava), from My Fatherland (Má Vlast), Part 1
Smetana 1:11
8 The Moldau (Vltava), from My Fatherland (Má Vlast), Part 2
Smetana 1:50
9 The Moldau (Vltava), from My Fatherland (Má Vlast), Part 3
Smetana 0:57
10 The Moldau (Vltava), from My Fatherland (Má Vlast), Part 4
Smetana 1:41
11 The Moldau (Vltava), from My Fatherland (Má Vlast), Part 5
Smetana 2:22
12 The Moldau (Vltava), from My Fatherland (Má Vlast), Part 6
Smetana 0:40
13 The Moldau (Vltava), from My Fatherland (Má Vlast), Part 7
Smetana 1:41
14 The Moldau (Vltava), from My Fatherland (Má Vlast), Part 8
Smetana 1:19
15 A German Requiem, Fourth Movement, Part 1
Brahms 1:26
16 A German Requiem, Fourth Movement, Part 2
Brahms 1:13
17 A German Requiem, Fourth Movement, Part 3
Brahms 1:12
18 A German Requiem, Fourth Movement, Part 4
Brahms 0:53
19 A German Requiem, Fourth Movement, Part 5
Brahms 1:06
20 Symphony no. 3 in F major, Fourth Movement, Part 1
Brahms 0:28
21 Symphony no. 3 in F major, Fourth Movement, Part 2
Brahms 0:21
22 Symphony no. 3 in F major, Fourth Movement, Part 3
Brahms 0:32
23 Symphony no. 3 in F major, Fourth Movement, Part 4
Brahms 0:31
24 Symphony no. 3 in F major, Fourth Movement, Part 5
Brahms 1:25
25 Symphony no. 3 in F major, Fourth Movement, Part 6
Brahms 0:23
26 Symphony no. 3 in F major, Fourth Movement, Part 7
Brahms 0:26
27 Symphony no. 3 in F major, Fourth Movement, Part 8
Brahms 0:06
28 Symphony no. 3 in F major, Fourth Movement, Part 9
Brahms 0:31
29 Symphony no. 3 in F major, Fourth Movement, Part 10
Brahms 0:31
30 Symphony no. 3 in F major, Fourth Movement, Part 11
Brahms 1:17
31 Symphony no. 3 in F major, Fourth Movement, Part 12
Brahms 2:08
32 Carmen, Act I: no. 3. Chorus, “Avec la garde montante” (“Along with the relief guard”), Part 1
Bizet 2:23
33 Carmen, Act I: no. 3. Chorus, “Avec la garde montante” (“Along with the relief guard”), Part 2
Bizet 0:20
34 Carmen, Act I: no. 3. Chorus, “Avec la garde montante” (“Along with the relief guard”), Part 3
Bizet 1:07
35 Carmen, Act I: Recitative, “C’est bien là” (“It is right there”)
Bizet 1:19
36 Carmen, Act I: no. 4. Chorus, “La cloche a sonné” (“The bell has rung”), Part 1
Bizet 1:21
37 Carmen, Act I: no. 4. Chorus, “La cloche a sonné” (“The bell has rung”), Part 2
Bizet 2:11
38 Carmen, Act I: no. 4. Chorus, “La cloche a sonné” (“The bell has rung”), Part 3
Bizet 1:11
39 Carmen, Act I: no. 5. Habanera, “L’amour est un oiseau rebelle” (“Love is a rebellious bird”)
Bizet 4:02
40 The Nutcracker, Three Dances From Act II: March, Part 1
Tchaikovsky 0:59
41 The Nutcracker, Three Dances From Act II: March, Part 2
Tchaikovsky 0:12
42 The Nutcracker, Three Dances From Act II: March, Part 3
Tchaikovsky 1:07
43 The Nutcracker, Three Dances From Act II: Dance of the Sugar Plum Fairy, Part 1
Tchaikovsky 0:39
44 The Nutcracker, Three Dances From Act II: Dance of the Sugar Plum Fairy, Part 2
Tchaikovsky 0:32
45 The Nutcracker, Three Dances From Act II: Dance of the Sugar Plum Fairy, Part 3
Tchaikovsky 0:38
46 The Nutcracker, Three Dances From Act II: Trepak (Russian Dance), Part 1
Tchaikovsky 0:27
47 The Nutcracker, Three Dances From Act II: Trepak (Russian Dance), Part 2
Tchaikovsky 0:20
48 The Nutcracker, Three Dances From Act II: Trepak (Russian Dance), Part 3
Tchaikovsky 0:29
49 Symphony no. 9 in E minor, From the New World, Second Movement, Part 1
Dvořák 4:27
50 Symphony no. 9 in E minor, From the New World, Second Movement, Part 2
Dvořák 4:30
51 Symphony no. 9 in E minor, From the New World, Second Movement, Part 3
Dvořák 3:20
52 Pagliacci, Act I, Canio’s Aria, Part 1
Leoncavallo 0:49
53 Pagliacci, Act I, Canio’s Aria, Part 2
Leoncavallo 2:49
54 The Song of the Earth (Das Lied von der Erde), Third Movement, Of Youth (Von der Jugend), Part 1
Mahler 0:49
55 The Song of the Earth (Das Lied von der Erde), Third Movement, Of Youth (Von der Jugend), Part 2
Mahler 0:50
56 The Song of the Earth (Das Lied von der Erde), Third Movement, Of Youth (Von der Jugend), Part 3
Mahler 0:55
57 The Song of the Earth (Das Lied von der Erde), Third Movement, Of Youth (Von der Jugend), Part 4
Mahler 0:36
CD 7
# Title Artist Rating Length
1 Prelude to “The Afternoon of a Faun” (Prélude à “L’après-midi d’un faune”), Part 1
Debussy 2:48
2 Prelude to “The Afternoon of a Faun” (Prélude à “L’après-midi d’un faune”), Part 2
Debussy 0:28
3 Prelude to “The Afternoon of a Faun” (Prélude à “L’après-midi d’un faune”), Part 3
Debussy 1:18
4 Prelude to “The Afternoon of a Faun” (Prélude à “L’après-midi d’un faune”), Part 4
Debussy 1:48
5 Prelude to “The Afternoon of a Faun” (Prélude à “L’après-midi d’un faune”), Part 5
Debussy 3:29
6 Der Rosenkavalier (The Cavalier of the Rose), Act III, Trio, Part 1
Strauss 3:11
7 Der Rosenkavalier (The Cavalier of the Rose), Act III, Trio, Part 2
Strauss 2:14
8 Violin Sonata in A minor, Second Movement, Part 1
Beach 1:34
9 Violin Sonata in A minor, Second Movement, Part 2
Beach 1:42
10 Violin Sonata in A minor, Second Movement, Part 3
Beach 0:59
11 Maple Leaf Rag, Part 1
Joplin 0:44
12 Maple Leaf Rag, Part 2
Joplin 0:44
13 Maple Leaf Rag, Part 3
Joplin 0:22
14 Maple Leaf Rag, Part 4
Joplin 0:44
15 Maple Leaf Rag, Part 5
Joplin 0:52
16 Pierrot lunaire, op. 21 no. 18: The Moonfleck (Der Mondfleck), Part 1
Schoenberg 0:26
17 Pierrot lunaire, op. 21 no. 18: The Moonfleck (Der Mondfleck), Part 2
Schoenberg 0:33
18 Pierrot lunaire, op. 21 no. 21: O Scent of Fabled Yesteryear (O alter Duft aus Märchenzeit), Part 1
Schoenberg 0:44
19 Pierrot lunaire, op. 21 no. 21: O Scent of Fabled Yesteryear (O alter Duft aus Märchenzeit), Part 2
Schoenberg 1:06
20 The Things Our Fathers Loved, Part 1
Ives 0:53
21 The Things Our Fathers Loved, Part 2
Ives 0:54
22 Spanish Rhapsody (Rapsodie espagnole), Fourth Movement, Feria, Part 1
Ravel 0:42
23 Spanish Rhapsody (Rapsodie espagnole), Fourth Movement, Feria, Part 2
Ravel 0:21
24 Spanish Rhapsody (Rapsodie espagnole), Fourth Movement, Feria, Part 3
Ravel 1:06
25 Spanish Rhapsody (Rapsodie espagnole), Fourth Movement, Feria, Part 4
Ravel 1:20
26 Spanish Rhapsody (Rapsodie espagnole), Fourth Movement, Feria, Part 5
Ravel 0:47
27 Spanish Rhapsody (Rapsodie espagnole), Fourth Movement, Feria, Part 6
Ravel 1:59
28 Concerto for Orchestra, Fourth Movement, Interrupted Intermezzo, Part 1
Bartók 1:00
29 Concerto for Orchestra, Fourth Movement, Interrupted Intermezzo, Part 2
Bartók 0:44
30 Concerto for Orchestra, Fourth Movement, Interrupted Intermezzo, Part 3
Bartók 0:20
31 Concerto for Orchestra, Fourth Movement, Interrupted Intermezzo, Part 4
Bartók 0:40
32 Concerto for Orchestra, Fourth Movement, Interrupted Intermezzo, Part 5
Bartók 0:13
33 Concerto for Orchestra, Fourth Movement, Interrupted Intermezzo, Part 6
Bartók 0:34
34 Concerto for Orchestra, Fourth Movement, Interrupted Intermezzo, Part 7
Bartók 0:55
35 Petrushka, First Tableau, Part 1
Stravinsky 0:54
36 Petrushka, First Tableau, Part 2
Stravinsky 0:42
37 Petrushka, First Tableau, Part 3
Stravinsky 0:08
38 Petrushka, First Tableau, Part 4
Stravinsky 0:39
39 Petrushka, First Tableau, Part 5
Stravinsky 0:25
40 Petrushka, First Tableau, Part 6
Stravinsky 0:57
41 Petrushka, First Tableau, Part 7
Stravinsky 0:13
42 Petrushka, First Tableau, Part 8
Stravinsky 0:42
43 Petrushka, First Tableau, Part 9
Stravinsky 0:47
44 Petrushka, First Tableau, Part 10
Stravinsky 0:41
45 Petrushka, First Tableau, Part 11
Stravinsky 1:27
46 Petrushka, First Tableau, Part 12
Stravinsky 0:08
47 Petrushka, First Tableau, Part 13
Stravinsky 0:26
48 Petrushka, First Tableau, Part 14
Stravinsky 0:08
49 Petrushka, First Tableau, Part 15
Stravinsky 0:58
50 Petrushka, First Tableau, Part 16
Stravinsky 0:44
51 Symphony, op. 21, Second Movement, Part 1
Webern 1:06
52 Symphony, op. 21, Second Movement, Part 2
Webern 1:02
53 Symphony, op. 21, Second Movement, Part 3
Webern 0:51
54 Wozzeck, Act III: scene 4, Interlude, scene 5, Part 1
Berg 3:03
55 Wozzeck, Act III: scene 4, Interlude, scene 5, Part 2
Berg 1:41
56 Wozzeck, Act III: scene 4, Interlude, scene 5, Part 3
Berg 3:45
57 Wozzeck, Act III: scene 4, Interlude, scene 5, Part 4
Berg 1:31
58 Alexander Nevsky, Seventh Movement, Part 1
Prokofiev 0:58
59 Alexander Nevsky, Seventh Movement, Part 2
Prokofiev 0:49
60 Alexander Nevsky, Seventh Movement, Part 3
Prokofiev 0:50
61 Alexander Nevsky, Seventh Movement, Part 4
Prokofiev 2:08
62 My Funny Valentine: Original Version, from Babes in Arms, Part 1
Rodgers 1:04
63 My Funny Valentine: Original Version, from Babes in Arms, Part 2
Rodgers 0:37
64 My Funny Valentine: Original Version, from Babes in Arms, Part 3
Rodgers 0:18
65 My Funny Valentine: Original Version, from Babes in Arms, Part 4
Rodgers 0:29
66 My Funny Valentine: Original Version, from Babes in Arms, Part 5
Rodgers 0:33
67 My Funny Valentine: Original Version, from Babes in Arms, Part 6
Rodgers 1:08
68 My Funny Valentine: Gerry Mulligan Quartet Version, Part 1
Rodgers 2:01
69 My Funny Valentine: Gerry Mulligan Quartet Version, Part 2
Rodgers 0:58
70 Hotter Than That, Part 1
Hardin 0:09
71 Hotter Than That, Part 2
Hardin 0:35
72 Hotter Than That, Part 3
Hardin 0:37
73 Hotter Than That, Part 4
Hardin 0:38
74 Hotter Than That, Part 5
Hardin 0:19
75 Hotter Than That, Part 6
Hardin 0:42
CD 8
# Title Artist Rating Length
1 Ko-Ko, Part 1
Ellington 0:13
2 Ko-Ko, Part 2
Ellington 0:19
3 Ko-Ko, Part 3
Ellington 0:18
4 Ko-Ko, Part 4
Ellington 0:18
5 Ko-Ko, Part 5
Ellington 0:18
6 Ko-Ko, Part 6
Ellington 0:18
7 Ko-Ko, Part 7
Ellington 0:18
8 Ko-Ko, Part 8
Ellington 0:44
9 Billy the kid, Scene 1, Street in a Frontier Town, Part 1
Copland 1:10
10 Billy the kid, Scene 1, Street in a Frontier Town, Part 2
Copland 0:48
11 Billy the kid, Scene 1, Street in a Frontier Town, Part 3
Copland 1:29
12 Billy the kid, Scene 1, Street in a Frontier Town, Part 4
Copland 0:48
13 Billy the kid, Scene 1, Street in a Frontier Town, Part 5
Copland 2:13
14 Billy the kid, Scene 1, Street in a Frontier Town, Part 6
Copland 1:07
15 Venetian Games (Jeux vénitiens), First Movement
Lutosławski 2:13
16 Quartet for the End of Time (Quatuor pour le fin de temps), Second Movement, Vocalise, for the Angel who announced the end of Time (Vocalise, pour l’Ange qui annonce la fin du Temps), Part 1
Messiaen 0:56
17 Quartet for the End of Time (Quatuor pour le fin de temps), Second Movement, Vocalise, for the Angel who announced the end of Time (Vocalise, pour l’Ange qui annonce la fin du Temps), Part 2
Messiaen 3:17
18 Quartet for the End of Time (Quatuor pour le fin de temps), Second Movement, Vocalise, for the Angel who announced the end of Time (Vocalise, pour l’Ange qui annonce la fin du Temps), Part 3
Messiaen 0:23
19 West Side Story: Mambo, Part 1
Bernstein 0:33
20 West Side Story: Mambo, Part 2
Bernstein 0:40
21 West Side Story: Mambo, Part 3
Bernstein 0:39
22 West Side Story: Tonight Ensemble, Part 1
Bernstein 0:42
23 West Side Story: Tonight Ensemble, Part 2
Bernstein 0:26
24 West Side Story: Tonight Ensemble, Part 3
Bernstein 0:18
25 West Side Story: Tonight Ensemble, Part 4
Bernstein 0:26
26 West Side Story: Tonight Ensemble, Part 5
Bernstein 0:23
27 West Side Story: Tonight Ensemble, Part 6
Bernstein 0:25
28 West Side Story: Tonight Ensemble, Part 7
Bernstein 0:26
29 West Side Story: Tonight Ensemble, Part 8
Bernstein 0:38
30 Disorder (Désordre), from Etudes for Piano, Book I, Part 1
Ligeti 0:49
31 Disorder (Désordre), from Etudes for Piano, Book I, Part 2
Ligeti 0:33
32 Disorder (Désordre), from Etudes for Piano, Book I, Part 3
Ligeti 1:02
33 Ensiriba ya munange Katego, Part 1
East African Music 0:19
34 Ensiriba ya munange Katego, Part 2
East African Music 0:18
35 Ensiriba ya munange Katego, Part 3
East African Music 1:33
36 Ensiriba ya munange Katego, Part 4
East African Music 0:32
37 The Hammer Without a Master (Le marteau sans maître): no. 1. Before “Furious Artisans” (Avant “L’artisanat furieux”)
Boulez 1:51
38 The Hammer Without a Master (Le marteau sans maître): no. 3. Furious Artisans (L’artisanat furieux)
Boulez 2:31
39 The Hammer Without a Master (Le marteau sans maître): no. 7. After “Furious Artisans” (Après “L’artisanat furieux”)
Boulez 1:05
40 Ancient Voices of Children, First Movement, The Little Boy Is Looking for His Voice (El niño busca su voz), Part 1
Crumb 2:48
41 Ancient Voices of Children, First Movement, The Little Boy Is Looking for His Voice (El niño busca su voz), Part 2
Crumb 0:45
42 Ancient Voices of Children, First Movement, The Little Boy Is Looking for His Voice (El niño busca su voz), Part 3
Crumb 1:03
43 City Life, First Movement, “Check it out”, Part 1
Reich 0:39
44 City Life, First Movement, “Check it out”, Part 2
Reich 1:18
45 City Life, First Movement, “Check it out”, Part 3
Reich 0:37
46 City Life, First Movement, “Check it out”, Part 4
Reich 1:17
47 City Life, First Movement, “Check it out”, Part 5
Reich 1:05
48 City Life, First Movement, “Check it out”, Part 6
Reich 1:06
49 Spiral, excerpt, Part 1
Ung 0:37
50 Spiral, excerpt, Part 2
Ung 0:25
51 Spiral, excerpt, Part 3
Ung 0:25
52 Spiral, excerpt, Part 4
Ung 0:54
53 Spiral, excerpt, Part 5
Ung 0:50
54 Spiral, excerpt, Part 6
Ung 1:41
55 Chinese traditional music: The Moon Reflected on the Second Springs (Er quan ying yue), Part 1
Abing 1:15
56 Chinese traditional music: The Moon Reflected on the Second Springs (Er quan ying yue), Part 2
Abing 1:15
57 Chinese traditional music: The Moon Reflected on the Second Springs (Er quan ying yue), Part 3
Abing 1:38
58 Chinese traditional music: The Moon Reflected on the Second Springs (Er quan ying yue), Part 4
Abing 1:33
59 Notjustmoreidlechatter (excerpt), Part 1
Lansky 0:57
60 Notjustmoreidlechatter (excerpt), Part 2
Lansky 1:06
61 Notjustmoreidlechatter (excerpt), Part 3
Lansky 0:49
62 Notjustmoreidlechatter (excerpt), Part 4
Lansky 1:04
63 Symphony: Water Music, First Movement, Fresh Breeze, Part 1
Larsen 1:14
64 Symphony: Water Music, First Movement, Fresh Breeze, Part 2
Larsen 1:53
65 Symphony: Water Music, First Movement, Fresh Breeze, Part 3
Larsen 1:58
66 The Wind That Shakes the Barley / The Reel With the Beryle, Part 1
Irish Traditional Dances 0:17
67 The Wind That Shakes the Barley / The Reel With the Beryle, Part 2
Irish Traditional Dances 0:17
68 The Wind That Shakes the Barley / The Reel With the Beryle, Part 3
Irish Traditional Dances 0:17
69 The Wind That Shakes the Barley / The Reel With the Beryle, Part 4
Irish Traditional Dances 0:17
70 The Wind That Shakes the Barley / The Reel With the Beryle, Part 5
Irish Traditional Dances 0:17
71 The Wind That Shakes the Barley / The Reel With the Beryle, Part 6
Irish Traditional Dances 0:17
72 The Wind That Shakes the Barley / The Reel With the Beryle, Part 7
Irish Traditional Dances 0:17
73 The Wind That Shakes the Barley / The Reel With the Beryle, Part 8
Irish Traditional Dances 0:17
74 The Wind That Shakes the Barley / The Reel With the Beryle, Part 9
Irish Traditional Dances 0:17
75 The Wind That Shakes the Barley / The Reel With the Beryle, Part 10
Irish Traditional Dances 0:26
76 I Disagreed (Kangivumanga), Part 1
Shabalala 0:33
77 I Disagreed (Kangivumanga), Part 2
Shabalala 0:58
78 I Disagreed (Kangivumanga), Part 3
Shabalala 3:38

Credits

CD 5

violin:
Pamela Frank (tracks 9–18)
林昭亮 (tracks 22–30)
cello:
Yo-Yo Ma (tracks 9–18)
viola:
Rebecca Young (tracks 9–18)
double bass:
Edgar Meyer (tracks 9–18)
piano:
Emanuel Ax (tracks 9–18)
Helmut Deutsch (Austrian piano player) (tracks 50–53)
Konstanze Eickhorst (German pianist) (tracks 69–76)
Karl Engel (tracks 1–8)
Cyprien Katsaris (tracks 44–47)
Murray Perahia (tracks 48–49)
Françoise Tillard (pianist) (tracks 19–21)
André Watts (tracks 54–63)
baritone vocals:
bass vocals:
Theo Adam (German classical bass-baritone) (tracks 64–68)
composer:
Fryderyk Chopin (composer) (tracks 48–49)
Fanny Mendelssohn (tracks 19–21)
Clara Schumann (tracks 69–76)
Robert Schumann (German classical composer) (tracks 50–53)
Richard Wagner (tracks 64–68)
Franz Schubert (Austrian composer Franz Peter Schubert) (1815) (tracks 1–8)
Franz Schubert (Austrian composer Franz Peter Schubert) (1816-11 – 1817-07) (tracks 9–11)
Franz Schubert (Austrian composer Franz Peter Schubert) (1819) (tracks 12–18)
Hector Berlioz (1830) (tracks 31–43)
Franz Liszt (1838 – 1840) (tracks 54–63)
Felix Mendelssohn (1838 – 1844-09-16) (tracks 22–30)
Fryderyk Chopin (composer) (1842) (tracks 44–47)
conductor:
Leonard Bernstein (American composer and conductor) (tracks 31–43)
Otmar Suitner (tracks 64–68)
Michael Tilson Thomas (tracks 22–30)
dedicated to:
Auguste Léo (tracks 44–47)
librettist:
Richard Wagner (tracks 64–68)
lyricist:
Joseph von Eichendorff (tracks 19–21)
Heinrich Heine (German poet) (tracks 50–53)
Christian Friedrich Daniel Schubart (German poet) (1777 – 1787) (tracks 9–11)
Johann Wolfgang von Goethe (1782) (tracks 1–8)
orchestra:
New York Philharmonic (tracks 31–43)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (tracks 22–30)
Staatskapelle Berlin (tracks 64–68)
revised by:
Felix Mendelssohn (1845) (tracks 22–30)
soprano vocals:
Barbara Bonney (tracks 9–11)
Donna Brown (Soprano) (tracks 19–21)
tenor vocals:
Josef Protschka (tracks 50–53)
publisher:
G. Henle Verlag (tracks 12–18)
Cappi & Diabelli (1821) (tracks 1–8)
premiered at:
Theater am Kärntnertor in Wien, Austria (1821-03-07) (tracks 1–8)
part of:
Works of Clara Schumann by opus number (number: op. 10) (tracks 69–76)
Works of Fryderyk Chopin by opus number (number: op. 53) (tracks 44–47)
arrangements:
Continuum (FEZ) (tracks 48–49)
Die Forelle, D. 550 (catch-all for arrangements) (tracks 9–11)
Die Forelle, S. 563 no. 6 (for solo piano, Liszt) (tracks 9–11)
Die Forelle, S. 564 (for piano, Liszt - second version) (tracks 9–11)
Die Walküre: Schluss des letzten Aufzuges (for piano solo, Stradal) (tracks 64–68)
Erlkönig, S. 557a (for piano solo, Liszt) (tracks 1–8)
Erlkönig, S. 558 Nr. 4 (for piano solo, Liszt) (tracks 1–8)
Marche au supplice de la Symphonie fantastique, S. 470a no. 2 (for piano solo, Liszt, revised version) (tracks 31–36)
Polonaise in A-flat major, op. 53 "Heroique" (Greeley recension) (tracks 44–47)
Polonaise in A-flat major, op. 53 "Heroique" (concert transcription by Busoni) (tracks 44–47)
Prélude in E minor, S. 662 no. 1 (for organ, Liszt) (tracks 48–49)
Prélude no. 4 in E minor, op. 28: Largo (catch-all for arrangements) (tracks 48–49)
Symphonie fantastique, S. 470: IV. Marche au supplice (for piano solo, Liszt) (tracks 31–36)
Symphonie fantastique, S. 470: V. Songe d’une nuit de sabbat (for piano solo, Liszt) (tracks 37–43)
Symphonie fantastique, op. 14: IV. Marche au supplice (catch all for arrangements) (tracks 31–36)
The Erlking (HLW) (translated) (tracks 1–8)
has revision:
is based on:
Die Forelle (Schubart poem) (tracks 9–11)
Erlkönig (Goethe’s poem) (tracks 1–8)
is the basis for:
Desecration (tracks 44–47)
Shining (tracks 37–43)
Till the End of Time (tracks 44–47)
later parody versions:
Oliver Cromwell (tracks 44–47)
later translated versions:
The Valkyrie: Act III (tracks 64–68)
later versions:
Chopin w Persji (tracks 48–49)
Die Forelle, D. 550 (orchestrated by Britten) (tracks 9–11)
Erlkönig (Herman van Veen) (tracks 1–8)
Jane B. (tracks 48–49)
Prelude (tracks 48–49)
orchestrations:
Erlkönig, D. 328 (orchestrated by Berlioz) (tracks 1–8)
Erlkönig, D. 328 (orchestrated by Reger) (tracks 1–8)
Erlkönig, S. 375 no. 4 (orchestrated by Liszt) (tracks 1–8)
Prelude in E minor (orch. by Stokowski) (tracks 48–49)
part of:
Violinkonzert in e-Moll, op. 64 (movement) (tracks 22–30)
Die Walküre, WWV 86B (act) (tracks 64–68)
5 Lieder, op. 10 (tracks 19–21)
Dichterliebe, op. 48 (tracks 50–53)
partial recording of:
Die Forelle, D. 550 (tracks 9–11)
Die Walküre: Act III (tracks 64–68)
Erlkönig, D. 328 (tracks 1–8)
parts:
Die Walküre: Walkürenritt (tracks 64–68)

CD 6

baritone vocals:
Claude Cales (tracks 32–39)
Sherrill Milnes (tracks 1–6)
bass vocals:
Robert Geay (bass vocals) (tracks 32–39)
Martti Talvela (bass) (tracks 1–6)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (tracks 15–19)
composer:
Johannes Brahms (tracks 15–19)
Giuseppe Verdi (Italian opera composer) (– 1851-03-11) (tracks 1–6)
Bedřich Smetana (1874-11-20 – 1874-12-08) (tracks 7–14)
conductor:
Leonard Bernstein (American composer and conductor) (tracks 7–14)
Richard Bonynge (conductor and pianist) (tracks 1–6)
Lorin Maazel (tracks 15–19)
Eugene Ormandy (tracks 40–48)
Fritz Reiner (tracks 20–31)
Thomas Schippers (tracks 32–39)
George Szell (tracks 49–51)
Bruno Walter (tracks 54–57)
librettist:
Francesco Maria Piave (– 1851-03-11) (tracks 1–6)
mezzo-soprano vocals:
Regina Resnik (tracks 32–39)
Huguette Tourangeau (mezzo-soprano) (tracks 1–6)
orchestra:
Chicago Symphony Orchestra (tracks 20–31)
Cleveland Orchestra (tracks 49–51)
London Symphony Orchestra (tracks 1–6)
New York Philharmonic (tracks 7–14, 54–57)
The Philadelphia Orchestra (tracks 40–48)
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (tracks 15–19)
soprano vocals:
Joan Sutherland (tracks 1–6)
tenor vocals:
Ernst Haefliger (tracks 54–57)
Luciano Pavarotti (tracks 1–6)
Mario del Monaco (tracks 32–39, 52–53)
part of:
B. number catalogue by František Bartoš (number: B. 111) (tracks 7–14)
arrangements:
An English Requiem, op. 45: IV. How lovely is Thy dwelling place (english translation of the deutsches Requiem) (tracks 15–19)
Ein deutsches Requiem, op. 45: IV. Wie lieblich sind Deine Wohnungen (for piano 4 hands, Brahms) (tracks 15–19)
How Lovely Is Thy Dwelling Place (translated excerpt from "Ein deutsches Requiem" by Brahms) (translated) (tracks 15–19)
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (catch-all for arrangements) (tracks 7–14)
Rigoletto: Atto III. “La donna è mobile” (Duca) (catch-all for arrangements) (tracks 1–2)
Vltava (for baritone and orchestra) (tracks 7–14)
Vltava, op. 43 (tracks 7–14)
is based on:
La Mantovana (tracks 7–14)
is the basis for:
Is uwe lamp wel brandend? (tracks 7–14)
Ma rivière (tracks 7–14)
later translated versions:
Rigoletto: O, I kvinnor (tracks 1–2)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland) (part of collection) (tracks 7–14)
Ein deutsches Requiem, op. 45 (movement) (tracks 15–19)
Rigoletto: Atto III (tracks 1–6)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (tracks 7–14)
referred to in medleys:
Barcelona Games Medley (tracks 1–2)

CD 7

violin:
Joseph Silverstein (tracks 8–10)
piano:
Paul Jacobs (American pianist) (tracks 35–50)
Scott Joplin (tracks 11–15)
Gilbert Kalish (tracks 8–10, 20–21)
baritone vocals:
Walter Berry (bass-baritone singer) (tracks 54–57)
bass vocals:
Karl Dönch (light bass-baritone) (tracks 54–57)
choir vocals:
London Symphony Chorus (tracks 58–61)
composer:
Claude Debussy (1891 – 1894-09) (tracks 1–5)
Amy Beach (1896) (tracks 8–10)
Anton Webern (1927 – 1928) (tracks 51–53)
Béla Bartók (composer) (1943) (tracks 28–34)
conductor:
David Atherton (tracks 16–19)
Leonard Bernstein (American composer and conductor) (tracks 6–7)
Pierre Boulez (tracks 1–5, 35–57)
Charles Dutoit (tracks 22–27)
Evans Haile (tracks 62–67)
Esa‐Pekka Salonen (tracks 28–34)
dedicated to:
Raymond Bonheur (tracks 1–5)
mezzo-soprano vocals:
Jan DeGaetani (tracks 20–21)
Christa Ludwig (mezzo-soprano) (tracks 6–7)
orchestra:
London Sinfonietta (tracks 16–19)
London Symphony Orchestra (tracks 51–53, 58–61)
Los Angeles Philharmonic (tracks 28–34)
New York Philharmonic (tracks 35–50)
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (tracks 1–5)
Wiener Philharmoniker (tracks 6–7)
performer:
Gerry Mulligan Quartet (tracks 68–69)
Mary Thomas (British soprano) (tracks 16–19)
soprano vocals:
Gwyneth Jones (tracks 6–7)
Lucia Popp (soprano) (tracks 6–7)
tenor vocals:
Albert Weikenmeier (tracks 54–57)
vocals:
Judy Blazer (tracks 62–67)
premiered at:
[concert] (1894-12-22) (tracks 1–5)
publisher:
Eugène Fromont (1895-10) (tracks 1–5)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 "L.") (number: L. 86) (tracks 1–5)
Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 "CD") (number: CD 87) (tracks 1–5)
arrangements:
Extract from "The Afternoon of a Faun" (for violin and piano, Heifetz) (tracks 1–5)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for two pianos, Debussy) (tracks 1–5)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for chamber ensemble, Sachs) (tracks 1–5)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (catch-all for arrangements) (tracks 1–5)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for two pianos, Ravel) (tracks 1–5)
Prélude à l’après-midi d’un faune (for flute and piano, arr. Samazeuilh) (tracks 1–5)
is the basis for:
Prélude à L'après-midi d'un faune (arr. Tomita) (tracks 1–5)
part of:
Symphony, op. 21 (tracks 51–53)
partial recording of:

CD 8

piano:
Pierre‐Laurent Aimard (tracks 30–32)
composer:
György Ligeti (contemporary classical composer) (tracks 30–32)
Olivier Messiaen (1940) (tracks 16–18)
Pierre Boulez (1953 – 1955) (tracks 37–39)
George Crumb (American composer of modern and avant-garde music) (1970) (tracks 40–42)
Libby Larsen (1984) (tracks 63–65)
Chinary Ung (1987) (tracks 49–54)
Steve Reich (1995) (track 43)
conductor:
Pierre Boulez (tracks 37–39)
Aaron Copland (American composer, composition teacher, writer, and conductor, 1900-1990) (tracks 9–14)
Max Goberman (tracks 19–29)
Brad Lubman (tracks 43–48)
Sir Neville Marriner (tracks 63–65)
Witold Rowicki (track 15)
Arthur Weisberg (tracks 40–42)
instruments:
mezzo-soprano vocals:
Jan DeGaetani (tracks 40–42)
Yvonne Minton (tracks 37–39)
orchestra:
London Symphony Orchestra (tracks 9–14)
Minnesota Orchestra (tracks 63–65)
performer:
Aequalis (tracks 49–54)
Chamber Music Northwest (tracks 16–18)
The Chieftains (tracks 66–75)
Jade Bridge (tracks 55–58)
Ladysmith Black Mambazo (tracks 76–78)
Ensemble Musique Vivante (tracks 37–39)
Royal Entenga Drummers (tracks 33–36)
Steve Reich and Musicians (tracks 43–48)
treble vocals:
Michael Dash (tracks 40–42)
vocals:
Michael Callan (tracks 22–29)
Larry Kert (tracks 22–29)
Carol Lawrence (tracks 22–29)
Ken Le Roy (tracks 22–29)
Chita Rivera (tracks 22–29)
part of:
Ancient Voices of Children (movement) (tracks 40–42)
City Life (track 43)
Symphony "Water Music" (tracks 63–65)
Études (tracks 30–32)
Quatuor pour la fin du Temps (movement) (tracks 16–18)
Le marteau sans maître (tracks 37–39)
partial recording of:
Spiral (tracks 49–54)
recording of: