Tracklist

CD 1
# Title Artist Rating Length
1 Danse Russe from Swan Lake, op. 20
Pyotr Ilyich Tchaikovsky 4:30
2 Violin Concerto in E minor, op. 64: II. Andante
Felix Mendelssohn 6:28
3 Nocturne in C-sharp minor, op. post.
Frédéric Chopin 4:08
4 "O mio babbino caro" from Gianni Schicchi
Giacomo Puccini 3:23
5 Violin Concerto no. 1 in A minor, op. 28: III. Moderato - Allegretto
Karl Goldmark 12:51
6 Beau Soir
Claude Debussy 2:30
7 Introduction and Tarantella
Pablo de Sarasate 5:18
8 May Breezes from Songs Without Words
Felix Mendelssohn 2:15
9 Élégie "O doux printemps d'autrefois"
Jules Massenet 4:12
10 Variations on "The Carnival of Venice"
Niccolò Paganini 9:18
11 Après un rêve
Gabriel Fauré 2:56
12 Violin Concerto in D major, op. 61: III. Rondo. Allegro
Ludwig van Beethoven 9:20
CD 2
# Title Artist Rating Length
1 Prelude no. 1
George Gershwin 1:41
2 Nice Work If You Can Get It
George Gershwin 3:39
3 I Got Rhythm
George Gershwin 4:19
4 Ladies in Lavender from Ladies in Lavender
Nigel Hess 4:06
5 The Red Violin from the Red Violin
John Corigliano 1:35
6 Pope's Concert from the Red Violin
John Corigliano 1:25
7 Coitus musicalis from the Red Violin
John Corigliano 2:50
8 Make Our Garden Grow from Candide
Leonard Bernstein 5:29
9 West Side Story Suite (excerpt)
Leonard Bernstein 9:14
10 New York, New York from On the Town
Leonard Bernstein 2:31
11 Fantasy for Violin and Orchestra from Ladies in Lavender
Nigel Hess 3:42
12 Short Trip Home
Edgar Meyer 3:51
13 BT
Edgar Meyer 4:52
14 Death by Triple Fiddle
Edgar Meyer 4:18
15 Mazurka in F-sharp minor, op. 10 no. 4
Frédéric Chopin 2:23
16 Our Love Is Here to Stay
George Gershwin 3:48

Credits

CD 1

violin:
Joshua Bell (tracks 1, 6–8, 10–11)
Joshua Bell (1999-05-24 – 1999-05-25) (track 5)
Joshua Bell (2000-11-04 – 2000-11-08) (track 12)
Joshua Bell (2003-06-11 – 2003-06-13) (tracks 3–4, 9)
piano:
Frederic Chiu (tracks 6, 11)
Simon Mulligan (tracks 7, 10)
piano and violin arranger:
Jascha Heifetz (track 6)
arranger:
Craig Leon (tracks 3–4, 9)
assistant engineer:
Andreas Meyer (1999-05-24 – 1999-05-25) (track 5)
David Clarke (engineer) (2000-11-04 – 2000-11-08) (track 12)
Andrew Granger (2000-11-04 – 2000-11-08) (track 12)
composer:
Karl Goldmark (track 5)
Niccolò Paganini (composer) (track 10)
Giacomo Puccini (Italian composer) (track 4)
Pablo de Sarasate (track 7)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (track 1)
Ludwig van Beethoven (1806) (track 12)
Fryderyk Chopin (composer) (1830) (track 3)
Felix Mendelssohn (1838 – 1844-09-16) (track 2)
Felix Mendelssohn (1842 – 1844) (track 8)
Jules Massenet (1873) (track 9)
Gabriel Fauré (French composer) (1877) (track 11)
Claude Debussy (1890 – 1891) (track 6)
conductor:
Michael Stern (American conductor) (track 8)
Esa‐Pekka Salonen (1999-05-24 – 1999-05-25) (track 5)
Sir Roger Norrington (2000-11-04 – 2000-11-08) (track 12)
Michael Stern (American conductor) (2003-06-11 – 2003-06-13) (tracks 3–4, 9)
Michael Tilson Thomas (2005-01-27 – 2005-01-31) (track 1)
engineer:
Arne Akselberg (track 1)
Rob Rapley (engineer) (1999-05-24 – 1999-05-25) (track 5)
librettist:
lyricist:
[anonymous] (Special Purpose Artist) (track 11)
orchestra:
Los Angeles Philharmonic (1999-05-24 – 1999-05-25) (track 5)
Camerata Salzburg (2000-11-04 – 2000-11-08) (track 12)
Academy of St Martin in the Fields (2003-06-11 – 2003-06-13) (tracks 3–4, 9)
Berliner Philharmoniker (2005-01-27 – 2005-01-31) (track 1)
producer:
Thomas Frost (track 5)
Grace Row (producer) (tracks 3–4, 9)
Andrew Keener (engineer/editor/producer) (track 1)
Craig Leon (tracks 3–4, 9)
recording engineer:
Arne Akselberg (2000-11-04 – 2000-11-08) (track 12)
Charles Harbutt (sound engineer and reissue producer) (2003-06-11 – 2003-06-13) (tracks 3–4, 9)
revised by:
Felix Mendelssohn (1845) (track 2)
translator:
Romain Bussine (track 11)
publisher:
Choudens (1878) (track 11)
premiered at:
recorded at:
Dorothy Chandler Pavilion (Los Angeles Music Center) in Los Angeles, California, United States (1999-05-24 – 1999-05-25) (track 5)
Mozarteum (foundation) in Salzburg, Salzburg, Austria (2000-11-04 – 2000-11-08) (track 12)
Abbey Road Studios in St John's Wood, Westminster, London, United Kingdom (2003-06-11 – 2003-06-13) (tracks 3–4, 9)
Berliner Philharmonie in Berlin, Germany (2005-01-27 – 2005-01-31) (track 1)
part of:
Works of Pablo de Sarasate by opus number (number: op. 43) (track 7)
arrangement of:
Élégie (for voice and piano) (track 9)
arrangements:
Après un rêve, op. 7 no. 1 (for piano, Grainger) (track 11)
Après un rêve, op. 7 no. 1 (for cello and piano, arr. Katims) (track 11)
Après un rêve, op. 7 no. 1 (catch-all for arrangements) (track 11)
Après un rêve, op. 7 no. 1 (catch-all arrangement for cello and piano) (track 11)
Après un rêve, op. 7 no. 1 (for violin and piano, Casals) (track 11)
Après un rêve, op. 7 no. 1 (for cello and orchestra, Dubensky) (track 11)
Après un rêve, op. 7 no. 1 (for cello and piano, Casals) (track 11)
Danse russe from Swan Lake (for two pianos, Debussy) (track 1)
Russian Dance from Swan Lake (for violin and piano, Goldstein) (track 1)
Song Without Words "May Breezes" (for violin and piano, arr. Kreisler) (track 8)
Un rêve (track 11)
instrumental recording of:
is the basis for:
later versions:
part of:
Lieder ohne Worte, op. 62 (for piano) (track 8)
Violinkonzert in e-Moll, op. 64 (movement) (track 2)
recording of:
Beau soir, L. 6, CD 84 (for violin and piano, arr. Heifetz) (track 6)
Gianni Schicchi: "O mio babbino caro" (catch-all for arrangements) (track 4)
Nocturne no. 20 in C-sharp minor (catch-all for arrangements) (track 3)
Élégie (catch-all for arrangements) (track 9)

CD 2

violin:
Joshua Bell (tracks 1–3, 12–14, 16)
Joshua Bell (2000-12-18 – 2000-12-20) (tracks 8, 10)
violin arranger:
mandolin:
Sam Bush (tracks 12–14)
Mike Marshall (US mandolinist & multi-instrumentalist) (tracks 12–14)
banjo:
Béla Fleck (track 15)
double bass:
Edgar Meyer (tracks 12–14)
piano:
John Williams (soundtrack composer & conductor) (track 1)
arranger:
William Brohn (tracks 3, 16)
William David Brohn (track 10)
John Corigliano (track 8)
Jascha Heifetz (track 1)
Jonathan Tunick (track 2)
composer:
Leonard Bernstein (American composer and conductor) (tracks 8–10)
Fryderyk Chopin (composer) (track 15)
George Gershwin (composer) (tracks 1, 16)
Nigel Hess (track 11)
Edgar Meyer (tracks 12–14)
John Corigliano (tracks 5–7)
George Gershwin (composer) (1930) (track 3)
George Gershwin (composer) (1937) (track 2)
Nigel Hess (2004) (track 4)
conductor:
Nigel Hess (tracks 4, 11)
John Williams (soundtrack composer & conductor) (tracks 2–3, 16)
David Zinman (track 9)
Esa‐Pekka Salonen (1997-12-27 – 1998-01-04) (tracks 5–6)
David Zinman (2000-12-18 – 2000-12-20) (tracks 8, 10)
guest violin:
Joshua Bell (track 15)
lyricist:
Betty Comden (track 10)
Ira Gershwin (track 16)
Adolph Green (track 10)
Richard Wilbur (track 8)
Ira Gershwin (1930) (track 3)
Ira Gershwin (1937) (track 2)
mixer:
Joel Iwataki (tracks 5–6)
orchestra:
London Symphony Orchestra (tracks 2–3, 16)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (tracks 7, 9)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (1997-12-27 – 1998-01-04) (tracks 5–6)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (2000-12-18 – 2000-12-20) (tracks 8, 10)
orchestrator:
John Corigliano (tracks 5–6)
producer:
Matthias Gohl (tracks 5–6)
recording engineer:
Joel Iwataki (1997-12-27 – 1998-01-04) (tracks 5–6)
solo violin:
Joshua Bell (tracks 4, 7, 9, 11)
Joshua Bell (1997-12-27 – 1998-01-04) (tracks 5–6)
phonographic copyright by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004; operated worldwide except in JP) (1998) (tracks 5–6)
publisher:
Chappell Music (track 16)
Chappell Music Ltd. (tracks 3, 16)
New World Music Co. (1930) (track 3)
Gershwin Publishing Corp (1937) (track 2)
Gershwin Publishing Corp (1938) (track 16)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London, United Kingdom (1997-12-27 – 1998-01-04) (tracks 5–6)
AIR Studios (located at Oxford Street 1970–1991, Lyndhurst Hall 1991–present) in Hampstead, Camden, London, United Kingdom (2000-12-18 – 2000-12-20) (tracks 8, 10)
arrangement of:
Three Preludes: No. 1. Allegro ben ritmato e deciso (original version for piano) (track 1)
West Side Story (track 9)
arrangements:
I Got Rhythm (for piano solo) (track 3)
I Got Rhythm (for brass ensemble, Harvey) (track 3)
instrumental recording of:
I Got Rhythm (track 3)
Candide: Act II. Make Our Garden Grow (2000-12-18 – 2000-12-20) (track 8)
On the Town: New York, New York (2000-12-18 – 2000-12-20) (track 10)
is based on:
is the basis for:
Plainte d'amour (track 15)
later translated versions:
I hob Rhythmus (track 3)
part of:
A Damsel in Distress (1937 film score) (track 2)
An American in Paris (2015 Broadway musical) (track 3)
Candide (track 8)
Crazy For You (1992 Musical) (tracks 2–3)
Girl Crazy (1930 Musical) (track 3)
The Goldwyn Follies (track 16)
Mazurkas, op. 6 (track 15)
Three Preludes (for violin and piano, Heifetz) (track 1)
On the Town (track 10)
The Red Violin (tracks 5–7)
partial recording of:
West Side Story Suite (arr. for violin and orchestra, Brohn) (track 9)
recording of:
BT (track 13)
Ladies in Lavender (theme, Ladies in Lavender) (track 4)
Short Trip Home (track 12)
Three Preludes: No. 1. Allegro ben ritmato e deciso (for violin and piano, Heifetz) (track 1)
The Red Violin: I. Cremona: The Red Violin (1997-12-27 – 1998-01-04) (track 5)
The Red Violin: III. Oxford: Pope's Concert (1997-12-27 – 1998-01-04) (track 6)
referred to in medleys:
The Rhythm Series (track 3)

Release

ASIN: US: B000NDIAXI [info]