Annotation

#13 from Columbia 36767

Annotation last modified on 2008-02-24 04:51 UTC.

Tracklist

CD 1
# Title Artist Rating Length
1 Let's Do It (Let's Fall in Love)
Eartha Kitt 2:42
2 Anything Goes
Tony Bennett 2:21
3 I Love You
Billy Eckstine & Sarah Vaughan 2:42
4 Let's Misbehave
Irving Aaronson and His Commanders 2:53
5 Begin the Beguine
Frank Sinatra 3:09
6 True Love
Nat King Cole 2:20
7 It's De Lovely
Eddy Duchin & Jerry Cooper 3:05
8 What Is This Thing Called Love
Lena Horne 2:42
9 Night & Day
Mel Tormé 2:44
10 Be a Clown
Gene Kelly & Judy Garland 2:54
11 In the Still of the Night
Engelbert Humperdinck 4:11
12 So in Love
Dinah Washington 4:27
13 Ev'ry Time We Say Goodbye
Benny Goodman and His Orchestra 3:31
14 Love for Sale
Fred Waring & His Pennsylvanians 3:35
15 Experiment
Tony Bennett 1:48
16 Just One of Those Things
Peggy Lee 3:01
17 You're the Top
Cole Porter 3:25
CD 2
# Title Artist Rating Length
1 Why Can't You Behave
Dinah Washington 2:49
2 You've Got That Thing
Maurice Chevalier 2:48
3 High Society Calypso
Louis Armstrong 3:07
4 Don't Fence Me In
Roy Rogers 2:50
5 You Do Something to Me
Benny Goodman 3:14
6 Miss Otis Regrets
The Mills Brothers 3:26
7 My Heart Belongs to Daddy
Marilyn Monroe 5:08
8 Two Little Babes in the Wood
Cole Porter 3:16
9 Since I Kissed My Baby Goodbye
Fred Astaire 2:59
10 C'est Magnifique
Dean Martin 2:39
11 I Get a Kick Out of You
Sarah Vaughan 2:52
12 Let's Not Talk About Love
Danny Kaye 2:26
13 What Is This Thing Called Love
Les Paul 2:40
14 Kiss Me Kate: Too Darn Hot (Original Broadway Cast)
Cole Porter 4:03
15 You'd Be So Nice to Come Home To
Bing Crosby & Ginny Simms 2:08
16 Get Out of Town
Mel Tormé 3:12
CD 3
# Title Artist Rating Length
1 I Love Paris
Dean Martin 3:02
2 Easy to Love
Billie Holiday 3:13
3 You Do Something to Me
Marlene Dietrich 2:59
4 Charry Pies Ought to Be You
Rosemary Clooney & Frank Sinatra 2:19
5 I Concentrate on You
Perry Como 3:13
6 You're the Top
Nat King Cole 1:34
7 I've Got You Under My Skin
Dinah Washington 5:28
8 Now You Has Jazz
Louis Armstrong 5:09
9 So Near and Yet So Far
Fred Astaire 3:09
10 It's All Right With Me
Peggy Lee 2:24
11 Waltz Down the Aisle
Xavier Cugat 3:04
12 Blow Gabriel Blow
Ethel Merman 2:27
13 At Long Last Love
Bing Crosby 2:26
14 Begin the Beguine
The Andrews Sisters 2:46
15 Miss Otis Regrets
Jean Sablon 3:08
16 Night & Day
Frank Sinatra 2:23

Credits

CD 1

composer:
Claudius Valk (track 8)
Cole Porter (tracks 3–4, 6, 10, 15)
Cole Porter (1928) (track 1)
Cole Porter (1929) (track 8)
Cole Porter (1930) (track 14)
Cole Porter (1932) (track 9)
Cole Porter (1934) (tracks 2, 17)
Cole Porter (1935) (tracks 5, 16)
Cole Porter (1936) (track 7)
Cole Porter (1937) (track 11)
Cole Porter (1944) (track 13)
Cole Porter (1948) (track 12)
lyricist:
Cole Porter (tracks 3–4, 6, 10, 15)
Cole Porter (1928) (track 1)
Cole Porter (1929) (track 8)
Cole Porter (1930) (track 14)
Cole Porter (1932) (track 9)
Cole Porter (1934) (tracks 2, 17)
Cole Porter (1935) (tracks 5, 16)
Cole Porter (1936) (track 7)
Cole Porter (1937) (track 11)
Cole Porter (1944) (track 13)
Cole Porter (1948) (track 12)
vocals:
Dinah Washington (1960) (track 12)
publisher:
Chappell (track 11)
Chappell & Co. (tracks 13–14)
Chappell & Co., Inc. (tracks 3, 6, 11–13)
Chappell Music (track 2)
Chappell Music Ltd. (tracks 2, 5, 9, 14)
Harms, Inc. (tracks 9, 14)
Warner/Chappell (track 8)
arrangements:
Ev'ry Time We Say Goodbye (for choir, Bennett) (track 13)
Let's Do It (track 1)
cover recording of:
So in Love (from Kiss Me, Kate) (track 12)
True Love (High Society) (track 6)
is the basis for:
Divine biguine (french) (track 5)
later translated versions:
Beguine (track 5)
Premier matin (track 6)
Que de-lindo (track 7)
Sei mal verliebt (track 1)
Tout le jour, toute la nuit (Night and Day; du film "Joyeuse divorcée") (track 9)
Você é o mel (track 17)
later versions:
Begin the Beguine (unknown language, not English) (track 5)
Let's Do It (Noël Coward version) (track 1)
You're the Top (Barbra Streisand's Back to Brooklyn version) (track 17)
part of:
Anything Goes (tracks 2, 17)
Can‐Can (1960 musical film) (tracks 1, 16)
Gay Divorce (track 9)
High Society (stage musical) (tracks 6, 16)
High Society (1956 film) (track 6)
Jubilee (tracks 5, 16)
Nymph Errant (Cole Porter Musical) (track 15)
Panama Hattie (1942 film) (track 16)
Paris (1928 musical) (track 1)
Red, Hot and Blue (1936 Cole Porter musical) (track 7)
Kiss Me, Kate (musical) (track 12)
recording of:
Anything Goes (track 2)
Begin the Beguine (track 5)
Experiment (Nymph Errant) (track 15)
I Love You (track 3)
In the Still of the Night (Cole Porter song) (track 11)
It’s De-Lovely (track 7)
Let’s Misbehave (track 4)
Love for Sale (track 14)
Night and Day (Cole Porter song) (track 9)
You’re the Top (track 17)
Be a Clown (The Pirate) (1947-07-14) (track 10)
referred to in medleys:
Love Medley (track 14)

CD 2

composer:
Cole Porter (tracks 2–3, 7, 10)
Claudius Valk (track 13)
Cole Porter (1929) (tracks 5, 13)
Cole Porter (1934) (tracks 4, 6, 11)
Cole Porter (1938) (track 16)
Cole Porter (1943) (track 15)
Cole Porter (1948) (tracks 1, 14)
lyricist:
Cole Porter (tracks 2–3, 7, 10)
Cole Porter (1929) (tracks 5, 13)
Robert Fletcher (US poet) (1934) (track 4)
Cole Porter (1934) (tracks 4, 6, 11)
Cole Porter (1938) (track 16)
Cole Porter (1943) (track 15)
Cole Porter (1948) (tracks 1, 14)
writer:
Cole Porter (track 12)
publisher:
Chappell (track 7)
Chappell & Co. (tracks 7, 14–15)
Chappell Music (track 11)
Chappell Music Ltd. (tracks 3, 7, 11)
Harms, Inc. (track 11)
T.B. Harms (US sheet music publisher 1875 sold to Warner Brothers 1929 sold to Welk Music 1970) (track 14)
Warner Bros., Inc. (not for release label use!) (track 4)
Warner/Chappell (track 13)
cover recording of:
later translated versions:
Mein Mann ist verhindert (Miss Otis Regrets) (track 6)
Miss Otis regrette (track 6)
part of:
Anything Goes (track 11)
Can‐Can (1960 musical film) (tracks 5, 10)
Fifty Million Frenchmen (tracks 2, 5)
High Society (stage musical) (track 2)
Leave It to Me! (track 16)
Kiss Me, Kate (musical) (tracks 1, 14)
recording of:
C’est magnifique (Can-Can [Pistache, Judge Aristide Forestier]) (track 10)
Get Out of Town (track 16)
Miss Otis Regrets (track 6)
Too Darn Hot (from Kiss Me, Kate) (track 14)
Why Can't You Behave? (from Kiss Me, Kate) (track 1)

CD 3

recorded in:
Hollywood, Los Angeles, California, United States (1939-12-19) (track 3)
composer:
Cole Porter (tracks 8, 12–13)
Cole Porter (1929) (track 3)
Cole Porter (1932) (track 16)
Cole Porter (1934) (tracks 6, 15)
Cole Porter (1935) (track 14)
Cole Porter (1936) (tracks 2, 7)
Cole Porter (1953) (tracks 1, 10)
guest vocals:
Frank Sinatra (track 4)
lyricist:
Cole Porter (tracks 8, 12–13)
Cole Porter (1929) (track 3)
Cole Porter (1932) (track 16)
Cole Porter (1934) (tracks 6, 15)
Cole Porter (1935) (track 14)
Cole Porter (1936) (tracks 2, 7)
Cole Porter (1953) (tracks 1, 10)
orchestra:
vocals:
Marlene Dietrich (actress and singer) (track 3)
writer:
Cole Porter (tracks 4, 9)
publisher:
Chappell (tracks 1–2)
Chappell & Co., Inc. (tracks 1, 7, 10)
Chappell Music Ltd. (tracks 2, 14, 16)
Harms, Inc. (track 16)
cover recording of:
You Do Something to Me (1939-12-19) (track 3)
is the basis for:
Divine biguine (french) (track 14)
J'aime Paris (track 1)
later parody versions:
later translated versions:
Beguine (track 14)
Enfim o amor (track 13)
Mein Mann ist verhindert (Miss Otis Regrets) (track 15)
Miss Otis regrette (track 15)
Tout le jour, toute la nuit (Night and Day; du film "Joyeuse divorcée") (track 16)
Você é o mel (track 6)
later versions:
Begin the Beguine (unknown language, not English) (track 14)
I Love Paris (French version) (track 1)
You're the Top (Barbra Streisand's Back to Brooklyn version) (track 6)
part of:
Anything Goes (tracks 6, 12)
Born to Dance (tracks 2, 7)
Can‐Can (track 1)
Can‐Can (1960 musical film) (tracks 1, 3, 10)
Gay Divorce (track 16)
High Society (stage musical) (tracks 1, 10)
Jubilee (track 14)
You Never Know (track 13)
recording of:
At Long Last Love (track 13)
Begin the Beguine (track 14)
Blow, Gabriel Blow (Anything Goes) (track 12)
Easy to Love (track 2)
I Love Paris (Can-Can [Pistache, Company]) (track 1)
Miss Otis Regrets (track 15)
Night and Day (Cole Porter song) (track 16)
Now You Has Jazz (track 8)
You’re the Top (track 6)

Release Group

tribute to: Cole Porter