Tracklist

CD 1
# Title Rating Length
1 Brandenburg Concerto no. 1 in F major, BWV 1046: I. Allegro
4:21
2 Brandenburg Concerto no. 1 in F major, BWV 1046: II. Adagio
4:21
3 Brandenburg Concerto no. 1 in F major, BWV 1046: III. Allegro
5:18
4 Brandenburg Concerto no. 1 in F major, BWV 1046: IV-V. Menuetto & Polacca
7:56
5 Brandenburg Concerto no. 2 in F major, BWV 1047: I. Allegro
5:32
6 Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante
3:37
7 Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro Assai
3:00
8 Brandenburg Concerto no. 5 in D major, BWV 1050: Allegro
10:41
9 Concerto for 2 violins, strings & continuo in D minor ("Double"), BWV 1043: 2. Largo ma non tanto
7:33
10 Concerto for violin, strings & continuo no. 2 in E major, BWV 1042: 1. Allegro
8:22
11 Concerto for 4 harpsichords, strings & continuo in A minor (after Vivaldi, RV 580), BWV 1065: 2. Largo
2:24
12 Concerto for 4 harpsichords, strings & continuo in A minor (after Vivaldi, RV 580), BWV 1065: 1. Tempo ordinario
4:01
CD 2
# Title Rating Length
1 Orchestral Suite no. 3 in D major, BWV 1068: Air
5:00
2 Prelude and Fugue, for keyboard no. 1 in C major (WTC I/1), BWV 846 (BC L80)
3:48
3 Two-Part Invention, for keyboard no. 1 in C major, BWV 772 (BC L42)
1:11
4 Two-Part Invention, for keyboard no. 4 in D minor, BWV 775 (BC L45)
1:08
5 Two-Part Invention, for keyboard no. 8 in F major, BWV 779 (BC L49)
1:02
6 Chromatic Fantasia and Fugue, for keyboard in D minor, BWV 903 (BC L34): I. Fantasia
3:45
7 Chromatic Fantasia and Fugue, for keyboard in D minor, BWV 903 (BC L34): II. Recitativo
3:51
8 Chromatic Fantasia and Fugue, for keyboard in D minor, BWV 903 (BC L34): III. Fugue
5:31
9 English Suite, for keyboard no. 5 in E minor, BWV 810 (BC L17): 5. Passepied 1 / 2
3:43
10 The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Trio Sonata: 1. Largo
4:10
11 The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Trio Sonata: 2. Allegro
7:10
12 The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Trio Sonata: 3. Andante
3:19
13 The Musical Offering (Musikalisches Opfer), for keyboard and chamber instruments, BWV 1079: Trio Sonata: 4. Allegro
3:08
14 Suite for Solo Cello no. 1 in G major, BWV 1007: I. Prelude
2:18
15 Suite for Solo Cello no. 1 in G major, BWV 1007: II. Alemande
4:25
16 Suite for Solo Cello no. 1 in G major, BWV 1007: III. Courante
2:47
17 Suite for Solo Cello no. 1 in G major, BWV 1007: IV. Sarabande
2:57
18 Suite for Solo Cello no. 1 in G major, BWV 1007: V. Menuette I/II
3:19
19 Suite for Solo Cello no. 1 in G major, BWV 1007: VI. Gigue
1:47
20 Partita for solo flute in A minor, BWV 1013
3:10
CD 3
# Title Rating Length
1 Toccata and Fugue, for organ in D minor, BWV 565 (BC J37)
4 8:11
2 Orchestral Suite no. 3 in D major, BWV 1068: Air
6:58
3 Meditation on Prelude no. 1 of Bach, for violin or cello & piano with organ or cello ad lib. (or other instrumental arrangement)
3:09
4 Passacaglia and Fugue, for organ in C minor, BWV 582 (BC J79): I. Passacaglia
9:00
5 Passacaglia and Fugue, for organ in C minor, BWV 582 (BC J79): II. Fugue
6:16
6 Prelude and Fugue, for organ in D major ("Little"), BWV 532 (BC J13, 54, 70): I. Prelude
4:27
7 Prelude and Fugue, for organ in D major ("Little"), BWV 532 (BC J13, 54, 70): II. Fugue
6:06
8 In dir ist Freude, chorale prelude for organ (Orgel-Büchlein No. 17), BWV 615 (BC K44)
2:39
9 Trio super Allein Gott in der Höh sei Ehr, chorale prelude for organ, BWV 664 (BC K87)
5:53
10 Ein feste Burg ist unser Gott, chorale prelude for organ (by Johann Michael Bach, not JSB), BWV 720 (BC K103)
3:28
11 Concerto for solo organ no. 5 in D minor (after Vivaldi op. 3/11, RV 565), BWV 596 (BC J85): I. Tempo ordinario-Grave
4:43
12 Concerto for solo organ no. 5 in D minor (after Vivaldi op. 3/11, RV 565), BWV 596 (BC J85): II. Largo e spiccato
2:25
13 Concerto for solo organ no. 5 in D minor (after Vivaldi op. 3/11, RV 565), BWV 596 (BC J85): III. Without Tempo indication
3:02
CD 4
# Title Rating Length
1 Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14): Magnificat
3:29
2 Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14): Gloria Patri
2:37
3 Fuga sopra il Magnificat: Meine Seele erhebet den Herren, fugue for organ (by J. L. Krebs, not JSB), BWV 733 (BC K120)
4:30
4 Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5): Jesu meine Freude
1:00
5 Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5): Er ist nun nichts
2:33
6 Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5): Unter deinem Schirme
0:54
7 Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5): Denn das Gesetz des Geistes
0:49
8 Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5): Trotz dem alten Drachen
2:05
9 Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5): Ihr aber seid nicht fleischlich
2:21
10 Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5): Weg mit allen Schätzen
0:54
11 Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5): So aber Christus in euch ist
1:39
12 Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5): Gute Nacht & So nun der Geist
4:19
13 Jesu, meine Freude, motet for 5-part chorus, BWV 227 (BC C5): Weicht, ihr Trauergeister
1:06
14 Weihnachtsoratorium (Christmas Oratorio), in six parts, BWV 248 (BC D7): No. 10. Sinfonia in G major
6:10
15 Singet dem Herrn ein neues Lied, motet for chorus, BWV 225 (BC C1): Choir: Singet dem Herrn ein neues Lied
4:31
16 Singet dem Herrn ein neues Lied, motet for chorus, BWV 225 (BC C1): Aria 1. Strophe: Wie sich ein Vater erbarmet
4:01
17 Singet dem Herrn ein neues Lied, motet for chorus, BWV 225 (BC C1): Aria 2. Strophe: Die Gottesgnad alleine
3:54
18 Singet dem Herrn ein neues Lied, motet for chorus, BWV 225 (BC C1): Chor: Lobet den Herrn in seien Taten
1:23
19 Singet dem Herrn ein neues Lied, motet for chorus, BWV 225 (BC C1): Chor: Alles was Odem hat lobe den Herrn
1:50
20 Fughetta super Allein Gott in der Höh sei Ehr, for organ (Clavier-Ubung III/9), BWV 677 (BC K9)
1:18
21 Cantata No. 28, "Gottlob! nun geht das Jahr zu Ende," BWV 28 (BC A20): Nun lob', mein' Seel', den Herren
4:09
22 Prelude and Fugue, for organ in C major, BWV 531 (BC J9)
7:20

Credits

CD 1

violin:
Otto Büchner (violinist) (track 10)
Günther Körner (track 9)
Richard Lester (cellist) (track 9)
harpsichord:
Nicole Hostettler (harpsichord) (tracks 11–12)
Christiane Jaccottet (harpsichord) (tracks 11–12)
Leonore Klinckerfuss (harpsichord) (tracks 11–12)
Christine Sartoretti (harpsichord) (tracks 11–12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–8, 10–12)
conductor:
Eugen Duvier (an Alfred Scholz pseudonym) (track 9)
Jörg Faerber (tracks 11–12)
Hanspeter Gmür (Swiss conductor, born in 1936) (track 10)
Hanspeter Gmür (likely Alfred Scholz pseudonym) (track 10)
Hans Swarowsky (tracks 1–8)
orchestra:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker) (tracks 1–8)
Camerata Romana (an Alfred Scholz pseudonym) (track 9)
phonographic copyright by:
Mediaphon (NOT for release label use! Mediaphon-Musikproduktion und Verlag GmbH) (1993) (tracks 11–12)
arrangements:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio (catch all for arrangements) (track 2)
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro) (catch-all for arrangements) (track 5)
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (catch-all for arrangements) (track 6)
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (catch-all for arrangements) (track 8)
Concerto in A minor, BWV 1065: I. [Allegro] (catch all for arrangements) (track 12)
Konzert für Violine und Orchester E-Dur, BWV 1042: I. Allegro (catch-all for arrangements) (track 10)
part of:
recording of:
referred to in medleys:
Hooked on Bach (track 5)
version of:

CD 2

violin:
Susanne Lautenbacher (tracks 10–13)
cello:
Klaus-Peter Hahn (tracks 14–19)
Adolph Schmidt (cellist) (tracks 10–13)
flute:
Jadwiga Kotnowska (flutist) (track 20)
Karlheinz Zöller (tracks 10–13)
harpsichord:
Martin Galling (tracks 10–13)
Christiane Jaccottet (harpsichord) (1989) (track 2)
Christiane Jaccottet (harpsichord) (1990) (tracks 3–9)
horn:
Hans-Peter Weber (tracks 10–13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 4–9, 14–20)
Johann Sebastian Bach (German Baroque period composer & musician) (1720 – 1723) (track 3)
Johann Sebastian Bach (German Baroque period composer & musician) (1722) (track 2)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 1)
conductor:
Bernhard Güller (track 1)
orchestra:
phonographic copyright by:
Mediaphon (NOT for release label use! Mediaphon-Musikproduktion und Verlag GmbH) (1994 –) (track 1)
part of:
15 Inventions, BWV 772-786 (number: 1) (track 3)
15 Inventions, BWV 772-786 (number: 4) (track 4)
15 Inventions, BWV 772-786 (number: 8) (track 5)
Bach Compendium (number: L27) (track 3)
Bach Compendium (number: L80) (track 2)
Bach-Werke-Verzeichnis (number: BWV 772) (track 3)
Bach-Werke-Verzeichnis (number: BWV 775) (track 4)
Bach-Werke-Verzeichnis (number: BWV 779) (track 5)
Bach-Werke-Verzeichnis (number: BWV 846) (track 2)
arrangements:
Air on a G String (Guitar + modern ensemble arr. Myers) (track 1)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 1)
Air on the G String (for cello and orchestra, arr. Cullen) (track 1)
Chromatische Fantasie und Fuge d-Moll, BWV 903: I. Fantasie (catch all for arrangements) (tracks 6–7)
Chromatische Fantasie und Fuge d-Moll, BWV 903: II. Fuge (catch all for arrangements) (track 8)
Inventio Nr. 1 C-Dur, BWV 772 (catch-all for arrangements) (track 3)
Inventio Nr. 4 d-Moll, BWV 775 (catch-all for arrangements) (track 4)
Inventio Nr. 8 F-Dur, BWV 779 (catch-all for arrangements) (track 5)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 1)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 1)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 1)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 1)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 1)
Partita in A minor, BWV 1013: I. Allemande (catch all for arrangements) (track 20)
Solo Amore (track 1)
Suite no. 1 G-Dur, BWV 1007: I. Prélude (catch-all for arrangements) (track 14)
Suite no. 1 G-Dur, BWV 1007: II. Allemande (catch-all for arrangements) (track 15)
Suite no. 1 G-Dur, BWV 1007: III. Courante (catch-all for arrangements) (track 16)
Suite no. 1 G-Dur, BWV 1007: IV. Sarabande (catch-all for arrangements) (track 17)
Suite no. 1 G-Dur, BWV 1007: V. Menuet I & II (catch-all for arrangements) (track 18)
Suite no. 1 G-Dur, BWV 1007: VI. Gigue (catch-all for arrangements) (track 19)
Suite no. 1 in G major, BWV 1007: I. Prélude (arr. Joachim Raff for piano) (track 14)
Suite no. 1 in G major, BWV 1007: I. Prélude (for viola, arr. Rowland-Jones) (track 14)
Suite no. 1 in G major, BWV 1007: II. Allemande (arr. Joachim Raff for piano) (track 15)
Suite no. 1 in G major, BWV 1007: II. Allemande (for viola, arr. Rowland-Jones) (track 15)
Suite no. 1 in G major, BWV 1007: III. Courante (arr. Joachim Raff for piano) (track 16)
Suite no. 1 in G major, BWV 1007: III. Courante (for viola, arr. Rowland-Jones) (track 16)
Suite no. 1 in G major, BWV 1007: IV. Sarabande (arr. Joachim Raff for piano) (track 17)
Suite no. 1 in G major, BWV 1007: IV. Sarabande (for viola, arr. Rowland-Jones) (track 17)
Suite no. 1 in G major, BWV 1007: V. Menuet I & II (arr. Joachim Raff for piano) (track 18)
Suite no. 1 in G major, BWV 1007: V. Menuet I - Menuet II (for viola, arr. Rowland-Jones) (track 18)
Suite no. 1 in G major, BWV 1007: VI. Gigue (for viola, arr. Rowland-Jones) (track 19)
Suite no. 1 in G major, BWV 1007: VI. Gigue (arr. Joachim Raff for piano) (track 19)
is the basis for:
Anthem (track 14)
Bach Aire (track 1)
Horizons (track 2)
Sweetest Love (track 1)
The Cello Song (track 14)
later versions:
Invention #1 (track 3)
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 1)
part of:
partial recording of:
parts:
recording of:
referred to in medleys:
Hooked on Romance (track 1)

CD 3

pipe organ arranger:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 11, 11)
organ:
Hans D. Karras (track 2)
Walter Kraft (organist / composer) (tracks 4–10)
Peter Maack (track 2)
Ernst Riedlinger (organist) (track 3)
Klemens Schnorr (tracks 11–13)
additional organ:
arranger:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 12–13)
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach) (track 10)
Antonio Vivaldi (tracks 11, 11–13)
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–5)
Johann Sebastian Bach (German Baroque period composer & musician) (1708 – 1717) (tracks 6–7)
Johann Sebastian Bach (German Baroque period composer & musician) (1713 – 1715) (track 8)
Johann Sebastian Bach (German Baroque period composer & musician) (1723) (track 9)
Charles‐François Gounod (French composer) (1853) (track 3)
lyricist:
[anonymous] (Special Purpose Artist) (track 3)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician) (track 10)
phonographic copyright by:
Mediaphon (NOT for release label use! Mediaphon-Musikproduktion und Verlag GmbH) (1982 –) (track 1)
recorded at:
Grote Kerk (has a Christian-Müller-Orgel) in Haarlem, Noord-Holland, Netherlands (track 10)
Marktkirche St. Nicolai (Beckerath-Organ, Hameln) in Hamelin, Niedersachsen, Germany (track 1)
compilation of:
compiled in:
part of:
Bach Compendium (number: K87) (track 9)
Das Orgel-Büchlein (number: 17) (track 8)
Bach-Werke-Verzeichnis (number: BWV 565) (track 1)
Bach-Werke-Verzeichnis (number: BWV 615) (track 8)
Bach-Werke-Verzeichnis (number: BWV 664) (track 9)
Bach-Werke-Verzeichnis (number: BWV 720) (track 10)
arrangement of:
arrangements:
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (track 3)
Ein feste Burg ist unser Gott, BWV 720 (for piano, Feinberg) (track 10)
Ein feste Burg ist unser Gott, BWV 720 (catch all for arrangements) (track 10)
In dir ist Freude, BWV 615, KiV B27/8 (for piano, Busoni) (track 8)
Passacaglia and Fugue in C minor, BWV 582: I. Passacaglia (catch all for arrangements) (track 4)
Passacaglia and Fugue in C minor, BWV 582: I. Passacaglia (for piano 4 hands, Reger) (track 4)
Passacaglia and Fugue in C minor, BWV 582: I. Passacaglia (for piano solo, d'Albert) (track 4)
Passacaglia and Fugue in C minor, BWV 582: II. Fugue (catch all for arrangements) (track 5)
Präludium und Fuge D-Dur, BWV 532: I. Präludium (for piano solo, d'Albert) (track 6)
Präludium und Fuge D-Dur, BWV 532: II. Fuge (for piano, Reger) (track 7)
Präludium und Fuge D-Dur, BWV 532: II. Fuge (for piano solo, d'Albert) (track 7)
Toccata and Fugue in D minor (arr. Mike Batt) (track 1)
Toccata und Fuge d-Moll, BWV 565 (for piano, Tausig) (track 1)
Toccata und Fuge d-Moll, BWV 565 (for solo piano, Cortot) (track 1)
Toccata und Fuge d-Moll, BWV 565 (for piano solo, Reger) (track 1)
Toccata und Fuge d-Moll, BWV 565 (catch-all for arrangements) (track 1)
Toccata und Fuge d-Moll, BWV 565 (for piano 4 hands, Reger) (track 1)
Toccata und Fuge d-Moll, BWV 565 (for piano, Friedman) (track 1)
Toccata und Fuge d-Moll, BWV 565 (for band, Leidzén) (track 1)
Toccata und Fuge d-Moll, BWV 565 (for piano, Grainger) (track 1)
Toccata und Fugue d-Moll, BWV 565, BV B 29 no. 2 (Busoni piano arrangement) (track 1)
is based on:
is the basis for:
The Real Thing (track 1)
Toccata (track 1)
雪の夜 (track 3)
later translated versions:
Ave Maria (Italian translation of "Ave Maria" by Bach/Gounod) (track 3)
Ave Maria (Japanese translation of Bach/Gounod's "Ave Maria") (track 3)
later versions:
Ein feste Burg ist unser Gott, BWV 720 (orchestrated by W. Damrosch) (track 10)
orchestrations:
Ave Maria (for violin and orchestra, orch. Kennedy & Lenehan) (track 3)
Ein feste Burg ist unser Gott, BWV 720 (Stokowski orchestration) (track 10)
Passacaglia and Fugue in C minor, BWV 582: Fugue (Respighi orchestration) (track 5)
Passacaglia and Fugue in C minor, BWV 582: Passacaglia (Respighi orchestration) (track 4)
Toccata and Fugue in D minor, BWV 565 (arr. S. Skrowaczewski) (track 1)
Toccata and Fugue in D minor, BWV 565 (Stokowski orchestration) (track 1)
Toccata und Fuge d-Moll, BWV 565 (orchestrated by H. Wood) (track 1)
part of:
parts:
recording of:
Ave Maria (Bach/Gounod) (track 3)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 2)
Ein feste Burg ist unser Gott, BWV 720 (1961 – 1967) (track 10)
In dir ist Freude, BWV 615 (1961 – 1967) (track 8)
referred to in medleys:
Hooked on Bach (track 3)

CD 4

composed in:
Leipzig, Sachsen, Germany (1728 – 1731) (tracks 1–2)
Leipzig, Sachsen, Germany (1734 – 1735) (track 14)
premiered in:
Leipzig, Sachsen, Germany (1733-07-02) (tracks 1–2)
Leipzig, Sachsen, Germany (1734-12-26) (track 14)
oboe:
Willy Schnell (oboe) (tracks 1–2)
flute:
Konrad Hampe (flautist) (tracks 1–2)
Helmut Steinkraus (flautist) (tracks 1–2)
organ:
Walter Kraft (organist / composer) (tracks 3, 20, 22)
alto vocals:
Hildegard Rüttgers (alto) (track 2)
bass vocals:
Erich Wenk (bass-baritone) (track 2)
choir vocals:
Motettenchor Pforzheim (tracks 4–13, 15–19, 21)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–2, 4–12, 12–19, 22)
Johann Sebastian Bach (German Baroque period composer & musician) (1725) (track 21)
Johann Sebastian Bach (German Baroque period composer & musician) (1739) (track 20)
conductor:
Luis Antonio García Navarro (conductor) (track 14)
Helmuth Rilling (tracks 1–2)
Rolf Schweizer (tracks 4–13, 15–19, 21)
librettist:
Johann Gramann (1530) (track 21)
lyricist:
Johann Franck (German poet of the 17th century) (tracks 4, 6, 10)
orchestra:
Bachchor Stuttgart (track 2)
Bachorchester Pforzheim (tracks 4–13, 15–19, 21)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician) (track 3)
soprano vocals:
Romy Gundermann (soprano) (track 2)
tenor vocals:
Kurt Equiluz (track 2)
phonographic copyright by:
Mediaphon (NOT for release label use! Mediaphon-Musikproduktion und Verlag GmbH) (1986 –) (track 14)
recorded at:
compilation of:
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 9) (track 20)
Bach Compendium (number: K9) (track 20)
Breitkopf 389 Choralgesänge (number: 196) (track 4)
Breitkopf 389 Choralgesänge (number: 198) (track 6)
Breitkopf 389 Choralgesänge (number: 199) (track 10)
Bach-Werke-Verzeichnis (number: BWV 531) (track 22)
Bach-Werke-Verzeichnis (number: BWV 677) (track 20)
Bach-Werke-Verzeichnis (number: BWV 733) (track 3)
arrangements:
All Breathing Life Sing And Praise Ye The Lord (Finale from the Motet Sing Ye to the Lord) (translated) (tracks 18–19)
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (catch-all for arrangements) (track 14)
has revision:
"Sei Lob und Preis mit Ehren", BWV 231 (renumbered BWV 28/2a) (track 21)
is the basis for:
Precious Joy (track 4)
part of:
Jesu, meine Freude, BWV 227 (tracks 4–12, 12–13)
Magnificat D-Dur, BWV 243 (tracks 1–2)
partial recording of:
parts:
recording of:
Präludium und Fuge C-Dur, BWV 531 (1961 – 1967) (track 22)

Release

ASIN: US: B0012RLX92 [info]