Tracklist

CD 1: England and the Baroque
# Title Artist Rating Length
1 Zadok the Priest
Georg Friedrich Händel 5:22
2 The Prince of Denmark’s March (Trumpet Voluntary)
Jeremiah Clarke 1:04
3 Lachrymae – Pavane – Lachrymae Antique
John Dowland 4:17
4 Abdelazar, or The Moor’s Revenge – Rondeau
Henry Purcell 1:36
5 Spem in alium
Thomas Tallis 10:18
6 W/ Lilies White
William Byrd 4:54
7 Dido & Aeneas – Overture
Henry Purcell 2:16
8 Your Counsel All – Great Minds – Thy Hand, Belinda – When IAm Laid Down In Earth – W/ Drooping Wings
Henry Purcell 7:00
9 Come, Ye Sons Of Art – Symphony – Come, Ye Sons Of Art, Away- Sound The Trumpet – Come, Ye Sond Of Art
Henry Purcell 8:58
10 O Solitude
Henry Purcell 6:12
11 Solomon – Arrival of the Queen of Sheba
Georg Friedrich Händel 2:48
12 Messiah – Allelujah
Georg Friedrich Händel 4:00
13 Messiah – He was despised
Georg Friedrich Händel 11:49
14 Water Music – Suite In D – Overture – Hornpipe
Georg Friedrich Händel 5:20
CD 2: The Best of Italian Baroque
# Title Artist Rating Length
1 Serse: Ombra mai fu
Georg Friedrich Händel 3:08
2 Dixit Dominus (opening chorus)
Georg Friedrich Händel 5:21
3 Giulio Cesare in Egitto: Dall’ondoso periglio… Aure, deh, per pietà
Georg Friedrich Händel 8:36
4 Alcina: Verdi prati
Georg Friedrich Händel 4:22
5 Orfeo: Sinfonia
Claudio Monteverdi 1:39
6 Altri canti d’amor, tenero arciero
Claudio Monteverdi 10:15
7 Beatus vir
Claudio Monteverdi 8:56
8 L’incoronazione di Poppea: Pur ti miro
Claudio Monteverdi 5:42
9 Adagio
Tomaso Giovanni Albinoni 7:41
10 Miserere (extract)
Gregorio Allegri 5:46
11 Sonata pian’ e forte
Giovanni Gabrieli 5:17
12 The Four Seasons: no. 2 “Summer”: Allegro – Adagio – Presto
Antonio Vivaldi 9:49
CD 3: Treasures of the Mediterranean Baroque
# Title Artist Rating Length
1 Gloria RV589 – Opening Chorus
Antonio Vivaldi 2:30
2 Oboe Concerto In C Minor – 2. Adagio
Benedetto Marcello 3:52
3 Guitar Quintet In E – 3. Menuetto
Luigi Boccherini 3:39
4 Keyboard Sonata In D Minor K9
Domenico Scarlatti 4:01
5 Stabat Mater – Opening
Giovanni Battista Pergolesi 4:46
6 Concerto For 2 Mandolins In G Rv532 – 1. Allegro
Antonio Vivaldi 4:01
7 Crucifixus
Antonio Lotti 3:09
8 Sonata In G Minor ’Devil’s Trill’ – 3. Allegro
Giuseppe Tartini 3:19
9 The Four Seasons – Spring
Antonio Vivaldi 10:01
10 Recorder Concerto In C RV444 – 1. Allegro
Antonio Vivaldi 4:06
11 Fandango
Padre Antonio Soler 10:38
12 O Vos Omnes
Tomás Luis de Victoria 3:29
13 Diferencias Sobre Las Folias
Antonio Martín y Coll 6:49
14 Villancico – Ay Luna Que Reluzes
[anonymous] 3:23
15 Pavan & Galliard D’alexandra
Alonso Mudarra 2:59
16 Messe De Requiem Consacree a Luis De Camoes – Sanctus
João Domingos Bomtempo 2:42
CD 4: The Glory of French Baroque
# Title Artist Rating Length
1 Marche de triomphe avec des trompettes et des timbales
André Danican Philidor 2:17
2 Marche des mousquetaires
Jean‐Baptiste Lully 1:26
3 Symphonies pour le Festin Royal du Comte d’Artois: Contredanse
François Francœur 3:14
4 Marche de triomphe
Marc‐Antoine Charpentier 2:34
5 Symphonies pour les soupers du Roi: Caprice de Villers‐Cotterets
Michel-Richard de Lalande 16:11
6 Chaconne
Michel-Richard de Lalande 5:09
7 Te Deum: Prelude
Marc‐Antoine Charpentier 1:37
8 Messe propre pour les Convents de Religieux et Religieuses: Offertoire sur les grands jeux
François Couperin 5:01
9 Regina coeli
Marc‐Antoine Charpentier 2:42
10 Panis angelicus
Louis‐Nicolas Clérambault 3:32
11 Requiem: Introit (extract)
André Campra 3:13
12 In convertendo: Tunc repletum est gaudio nostrum
Jean‐Philippe Rameau 3:08
13 Suite in C minor: La Plainte, ou le Tombeau de Mesdemoiselles de Visée, filles de l’auteur
Robert de Visée 4:12
14 Plainte sur la mort de Monsieur Lambert
DuBuisson 5:21
15 Tambourins
Jean‐Philippe Rameau 2:17
16 Suite in C minor: La Plainte
Marin Marais 3:22
17 Le Canal de Versailles: Overture
André Danican Philidor 1:37
18 Isis: Air des trembleurs: L’Hiver qui nous tourmente s’obstine à nous geler
Jean‐Baptiste Lully 1:53
19 Les Indes galantes: Chaconne
Jean‐Philippe Rameau 5:37
20 Les Indes galantes: Air: Régnez, plaisirs et jeux
Jean‐Philippe Rameau 3:16
CD 5: Bach and His Time
# Title Artist Rating Length
1 Canon a 3 in D
Johann Pachelbel 3:40
2 Canzonetta in A minor, BuxWv 225
Dietrich Buxtehude 1:56
3 Cello Concerto in G minor: III. Allegro non tanto
Georg Matthias Monn 4:35
4 Cantata, BWV 147 “Herz und Mund und Tat und Leben”: “Jesus bleibet meine Freude”
Johann Sebastian Bach 2:15
5 Suite no. 3 in D, BWV 1068: Air
Johann Sebastian Bach 4:48
6 Concerto for Four Harpsichords (after Vivaldi), BWV 1065: I. Allegro
Johann Sebastian Bach 4:22
7 Toccata & Fugue in D minor, BWV 565: I. Toccata
Johann Sebastian Bach 2:34
8 Toccata & Fugue in D minor, BWV 565: II. Fugue
Johann Sebastian Bach 6:52
9 Cantata, BWV 51 “Jauchzet Gott in allen Landen!”: Aria “Jauchzet Gott in allen Landen!”
Johann Sebastian Bach 4:17
10 Suite in A minor: Les Plaisirs
Georg Philipp Telemann 2:38
11 Oboe Concerto in F minor: II. Largo
Georg Philipp Telemann 2:18
12 Cantata, BWV 29 “Wir danken dir, Gott, wir danken dir”: Sinfonia
Johann Sebastian Bach 3:39
13 Goldberg Variations, BWV 988: Aria
Johann Sebastian Bach 4:31
14 St. John Passion, BWV 245: Es ist vollbracht
Johann Sebastian Bach 5:52
15 Brandenburg Concerto no. 4 in G, BWV 1049: III. Presto
Johann Sebastian Bach 4:27
16 Cello Suite no. 1 in G, BWV 1007: I. Prelude
Johann Sebastian Bach 2:34
17 Magnificat in D, BWV 243: Magnificat anima mea
Johann Sebastian Bach 2:59
18 Keyboard Concerto in F minor, BWV 1056: I. Allegro – II. Largo – III. Presto
Johann Sebastian Bach 9:14
19 Flute Sonata in E‐flat major, BWV 1031: II. Siciliano
Johann Sebastian Bach 2:20
20 Orchestral Suite no. 4 in D, BWV 1069: V. La Réjouissance
Johann Sebastian Bach 2:33
CD 6: The Genius of Bach
# Title Artist Rating Length
1 Partita no. 3 in E for Solo Violin, BWV 1006: I. Preludio
Johann Sebastian Bach 3:14
2 St John Passion, BWV 245: Ruht wohl, ihr heiligen Gebeine
Johann Sebastian Bach 8:03
3 Brandenburg Concerto no. 2 in F major, BWV 1047: I. Allegro
Johann Sebastian Bach 5:05
4 Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante
Johann Sebastian Bach 3:45
5 Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
Johann Sebastian Bach 2:42
6 Mass in B minor, BWV 232: Chorus “Gloria in excelsis… Et in terra pax”
Johann Sebastian Bach 7:03
7 The Well‐Tempered Clavier, Book 1: Prelude & Fugue in C, BWV 846
Johann Sebastian Bach 5:09
8 Concerto for 2 Violins in D Minor, BWV 1043: II. Largo ma non tanto
Johann Sebastian Bach 6:26
9 Suite in E minor, BWV 996: V. Bourrée
Johann Sebastian Bach 1:21
10 Suite in E minor, BWV 996: VI. Gigue
Johann Sebastian Bach 2:12
11 Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture – VI. Menuet – VII. Badinerie
Johann Sebastian Bach 10:18
12 Keyboard Partita no. 1 in B‐flat, BWV 825: I. Präludium
Johann Sebastian Bach 2:14
13 Keyboard Partita no. 1 in B‐flat, BWV 825: VI. Gigue
Johann Sebastian Bach 1:53
14 Magnificat in D, BWV 243: Deposuit potentes
Johann Sebastian Bach 2:03
15 Mass in B minor, BWV 232: Agnus Dei
Johann Sebastian Bach 5:28
16 Keyboard Sonata in E‐flat: II. Largo – III. Presto
Wilhelm Friedemann Bach 5:16
17 Cello Concerto in A, H439: III. Allegro assai
Carl Philipp Emanuel Bach 5:03
18 Die Auferstehung and Himmelfahrt Jesu: Triump! Der Fürst des Lebens sieget!
Carl Philipp Emanuel Bach 2:05

Credits

CD 1: England and the Baroque

trumpet:
lute:
Christopher Wilson (lute and theorbo player) (track 3)
viola da gamba [viols]:
Fretwork (track 3)
alto vocals:
Margaret Cable (1988-04) (track 13)
baritone vocals:
choir vocals:
European Voices (track 8)
Taverner Choir (track 5)
Taverner Choir (1988-04) (tracks 12–13)
composer:
John Dowland (track 3)
Henry Purcell (baroque composer) (tracks 4, 8, 8)
Thomas Tallis (track 5)
William Byrd (1608) (track 6)
Henry Purcell (baroque composer) (1684 – 1685) (track 10)
Henry Purcell (baroque composer) (1689) (tracks 7–8, 8, 8)
Henry Purcell (baroque composer) (1694) (track 9)
Jeremiah Clarke (1700) (track 2)
George Frideric Handel (German‐British baroque composer) (1717) (track 14)
George Frideric Handel (German‐British baroque composer) (1727) (track 1)
George Frideric Handel (German‐British baroque composer) (1741) (tracks 12–13)
George Frideric Handel (German‐British baroque composer) (1748) (track 11)
conductor:
Stephen Cleobury (track 1)
Emmanuelle Haïm (tracks 7–8)
Richard Hickox (track 2)
Gustav Leonhardt (track 9)
Andrew Parrott (tracks 4–5, 11)
Andrew Parrott (1988-04) (tracks 12–13)
countertenor vocals:
James Bowman (UK countertenor) (track 9)
Gérard Lesne (track 6)
Christopher Robson (Opera & Concert Singer (Countertenor)) (track 9)
librettist:
Nahum Tate (tracks 8, 8, 8, 8, 8)
lyricist:
Katherine Philips (17th century poet) (track 10)
orchestra:
Le Concert d'Astrée (tracks 7–8)
Taverner Players (tracks 4, 11)
Taverner Players (1988-04) (tracks 12–13)
performer:
soprano vocals:
Nancy Argenta (track 10)
Julia Gooding (track 9)
Susan Graham (mezzo-soprano) (track 8)
publisher:
premiered at:
Westminster Abbey in London, England, United Kingdom (1727-10-11) (track 1)
recorded at:
part of:
Händel-Werke-Verzeichnis (number: HWV 258) (track 1)
arrangements:
The Four Coronation Anthems: "Zadok The Priest", HWV 258 (catch-all for arrangements) (track 1)
The Prince of Denmark's March (catch-all for arrangements, somtimes called trumpet voluntary) (track 2)
is the basis for:
Plenty of Horn (track 2)
later parody versions:
later translated versions:
later versions:
Flumpet Voluntary (track 2)
Remember Me (track 8)
Trumpet Prelude (Stokowski orchestration of "Prince of Denmark/Trumpet Voluntary") (track 2)
orchestrations:
Dido's Lament (track 8)
The Prince of Denmark's March (orchestrated by H. Wood) (track 2)
part of:
Suite in D major (track 2)
Lachrimæ or Seaven Teares (Just the seven Lachrimæ Pavans) (track 3)
Messiah, HWV 56: Part II (tracks 12–13)
Dido and Aeneas, Z. 626: Act III (number) (tracks 8, 8, 8, 8, 8)
partial recording of:
parts:
recording of:
O Solitude, Z. 406 (track 10)
Spem in alium (track 5)
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”) (track 2)
With Lilies White (track 6)
referred to in medleys:
Hooked on Classics, Part 3 (tracks 11, 14)
Suite (track 8)

CD 2: The Best of Italian Baroque

violin:
Monica Huggett (track 12)
Jane Murdoch (violinist) (track 9)
Jonathan Rees (track 9)
cello:
Caroline Dale (track 9)
organ:
Sally Heath (track 9)
harpsichord:
Emmanuelle Haïm (track 3)
baritone vocals:
Gerald Finley (track 10)
choir vocals:
Taverner Choir (track 2)
chorus master:
Stephen Cleobury (track 10)
composer:
Gregorio Allegri (track 10)
Giovanni Gabrieli (track 11)
Remo Giazotto (track 9)
George Frideric Handel (German‐British baroque composer) (tracks 2–4)
Claudio Monteverdi (tracks 5–8)
Antonio Vivaldi (1723) (track 12)
George Frideric Handel (German‐British baroque composer) (1737-12-26 – 1738-01-09) (track 1)
conductor:
Emmanuelle Haïm (track 5)
Richard Hickox (tracks 4, 8)
Nicholas Kraemer (harpsichordist and conductor) (track 12)
Paul McCreesh (track 11)
John Nelson (American conductor) (track 3)
Andrew Parrott (track 2)
Jonathan Rees (track 9)
Anthony Rooley (track 6)
Stephen Cleobury (track 10)
contralto vocals:
Stephanie Blythe (track 3)
countertenor vocals:
David Daniels (American countertenor) (track 1)
instruments:
Scottish Ensemble (track 9)
librettist:
Alessandro Striggio (The Younger) (track 5)
mezzo-soprano vocals:
Della Jones (mezzo-soprano) (tracks 4, 8)
orchestra:
Gabrieli Players (track 11)
Orchestre de chambre de Paris (formerly Ensemble Orchestral de Paris prior to 2012-03) (track 3)
Taverner Players (track 2)
orchestrator:
Leopold Stokowski (track 11)
other vocals [cantor]:
Gerald Finley (track 10)
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer) (track 9)
soprano vocals:
Arleen Augér (track 8)
treble vocals:
vocals:
writer:
anonymous imitation of Marino (Special Purpose Artist) (track 6)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) (track 9)
part of:
Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (number: F. I/23) (track 12)
Stattkus-Verzeichnis (number: SV 146) (track 6)
Stattkus-Verzeichnis (number: SV 268) (track 7)
Ryom-Verzeichnis (number: RV 315) (track 12)
arrangements:
Adagio for Strings and Organ in G minor (catch all for arrangements) (track 9)
Adagio of the Sky (track 9)
Cold is Being (track 9)
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (catch-all for arrangements) (track 12)
Largo from "Xerxes" (for violin, harp, organ and strings, arr. Hellmesberger) (track 1)
Serse, HWV 40: Atto I. Arioso "Ombra mai fù" (catch-all for arrangements) (track 1)
is based on:
is the basis for:
Adagio (track 9)
Anytime, Anywhere (track 9)
Crux fidelis (track 1)
Regeneration (track 12)
À la Chapelle Sixtine, S. 360 (for orchestra) (track 10)
À la Chapelle Sixtine, S. 461/1 (for solo piano, first version) (track 10)
À la Chapelle Sixtine, S. 461/2 (for solo piano, final version) (track 10)
À la Chapelle Sixtine, S. 633 (for piano four hands) (track 10)
later translated versions:
Xerxès HWV 40 : Largo "Bois de lent oubli" (french version) (track 1)
orchestration of:
part of:
Il cimento dell'armonia e dell'inventione, op. 8 (part of collection) (track 12)
Le quattro stagioni (“The Four Seasons”) (part of collection) (track 12)
partial recording of:
Miserere mei, Deus (track 10)
parts:
recording of:
Sonata pian’ e forte (orchestrated by Stokowski) (track 11)
referred to in medleys:
Hooked on Romance (track 1)

CD 3: Treasures of the Mediterranean Baroque

recorded in:
Montevarchi, Arezzo, Italy (1999-12-05 – 1999-12-08) (track 3)
violin:
Fabio Biondi (1999-12-05 – 1999-12-08) (track 3)
Enrico Casazza (violinist) (1999-12-05 – 1999-12-08) (track 3)
cello:
Antonio Fantinuoli (1999-12-05 – 1999-12-08) (track 3)
Maurizio Naddeo (1999-12-05 – 1999-12-08) (track 3)
oboe:
Ray Still (track 2)
strings [string quintet]:
Europa Galante (1999-12-05 – 1999-12-08) (track 3)
viola:
Ernesto Braucher (1999-12-05 – 1999-12-08) (track 3)
recorder:
Michel Sanvoisin (track 10)
piano:
Михаил Васильевич Плетнёв (pianist & conductor) (1994-10-10 – 1994-10-11) (track 4)
harpsichord:
Maggie Cole (track 11)
additional composer:
balance engineer:
Nicolas De Béco (1999-12-05 – 1999-12-08) (track 3)
choir vocals:
The Sixteen (track 12)
Taverner Choir (1992-11) (track 1)
Taverner Consort (1992-11) (track 1)
composer:
Benedetto Marcello (track 2)
Domenico Scarlatti (track 4)
Padre Antonio Soler (track 11)
Antonio Vivaldi (tracks 1, 6, 10)
Alonso Mudarra (Spanish composer and musician, 1510-1580) (1546) (track 15)
Antonio Vivaldi (1723) (track 9)
Luigi Boccherini (1771) (track 3)
João Domingos Bomtempo (1819 – 1820) (track 16)
conductor:
Louis Auriacombe (track 10)
Harry Christophers (track 12)
Michel Corboz (track 16)
Gérard Lesne (track 5)
Andrew Parrott (tracks 7, 9)
Jordi Savall (track 13)
Richard Stamp (track 2)
Andrew Parrott (1992-11) (track 1)
countertenor vocals:
Gérard Lesne (track 5)
instruments:
Hespèrion XX (track 13)
orchestra:
Academy of London (track 2)
Taverner Players (tracks 7, 9)
Taverner Players (1992-11) (track 1)
soprano vocals:
Véronique Gens (track 5)
vocals:
Taverner Consort (track 7)
recorded at:
St. Augustine's Church (Kilburn, London) in London, England, United Kingdom (1992-11) (track 1)
Couvent des Dominicains (Paris) in Paris, Île-de-France, France (1997-02-02 – 1997-02-06) (track 5)
part of:
Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (number: F. I/22) (track 9)
Ryom-Verzeichnis (number: RV 269) (track 9)
arrangements:
Celebrated Menuet (for violin and piano, Haddock) (track 3)
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (catch-all for arrangements) (track 9)
Fandango in D minor (catch-all for arrangements) (track 11)
Menuette (Comedian Harmonists arrangement) (track 3)
Minuet (for cello and piano, arr. Goltermann) (track 3)
is based on:
Folia (track 13)
is the basis for:
Obiad rodzinny (track 3)
ラブチク (track 9)
orchestrations:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (orchestrated by Stokowski) (track 3)
part of:
Concerto in C major, RV 444 (movement) (track 10)
Gloria in D major, RV 589 (movement) (track 1)
Il cimento dell'armonia e dell'inventione, op. 8 (part of collection) (track 9)
Le quattro stagioni (“The Four Seasons”) (part of collection) (track 9)
parts:
recording of:
Pavan and galliard d'Alexandra (for vihuela) (track 15)
Sonata in D minor, K 9, L 413: Allegro (1994-10-10 – 1994-10-11) (track 4)

CD 4: The Glory of French Baroque

theorbo:
Pascal Monteilhet (track 13)
trumpet:
Maurice André (French trumpeter) (track 5)
Thierry Caens (track 5)
Jean-Pierre Leroy (track 5)
Bernard Soustrot (track 5)
Guy Touvron (track 5)
organ:
viola da gamba:
Jérôme Hantaï (track 16)
Alix Verzier (track 16)
harpsichord:
Pierre Hantaï (claveciniste) (track 16)
bass vocals:
Bernard Deletré (track 18)
choir vocals:
chorus master:
composer:
André Campra (track 11)
Antoine Dauvergne (track 6)
Jean Lacquemant (DuBuisson) (track 14)
Marin Marais (composer) (track 16)
André Danican Philidor (tracks 1–2)
Jean‐Philippe Rameau (French composer of the Baroque era) (tracks 12, 15, 15, 19–20)
Robert de Visée (Baroque composer) (track 13)
Jean‐Baptiste Lully (1676) (track 18)
André Danican Philidor (1687) (track 17)
François Couperin (French composer of the Baroque era) (1690) (track 8)
conductor:
William Christie (track 7)
Patrick Cöhen-Akenine (tracks 19–20)
Hugo Reyne (tracks 1–3, 17–18)
Hervé Niquet (1993-04-13 – 1993-04-18) (track 12)
countertenor vocals:
Gérard Lesne (tracks 10, 14)
engineer:
Nicolas Bartholomée (1993-04-13 – 1993-04-18) (track 12)
librettist:
Louis Fuzelier (tracks 19–20)
Philippe Quinault (track 18)
orchestra:
Concerto Köln (track 6)
Les Folies Françoises (tracks 19–20)
Il Seminario Musicale (tracks 10, 14)
La Simphonie du Marais (tracks 1–3, 17–18)
Trio Sonnerie (track 15)
Le Concert Spirituel (French baroque ensemble) (1993-04-13 – 1993-04-18) (track 12)
other vocals:
performer:
Emmanuel Mandrin (track 9)
producer:
soprano vocals:
Isabelle Desrochers (track 18)
Patricia Petibon (tracks 19–20)
tenor vocals:
Mark Padmore (British tenor) (track 10)
premiered at:
[stage performance] (1677-01-05) (track 18)
publisher:
Ballard (1719) (track 18)
recorded at:
Collégiale Saint-Martin de Champeaux in Champeaux, Seine-et-Marne, France (1993-04-13 – 1993-04-18) (track 12)
part of:
part of:
In convertendo (track 12)
Te Deum, H. 146 (track 7)
Messe pour les Couvents (for organ) (track 8)
Les Indes galantes (tracks 19–20)
partial recording of:
Isis, LWV 54 (track 18)
parts:
recording of:
Marche de Triomphe (track 1)
Requiem: Introit (track 11)

CD 5: Bach and His Time

composed in:
Leipzig, Sachsen, Germany (1728 – 1731) (track 17)
premiered in:
Leipzig, Sachsen, Germany (1723-07-02) (track 4)
Leipzig, Sachsen, Germany (1733-07-02) (track 17)
violin:
Monica Huggett (track 15)
cello:
Balázs Máté (cellist) (track 3)
Ralph Kirshbaum (1993-01) (track 16)
oboe:
Han de Vries (1981-10-12 – 1981-10-15) (track 11)
trumpet:
Crispian Steele‐Perkins (1993-02-25 – 1993-02-28) (track 9)
recorder:
Rachel Beckett (track 15)
Marion Scott (woodwinds) (track 15)
flute:
Michel Debost (track 19)
organ:
Nicholas Danby (track 2)
Werner Jacob (tracks 7–8)
harpsichord:
Bob van Asperen (track 18)
Lionel Rogg (track 19)
Lajós Rovátkay (track 3)
Bob van Asperen (1981-10-12 – 1981-10-15) (track 11)
Maggie Cole (1990-06) (track 13)
Bob van Asperen (1994-12-19 – 1994-12-23) (track 6)
Marcelo Bussi (1994-12-19 – 1994-12-23) (track 6)
Bernhard Klapprott (1994-12-19 – 1994-12-23) (track 6)
Carsten Lohff (1994-12-19 – 1994-12-23) (track 6)
alto vocals:
Stephanie Blythe (2000-12) (track 14)
choir vocals:
Taverner Choir (1987) (track 4)
Taverner Consort (1987) (track 4)
Nederlands Kamerkoor (1988-12) (track 17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 6–8, 13–20)
Johann Pachelbel (track 1)
Johann Sebastian Bach (German Baroque period composer & musician) (1723) (track 4)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (tracks 5, 9)
Johann Sebastian Bach (German Baroque period composer & musician) (1731) (track 12)
conductor:
Philip Ledger (track 5)
Andrew Parrott (tracks 1, 20)
Lucy van Dael (track 11)
Andrew Parrott (1987) (track 4)
Andrew Parrott (1987-04 – 1987-06) (track 12)
Sigiswald Kuijken (1988-12) (track 17)
Monica Huggett (1993-02-25 – 1993-02-28) (track 9)
Bob van Asperen (1994-12-19 – 1994-12-23) (track 6)
John Nelson (American conductor) (2000-12) (track 14)
engineer:
Hartwig Paulsen (1981-10-12 – 1981-10-15) (track 11)
instruments:
Werner Jacob (track 7)
orchestra:
Melante Amsterdam (track 18)
Taverner Players (track 1)
Alma Musica Amsterdam (1981-10-12 – 1981-10-15) (track 11)
Taverner Players (1987) (track 4)
Taverner Players (1987-04 – 1987-06) (track 12)
La Petite Bande (Belgian chamber orchestra) (1988-12) (track 17)
Sonnerie (1993-02-25 – 1993-02-28) (track 9)
Melante Amsterdam (1994-12-19 – 1994-12-23) (track 6)
Orchestre de Paris (2000-12) (track 14)
producer:
Gerd Berg (producer) (1981-10-12 – 1981-10-15) (track 11)
soprano vocals:
Nancy Argenta (1993-02-25 – 1993-02-28) (track 9)
recorded at:
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands (1981-10-12 – 1981-10-15) (track 11)
Henry Wood Hall (London) in London, England, United Kingdom (1990-06) (track 13)
St George's Bristol (Brandon Hill) in Bristol, England, United Kingdom (1993-01) (track 16)
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, United Kingdom (1993-02-25 – 1993-02-28) (track 9)
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands (1994-12-19 – 1994-12-23) (track 6)
part of:
Buxtehude-Werke-Verzeichnis (number: BuxWV 225) (track 2)
Bach-Werke-Verzeichnis (number: BWV 1056) (track 18)
arrangements:
"Jesus bleibet meine Freude" from Cantata, BWV 147 (for piano, Chuquisengo) (track 4)
Air on a G String (Guitar + modern ensemble arr. Myers) (track 5)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 5)
Air on the G String (for cello and orchestra, arr. Cullen) (track 5)
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto (catch all for arrangements) (track 15)
Canon and Gigue in D major, T. 377: I. Canon (catch-all for arrangements) (track 1)
Canon and Gigue in D major: I. Canon (arr. Max Seiffert) (track 1)
Concerto for Flute in A minor, BWV1056 (arrangement of keyboard concerto) (track 18)
Concerto in A minor, BWV 1065: I. [Allegro] (catch all for arrangements) (track 6)
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (for 2 pianos 8 hands, Wilberg) (track 19)
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (catch-all for arrangements) (track 19)
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (for piano, unspecified arranger) (track 19)
Goldberg-Variationen, BWV 988: Aria (catch-all for arrangements) (track 13)
Jesu, Joy of Man's Desire, from BWV 147 (for piano, Myra Hess) (track 4)
Jesu, Joy of Man's Desiring (for band, Reed) (track 4)
Jesu, Joy of Men's Desiring (Sportiello arrangement) (track 4)
Jesu, bleibet meine Freunde (Jesu, Joy of Man’s Desiring) (arr. for piano by Richard Tilling) (track 4)
Jesus bleibet meine Freude (for organ, Duruflé) (track 4)
Jesus bleibet meine Freude (for trumpet and organ, Alain) (track 4)
Jesus bleibet meine Freude, BWV 147 (arr. Wilhelm Kempff for piano) (track 4)
Kantate, BWV 147 "Herz und Mund und Tat und Leben": Teil II, X. Choral "Jesus bleibet meine Freude" (Jesu, Joy of Mans Desiring; catch-all for arrangements) (track 4)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 5)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 5)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 5)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 5)
Orchestersuite Nr. 4 D-Dur, BWV 1069: V. Réjouissance (for piano 4 hands, Reger) (track 20)
Orchestersuite Nr. 4 D-Dur, BWV 1069: V. Réjouissance (catch all for arrangements) (track 20)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 5)
Ouverture from Cantata, BWV 29 (for piano solo, Saint-Saëns) (track 12)
Solo Amore (track 5)
Suite no. 1 G-Dur, BWV 1007: I. Prélude (catch-all for arrangements) (track 16)
Suite no. 1 in G major, BWV 1007: I. Prélude (arr. Joachim Raff for piano) (track 16)
Suite no. 1 in G major, BWV 1007: I. Prélude (for viola, arr. Rowland-Jones) (track 16)
Three Chorales: Jesu, Joy of Man‘s Desiring (Milko Kelemen arrangement) (track 4)
Toccata (for brass band, Sykes) (track 7)
Toccata and Fugue in D minor, BWV 565: Fugue (arr. S. Skrowaczewski) (track 8)
Toccata und Fuge d-Moll, BWV 565: I. Toccata (catch all for arrangements) (track 7)
Toccata und Fuge d-Moll, BWV 565: I. Toccata (for piano 4 hands, Reger) (track 7)
Toccata und Fuge d-Moll, BWV 565: II. Fuge (for piano 4 hands, Reger) (track 8)
Toccata und Fuge d-Moll, BWV 565: II. Fuge (catch all for arrangements) (track 8)
Wir danken dir, Gott, wir danken dir, BWV 29: Sinfonia (for organ, Rawsthorne) (track 12)
is the basis for:
Adagio (track 1)
Anthem (track 16)
Bach Aire (track 5)
Christmas Canon (original version) (track 1)
Ecos (track 4)
Edge of the Moon (track 19)
Happy (track 1)
Lady Lynda (track 4)
Lemming 1 (Lemmings, Commodore 64) (track 1)
Lullaby (track 1)
Sanctus II (track 1)
Simple Joy (track 1)
Sweetest Love (track 5)
The Cello Song (track 16)
Toccata (lyrics by Tanzwut) (track 7)
the Fifth Death (UnEpic) (track 7)
later translated versions:
later versions:
Canon in D, Mostly (track 1)
St. John Passion, BWV 245: Es ist vollbracht! (Stokowski orchestration) (track 14)
Toccata (track 7)
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 5)
Jesu, Joy of Man’s Desiring, BWV 147/10 (Stokowski orchestration) (track 4)
Toccata and Fugue in D minor, BWV 565: Toccata (arr. S. Skrowaczewski) (track 7)
part of:
parts:
recording of:
referred to in medleys:
Hooked on Romance (track 5)

CD 6: The Genius of Bach

composed in:
Leipzig, Sachsen, Germany (1728 – 1731) (track 14)
Leipzig, Sachsen, Germany (1747 – 1749) (tracks 6, 6, 15)
premiered in:
Leipzig, Sachsen, Germany (1733-07-02) (track 14)
violin:
Monica Huggett (tracks 3–5)
Alison Bury (1990-08 – 1991-06) (track 8)
Elizabeth Wallfisch (1990-08 – 1991-06) (track 8)
Christian Tetzlaff (1993-11) (track 1)
cello:
Anner Bylsma (track 17)
oboe:
Paul Goodwin (conductor / oboist) (tracks 3–5)
trumpet:
Mark Bennett (trumpeter) (tracks 3–5)
recorder:
Rachel Beckett (tracks 3–5)
classical guitar:
Sharon Isbin (track 9)
flute:
Rachel Beckett (tracks 4–5)
guitar:
Sharon Isbin (track 10)
piano:
Piotr Anderszewski (2002-02-23 – 2002-02-25) (tracks 12–13)
harpsichord:
Bob van Asperen (track 7)
Christophe Rousset (track 16)
alto vocals:
Charles Brett (English counter-tenor active in late 20th century) (1988-04) (track 15)
balance engineer:
Mike Hatch (engineer/editor) (track 1)
Mike Clements (engineer) (1990-08 – 1991-06) (track 8)
choir vocals:
Collegium Vocale Gent (1988-04) (track 6)
Taverner Choir (1990-04) (track 2)
Taverner Consort (1990-04) (track 2)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 2–6, 6, 9–15)
Johann Sebastian Bach (German Baroque period composer & musician) (1720) (track 1)
Johann Sebastian Bach (German Baroque period composer & musician) (1722) (track 7)
Johann Sebastian Bach (German Baroque period composer & musician) (1730 – 1731) (track 8)
Wilhelm Friedemann Bach (1748) (tracks 16, 16)
Carl Philipp Emanuel Bach (1753) (track 17)
Carl Philipp Emanuel Bach (1774 – 1778) (track 18)
conductor:
Philippe Herreweghe (Belgian conductor) (track 18)
Philip Ledger (track 11)
Gustav Leonhardt (track 17)
Philippe Herreweghe (Belgian conductor) (1988-04) (tracks 6, 15)
Sigiswald Kuijken (1988-12) (track 14)
Andrew Parrott (1990-04) (track 2)
editor:
Andrew Keener (engineer/editor/producer) (track 1)
John H. West (classical engineer/producer) (track 1)
lyricist:
Karl Wilhelm Ramler (German poet) (track 18)
orchestra:
Orchestra of the Age of Enlightenment (tracks 3–5, 17–18)
Collegium Vocale Gent (1988-04) (tracks 6, 15)
La Petite Bande (Belgian chamber orchestra) (1988-12) (track 14)
Taverner Players (1990-04) (track 2)
Orchestra of the Age of Enlightenment (1990-08 – 1991-06) (track 8)
producer:
Nicholas Parker (producer, engineer) (track 8)
Andrew Keener (engineer/editor/producer) (track 1)
tenor vocals:
Christoph Prégardien (1988-12) (track 14)
publisher:
Breitkopf (1787) (track 18)
recorded at:
St Michael’s Church (Highgate) in Highgate, Camden, London, United Kingdom (1990-08 – 1991-06) (track 8)
St George's Bristol (Brandon Hill) in Bristol, England, United Kingdom (1993-03) (track 1)
St George's Bristol (Brandon Hill) in Bristol, England, United Kingdom (1993-11) (track 1)
Studio Tibor Varga in Sion, Valais, Switzerland (2002-02-23 – 2002-02-25) (tracks 12–13)
part of:
Thematisches Verzeichnis der Werke von Carl Philipp Emanuel Bach (Wotquenne [Wq.]) (number: Wq. 240) (track 18)
Bach Compendium (number: L80) (track 7)
Thematic catalogue of the works of Carl Philipp Emanuel Bach (Helm [H.]) (number: H. 777) (track 18)
Bach-Werke-Verzeichnis (number: BWV 846) (track 7)
arrangement of:
arrangements:
Agnus Dei from Mass in B minor, BWV 232 (arr. Henry Wood) (track 15)
BWV 1043: II. Largo ma non tanto (catch all for arrangements) (track 8)
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro) (catch-all for arrangements) (track 3)
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (catch-all for arrangements) (track 4)
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (for piano 4 hands, Reger) (track 11)
Partita no. 1 in B-flat major, BWV 825: I. Prelude (catch all for arrangements) (track 12)
Partita no. 1 in B-flat major, BWV 825: VII. Gigue (catch all for arrangements) (track 13)
Violin Partita no. 3 in E major, BWV 1006: I. Preludio (catch-all for arrangements) (track 1)
is the basis for:
Horizons (track 7)
orchestrations:
Violin Partita no. 3 in E major, BWV 1006: I. Preludio (orchestrated by Pick-Mangiagalli) (track 1)
Violin Partita no. 3 in E major, BWV 1006: I. Preludio (Stokowski orchestration) (track 1)
part of:
Suite in E minor, BWV 996 (catch all for arrangements) (tracks 9–10)
Partita no. 1 in B-flat major, BWV 825 (movement) (tracks 12–13)
h-Moll-Messe, BWV 232 (tracks 6, 6, 15)
partial recording of:
parts:
recording of:
Suite in E minor, BWV 996: VI. Gigue (catch all for arrangements) (track 10)
Suite in E minor, BWV 996: V. Bourrée (catch all for arrangements) (1988-09) (track 9)
Partita no. 1 in B-flat major, BWV 825: I. Prelude (2002-02-23 – 2002-02-25) (track 12)
Partita no. 1 in B-flat major, BWV 825: VII. Gigue (2002-02-23 – 2002-02-25) (track 13)
referred to in medleys:
Hooked on Bach (track 3)

Release Group

part of: 100 Best (EMI Classics)