Tracklist

CD 1
# Title Artist Rating Length
1 South American Getaway
Burt Bacharach 4:52
2 Cello Concerto: I. Adagio - Moderato
Sir Edward Elgar 8:06
3 Sicilienne
Gabriel Fauré 3:38
4 Cello concerto in C: I.
Joseph Haydn 9:52
5 Cello concerto in C: II.
Joseph Haydn 8:30
6 Cello concerto in C: III.
Joseph Haydn 6:25
7 Jota
Manuel de Falla 3:31
8 Prélude no. 2
George Gershwin 5:07
9 Nocturne
Pyotr Ilyich Tchaikovsky 5:17
10 Silent Woods
Antonín Dvořák 7:01
11 Deep River
[traditional] 2:46
12 Adiós Nonino
Ástor Piazzolla 4:49
13 Moonlight Serenade
Glenn Miller 3:45
CD 2
# Title Artist Rating Length
1 Vocalise
Sergei Rachmaninov 7:31
2 Unaccompanied Cello Suite no. 1: I.
Johann Sebastian Bach 2:33
3 Unaccompanied Cello Suite no. 1: II.
Johann Sebastian Bach 4:18
4 Unaccompanied Cello Suite no. 1: III.
Johann Sebastian Bach 2:37
5 Unaccompanied Cello Suite no. 1: IV.
Johann Sebastian Bach 3:22
6 Unaccompanied Cello Suite no. 1: V.
Johann Sebastian Bach 3:12
7 Unaccompanied Cello Suite no. 1: VI.
Johann Sebastian Bach 2:01
8 Cello Concerto no. 1: III. Allegro non troppo
Camille Saint‐Saëns 5:35
9 Cello Concerto no. 1: III. Allegro non tanto
Georg Matthias Monn 6:18
10 Cello Concerto: I. Allegro
Antonín Dvořák 16:31
11 Kol nidrei
Max Bruch 12:37
12 Le Cygne from Carnaval des animaux
Camille Saint‐Saëns 3:18
13 Après un rêve
Gabriel Fauré 3:42
14 Lullaby
Johannes Brahms 1:55

Credits

CD 1

violin [director]:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (1975-11-15 – 1975-11-16) (tracks 4–6)
cello:
Han‐Na Chang (tracks 3, 9–10)
Jacqueline du Pré (1962-07-21) (track 7)
Jacqueline du Pré (1965-08-19) (track 2)
classical guitar:
John Williams (classical guitarist) (1962-07-21) (track 7)
flute:
Daniel Pailthorpe (flautist) (track 9)
guitar:
John Williams (classical guitarist) (track 7)
double bass:
Janne Saksala (2002-01) (track 13)
arranger:
Maurice Maréchal (track 7)
Julio Medaglio (track 12)
Glenn Miller (jazz band leader) (track 13)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1888) (track 9)
balance engineer:
Neville Boyling (engineer) (1962-07-21) (track 7)
Christopher Parker (classical recording and balance engineer, active from 1950s) (1965-08-19) (track 2)
Neville Boyling (engineer) (1975-11-15 – 1975-11-16) (tracks 4–6)
composer:
Gabriel Fauré (French composer) (tracks 3, 3)
Joseph Haydn (tracks 4–6)
Glenn Miller (jazz band leader) (track 13)
[traditional] (Special Purpose Artist) (track 11)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1873) (track 9)
Antonín Dvořák (1893-10-28) (track 10)
Manuel de Falla (Spanish composer) (1914) (track 7)
Edward Elgar (1918 – 1919) (track 2)
George Gershwin (composer) (1926) (track 8)
Astor Piazzolla (1959-10) (track 12)
conductor:
Leonard Slatkin (tracks 3, 9–10)
Sir John Barbirolli (1965-08-19) (track 2)
Mstislav Rostropovich (1975-11-15 – 1975-11-16) (tracks 4–6)
dedicated to:
Hanuš Wihan (track 10)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (track 2)
lyricist:
[traditional] (Special Purpose Artist) (track 11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (tracks 3, 9–10)
London Symphony Orchestra (1965-08-19) (track 2)
Academy of St Martin in the Fields (1975-11-15 – 1975-11-16) (tracks 4–6)
performer:
producer:
Ronald Kinloch Anderson (tracks 2, 7)
David Mottley (producer) (tracks 4–6)
solo cello:
Han‐Na Chang (tracks 3, 9–10)
Mstislav Rostropovich (1975-11-15 – 1975-11-16) (tracks 4–6)
writer:
Burt Bacharach (track 1)
premiered at:
[concert] (1894-12-16) (track 10)
publisher:
Big 3 Music Ltd. (track 13)
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004; operated worldwide except in JP) (track 13)
premiered at:
recorded at:
Kingsway Hall in London, England, United Kingdom (1965-08-19) (track 2)
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, United Kingdom (1975-11-15 – 1975-11-16) (tracks 4–6)
part of:
The Tchaikovsky Handbook (number: TH 64) (track 9)
Works of Gabriel Fauré by opus number (number: op. 78) (track 3)
Works of Antonín Dvořák by opus number (number: op. 65/5) (track 10)
Antonín Dvořák: Thematický katalog (Burghauser [B.]) (number: B. 182) (track 10)
arrangement of:
Adiós Nonino (original instrumental version) (track 12)
Deep River (track 11)
Sicilienne, op. 78 (track 3)
Three Preludes: No. 2. Andante con moto e poco rubato (original version for piano) (track 8)
arrangements:
Deep River (arr. Ringwald) (track 11)
Deep River (track 11)
Deep River (for violin and piano, Heifetz) (track 11)
Deep River (arranged by Luboff) (track 11)
Sicilienne, op. 78 (catch-all for arrangements) (track 3)
Sicilienne, op. 78 (flute and piano, Henri Büsser) (track 3)
Viola Concerto: I. Adagio - Moderato (arr. Lionel Tertis) (track 2)
instrumental recording of:
Deep River (2002-01) (track 11)
is the basis for:
later versions:
Moonlight Serenade (sung version with lyrics by Mitchell Parish) (track 13)
シシリエンヌ (track 3)
orchestration of:
part of:
Cello Concerto in E minor, op. 85 (movement) (track 2)
recording of:
Nocturne in D minor, TH 64, ČW 349 (for cello and small orchestra) (track 9)
Sicilienne, op. 78 (catch-all for arrangements) (track 3)
Sicilienne, op. 78 (track 3)
Siete canciones populares españolas, G. 40, nº 4: Jota (for cello and guitar, Maréchal) (1962-07-21) (track 7)
Cello Concerto no. 1 in C major, Hob. VIIb:1: I. Moderato (1975-11-15 – 1975-11-16) (track 4)
Cello Concerto no. 1 in C major, Hob. VIIb:1: II. Adagio (1975-11-15 – 1975-11-16) (track 5)
Adiós Nonino (catch-all for arrangements) (2000-01) (track 12)
South American Getaway (2000-01) (track 1)
Moonlight Serenade (original instrumental version) (2002-01) (track 13)
Preludes for Piano: No. 2. Andante con moto e poco rubato (catch-all for unknown arrangement) (2002-01) (track 8)
referred to in medleys:

CD 2

cello:
Han‐Na Chang (tracks 11–13)
Truls Mørk (Norwegian cellist) (track 14)
Jacqueline du Pré (1968-09-20) (track 9)
Mstislav Rostropovich (1977-04-29 – 1977-05-01) (tracks 8, 10)
Ralph Kirshbaum (1993-01) (tracks 2–7)
piano:
Juhani Lagerspetz (Finnish pianist) (track 14)
harp:
Aline Brewer (track 12)
arranger:
Truls Mørk (Norwegian cellist) (track 14)
Chris Hazell (tracks 12–13)
balance engineer:
Allen Stagg (1968-09-20) (track 9)
Neville Boyling (engineer) (1977-04-29 – 1977-05-01) (tracks 8, 10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 2–7)
Johannes Brahms (track 14)
Gabriel Fauré (French composer) (track 13)
Georg Matthias Monn (Austrian composer, organist and music teacher (transition from Baroque to Classical period)) (track 9)
Camille Saint‐Saëns (1872) (track 8)
Max Bruch (1880-07) (track 11)
Antonín Dvořák (1894-11-08 – 1895-02-09) (track 10)
conductor:
Leonard Slatkin (tracks 1, 12–13)
Sir John Barbirolli (1968-09-20) (track 9)
Carlo Maria Giulini (conductor) (1977-04-29 – 1977-05-01) (tracks 8, 10)
dedicated to:
Robert Hausmann (track 11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (tracks 1, 12–13)
London Symphony Orchestra (1968-09-20) (track 9)
London Philharmonic Orchestra (1977-04-29 – 1977-05-01) (tracks 8, 10)
producer:
Suvi Raj Grubb (track 9)
David Mottley (producer) (tracks 8, 10)
solo cello:
Han‐Na Chang (tracks 1, 11–13)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, United Kingdom (1977-04-29 – 1977-05-01) (tracks 8, 10)
St George's Bristol (Brandon Hill) in Bristol, England, United Kingdom (1993-01) (tracks 2–7)
part of:
Works of Max Bruch by opus number (number: op. 47) (track 11)
arrangement of:
14 Romances, op. 34 no. 14: Vocalise (for voice and piano, original version) (track 1)
5 Lieder, op. 49: Nr. 4. Wiegenlied (for voice and piano) (track 14)
Le Carnaval des animaux: XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano) (track 12)
arrangements:
Kol Nidrei, op. 47 (for violin and piano, Gingold) (track 11)
Suite no. 1 G-Dur, BWV 1007: I. Prélude (catch-all for arrangements) (track 2)
Suite no. 1 G-Dur, BWV 1007: II. Allemande (catch-all for arrangements) (track 3)
Suite no. 1 G-Dur, BWV 1007: III. Courante (catch-all for arrangements) (track 4)
Suite no. 1 G-Dur, BWV 1007: IV. Sarabande (catch-all for arrangements) (track 5)
Suite no. 1 G-Dur, BWV 1007: V. Menuet I & II (catch-all for arrangements) (track 6)
Suite no. 1 G-Dur, BWV 1007: VI. Gigue (catch-all for arrangements) (track 7)
Suite no. 1 in G major, BWV 1007: I. Prélude (arr. Joachim Raff for piano) (track 2)
Suite no. 1 in G major, BWV 1007: I. Prélude (for viola, arr. Rowland-Jones) (track 2)
Suite no. 1 in G major, BWV 1007: II. Allemande (arr. Joachim Raff for piano) (track 3)
Suite no. 1 in G major, BWV 1007: II. Allemande (for viola, arr. Rowland-Jones) (track 3)
Suite no. 1 in G major, BWV 1007: III. Courante (for viola, arr. Rowland-Jones) (track 4)
Suite no. 1 in G major, BWV 1007: III. Courante (arr. Joachim Raff for piano) (track 4)
Suite no. 1 in G major, BWV 1007: IV. Sarabande (arr. Joachim Raff for piano) (track 5)
Suite no. 1 in G major, BWV 1007: IV. Sarabande (for viola, arr. Rowland-Jones) (track 5)
Suite no. 1 in G major, BWV 1007: V. Menuet I & II (arr. Joachim Raff for piano) (track 6)
Suite no. 1 in G major, BWV 1007: V. Menuet I - Menuet II (for viola, arr. Rowland-Jones) (track 6)
Suite no. 1 in G major, BWV 1007: VI. Gigue (arr. Joachim Raff for piano) (track 7)
Suite no. 1 in G major, BWV 1007: VI. Gigue (for viola, arr. Rowland-Jones) (track 7)
is the basis for:
Anthem (track 2)
My Destiny (track 1)
The Cello Song (track 2)
夢のあとに (track 13)
part of:
Cello Concerto in B minor, op. 104 (movement) (track 10)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch-all for arrangements) (track 14)
Après un rêve, op. 7 no. 1 (catch-all for arrangements) (track 13)
Kol Nidrei, op. 47 (track 11)
Le Carnaval des animaux: XIII. Le Cygne (catch-all for unknown arrangement) (track 12)
Vocalise, op. 34 no. 14 (catch-all for unknown arrangements) (track 1)
Cello Concerto in B minor, op. 104: I. Allegro (1977-04-29 – 1977-05-01) (track 10)
referred to in medleys: