Tracklist

CD 1
# Title Artist Rating Length
1 El ocaso de los dioses: Final
Richard Wagner 4:03
2 Fantasía para piano a cuatro manos en fa menor, op. 103, D 940
Franz Schubert 5:27
3 Ave verum corpus, K 618
Wolfgang Amadeus Mozart 3:02
4 Acis y Galatea: "As When Dove Laments Her Love"
Georg Friedrich Händel 8:33
5 Concertino para guitarra y orquesta: Romanza
Salvador Bacarisse 5:01
6 Un réquiem alemán, op. 45: I.
Johannes Brahms 12:59
7 La pasión según San Mateo, BWV 244: Aria n.º 75 "Mache dich, mein Herze, rein"
Johann Sebastian Bach 7:29
8 El rey Esteban, op. 117: Coro de mujeres
Ludwig van Beethoven 2:34
9 Las bodas de Fígaro: Duettino "Che soave zeffiretto"
Wolfgang Amadeus Mozart 3:36
10 Las indias galantes. "La gran pipa de la paz" / "Bosques apacibles"
Jean-Philippe Rameau 4:14
11 Danza húngara n.º 4
Johannes Brahms 5:11
CD 2
# Title Artist Rating Length
1 Sinfonía n.º 2 en mi menor, op. 27: III. (comienzo)
Sergei Rachmaninov 7:20
2 Concierto en re menor para dos mandolinas: II. Andante
Antonio Vivaldi 4:01
3 Fidelio: Cuarteto "Mir is so wunderbar"
Ludwig van Beethoven 4:42
4 Concierto para fagot y orquesta: III. Alla polacca
Franz Danzi 6:33
5 Sinfonía n.º 4: III. Ruhevoll
Gustav Mahler 4:46
6 Sinfonía concertante en mi bemol mayor para violín, viola y orquesta, K 364: II.
Wolfgang Amadeus Mozart 10:58
7 Cantata, BWV 11: N.º 11. Coro final
Johann Sebastian Bach 4:18
8 Cuatro últimos lieder, op. posth: N.º 3. Beim Schlafengehen
Richard Strauss 5:20
9 Impromptu, D. 899 n.º 3
Franz Schubert 7:09
10 Sinfonía n.º 1 en sol menor: I. (comienzo)
Vasily Kaunnikov 6:23
11 Sospiri, adagio para orquesta de cuerda con arpa y órgano, op. 70
Sir Edward Elgar 4:38
12 Masquerade: Vals
Aram Khachaturian 4:09
CD 3
# Title Artist Rating Length
1 Concierto para cuerda y bajo continuo en re mayor, RV 121: III.
Antonio Vivaldi 2:05
2 Suite n.º 1 en do mayor, BWV 1066: Bourrée y passepied
Johann Sebastian Bach 5:11
3 Acis y Galatea: Coro “Happy we”
Georg Friedrich Händel 1:13
4 Música acuática. Suite en sol mayor, HWV 350: Giga y trío final
Georg Friedrich Händel 1:30
5 Sinfonía n.º 88: IV.
Joseph Haydn 3:44
6 Rapto en el serrallo, acto I: N.º 5. Coro “Singt dem grossen bassa lieder”
Wolfgang Amadeus Mozart 1:48
7 Las bodas de Fígaro: Marcha nupcial
Wolfgang Amadeus Mozart 1:09
8 La flauta mágica: Coro “Das klinger so herrlich, das klinger so shön”
Wolfgang Amadeus Mozart 0:51
9 Sinfonía n.º 39: III.
Wolfgang Amadeus Mozart 3:59
10 Las ruinas de Atenas: Marcha turca
Ludwig van Beethoven 1:45
11 Sinfonía n.º 7: III.
Ludwig van Beethoven 7:40
12 El sueño de una noche de verano: N.º 4. Canción con coro
Felix Mendelssohn 3:35
13 El cazador furtivo: Coro de cazadores
Carl Maria von Weber 2:45
14 La scala di seta: Obertura
Gioachino Rossini 5:59
15 Il trovatore: Coro de soldados “Squilli, echeggi la tromba guerriera”
Giuseppe Verdi 2:44
16 Danza húngara n.º 6
Johannes Brahms 3:20
17 Sinfonía n.º 1: III.
Georges Bizet 5:51
18 Suite Iberia: El puerto
Isaac Albéniz 4:46
19 Scherzo a la russa
Igor Stravinsky 4:15
CD 4
# Title Artist Rating Length
1 Guillermo Tell: Galop (final de la obertura)
Gioachino Rossini 3:37
2 Orfeo en los infiernos: Obertura, "Can-can"
Jacques Offenbach 1:58
3 La bella durmiente: Vals
Pyotr Ilyich Tchaikovsky 4:34
4 Gayaneh: Danza del sable
Aram Khachaturian 2:34
5 Pequeña música nocturna: I.
Wolfgang Amadeus Mozart 5:45
6 Marcha Radetzky
Johann Strauss I 2:37
7 Sinfonía de los juguetes: I.
Leopold Mozart 3:14
8 Danzas escocesas, op. 59: N.º 2
Sir Malcolm Arnold 2:07
9 Aida: Marcha triunfal
Giuseppe Verdi 1:48
10 Cascanueces, op. 71: Danza china
Pyotr Ilyich Tchaikovsky 1:09
11 Gioconda: Danza de las horas
Amilcare Ponchielli 2:04
12 El mesías: "Aleluya"
Georg Friedrich Händel 3:37
13 La walkyria: Cabalgata de las walkyrias
Richard Wagner 5:40
14 La Gaité parisienne: Obertura, allegro brillante y polka
Jacques Offenbach 5:38
15 La flauta mágica: Coro "Das klinget so herrlich, das klinget so schön"
Wolfgang Amadeus Mozart 0:50
16 Carmen: Obertura
Georges Bizet 2:19
17 Suite n.º 2, BWV 1067: Badinerie
Johann Sebastian Bach 1:29
18 Las ruinas de Atenas: Marcha turca
Ludwig van Beethoven 1:45
19 Canon
Johann Pachelbel 5:18
CD 5
# Title Artist Rating Length
1 Cascanueces, op. 71: Paso a dos
Pyotr Ilyich Tchaikovsky 5:20
2 Rosamunda, D 797: Coro de pastores
Franz Schubert 3:50
3 Concierto para 2 violines, BWV 1043: II.
Johann Sebastian Bach 6:36
4 Aurtxoa seaskan
Gabriel Olaizola 2:05
5 Diverse bizzarie sopra la vecchia sarabanda o pu ciaccona
Nicola Matteis 4:45
6 Cantata, BWV 167: Coral "Sei lob und preis mit ehren"
Johann Sebastian Bach 2:37
7 Cantos canarios
Teobaldo Power 9:33
8 La pasión según San Mateo, BWV 244: Coro final
Johann Sebastian Bach 6:13
9 Quinteto para clarinete, K 581: II. Larghetto
Wolfgang Amadeus Mozart 6:45
10 Gloria, RV 589: Coro "Et in terra pax hominibus"
Antonio Vivaldi 5:20
11 Concierto para violín y orquesta, op. 15: II.
Pyotr Ilyich Tchaikovsky 6:48
12 Elizabethan Serenade
Ronald Binge 2:49

Credits

CD 1

piano:
Jorge Otero (track 2)
Agustín Serrano (track 2)
balance engineer:
Günter Hermanns (producer/engineer) (1968-03) (track 9)
bass vocals:
Matti Salminen (bass singer) (1979) (track 7)
choir vocals:
composer:
Salvador Bacarisse (track 5)
Johann Sebastian Bach (German Baroque period composer & musician) (track 7)
Johannes Brahms (track 6)
George Frideric Handel (German‐British baroque composer) (track 4)
Wolfgang Amadeus Mozart (classical composer) (track 9)
Jean‐Philippe Rameau (French composer of the Baroque era) (track 10)
Wolfgang Amadeus Mozart (classical composer) (1791) (track 3)
Ludwig van Beethoven (1811) (track 8)
Franz Schubert (Austrian composer Franz Peter Schubert) (1828) (track 2)
Johannes Brahms (1868) (track 11)
Richard Wagner (1869 – 1874) (track 1)
conductor:
Odón Alonso (Spanish conductor, long time with Orquesta Sinfónica de Radio Televisión Española) (track 4)
Sergiu Comissiona (conductor and violinist) (track 1)
Enrique García Asensio (tracks 3, 6, 8, 10–11)
Michel Tabachnik (Swiss conductor & composer) (track 5)
Karl Böhm (Austrian conductor) (1968-03) (track 9)
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (1979) (track 7)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon) (track 9)
librettist:
Lorenzo Da Ponte (track 9)
Louis Fuzelier (track 10)
Picander (track 7)
Richard Wagner (track 1)
orchestra:
Münchener Bach‐Orchester (1979) (track 7)
orchestrator:
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) (track 11)
producer:
Wolfgang Lohse (track 9)
Dr. Gerd Ploebsch (track 7)
recording engineer:
solo classical guitar:
solo bass vocals:
Matti Salminen (bass singer) (1979) (track 7)
solo soprano vocals:
Marta Sandoval (track 10)
solo tenor vocals:
Ángel Iznaola (track 10)
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (1968-03) (track 9)
soprano vocals [Susanna]:
Edith Mathis (1968-03) (track 9)
phonographic copyright by:
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (1968) (track 9)
premiered at:
Richard-Wagner-Festspielhaus in Bayreuth, Bayern, Germany (1876-08-17) (track 1)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1968-03) (track 9)
Herkulessaal in Munich, Bayern, Germany (1979) (track 7)
part of:
Wagner-Werk-Verzeichnis (number: 86d) (track 1)
Köchelverzeichnis (original numbering) (number: 618) (track 3)
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 618) (track 3)
arrangements:
An English Requiem, op. 45: I. Blessed are they that mourn (english translation of the deutsches Requiem) (track 6)
Ave verum corpus (for band, Buehlman) (track 3)
Ave verum corpus de Mozart, S. 461a (for piano solo, Liszt) (track 3)
Ave verum corpus de Mozart, S. 674d (for organ, Liszt) (track 3)
Fantasia in F minor, op. 103, D. 940 (two-hand version by Leonid Kuzmin) (track 2)
Fantasy in F minor (after Schubert) (for piano and orchestra) (track 2)
Motet in D major, K. 618: "Ave verum corpus" (catch-all for arrangements) (track 3)
is the basis for:
À la Chapelle Sixtine, S. 360 (for orchestra) (track 3)
À la Chapelle Sixtine, S. 461/1 (for solo piano, first version) (track 3)
À la Chapelle Sixtine, S. 461/2 (for solo piano, final version) (track 3)
À la Chapelle Sixtine, S. 633 (for piano four hands) (track 3)
later translated versions:
orchestration of:
part of:
Ein deutsches Requiem, op. 45 (movement) (track 6)
Concertino in A minor, op. 72 (movement) (track 5)
Der Ring des Nibelungen, WWV 86 (part of collection) (track 1)
Hungarian Dances for orchestra (unknown orchestration, do not merge works, move recordings to the correct work) (track 11)
partial recording of:
Les Indes galantes (track 10)
parts:
Götterdämmerung: Act I (act) (track 1)
Götterdämmerung: Act II (act) (track 1)
Götterdämmerung: Act III (act) (track 1)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (track 3)

CD 2

cello:
Yo-Yo Ma (1991-08-22 – 1991-08-25) (track 2)
piano:
Rudolf Buchbinder (Austrian classical pianist) (track 9)
bass vocals:
Karl Ridderbusch (track 3)
choir vocals:
composer:
Franz Danzi (track 4)
Antonio Vivaldi (track 2)
Johann Sebastian Bach (German Baroque period composer & musician) (1735) (track 7)
Wolfgang Amadeus Mozart (classical composer) (1779) (track 6)
Franz Schubert (Austrian composer Franz Peter Schubert) (1827) (track 9)
Gustav Mahler (1899 – 1901) (track 5)
Edward Elgar (1914) (track 11)
Արամ Խաչատրյան (Soviet-Armenian composer, Aram Khachaturian) (1944) (track 12)
Richard Strauss (German composer) (1948) (track 8)
conductor:
Enrique García Asensio (tracks 1, 4–7, 10–12)
George Szell (track 8)
dedicated to:
William Henry Reed (track 11)
executive producer:
Linda Goldstein (track 2)
librettist:
lyricist:
Hermann Hesse (track 8)
mixer:
Chris Tergesen (track 2)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (East Berlin, 1923–) (track 8)
recording engineer:
Chris Tergesen (track 2)
solo violin:
Mariana Todorova (track 6)
solo viola:
solo bassoon:
solo soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano opera) (track 8)
soprano vocals:
Helga Dernesch (track 3)
Helen Donath (track 3)
tenor vocals:
Horst Laubenthal (track 3)
translator:
vocals:
Bobby McFerrin (1991-08-22 – 1991-08-25) (track 2)
publisher:
Breitkopf & Härtel (track 11)
mixed at:
premiered at:
recorded at:
Dreamland Recording Studios in Kingston, New York, United States (1991-08-22 – 1991-08-25) (track 2)
part of:
Works of Edward Elgar by opus number (number: op. 70) (track 11)
arrangement of:
arrangements:
Adagio from Symphony no. 2 (for band and cornet, Farr) (track 1)
Andante (track 2)
Impromptu in G major, D. 899 no. 3 (for violin and piano, arr. Heifetz) (track 9)
Impromptu in G-flat major, S. 565b no. 2 (edited by Liszt) (track 9)
Sospiri, op. 70 (for violin and piano, arr. Griffiths) (track 11)
Symphony no. 4 in G major: III. Ruhevoll, poco adagio (arr. Erwin Stein for chamber orchestra) (track 5)
Vier letzte Lieder, AV 150: III. "Beim Schlafengehen" (catch-all for arrangements) (track 8)
is the basis for:
秋の手紙 (track 1)
part of:
Symphony no. 4 in G major (movement) (track 5)
partial recording of:
recording of:
Bassoon Concerto: III. Alla polacca (exact concerto unknown) (track 4)
Sospiri, op. 70 (for strings, harp (or piano) and organ (or harmonium)) (track 11)
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: II. Andante (catch-all for arrangements) (1991-08-22 – 1991-08-25) (track 2)

CD 3

additional librettist:
Johann Gottlieb Stephanie ('The Younger') (track 6)
arranger:
bass vocals:
Pablo Schad (1998-06-01 – 1998-06-12) (track 6)
choir vocals:
Coro de Radio Televisión Española (1998-06-01 – 1998-06-12) (tracks 3, 6, 8, 12–13, 15)
composer:
Isaac Albéniz (track 18)
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 2, 2)
George Frideric Handel (German‐British baroque composer) (track 3)
Wolfgang Amadeus Mozart (classical composer) (tracks 6–8)
Gioachino Rossini (Italian composer 1792-1868) (track 14)
Giuseppe Verdi (Italian opera composer) (track 15)
Antonio Vivaldi (track 1)
George Frideric Handel (German‐British baroque composer) (1717) (track 4)
Joseph Haydn (1787) (track 5)
Wolfgang Amadeus Mozart (classical composer) (1788 – 1788-06-26) (track 9)
Ludwig van Beethoven (1811) (track 10)
Ludwig van Beethoven (1811 – 1812) (track 11)
Felix Mendelssohn (1842) (track 12)
Georges Bizet (French romantic composer) (1855-10 – 1855-11) (track 17)
Johannes Brahms (1868) (track 16)
Isaac Albéniz (1906) (track 18)
conductor:
Enrique García Asensio (1998-06-01 – 1998-06-12) (tracks 1–19)
librettist:
Salvadore Cammarano (Italian librettist) (track 15)
Andrea Maffei (19th century poet, translator and librettist) (track 15)
mezzo-soprano vocals:
Marina Pardo (1998-06-01 – 1998-06-12) (track 6)
Susana Santiago (1998-06-01 – 1998-06-12) (track 12)
orchestra:
Orquesta Sinfónica de Radio Televisión Española (1998-06-01 – 1998-06-12) (tracks 1–19)
orchestrator:
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) (track 16)
soprano vocals:
Ewa Hyla Zamojska (1998-06-01 – 1998-06-12) (track 12)
Marta Sandoval (1998-06-01 – 1998-06-12) (track 6)
tenor vocals:
Francisco Fernández (tenor) (1998-06-01 – 1998-06-12) (track 6)
premiered at:
[concert] (1946-03-22) (track 19)
publisher:
B. Schott's Söhne (track 19)
Chappell & Co., Inc. (1945) (track 19)
premiered at:
Salle Pleyel (1839-1927) in Paris, Île-de-France, France (1906-05-09) (track 18)
part of:
Händel-Werke-Verzeichnis (number: HWV 350) (track 4)
arrangement of:
Scherzo à la russe (for jazz band) (track 19)
arrangements:
Iberia: 2. El Puerto (for two guitars, Cañizares) (track 18)
Marche turque des Ruines d'Athènes, S. 388a (for piano, arr. Liszt) (track 10)
Orchestersuite Nr. 1 C-Dur, BWV 1066: VI. Bourrée (for piano 4 hands, Reger) (track 2)
Orchestersuite Nr. 1 C-Dur, BWV 1066: VII. Passepied (for piano 4 hands, Reger) (track 2)
Symphony no. 39 in E-flat major: III. Minuetto (for piano, arr. Julius Schulhoff) (track 9)
Symphony no. 7 in A major, op. 92: III. Presto (catch-all for arrangements) (track 11)
Turkish March (for violin and piano. arr Auer) (track 10)
Turkish March from Beethoven's "The Ruins of Athens" (for piano, arr. Rubinstein) (track 10)
is the basis for:
Zbroja (track 10)
later translated versions:
later versions:
Symphony no. 7 in A major, op. 92: III. Presto (for piano four hands) (track 11)
orchestration of:
orchestrations:
Iberia, B. 47: Book I: II. El puerto (orchestrated by Arbós) (track 18)
part of:
La scala di seta (track 14)
Iberia, B. 47 (track 18)
Concerto in D major, RV 121 (movement) (track 1)
Symphony no. 7 in A major, op. 92 (movement) (track 11)
Der Freischütz: Akt III (number) (track 13)
Hungarian Dances for orchestra (unknown orchestration, do not merge works, move recordings to the correct work) (track 16)
Macbeth: Atto IV (track 15)
partial recording of:
Water Music Suite no. 3 in G major, HWV 350 (1998-06-01 – 1998-06-12) (track 4)
parts:
recording of:
Concerto in D major, RV 121: III. Allegro (1998-06-01 – 1998-06-12) (track 1)
Die Ruinen von Athen, op. 113: IV. Marcia alla turca (1998-06-01 – 1998-06-12) (track 10)
Hungarian Dance for orchestra no. 6 in D major: Vivace (unknown orchestration) (1998-06-01 – 1998-06-12) (track 16)
Iberia, B. 47: Book I: II. El puerto (orchestrated by Arbós) (1998-06-01 – 1998-06-12) (track 18)
La scala di seta: Overture (1998-06-01 – 1998-06-12) (track 14)
Scherzo à la russe (for symphony orchestra) (1998-06-01 – 1998-06-12) (track 19)
Symphonie no. 1 en ut majeur : III. Allegro vivace (1998-06-01 – 1998-06-12) (track 17)
Symphony no. 7 in A major, op. 92: III. Presto (1998-06-01 – 1998-06-12) (track 11)

CD 4

choir vocals:
composer:
Malcolm Arnold (track 8)
Johann Sebastian Bach (German Baroque period composer & musician) (track 17)
Georges Bizet (French romantic composer) (track 16)
Leopold Mozart (track 7)
Wolfgang Amadeus Mozart (classical composer) (track 15)
Jacques Offenbach (tracks 2, 14, 14, 14)
Johann Pachelbel (track 19)
Amilcare Ponchielli (track 11)
Gioachino Rossini (Italian composer 1792-1868) (track 1)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (tracks 3, 10)
Giuseppe Verdi (Italian opera composer) (track 9)
George Frideric Handel (German‐British baroque composer) (1741) (track 12)
Wolfgang Amadeus Mozart (classical composer) (1787) (track 5)
Ludwig van Beethoven (1811) (track 18)
Johann Strauss (Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (1848) (track 6)
Richard Wagner (1854 – 1856) (track 13)
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (1942) (track 4)
conductor:
Enrique García Asensio (tracks 1–17, 19)
Enrique García Asensio (1998-06-01 – 1998-06-12) (track 18)
dedicated to:
librettist:
Arrigo Boito (track 11)
orchestra:
Orquesta Sinfónica de Radio Televisión Española (1998-06-01 – 1998-06-12) (track 18)
publisher:
Schott Music (Germany) (track 13)
premiered at:
Wasserglacis in Wien, Austria (1848-08-31) (track 6)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228) (track 6)
arrangement of:
Die Walküre: Walkürenritt (arr. Hutschenruyter) (track 13)
arrangements:
Canon and Gigue in D major, T. 377: I. Canon (catch-all for arrangements) (track 19)
Canon and Gigue in D major: I. Canon (arr. Max Seiffert) (track 19)
Die Walküre: Der Ritt der Walküren (for piano solo, Stradal) (track 13)
Die Walküre: Walkürenritt (for piano, Brassin) (track 13)
Finale (The Lone Ranger, Hans Zimmer) (track 1)
Four Scottish Dances, op. 59: II. Vivace (for brass band) (track 8)
Marche turque des Ruines d'Athènes, S. 388a (for piano, arr. Liszt) (track 18)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements) (track 17)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (for piano 4 hands, Reger) (track 17)
Plesový marš (track 6)
Radetzky March (for handbell ensemble) (track 6)
Radetzky March, op. 228 (catch-all for arrangements) (track 6)
Ride of the Valkyries (OpenBSD 5.6 theme) (track 13)
Ride of the Valkyries from "Die Walküre" (for organ, Lemare) (track 13)
Turkish March (for violin and piano. arr Auer) (track 18)
Turkish March from Beethoven's "The Ruins of Athens" (for piano, arr. Rubinstein) (track 18)
William Tell Overture (Mike Oldfield arrangement) (track 1)
William’s Tale (track 1)
is the basis for:
Adagio (track 19)
Brev från kolonien (track 11)
Carmen Suite no. 1: VI. Les Toréadors (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (track 16)
Christmas Canon (original version) (track 19)
Game Start A (Mario Bros.) (track 5)
Happy (track 19)
Lemming 1 (Lemmings, Commodore 64) (track 19)
Like I Do (track 11)
Lullaby (track 19)
Pachelbel’s Canon (track 19)
Peace Planet (track 17)
Più delle valchirie (Il mio nome è Nessuno) (track 13)
Radetzky Waltz (track 6)
Sanctus II (track 19)
Simple Joy (track 19)
The Hula Hoop (track 4)
Zbroja (track 18)
ワルキューレの騎行 (スーパーロボット大戦F) (track 13)
later parody versions:
later translated versions:
later versions:
Can Can (track 2)
Canon in D, Mostly (track 19)
Vincerai per me (track 9)
orchestrations:
part of:
Carmen (track 16)
4 Scottish Dances, op. 59 (for orchestra) (track 8)
Gaîté Parisienne (tracks 14, 14, 14)
The Sleeping Beauty, op. 66a (Suite) (track 3)
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2) (track 10)
Aida: Atto Secondo (track 9)
recording of:
4 Scottish Dances, op. 59: II. Vivace (for orchestra) (track 8)
Carmen: Prélude (track 16)
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions) (track 4)
Die Ruinen von Athen, op. 113: IV. Marcia alla turca (1998-06-01 – 1998-06-12) (track 18)
referred to in medleys:
Hooked on Bach (track 17)
Hooked on a Song (track 11)

CD 5

premiered in:
Leipzig, Sachsen, Germany (1723-06-24) (track 6)
clarinet:
Miguel Espejo (track 9)
violin:
Miguel Borrego (track 9)
Eduardo Sánchez (violinist) (track 9)
cello:
viola:
Pablo Ceballos Gómez (violist) (track 9)
choir vocals:
Coro de Radio Televisión Española (2000-07) (tracks 2, 6, 8, 10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (track 8)
Ronald Binge (British composer and arranger of light music) (track 12)
Nicola Matteis (track 5)
Gabriel Olaizola (track 4)
Teobaldo Power (track 7)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (track 1)
Antonio Vivaldi (track 10)
Johann Sebastian Bach (German Baroque period composer & musician) (1723) (track 6)
Johann Sebastian Bach (German Baroque period composer & musician) (1730 – 1731) (track 3)
Wolfgang Amadeus Mozart (classical composer) (1789) (track 9)
Franz Schubert (Austrian composer Franz Peter Schubert) (1823) (track 2)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1878) (track 11)
conductor:
Ataúlfo Argenta (track 7)
Enrique García Asensio (2000-07) (tracks 1–3, 6, 8, 10–12)
librettist:
Picander (track 8)
Johann Gramann (1530) (track 6)
lyricist:
Claudio Sagarzazu (track 4)
orchestra:
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) (track 7)
Orquesta Sinfónica de Radio Televisión Española (2000-07) (tracks 1–3, 6, 8, 10–12)
performer:
Palladian Ensemble (track 5)
solo violin:
Miguel Borrego (2000-07) (track 3)
Mariana Todorova (2000-07) (tracks 3, 11)
solo vocals:
Ana Salaberria (track 4)
publisher:
Walton Music Ltd. (track 10)
arrangements:
BWV 1043: II. Largo ma non tanto (catch all for arrangements) (track 3)
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto (for clarinet (or violin) and piano, arr. [anonymous]) (track 9)
later versions:
Elisabeth Serenad (track 12)
part of:
Gloria in D major, RV 589 (movement) (track 10)
Rosamunde, D. 797 (track 2)
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2) (track 1)
recording of:
Aurtxoa seaskan (track 4)
Cantos canarios (track 7)
Elizabethan Serenade (2000-07) (track 12)