Classic FM at the Movies: The Sequel
~ Release by Various Artists (see all versions of this release, 1 available)
Annotation
3 x slim jewel cases with a cardboard sleeve.
Tracklist
Credits
CD 1
cello: | |
---|---|
trumpet: | |
mandolin: | |
guitar: |
Mitch Dalton
(track 8)
|
bass: | |
percussion [African Percussions Designed and Performed by]: |
Pete Lockett
(track 3)
|
accordion: |
Petr Dreser
(track 8)
|
arranger: |
Левон Тадевосович Атовмьян
(track 6)
|
assistant editor: |
Robin Whittaker
(track 3)
|
assistant engineer: | |
choir vocals: |
Crouch End Festival Chorus
(tracks 5, 14)
|
chorus master: |
David Temple
(track 14)
|
composer: |
Danny Elfman
(tracks 5, 5)
Ron Goodwin
(track 11)
Andrea Morricone
(track 13)
Ennio Morricone
(track 13)
Nino Rota
(track 7)
Camille Saint‐Saëns (1886)
(track 15)
|
concertmaster: |
Edwin Paling (1998-08-03 – 1998-08-04)
(track 2)
|
conductor: |
Nicholas Dodd
(track 3)
Paul Bateman
(tracks 11, 13–14)
Libor Pešek
(track 6)
Nic Raine
(tracks 1, 7–8, 11)
John Mauceri (1994-09)
(track 5)
John Debney (1998-08-03 – 1998-08-04)
(track 2)
|
editor: |
Dina Eaton
(track 3)
|
engineer: | |
lyricist: |
Leslie Bricusse
(track 2)
Larry Kusik
(track 7)
|
mixer: | |
orchestra: |
City of Prague Philharmonic Orchestra
(tracks 5, 7, 11, 13–14)
Royal Liverpool Philharmonic Orchestra
(track 6)
Hollywood Bowl Orchestra (1994-09)
(track 5)
Royal Scottish National Orchestra (1998-08-03 – 1998-08-04)
(track 2)
|
orchestrator: |
Rachel Berlin
(track 13)
Nicholas Dodd
(track 3)
Steve Bartek
(track 5)
Leopold Stokowski
(track 4)
|
producer: |
Robert Townson
(track 2)
|
programming: |
Rob Playford
(track 3)
|
recording engineer: | |
publisher: |
Colpix Music, Inc.
(track 3)
Famous Music Publishing Limited
(track 7)
Sony/ATV Songs LLC
(track 3)
United Lion Music Inc.
(track 3)
|
recorded at: |
AIR Studios (located at Oxford Street 1970–1991, Lyndhurst Hall 1991–present) in Hampstead, Camden, London, United Kingdom
(track 3)
|
arrangements: | |
instrumental recording of: | |
is based on: | |
is the basis for: |
If I Had Words
(track 15)
Stärker als die Zeit
(track 7)
|
later translated versions: |
Parla più piano
(track 7)
Puhu hiljaa rakkaudesta
(track 7)
|
later versions: |
C'est mieux comme ça
(track 7)
|
part of: |
Edward Scissorhands
(tracks 5, 5)
Superman: The Movie
(track 2)
The Gadfly Suite, op. 97a
(track 6)
|
partial recording of: | |
recording of: |
633 Squadron Theme
(track 11)
Cinema Paradiso Love Theme
(track 13)
The Gadfly Suite, op. 97a: VIII. Romance
(track 6)
Vesper
(track 3)
|
referred to in medleys: |
1942 (633 Squadron / 1942 High Score medley)
(track 11)
|
version of: |
Love Theme from The Godfather
(track 7)
|
CD 2
premiered in: | |
---|---|
cello: |
Yo-Yo Ma (1997-07-25 – 1997-07-31)
(track 4)
|
piano: |
Andy Vinter
(track 7)
|
balance engineer: | |
composer: |
Сергей Васильевич Рахманинов (1900 – 1901-04)
(track 8)
Jay Ungar (1982)
(track 11)
|
conductor: |
Captain J. R. Perkins
(track 11)
Nic Raine
(tracks 1, 5–7, 10)
|
executive producer: | |
librettist: |
Lorenzo Da Ponte
(track 3)
|
mixer: | |
orchestra: |
Band of Her Majesty's Royal Marines, Plymouth (The Band of His/Her Majesty's Royal Marines)
(track 11)
Royal Philharmonic Orchestra
(track 7)
Orchester der Deutschen Oper Berlin (1968-03)
(track 3)
|
producer: |
Wolfgang Lohse
(track 3)
|
recording engineer: | |
soprano vocals [La Contessa di Almaviva]: |
Gundula Janowitz (1968-03)
(track 3)
|
soprano vocals [Susanna]: |
Edith Mathis (1968-03)
(track 3)
|
phonographic copyright by: |
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (1968)
(track 3)
|
recorded at: |
Sony Pictures Studios Scoring Stage (formerly Lorimar Music Scoring until 1991, rechristened the Barbra Streisand Scoring Stage on Feb 9, 2004) in Culver City, California, United States (1997-07-25 – 1997-07-31)
(track 4)
|
later versions: |
Ashokan Farewell
(track 11)
|
part of: |
Le nozze di Figaro, K. 492: Atto III
(track 3)
Piano Concerto no. 2 in C minor, op. 18 (movement)
(track 8)
|
recording of: |
Ashokan Farewell
(track 11)
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino "Che soave zeffiretto (La Contessa, Susanna) (1968-03)
(track 3)
Seven Years in Tibet (1997-07-25 – 1997-07-31)
(track 4)
|
referred to in medleys: |
Hooked on Romance, Part 2
(track 8)
|
CD 3
concert flute: | |
---|---|
bass flute: | |
alto flute: | |
arranger: |
Patrick Cassidy
(track 2)
|
assistant recording engineer: | |
choir vocals: |
Crouch End Festival Chorus
(track 2)
|
composer: |
Patrick Cassidy
(track 2)
Paul Dukas (1896 – 1897)
(track 11)
Gustav Mahler (1901 – 1902)
(track 4)
|
conductor: |
John Debney
(track 8)
James Fitzpatrick
(track 2)
Leonard Slatkin (1996-11-29 – 1996-12-01)
(track 11)
Daniele Gatti (1997-11-15 – 1997-11-17)
(track 4)
|
engineer: |
John Timperley
(track 4)
|
orchestra: |
City of Prague Philharmonic Orchestra
(track 2)
Royal Scottish National Orchestra
(track 8)
Royal Scottish National Orchestra (1995-09-14 – 1995-09-15)
(track 7)
Orchestre national de France (1996-11-29 – 1996-12-01)
(track 11)
Royal Philharmonic Orchestra (1997-11-15 – 1997-11-17)
(track 4)
|
orchestrator: |
Paul Bateman
(track 2)
Thomas Pasatieri
(track 12)
Nic Raine
(track 8)
|
producer: |
Robert Townson
(track 8)
|
recording engineer: | |
solo soprano vocals: |
Charlotte Kinder
(track 1)
|
soprano vocals: |
Charlotte Kinder
(track 2)
|
tenor vocals: |
Wills Morgan
(track 2)
|
publisher: |
Cherry Lane Music
(track 12)
Cherry Lane Music Publishing Company Inc.
(track 12)
|
recorded at: | |
arrangements: | |
is the basis for: |
L'Apprenti sorcier
(track 11)
Symphony no. 5: Adagietto
(track 4)
|
part of: |
Somewhere in Time
(track 8)
Symphony no. 5 (movement)
(track 4)
|
recording of: |
Any Other Name
(track 12)
Somewhere in Time
(track 8)
Vide cor meum
(track 2)
L’Apprenti sorcier (1996-11-29 – 1996-12-01)
(track 11)
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (1997-11-15 – 1997-11-17)
(track 4)
|
referred to in medleys: |
Release
ASIN: |
UK: B000P296HG [info]
|
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