Tracklist

CD 1
# Title Artist Rating Length
1 Bolero
Maurice Ravel 13:53
2 El sombrero de tres picos: 1. Introducción, parte 1
Manuel de Falla 1:36
3 El sombrero de tres picos: 2. Tarde
Manuel de Falla 5:05
4 El sombrero de tres picos: 3. Fandango: Danza de la molinera
Manuel de Falla 3:38
5 El sombrero de tres picos: 4. Las uvas
Manuel de Falla 4:08
6 El sombrero de tres picos: 5. Seguidillas: Danza de los vecinos
Manuel de Falla 3:15
7 El sombrero de tres picos: 6. Farruca: Danza del molinero
Manuel de Falla 6:59
8 El sombrero de tres picos: 7. El corregidor
Manuel de Falla 6:01
9 El sombrero de tres picos: 8. Jota: Danza Final
Manuel de Falla 6:11
CD 2
# Title Artist Rating Length
1 La Mer: De L'aube a midi sur la mer
Claude Debussy 9:02
2 La Mer: Jeux de vagues
Claude Debussy 6:31
3 La Mer: Dialogue du vent et de la mer
Claude Debussy 8:16
4 Der Nachmittag eines Faunes
Claude Debussy 10:19
5 Klavierkonzert G-Dur: Allegramente
Maurice Ravel 8:46
6 Klavierkonzert G-Dur: Adagio assai
Maurice Ravel 8:44
7 Klavierkonzert G-Dur: Presto
Maurice Ravel 4:06

Credits

CD 1

piano:
Mee Chou Lee (track 1)
alto vocals:
Teresa Berganza (tracks 2–9)
composer:
Manuel de Falla (Spanish composer) (tracks 2–9)
Maurice Ravel (classical composer) (1928) (track 1)
conductor:
Ernest Ansermet (tracks 2–9)
Samo Hubad (track 1)
Anton Nanut (conductor) (track 1)
lyricist:
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) (track 1)
premiered at:
Palais Garnier in Paris, Île-de-France, France (1928-11-22) (track 1)
part of:
arrangements:
Boléro (catch-all for arrangements) (track 1)
Boléro (arr. Ravel for piano 4-hands) (track 1)
Danza del corregidor (for harp, Falla) (track 8)
is the basis for:
No More Boleros (track 1)
later parody versions:
Bolero (track 1)
Bolero (track 1)
Le Parti d'en rire (track 1)
later versions:
Bolero (Starink version) (track 1)
Bolero (arr. Hans Hasso Stamer) (track 1)
Boléro (arr. Django Rheinhardt) (track 1)
Boléro (arr. Ravel for 2 pianos) (track 1)
Troublant Bolero (track 1)
part of:
El sombrero de tres picos (ballet) (tracks 2–9)
recording of:
Boléro (track 1)
referred to in medleys:
This Is the Story (Clare Muldaur) (track 1)

CD 2

piano:
Mee Chou Lee (tracks 5–7)
composer:
Claude Debussy (1891 – 1894-09) (track 4)
Claude Debussy (1903 – 1905) (tracks 1–3)
Maurice Ravel (classical composer) (1929 – 1931) (tracks 5–7)
conductor:
Loic Bertrand (tracks 1–3)
Milan Horvat (Croatian conductor, 1919-2014) (tracks 1–3)
Anton Nanut (conductor) (tracks 4–7)
Alexander von Pitamic (an Alfred Scholz pseudonym) (tracks 1–3)
Alfred Scholz (tracks 1–3)
dedicated to:
Raymond Bonheur (track 4)
orchestra:
Philharmonia Slavonica (an Alfred Scholz pseudonym) (tracks 1–3)
Radio-Symphonieorchester Wien (previously ORF-Symphonieorchester) (tracks 1–3)
Radio Symphony Orchestra Ljubjlana (RTV Slovenia Symphony Orchestra) (tracks 4–7)
premiered at:
[concert] (1894-12-22) (track 4)
publisher:
Eugène Fromont (1895-10) (track 4)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 "L.") (number: L. 86) (track 4)
Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 "CD") (number: CD 87) (track 4)
arrangements:
Adagio assai from Piano Concerto in G major (for voices and piano, Williams) (track 6)
Extract from "The Afternoon of a Faun" (for violin and piano, Heifetz) (track 4)
La Mer, L. 109: I. "De l'aube à midi sur la mer" (arr. Caplet for two pianos) (track 1)
La Mer, L. 109: II. "Jeux de vagues" (arr. Caplet for two pianos) (track 2)
La Mer, L. 109: III. "Dialogue du vent et de la mer" (arr. Caplet for two pianos) (track 3)
La Mer: I. De l'aube à midi sur la mer (Transcribed for solo piano) (track 1)
La Mer: I. De l'aube à midi sur la mer (for piano four hands) (track 1)
La Mer: II. Jeux de vagues (for piano four hands) (track 2)
La Mer: II. Jeux de vagues (Transcribed for solo piano) (track 2)
La Mer: III. Dialogue du vent et de la mer (for piano four hands) (track 3)
La Mer: III. Dialogue du vent et de la mer (Transcribed for solo piano) (track 3)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for chamber ensemble, Sachs) (track 4)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for two pianos, Ravel) (track 4)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (catch-all for arrangements) (track 4)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for two pianos, Debussy) (track 4)
Prélude à l’après-midi d’un faune (for flute and piano, arr. Samazeuilh) (track 4)
is the basis for:
Prélude à L'après-midi d'un faune (arr. Tomita) (track 4)
part of:
Piano Concerto in G major (movement) (tracks 5–7)
recording of: