Tracklist

CD 1
# Title Artist Rating Length
1 Symphony No. 5: IV. Adagietto, Sehr langsam
Gustav Mahler 11:57
2 Canon & Gigue in D major: Canon
Johann Pachelbel 5:10
3 Thaïs: Méditation
Jules Massenet 6:05
4 Symphony No. 3 in F major, Op. 90: II. Andante
Johannes Brahms 8:15
5 Sinfonia for Strings and Continuo in B minor, R.169 "Al Santo Sepolcro": I. Adagio Molto
Antonio Vivaldi 3:34
6 Peer Gynt Suite No. 1, Op. 46: II. Aase's Death
Edvard Grieg 4:41
7 Divertimento No. 15 in B flat major, KV 287: IV. Adagio
Wolfgang Amadeus Mozart 7:21
8 Adagio for Strings and Organ in G minor
Tomaso Giovanni Albinoni 11:50
9 Symphony No. 7 in A major, Op. 92: II. Allegretto
Ludwig van Beethoven 7:47
10 Suite for Orchestra No. 3 in D major, BWV 1068: II. Air
Johann Sebastian Bach 5 6:05
11 Valse Triste, Op. 44
Jean Sibelius 6:04

Credits

CD 1

violin:
Michel Schwalbé (Polish violinist) (1967-09-22 – 1967-09-25) (track 3)
Leon Spierer (1983-09-28 – 1983-09-30) (track 8)
organ:
David Bell (organist) (1983-09-28 – 1983-09-30) (tracks 8, 10)
harpsichord:
Frank Maus (1983-11) (track 2)
arranger:
Max Seiffert (tracks 2, 2)
audio engineer:
Günter Hermanns (producer/engineer) (track 7)
balance engineer:
Günter Hermanns (producer/engineer) (1967-09-22 – 1967-09-25) (track 3)
Günter Hermanns (producer/engineer) (1970-08-20 – 1970-08-23) (track 5)
Günter Hermanns (producer/engineer) (1973-02-13 – 1973-02-16) (track 1)
Günter Hermanns (producer/engineer) (1982-01-27 – 1982-02-18) (track 6)
Günter Hermanns (producer/engineer) (1983-09-28 – 1983-09-30) (tracks 8, 10)
Günter Hermanns (producer/engineer) (1983-12-01 – 1983-12-05) (track 9)
Günter Hermanns (producer/engineer) (1984-02-19 – 1984-02-24) (track 11)
Günter Hermanns (producer/engineer) (1987-09) (track 7)
Günter Hermanns (producer/engineer) (1988-10) (track 4)
composer:
Remo Giazotto (track 8)
Johann Pachelbel (track 2)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 10)
Antonio Vivaldi (1730) (tracks 5, 5)
Wolfgang Amadeus Mozart (classical composer) (1777) (track 7)
Ludwig van Beethoven (1811 – 1812) (track 9)
Edvard Grieg (1875) (track 6)
Johannes Brahms (1883) (track 4)
Jules Massenet (1894) (track 3)
Gustav Mahler (1901 – 1902) (track 1)
Jean Sibelius (1903) (track 11)
conductor:
Herbert von Karajan (1967-09-22 – 1967-09-25) (track 3)
Herbert von Karajan (1970-08-20 – 1970-08-23) (track 5)
Herbert von Karajan (1973-02-13 – 1973-02-16) (track 1)
Herbert von Karajan (1982-01-27 – 1982-02-18) (track 6)
Herbert von Karajan (1983-09-28 – 1983-09-30) (tracks 8, 10)
Herbert von Karajan (1983-11) (track 2)
Herbert von Karajan (1983-12-01 – 1983-12-05) (track 9)
Herbert von Karajan (1984-02-19 – 1984-02-24) (track 11)
Herbert von Karajan (1987-09) (track 7)
Herbert von Karajan (1988-10) (track 4)
editor:
Reinhild Schmidt (track 9)
engineer:
Günter Hermanns (producer/engineer) (1983-11) (track 2)
executive producer:
Günther Breest (tracks 6, 8–11)
Jürgen Bulgrin (track 7)
Otto Gerdes (track 3)
Volker Martin (track 7)
orchestra:
Berliner Philharmoniker (1967-09-22 – 1967-09-25) (track 3)
Berliner Philharmoniker (1970-08-20 – 1970-08-23) (track 5)
Berliner Philharmoniker (1973-02-13 – 1973-02-16) (track 1)
Berliner Philharmoniker (1982-01-27 – 1982-02-18) (track 6)
Berliner Philharmoniker (1983-09-28 – 1983-09-30) (tracks 8, 10)
Berliner Philharmoniker (1983-11) (track 2)
Berliner Philharmoniker (1983-12-01 – 1983-12-05) (track 9)
Berliner Philharmoniker (1984-02-19 – 1984-02-24) (track 11)
Berliner Philharmoniker (1987-09) (track 7)
Berliner Philharmoniker (1988-10) (track 4)
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer) (track 8)
producer:
Michel Glotz (tracks 6–10)
Werner Mayer (classical producer) (track 2)
Hans Weber (producer/engineer) (tracks 1, 3, 5)
Michel Glotz (1988) (track 4)
revised by:
Edvard Grieg (1888) (track 6)
Jean Sibelius (1904) (track 11)
solo violin:
Michel Schwalbé (Polish violinist) (1967-09-22 – 1967-09-25) (track 3)
premiered at:
Konsertti (1904-04-25) (track 11)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1968) (track 3)
Polydor International GmbH (not for release label use!) (1985) (track 9)
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (1989) (track 4)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) (track 8)
premiered at:
Svenska Teatern in Helsinki, Uusimaa, Finland (1904-04-25) (track 11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1967-09-22 – 1967-09-25) (track 3)
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (1970-08) (track 5)
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (1970-08-20 – 1970-08-23) (track 5)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1973-02-13 – 1973-02-16) (track 1)
Berliner Philharmonie in Berlin, Germany (1982-01-27 – 1982-02-18) (track 6)
Berliner Philharmonie in Berlin, Germany (1983-09-28 – 1983-09-30) (tracks 8, 10)
Berliner Philharmonie in Berlin, Germany (1983-11) (track 2)
Berliner Philharmonie in Berlin, Germany (1983-12-01 – 1983-12-05) (track 9)
Berliner Philharmonie in Berlin, Germany (1984-02-19 – 1984-02-24) (track 11)
Berliner Philharmonie in Berlin, Germany (1987-09) (track 7)
Berliner Philharmonie in Berlin, Germany (1988-10) (track 4)
arrangement of:
arrangements:
Adagietto From Symphony no. 5 (arr. J. Nurse for piano quintet) (track 1)
Adagietto aus der 5. Symphonie (for violin and piano, Wittinger) (track 1)
Adagio for Strings and Organ in G minor (catch all for arrangements) (track 8)
Adagio of the Sky (track 8)
Air on a G String (Guitar + modern ensemble arr. Myers) (track 10)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 10)
Air on the G String (for cello and orchestra, arr. Cullen) (track 10)
Cold is Being (track 8)
Meditation from Thaïs (for orchestra, arr. Cullen) (track 3)
Meditation from Thaïs (for violin and piano, arr. Marsick) (track 3)
Meditation from Thaïs (catch-all for arrangements) (track 3)
Meditation from Thaïs (for trumpet and orchestra, arr. Nakariakov) (track 3)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 10)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 10)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 10)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 10)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 10)
Solo Amore (track 10)
Symphony no. 3 in F major, op. 90: II. Andante (for two pianos, Brahms) (track 4)
Symphony no. 3 in F major, op. 90: II. Andante (for piano four hands, Brahms) (track 4)
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (catch-all for arrangements) (track 1)
Symphony no. 7 in A major, S. 463d: II. Allegretto (for piano solo, Liszt) (track 9)
Symphony no. 7 in A major, op. 92: II. Allegretto (catch-all for arrangements) (track 9)
Valse Triste, op. 44 no. 1 (catch-all for arrangements) (track 11)
Valse triste, op. 44 no. 1 (for cello and piano, arr. Hermann) (track 11)
is the basis for:
Acid Serum (Electronic derivative of Beethoven's 7th) (track 9)
Adagio (track 8)
Anytime, Anywhere (track 8)
Bach Aire (track 10)
Dieron las doce (track 9)
Kuolema, op. 44: I. Valse triste (for piano) (track 11)
Sweetest Love (track 10)
later versions:
Symphony no. 7 in A major, op. 92: II. Allegretto (for piano four hands) (track 9)
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 10)
part of:
Thaïs: Acte II (track 3)
2 Pieces from Kuolema, op. 44 (part of collection) (track 11)
Canon and Gigue in D major, T. 377 (arr. Max Seiffert) (track 2)
Symphony no. 3 in F major, op. 90 (movement) (track 4)
Symphony no. 7 in A major, op. 92 (movement) (track 9)
Symphony no. 5 (movement) (track 1)
recording of:
Thaïs: Acte II. Entr'acte "Méditation" (1967-09-22 – 1967-09-25) (track 3)
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (1973-02-13 – 1973-02-16) (track 1)
Peer Gynt Suite no. 1, op. 46: II. Åses død (1982-01-27 – 1982-02-18) (track 6)
Adagio for Strings and Organ in G minor (1983-09-28 – 1983-09-30) (track 8)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (1983-09-28 – 1983-09-30) (track 10)
Canon and Gigue in D major: I. Canon (arr. Max Seiffert) (1983-11) (track 2)
Symphony no. 7 in A major, op. 92: II. Allegretto (1983-12-01 – 1983-12-05) (track 9)
Valse triste, op. 44 no. 1 (for orchestra) (1984-02-19 – 1984-02-24) (track 11)
referred to in medleys:
Hooked on Romance (track 10)
revision of:
version of: