Tracklist

CD 1
# Title Rating Length
1 Cantata, BWV 51 - Aria: Jauchzet Gott in allen Landen
4:39
2 Cantata, BWV 80 - Chorus: Ein feste Burg ist unser Gott
5:56
3 Cantata, BWV 140 - Chorale: Zion hort die Wachter singen
6:02
4 Cantata, BWV 147 - Chorale: Jesus bleibet meine Freude
3:35
5 Cantata, BWV 208 - Aria: Schafe konnen sicher weiden
5:53
6 Christmas Oratorio, BWV 248 - Sinfonia
7:19
7 Mass in B Minor, BWV 232 - Chorus: Credo in umum Deum
1:55
8 Chorus: Patrem omnipotentem
1:52
9 Duet: Et in unum Dominum
4:12
10 Chorus: Et incarnatus est
3:26
11 Chorus: Crucifixus
3:09
12 Chorus: Et resurrexit
3:50
13 Aria: Et in Spiritum Sanctum
5:30
14 Chorus: Confiteor
2:32
15 Chorus: Et exspecto resurrectionem
3:34
CD 2
# Title Rating Length
1 Matthäus-Passion, BWV 244 (Auschnitte), Chor: Kommt, ihr Töchter, helft mir klagen
7:56
2 Matthäus-Passion, BWV 244 (Auschnitte), Arie: Blute nur, du liebes Herz
4:33
3 Matthäus-Passion, BWV 244 (Auschnitte), Arie: Ich will bei meinem Jesus wachen
5:25
4 Matthäus-Passion, BWV 244 (Auschnitte), Arie: Erbarme dich
6:52
5 Matthäus-Passion, BWV 244 (Auschnitte), Arie: Mache dich, mein Herze, rein
6:39
6 Matthäus-Passion, BWV 244 (Auschnitte), Chor: Wir setzen uns mit Tränen nieder
6:17
7 Magnificat D-dur, BWV 243, Chor: Magnificat anima mea
2:48
8 Magnificat D-dur, BWV 243, Arie: Et exsultavit spiritus meus
2:17
9 Magnificat D-dur, BWV 243, Arie: Quia respexit humilitatem
2:14
10 Magnificat D-dur, BWV 243, Chor: Omnes generationes
1:10
11 Magnificat D-dur, BWV 243, Arie: Quia fecit mihi magna
2:00
12 Magnificat D-dur, BWV 243, Duett: Et misericordia
3:26
13 Magnificat D-dur, BWV 243, Chor: Fecit potentiam
1:43
14 Magnificat D-dur, BWV 243, Arie: Deposuit potentes
1:47
15 Magnificat D-dur, BWV 243, Arie: Esurientes implevit bonis
2:48
16 Magnificat D-dur, BWV 243, Trio: Suscepit Israel
2:01
17 Magnificat D-dur, BWV 243, Chor: Sicut locutus est
1:24
18 Magnificat D-dur, BWV 243, Chor: Gloria Patri
2:13

Credits

CD 1

composed in:
Weimar, Thüringen, Germany (track 5)
Leipzig, Sachsen, Germany (1734 – 1735) (track 6)
Leipzig, Sachsen, Germany (1747 – 1749) (tracks 7–15)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (1713-02) (track 5)
Leipzig, Sachsen, Germany (1723-07-02) (track 4)
Leipzig, Sachsen, Germany (1731-11-25) (track 3)
Leipzig, Sachsen, Germany (1734-12-26) (track 6)
oboe:
Valerie Darke (1985-02) (track 13)
Sophia McKenna (1985-02) (track 13)
trumpet:
Pierre Thibaud (French trumpeter) (1959-08) (track 1)
balance engineer:
Walter Alfred Wettler (tracks 1, 4)
Hans-Peter Schweigmann (1965-02 – 1965-06) (track 6)
bass vocals:
Richard Lloyd-Morgan (1985-02) (track 13)
choir vocals:
Munich Bach Choir (1961-07) (track 4)
Monteverdi Choir (1985-02) (tracks 7–8, 10–12, 14–15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 2, 6–15)
Johann Sebastian Bach (German Baroque period composer & musician) (1713) (track 5)
Johann Sebastian Bach (German Baroque period composer & musician) (1723) (track 4)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 1)
Johann Sebastian Bach (German Baroque period composer & musician) (1731) (track 3)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (track 2)
Peter Schreier (tenor) (track 5)
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (1959-08) (track 1)
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (1961-07) (track 4)
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (1965-02 – 1965-06) (track 6)
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (1978-05) (track 3)
Sir John Eliot Gardiner (1985-02) (tracks 7–15)
executive producer:
Gerd Ploebsch (track 6)
librettist:
Salomon Franck (track 5)
mezzo-soprano vocals:
Mary Nichols (1985-02) (track 9)
orchestra:
Münchener Bach‐Orchester (1959-08) (track 1)
Munich Bach Orchestra (1961-07) (track 4)
Munich Bach Orchestra (1965-02 – 1965-06) (track 6)
Münchener Bach‐Orchester (1978-05) (track 3)
English Baroque Soloists (1985-02) (tracks 7–15)
performer:
Berliner Solisten (vocal (not instrumental) ensemble) (track 5)
producer:
Hans Hickmann (track 4)
Gerd Ploebsch (track 3)
Hans Weber (producer/engineer) (track 6)
soprano vocals:
Arleen Augér (track 5)
Edith Mathis (1959-08) (track 1)
Patrizia Kwella (1985-02) (track 9)
tenor vocals:
Peter Schreier (tenor) (1978-05) (track 3)
vocals:
Munich Bach Choir (1961-07) (track 4)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1959) (track 1)
Polydor International GmbH (not for release label use!) (1964) (track 4)
Polydor International GmbH (not for release label use!) (1979) (track 3)
recorded at:
Herkulessaal in Munich, Bayern, Germany (1959-08) (track 1)
Herkulessaal in Munich, Bayern, Germany (1961-07) (track 4)
Münster zu Heilsbronn in Heilsbronn, Bayern, Germany (1961-07) (track 4)
Herkulessaal in Munich, Bayern, Germany (1965-02 – 1965-06) (track 6)
Herkulessaal in Munich, Bayern, Germany (1978-05) (track 3)
All Saints' Church (Tooting, London) in London, England, United Kingdom (1985-02) (tracks 7–15)
arrangement of:
arrangements:
"Jesus bleibet meine Freude" from Cantata, BWV 147 (for piano, Chuquisengo) (track 4)
Jesu, Joy of Man's Desire, from BWV 147 (for piano, Myra Hess) (track 4)
Jesu, Joy of Man's Desiring (for band, Reed) (track 4)
Jesu, Joy of Men's Desiring (Sportiello arrangement) (track 4)
Jesu, bleibet meine Freunde (Jesu, Joy of Man’s Desiring) (arr. for piano by Richard Tilling) (track 4)
Jesus bleibet meine Freude (for trumpet and organ, Alain) (track 4)
Jesus bleibet meine Freude (for organ, Duruflé) (track 4)
Jesus bleibet meine Freude, BWV 147 (arr. Wilhelm Kempff for piano) (track 4)
Kantate, BWV 147 "Herz und Mund und Tat und Leben": Teil II, X. Choral "Jesus bleibet meine Freude" (Jesu, Joy of Mans Desiring; catch-all for arrangements) (track 4)
Sheep May Safely Graze (arr. for piano, Egon Petri) (track 5)
Sheep May Safely Graze from Cantata, BWV 208 (for organ, Taylor) (track 5)
Sheep May Safely Graze from Cantata, BWV 208 (for piano, Friedman) (track 5)
Three Chorales: Jesu, Joy of Man‘s Desiring (Milko Kelemen arrangement) (track 4)
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (catch-all for arrangements) (track 6)
is based on:
is the basis for:
Blithe Bells (for piano) (track 5)
Blithe Bells (for orchestra) (track 5)
Ecos (track 4)
Lady Lynda (track 4)
later translated versions:
later versions:
orchestrations:
Jesu, Joy of Man’s Desiring, BWV 147/10 (Stokowski orchestration) (track 4)
Sheep May Safely Graze (from Cantata 208) (Stokowski orchestration) (track 5)
part of:
h-Moll-Messe, BWV 232 (tracks 7–15)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (1965-02 – 1965-06) (track 6)
referred to in medleys:

CD 2

composed in:
Leipzig, Sachsen, Germany (1728 – 1731) (tracks 7–18)
premiered in:
Leipzig, Sachsen, Germany (1733-07-02) (tracks 7–18)
recorded in:
London, England, United Kingdom (1983-11) (tracks 7–18)
alto vocals:
Marjana Lipovšek (track 4)
Charles Brett (English counter-tenor active in late 20th century) (1983-11) (tracks 12, 15–16)
bass vocals:
Robert Holl (track 5)
David Thomas (British bass singer) (1983-11) (track 11)
choir vocals:
MDR Rundfunkchor Leipzig (tracks 3, 6)
Monteverdi Choir (1983-11) (tracks 7, 9–10, 13, 17–18)
Dresdner Kapellknaben (1984-09) (track 1)
Rundfunkchor Leipzig (1984-09) (track 1)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–18)
conductor:
Peter Schreier (tenor) (tracks 2–6)
Sir John Eliot Gardiner (1983-11) (tracks 7–18)
Peter Schreier (tenor) (1984-09) (track 1)
countertenor vocals:
Charles Brett (English counter-tenor active in late 20th century) (1983-11) (tracks 12, 15–16)
librettist:
Picander (tracks 1–6)
orchestra:
Staatskapelle Dresden (tracks 2–6)
English Baroque Soloists (1983-11) (tracks 7–18)
Rundfunkchor Leipzig (1984-09) (track 1)
Staatskapelle Dresden (1984-09) (track 1)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist) (track 4)
performer:
Lucia Popp (soprano) (track 2)
soprano vocals:
Lucia Popp (soprano) (track 2)
Nancy Argenta (1983-11) (tracks 9, 16)
Patrizia Kwella (1983-11) (tracks 8, 16)
soprano vocals [Soprano in ripieno]:
Dresdner Kapellknaben (1984-09) (track 1)
tenor vocals:
Eberhard Büchner (track 3)
Anthony Rolfe Johnson (1983-11) (tracks 12, 14)
arrangements:
Aria "Erbarme dich" (for voice, violin and organ, Liszt) (track 4)
Magnificat D-Dur, BWV 243: IX. Aria "Esurientes implevit bonis" (catch-all for arrangements) (track 15)
Magnificat D-Dur, BWV 243: X. Aria "Suscepit Israel" (catch-all for arrangements) (track 16)
is the basis for:
Again (track 1)
later translated versions:
later versions:
part of:
Magnificat D-Dur, BWV 243 (tracks 7–18)
recording of:

Release

other databases: http://www.worldcat.org/oclc/20733198 [info]