Tracklist

Digital Media 1: Vol. 15
# Title Artist Rating Length
1 Symphonie fantastique, op. 14: 1. Rêveries
Hector Berlioz 16:01
2 Symphonie fantastique, op. 14: 2. Un bal
Hector Berlioz 6:18
3 Symphonie fantastique, op. 14: 3. Scène aux champs
Hector Berlioz 19:34
4 Symphonie fantastique, op. 14: 4. Marche au supplice
Hector Berlioz 6:26
5 Symphonie fantastique, op. 14: 5. Songe d’une nuit de sabbat
Hector Berlioz 9:18
Digital Media 2: Vol. 16
Digital Media 3: Vol. 17
Digital Media 4: Vol. 18
Digital Media 5: Vol. 19
Digital Media 6: Vol. 20
Digital Media 7: Vol. 21
Digital Media 8: Vol. 22
Digital Media 9: Vol. 23
Digital Media 10: Vol. 24
Digital Media 11: Vol. 25
Digital Media 12: Vol. 26
Digital Media 13: Vol. 27
Digital Media 14: Vol. 28
Digital Media 15: Vol. 29
Digital Media 16: Vol. 30

Credits

Digital Media 1: Vol. 15

balance engineer:
Gernot von Schultzendorff (Engineer) (2002-12) (tracks 1–5)
composer:
Hector Berlioz (1830) (tracks 1–5)
conductor:
Marc Minkowski (2002-12) (tracks 1–5)
orchestra:
Mahler Chamber Orchestra (2002-12) (tracks 1–5)
Les Musiciens du Louvre (2002-12) (tracks 1–5)
producer:
Arend Prohmann (tracks 1–5)
recorded at:
Cité de la musique in Paris, Île-de-France, France (2002-12) (tracks 1–5)
arrangements:
Marche au supplice de la Symphonie fantastique, S. 470a no. 2 (for piano solo, Liszt, revised version) (track 4)
Symphonie fantastique, S. 470: I. Rêveries - Passions (for piano solo, Liszt) (track 1)
Symphonie fantastique, S. 470: II. Un bal (for piano solo, Liszt) (track 2)
Symphonie fantastique, S. 470: III. Scène aux champs (for piano solo, Liszt) (track 3)
Symphonie fantastique, S. 470: IV. Marche au supplice (for piano solo, Liszt) (track 4)
Symphonie fantastique, op. 14: IV. Marche au supplice (catch all for arrangements) (track 4)
is the basis for:
Shining (track 5)
later versions:
Symphonie fantastique, op. 14: II. Un bal (alternative version with cornet obbligato) (track 2)
live recording of:
part of: