Wissen digital

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1: Höhepunkte des Barock
# Title Artist Rating Length
1 Canzon 'Cornetto', SSWV 56
Samuel Scheidt 3:02
2 Son ancor pargoletta
Francesco Cavalli 2:46
3 Fuggite, fuggite
Giacomo Carissimi 1:48
4 Cara e dolce
Alessandro Scarlatti 2:32
5 Concerto Grosso in G minor, op. 6 no. 8 "Christmas Concerto": IV. Vivace
Arcangelo Corelli 2:22
6 The Libertine Destroyed, Z 600: I. "Nymphs and shepherds / We come"
Henry Purcell 1:41
7 Toccata und Fuge d-Moll, BWV 565: I. Toccata
Johann Sebastian Bach 2:50
8 Toccata und Fuge d-Moll, BWV 565: II. Fuge
Johann Sebastian Bach 6:10
9 Gloria in D major, RV 589: I. Gloria in excelsis Deo
Antonio Vivaldi 2:11
10 Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
Georg Friedrich Händel 4:32
11 Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. (Allegro)
Johann Sebastian Bach 6:52
12 Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude
Johann Sebastian Bach 2:24
13 Les goûts réunis: Concert no. 11 in C minor
François Couperin 2:02
14 Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro
Antonio Vivaldi 3:28
15 Sonate in D major, K. 535: Allegro
Domenico Scarlatti 3:52
16 Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air
Johann Sebastian Bach 5:21
17 Concerto in G minor, op. 10 no. 2, RV 439 "La notte": V. Largo "Il sonno"
Antonio Vivaldi 2:13
18 Serse, HWV 40: Atto I. Arioso "Ombra mai fù" (Serse)
Georg Friedrich Händel 3:40
19 Musikalisches Opfer, BWV 1079: IIIe. 5 Canones diversi super thema regium, Canon a 2 Per tonos
Johann Sebastian Bach 3:44
▼ CD 2: Höhepunkte der Wiener Klassik
# Title Artist Rating Length
1 Flute Concerto no. 161 in G major, QV 5:174: I. Allegro
Johann Joachim Quantz 6:33
2 Concerto for Piano no. 9 in E-flat major, K. 271 "Jenamy": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo
Wolfgang Amadeus Mozart 10:17
3 Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: III. Presto
Wolfgang Amadeus Mozart 6:21
4 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni)
Wolfgang Amadeus Mozart 1:28
5 Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino)
Wolfgang Amadeus Mozart 4:10
6 Requièm Mass in D minor K. 626: III. Sequentia: f. "Lacrimosa dies illa" (choir)
Wolfgang Amadeus Mozart 3:21
7 Symphony no. 101 in D major, Hob. I:101 "Clock": II. Andante
Joseph Haydn 4:45
8 Partia in B-flat major for wind ensemble, P IV:31
Franz Krommer 3:13
9 Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio
Ludwig van Beethoven 9:07
10 Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 "Moonlight": I. Adagio sostenuto
Ludwig van Beethoven 5:29
11 Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Ludwig van Beethoven 5:33
12 Bagatelle for Piano in A minor, WoO 59 "Für Elise": Poco moto
Ludwig van Beethoven 3:06
13 La scala di seta: Overture
Gioachino Rossini 6:20
▼ CD 3: Höhepunkte der Romantik
# Title Artist Rating Length
1 Heidenröslein, D. 257
Franz Schubert 1:48
2 Concerto for Violin and Orchestra in D major, op. 6: III. Rondo. Allegro spiritoso
Niccolò Paganini 9:41
3 String Quartet no. 13 in A minor, D. 804, op. 29 "Rosamunde": II. Andante
Franz Schubert 4:09
4 Mazurka no. 5 in B-flat major, op. 7 no. 1
Frédéric Chopin 2:28
5 L'elisir d'amore: Atto II, Scena VIII. "Una furtiva lagrima"
Gaetano Donizetti 4:56
6 Kinderszenen, op. 15: Von fremden Ländern und Menschen
Robert Schumann 1:41
7 Nabucco: 3. Act: Va, pensiero (Chorus of the Hebrew Slaves)
Giuseppe Verdi 4:41
8 Rigoletto: Atto III. "La donna è mobile" (Duca)
Giuseppe Verdi 2:08
9 Ave Maria
Charles‐François Gounod 5:29
10 Hungarian Dance for Violin and Piano no. 5 in G minor
Johannes Brahms 2:06
11 Coppélia: Tableau I, No. 1. Valse
Léo Delibes 2:32
12 Peer Gynt Suite no. 1, op. 46: III. Anitras dans
Edvard Grieg 3:36
13 Crisantemi
Giacomo Puccini 6:02
14 The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
Пётр Ильич Чайковский 5:40
15 Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo
Antonín Dvořák 4:29
16 La mer, trois esquisses symphoniques pour orchestre, L. 109: II. "Jeux de vagues"
Claude Debussy 6:14
17 Children's Corner, L. 113: VI. Golliwogg's Cake-Walk
Claude Debussy 2:53

Credits

CD 1: Höhepunkte des Barock

oboe:
Jozef Cejka (1986-03) (track 18)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 7–8, 11–12, 19)
Giacomo Carissimi (track 3)
Francesco Cavalli (track 2)
Arcangelo Corelli (track 5)
François Couperin (French composer of the Baroque era) (track 13)
Henry Purcell (baroque composer) (track 6)
Alessandro Scarlatti (track 4)
Domenico Scarlatti (track 15)
Antonio Vivaldi (tracks 9, 17)
Samuel Scheidt (1621) (track 1)
George Frideric Handel (German‐British baroque composer) (1717) (track 10)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 16)
George Frideric Handel (German‐British baroque composer) (1737-12-26 – 1738-01-09) (track 18)
conductor:
Milan Munclinger (track 16)
Richard Edlinger (1986-03) (track 18)
engineer:
Jozef Hanak (engineer) (1986-03) (track 18)
Ladislav Krajkovic (engineer) (1986-03) (track 18)
lyricist:
[anonymous] (Special Purpose Artist) (tracks 2, 4)
orchestra:
Ars Rediviva (track 16)
Capella Istropolitana (1986-03) (track 18)
producer:
Leoš Komárek (1986-03) (track 18)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slovakia (1986-03) (track 18)
part of:
Samuel-Scheidt-Werke-Verzeichnis (number: SSWV 56) (track 1)
Alessandro Longo's catalog of Domenico Scarlatti's keyboard works (number: 262) (track 15)
Ralph Kirkpatrick's catalog of Domenico Scarlatti's keyboard sonatas (number: 535) (track 15)
arrangements:
Air on a G String (Guitar + modern ensemble arr. Myers) (track 16)
Air on the G String (for cello and orchestra, arr. Cullen) (track 16)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 16)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. (for piano, Friedman) (track 11)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. (Allegro) (catch-all for arrangements) (track 11)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original (>1m) Bach part) (track 11)
Holy Art Thou (Largo from “Xerxes”) (track 18)
Largo from "Xerxes" (for violin, harp, organ and strings, arr. Hellmesberger) (track 18)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 16)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 16)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 16)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 16)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 16)
Ouverture (Orchestral Suite) no. 3, BWV 1068: Aria (for organ, Isoir) (track 16)
Serse, HWV 40: Atto I. Arioso "Ombra mai fù" (catch-all for arrangements) (track 18)
Solo Amore (track 16)
Sonata no. 14 in D major, DLR VI:1.14 (track 15)
Suite no. 1 G-Dur, BWV 1007: I. Prélude (catch-all for arrangements) (track 12)
Suite no. 1 in G major, BWV 1007: I. Prélude (for viola, arr. Rowland-Jones) (track 12)
Suite no. 1 in G major, BWV 1007: I. Prélude (arr. Joachim Raff for piano) (track 12)
Toccata (for brass band, Sykes) (track 7)
Toccata and Fugue in D minor, BWV 565: Fugue (arr. S. Skrowaczewski) (track 8)
Toccata und Fuge d-Moll, BWV 565: I. Toccata (catch all for arrangements) (track 7)
Toccata und Fuge d-Moll, BWV 565: I. Toccata (for piano 4 hands, Reger) (track 7)
Toccata und Fuge d-Moll, BWV 565: II. Fuge (for piano 4 hands, Reger) (track 8)
Toccata und Fuge d-Moll, BWV 565: II. Fuge (catch all for arrangements) (track 8)
Toccata und Fugue d-Moll, BWV 565, BV B 29 no. 2: I. Toccata (Busoni piano arrangement) (track 7)
Toccata und Fugue d-Moll, BWV 565, BV B 29 no. 2: II. Fugue (Busoni piano arrangement) (track 8)
is the basis for:
A Whiter Shade of Pale (track 16)
Anthem (track 12)
Bach Aire (track 16)
Cello Suite Elaboration (track 12)
Crux fidelis (track 18)
Don't Stop This Train (track 8)
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: I. Sinfonia (track 11)
Orchestral Suite no. 3 in D major, BWV 1068: Air on the G String (arranged by M. Sargent) (track 16)
Sweetest Love (track 16)
The Cello Song (track 12)
Toccata (lyrics by Tanzwut) (track 7)
the Fifth Death (UnEpic) (track 7)
later translated versions:
Xerxès HWV 40 : Largo "Bois de lent oubli" (french version) (track 18)
later versions:
Toccata (track 7)
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 16)
Orchestral Suite no. 3 in D major, BWV 1068: Air (orch. Mahler) (track 16)
Toccata and Fugue in D minor, BWV 565: Toccata (arr. S. Skrowaczewski) (track 7)
part of:
Serse, HWV 40: Atto I (track 18)
The Libertine Destroyed, Z. 600 (track 6)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (track 11)
Gloria in D major, RV 589 (movement) (track 9)
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (track 12)
Orchestersuite Nr. 3 D-Dur, BWV 1068 (track 16)
Toccata und Fuge d-Moll, BWV 565 (tracks 7–8)
Water Music Suite no. 2 in D major, HWV 349 (track 10)
Concerto Grosso in G minor, op. 6 no. 8 "Fatto per la notte di Natale" (Christmas Concerto) (track 5)
Concerto in G minor, op. 10 no. 2, RV 439 "La notte" (movement) (track 17)
Musikalisches Opfer, BWV 1079 (track 19)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (track 11)
Canzon 'Cornetto', SSWV 56 (track 1)
Cara e dolce (track 4)
Concerto Grosso in G minor, op. 6 no. 8 "Christmas Concerto": IV. Vivace (track 5)
Concerto in G minor, op. 10 no. 2, RV 439 "La notte": V. Largo "Il sonno" (track 17)
Fuggite, fuggite (track 3)
Gloria in D major, RV 589: I. Gloria in excelsis Deo (track 9)
Les goûts réunis: Concert no. 11 in C minor (track 13)
Musikalisches Opfer, BWV 1079: IIIe. 5 Canones diversi super thema regium, Canon a 2 Per tonos (track 19)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (track 16)
Son ancor pargoletta (track 2)
Sonata in D major, K 535, L 262: Allegro (track 15)
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (track 12)
The Libertine Destroyed, Z. 600: I. "Nymphs and shepherds / We come" (track 6)
Toccata und Fuge d-Moll, BWV 565: I. Toccata (track 7)
Toccata und Fuge d-Moll, BWV 565: II. Fuge (track 8)
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (track 10)
Serse, HWV 40: Atto I. Arioso "Ombra mai fù" (Serse) (1986-03) (track 18)
referred to in medleys:
Hooked on Bach (track 11)
Hooked on Classics, Part 3 (track 10)
Hooked on Romance (tracks 16, 18)

CD 2: Höhepunkte der Wiener Klassik

organ:
Vladimír Rusó (1985-03) (track 6)
piano:
Balázs Szokolay (pianist) (1988-01-20 – 1988-01-28) (track 12)
additional composer:
Joseph Leopold Eybler (track 6)
Franz Xaver Süßmayr (1791 – 1792) (track 6)
choir vocals:
Slovak Philharmonic Chorus (1985-03) (track 6)
chorus master:
Stefan Klimo (1985-03) (track 6)
composer:
Franz Krommer (track 8)
Wolfgang Amadeus Mozart (classical composer) (track 4)
Johann Joachim Quantz (track 1)
Gioachino Rossini (Italian composer 1792-1868) (track 13)
Wolfgang Amadeus Mozart (classical composer) (1777) (track 2)
Wolfgang Amadeus Mozart (classical composer) (1779) (track 3)
Wolfgang Amadeus Mozart (classical composer) (1791) (tracks 5–6)
Joseph Haydn (1794) (track 7)
Ludwig van Beethoven (1799 – 1800) (track 9)
Ludwig van Beethoven (1801) (track 10)
Ludwig van Beethoven (1804 – 1808) (track 11)
Ludwig van Beethoven (1808 – 1810) (track 12)
conductor:
Zdeněk Košler (1985-03) (track 6)
Béla Drahos (1995-06-09 – 1995-06-16) (track 11)
contralto vocals:
Jaroslava Horská (track 6)
engineer:
Gustáv Šoral (1985-03) (track 6)
Endre Radányi (engineer) (1988-01) (track 12)
János Bohus (1995-06) (track 11)
librettist:
Emanuel Schikaneder (track 5)
Lorenzo Da Ponte (1787) (track 4)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic, Bratislava) (1985-03) (track 6)
Nicolaus Esterházy Sinfonia (1995-06-09 – 1995-06-16) (track 11)
orchestrator:
Franz Xaver Süßmayr (track 6)
producer:
Dr Igor Bohacek (producer) (1985-03) (track 6)
Dóra Antal (1988-01) (track 12)
Ibolya Tóth (1995-06) (track 11)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slovakia (1985-03) (track 6)
Italian Institute of Culture in Budapest, Hungary (1995-06-09 – 1995-06-16) (track 11)
compiled in:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio by Nicolaus Esterházy Sinfonia, Béla Drahos (track 11)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 59) (track 12)
arrangements:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (catch-all for arrangements) (track 12)
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni) (catch-all for arrangements) (track 4)
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (catch-all for arrangements) (track 10)
Symphony no. 1 in C major, op. 21, S. 464 no. 1: I. Adagio molto - Allegro con brio (for piano solo, Liszt) (track 9)
Symphony no. 5 in C minor, S. 463a: I. Allegro con brio (for piano solo, Liszt) (track 11)
Symphony no. 5 in C minor, S. 464 no. 5: I. Allegro con brio (for piano solo, Liszt) (track 11)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (catch all for arrangements) (track 11)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (for brass, Frackenpohl) (track 11)
The 5th (track 11)
Zwei Transcriptionen aus Mozarts Requiem, S. 550: 2. Lacrimosa (for solo piano, Liszt) (track 6)
is the basis for:
Alegato contra las armas (track 10)
Don Juan, op. 34 (track 4)
Mephistopheles (track 10)
Moonlight (The Piano Guys) (track 10)
Moonlight and Madness (track 10)
Overture (track 10)
Passion Flower (track 12)
What Is Eternal (track 10)
イヴの誘惑 (track 12)
エクストラステージのテーマ(スウィートエモーション) (Parodius) (track 11)
キッスは目にして! (track 12)
月光 (Mondscheinsonate+drumloops) (track 10)
熱情的花朵 (track 12)
第六惑星「要星」のテーマ(フェイト・オブ・オクトパス) (Parodius) (track 11)
later translated versions:
Ağıt (track 6)
later versions:
A Fifth of Beethoven (track 11)
This Is the End (Beethoven’s “Symphony no. 5”) (track 11)
情熱の花 (PASSION FLOWER) (track 12)
給愛麗斯 (track 12)
orchestrations:
Moonlight Sonata (orch. Stokowski) (track 10)
part of:
La scala di seta (track 13)
Flute Concerto no. 161 in G major, QV 5:174 (track 1)
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight” (movement) (track 10)
Symphony no. 1 in C major, op. 21 (movement) (track 9)
Symphony no. 5 in C minor, op. 67 (track 11)
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto I, Scena XV. (track 4)
Symphony no. 101 in D major, Hob. I:101 "Clock" (movement) (track 7)
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy” (movement) (track 2)
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d (movement) (track 3)
Die Zauberflöte, K. 620: Akt I (track 5)
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition) (movement) (track 6)
recording of:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: III. Rondeau. Presto – Adagio & Menuetto. Cantabile – Tempo primo (track 2)
Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino) (track 5)
Flute Concerto no. 161 in G major, QV 5:174: I. Allegro (track 1)
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni) (track 4)
La scala di seta: Overture (track 13)
Partita in B-flat major for Wind Ensemble, P IV:31 (track 8)
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: III. Presto (track 3)
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (track 10)
Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio (track 9)
Symphony no. 101 in D major, Hob. I:101 "Clock": II. Andante (track 7)
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (1985-03) (track 6)
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (1988-01-20 – 1988-01-28) (track 12)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (1995-06-09 – 1995-06-16) (track 11)
referred to in medleys:
Can’t Stop the Classics, Part 2 (track 12)
Hooked on Romance (track 10)

CD 3: Höhepunkte der Romantik

choir vocals:
Slovenský filharmonický zbor (1990-03-27 – 1990-04-01) (track 7)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (track 9)
Johannes Brahms (track 10)
Fryderyk Chopin (composer) (track 4)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (track 14)
Giuseppe Verdi (Italian opera composer) (– 1851-03-11) (track 8)
Franz Schubert (Austrian composer Franz Peter Schubert) (1815-08-19) (track 1)
Niccolò Paganini (composer) (1817) (track 2)
Franz Schubert (Austrian composer Franz Peter Schubert) (1824-02 – 1824-03) (track 3)
Gaetano Donizetti (Italian opera composer) (1832) (track 5)
Robert Schumann (German classical composer) (1838) (track 6)
Giuseppe Verdi (Italian opera composer) (1841) (track 7)
Charles‐François Gounod (French composer) (1853) (track 9)
Léo Delibes (1870) (track 11)
Edvard Grieg (1875) (track 12)
Giacomo Puccini (Italian composer) (1890) (track 13)
Antonín Dvořák (1893-01-10 – 1893-05-24) (track 15)
Claude Debussy (1903 – 1905) (track 16)
Claude Debussy (1906 – 1908-07) (track 17)
conductor:
Oliver von Dohnányi (1990-03-27 – 1990-04-01) (track 7)
librettist:
Temistocle Solera (track 7)
Francesco Maria Piave (– 1851-03-11) (track 8)
lyricist:
Johann Wolfgang von Goethe (track 1)
[anonymous] (Special Purpose Artist) (track 9)
orchestra:
Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) (1990-03-27 – 1990-04-01) (track 7)
revised by:
Edvard Grieg (1888) (track 12)
vocals:
Slovenský filharmonický zbor (track 7)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 257) (track 1)
arrangements:
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (track 9)
Children's Corner, L. 113: No. 6. Golliwog's Cake-walk (for saxophone, Bauch) (track 17)
Children's Corner, L. 113: VI. Golliwogg's Cake-Walk (catch-all for arrangements) (track 17)
Golliwog's Cakewalk (for violin and piano, arr. Heifetz) (track 17)
Kinderszenen, op. 15: No. 1. Von fremden Ländern und Menschen (for string quartet and piano, arr. Paul Cassidy) (track 6)
L'elisir d'amore: Atto II. Romanza "Una furtiva lagrima" (catch-all for arrangements) (track 5)
La Mer, L. 109: II. "Jeux de vagues" (arr. Caplet for two pianos) (track 16)
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. "Jeux de vagues" (catch-all for arrangements) (track 16)
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. "Jeux de vagues" (arr. Beamish for piano trio) (track 16)
La Mer: II. Jeux de vagues (Transcribed for solo piano) (track 16)
La Mer: II. Jeux de vagues (for piano four hands) (track 16)
Nabucco: Atto III. "Va, pensiero" (Coro) (catch-all for arrangements) (track 7)
Rigoletto: Atto III. “La donna è mobile” (Duca) (catch-all for arrangements) (track 8)
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (catch-all for arrangements) (track 15)
The Elixir of Love: Act II. Scene 8. Romance “Only One Teardrop” (Nemorino) (translated) (track 5)
The Nutcracker: Valse des fleurs (for organ, Goss-Custard) (track 14)
野ばら (translated) (track 1)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach (track 9)
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (track 9)
is the basis for:
A New World (track 15)
Coquette (track 4)
Goin’ Home (track 15)
Más allá (track 15)
Paraphrase on Tchaikovsky's Flower Waltz (track 14)
子供の情景 (track 6)
雪の夜 (track 9)
later translated versions:
Ave Maria (Italian translation of "Ave Maria" by Bach/Gounod) (track 9)
Ave Maria (Japanese translation of Bach/Gounod's "Ave Maria") (track 9)
Rigoletto: O, I kvinnor (track 8)
人知れぬ涙 (track 5)
later versions:
Going Home (Largo "From the New World") (James Last pop arrangement) (track 15)
Negro Spiritual Melody (for violin and piano, Kreisler) (track 15)
Sinfonía N.° 9, op. 95 "Nuevo Mundo": IV. Allegro con fuoco / II. Largo (track 15)
ひとつだけの愛～アベ・マリア (track 9)
遠き山に日は落ちて (track 15)
orchestrations:
Ave Maria (for violin and orchestra, orch. Kennedy & Lenehan) (track 9)
Children's Corner: VI. Golliwogg's Cake-Walk (André Caplet orchestration) (track 17)
I Crisantemi (for string orchestra) (track 13)
part of:
L'elisir d'amore: Atto II (track 5)
Nabucco: Atto III (track 7)
Kinderszenen, op. 15 (track 6)
Mazurkas, op. 7 (track 4)
Coppélia: Tableau I (track 11)
La Mer, trois esquisses symphoniques pour orchestre, L. 109 (movement) (track 16)
Rigoletto: Atto III (track 8)
String Quartet no. 13 in A minor, D. 804, op. 29 "Rosamunde" (movement) (track 3)
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (movement) (track 15)
Concerto for Violin and Orchestra in D major, op. 6 (track 2)
Peer Gynt Suite no. 1, op. 46 (track 12)
The Nutcracker (suite from the ballet), op. 71a (track 14)
Children’s Corner, L. 113, CD 119 (original piano version) (movement) (track 17)
partial recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (track 15)
recording of:
Ave Maria (Bach/Gounod) (track 9)
Children’s Corner, L. 113: VI. Golliwogg’s Cake-Walk (original piano version) (track 17)
Concerto for Violin and Orchestra in D major, op. 6: III. Rondo. Allegro spiritoso (track 2)
Coppélia: Tableau I, no. 1. Valse (track 11)
Crisantemi (for string quartet) (track 13)
Heidenröslein, D. 257 (track 1)
Hungarian Dance for Violin and Piano no. 5 in G minor (arr. Joachim/Saeger) (track 10)
Kinderszenen, op. 15: Von fremden Ländern und Menschen (track 6)
L'elisir d'amore: Atto II. Romanza "Una furtiva lagrima" (Nemorino) (track 5)
La Mer, trois esquisses symphoniques pour orchestre, L. 109: II. "Jeux de vagues" (track 16)
Mazurka no. 5 in B-flat major, op. 7 no. 1 (track 4)
Peer Gynt Suite no. 1, op. 46: III. Anitras dans (track 12)
Rigoletto: Atto III. “La donna è mobile” (Duca) (track 8)
String Quartet no. 13 in A minor, D. 804, op. 29 "Rosamunde": II. Andante (track 3)
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse (track 14)
Nabucco: Atto III, Scena IV. “Va, pensiero” (Coro) (Chorus of the Hebrew Slaves) (1990-03-27 – 1990-04-01) (track 7)
referred to in medleys:
Hooked on Bach (track 9)
Hooked on Classics, Part 3 (track 15)
Barcelona Games Medley (track 8)
revision of:
Hungarian Dances: No. 5 in F-sharp minor [trans. G minor] (for violin and piano, Joachim) (track 10)
Щелкунчик, op. 71: Действие II, Картина III. Вальс цветов (track 14)
version of:
Peer Gynt, op. 23: 4. akt: Anitras dans (track 12)

Release

ASIN: DE: 3833106069 [info]