100 Best Opera Classics
~ Release by Various Artists (see all versions of this release, 1 available)
Tracklist
Credits
CD 1
balance engineer: | |
---|---|
baritone vocals [Don Giovanni]: | |
bass vocals [Basilio]: | |
bass vocals [Lodovico]: |
José van Dam
(track 13)
|
bass vocals [Montano]: |
Mario Machi
(track 13)
|
bass vocals [Sarastro]: |
Kurt Moll (1972-08-08 – 1972-08-16)
(track 6)
|
choir vocals: |
Ambrosian Opera Chorus
(track 9)
Coro del Teatro alla Scala di Milano (1961)
(track 10)
|
choir vocals [Priests]: |
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (1972-08-08 – 1972-08-16)
(track 6)
|
chorus master: | |
composer: |
Ruggero Leoncavallo (1892)
(track 19)
|
conductor: |
Bruno Bartoletti
(track 17)
Aldo Ceccato
(track 12)
Bernard Haitink
(tracks 3–4)
Herbert von Karajan
(track 13)
Riccardo Muti
(track 19)
Thomas Schippers
(track 16)
Tullio Serafin (1961)
(track 10)
Francesco Molinari‐Pradelli (1965)
(track 14)
Sir John Barbirolli (1966-08-16 – 1966-08-27)
(track 14)
Wolfgang Sawallisch (1972-08-08 – 1972-08-16)
(tracks 5–6)
Daniel Barenboim (1976-08)
(tracks 1–2)
|
librettist: |
Giuseppe Adami
(track 18)
Arrigo Boito
(track 13)
Arturo Colautti
(track 20)
Lorenzo Da Ponte
(tracks 1–2, 7, 7)
Giuseppe Giacosa
(tracks 14, 14, 16)
Luigi Illica
(tracks 14, 14, 16)
Camille du Locle
(track 9)
Joseph Méry
(track 9)
Francesco Maria Piave
(track 12)
Emanuel Schikaneder
(tracks 5–6)
Renato Simoni
(track 18)
Cesare Sterbini
(track 8)
Felice Romani (– 1831)
(track 10)
Lorenzo Da Ponte (1787)
(tracks 3–4)
Antonio Ghislanzoni (1870)
(track 11)
Ruggero Leoncavallo (1892)
(track 19)
Giuseppe Giacosa (1896 – 1899)
(track 15)
Luigi Illica (1896 – 1899)
(track 15)
|
mezzo-soprano vocals [Cherubino]: |
Teresa Berganza (1976-08)
(track 1)
|
mezzo-soprano vocals [Eboli]: |
Shirley Verrett
(track 9)
|
orchestra: |
Berliner Philharmoniker
(track 13)
London Philharmonic Orchestra
(tracks 3–4)
London Symphony Orchestra
(track 18)
Orchestra del Teatro dell’Opera di Roma
(tracks 11, 16)
Orchestra of the Royal Opera House, Covent Garden
(tracks 9, 20)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
(tracks 7, 15, 17, 19)
Royal Philharmonic Orchestra
(track 12)
Orchestra del Teatro alla Scala di Milano (1961)
(track 10)
Orchestra del Teatro dell’Opera di Roma (1965)
(track 14)
Orchestra del Teatro dell’Opera di Roma (1966-08-16 – 1966-08-27)
(track 14)
Bayerisches Staatsorchester (1972-08-08 – 1972-08-16)
(tracks 5–6)
London Symphony Orchestra (1974-08 – 1975-05)
(track 8)
English Chamber Orchestra (1976-08)
(tracks 1–2)
|
producer: |
Suvi Raj Grubb
(tracks 1–2)
|
recording engineer: |
Robert Gooch (British classical sound engineer, active from late 1950's) (1974-08 – 1975-05)
(track 8)
|
soprano vocals: |
Renata Scotto (1965)
(track 14)
|
soprano vocals [Butterfly]: |
Renata Scotto (1966-08-16 – 1966-08-27)
(track 14)
|
soprano vocals [Contessa]: |
Heather Harper (1976-08)
(track 2)
|
soprano vocals [Fiordiligi]: | |
soprano vocals [Liù]: |
Kiri Te Kanawa
(track 18)
|
soprano vocals [Manon]: |
Montserrat Caballé
(track 17)
|
soprano vocals [Mimi]: |
Mirella Freni
(track 16)
|
soprano vocals [Norma]: |
Maria Callas (1961)
(track 10)
|
soprano vocals [Queen of the Night]: |
Edda Moser (1972-08-08 – 1972-08-16)
(track 5)
|
soprano vocals [Tebaldo]: |
Delia Wallis
(track 9)
|
soprano vocals [Violetta]: |
Beverly Sills
(track 12)
|
soprano vocals [Zerlina]: |
Elizabeth Gale
(track 4)
|
tenor vocals [Canio]: |
José Carreras
(track 19)
|
tenor vocals [Cassio]: | |
tenor vocals [Cavaradossi]: |
Plácido Domingo
(track 15)
|
tenor vocals [Loris]: | |
tenor vocals [Otello]: | |
tenor vocals [Radamès]: |
Franco Corelli
(track 11)
|
phonographic copyright by: |
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (1961)
(track 10)
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (1964)
(track 16)
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (1975)
(track 8)
|
recorded at: |
All Saints' Church (Tooting, London) in London, England, United Kingdom (1974-08 – 1975-05)
(track 8)
|
arrangements: |
Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) (catch-all for arrangements)
(track 5)
Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Canzona "Voi che sapete che cosa è amor" (Cherubino) (catch-all for arrangements)
(track 1)
Norma: Atto I, Scena I. Scena e Cavatina "Casta Diva, che inargenti" (Norma, Coro) (catch-all for arrangements)
(track 10)
|
is the basis for: |
Laugh You Silly Clown (experimental disco)
(track 19)
Pagliacci (Maynard Ferguson jazz adaptation of "Vesti la giubba" from Leoncavallo's Pagliacci)
(track 19)
Queen of the Winter Night
(track 5)
|
later translated versions: |
Pajaco: ārija Smejies, Pajaco!
(track 19)
|
part of: |
Così fan tutte, K. 588: Atto I
(track 7)
Così fan tutte, K. 588: Atto I, Scena XI
(tracks 7, 7)
Die Zauberflöte, K. 620: Akt II
(tracks 5–6)
Don Carlo: Atto I
(track 9)
Fedora: Atto II
(track 20)
La traviata: Atto III
(track 12)
Madama Butterfly: Atto II
(tracks 14, 14)
Manon Lescaut: Atto II
(track 17)
Norma: Atto I
(track 10)
Otello: Atto IV
(track 13)
Pagliacci: Atto I
(track 19)
Tosca: Atto III
(track 15)
Le nozze di Figaro, K. 492: Atto II
(tracks 1–2)
Aida: Atto Primo
(track 11)
Turandot: Atto I
(track 18)
La bohème: Atto I
(track 16)
Il barbiere di Siviglia: Atto I
(track 8)
|
recording of: |
Fedora: Atto II. "Amor ti vieta"
(track 20)
Turandot: Atto I. “Signore, ascolta!” (Liù)
(track 18)
Norma: Atto I, Scena I. Scena e Cavatina "Casta Diva, che inargenti" (Norma, Coro) (1961)
(track 10)
Die Zauberflöte, K. 620: Act II, Scene I. No. 10 Aria and Chorus "O Isis und Osiris" (Sarastro, Priester) (1972-08-08 – 1972-08-16)
(track 6)
Die Zauberflöte, K. 620: Act II, Scene VIII. no. 14 Aria “Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (1972-08-08 – 1972-08-16)
(track 5)
Il barbiere di Siviglia: Atto I, (no. 6a). "La calunnia è un venticello" (Basilio) (1974-08 – 1975-05)
(track 8)
|
referred to in medleys: |
Hooked on Classics, Parts 1 & 2
(track 1)
Barcelona Games Medley
(tracks 10, 15, 19)
|
CD 2
baritone vocals [Méphistophélès]: |
Gabriel Bacquier
(track 9)
|
---|---|
baritone vocals [Wolfram]: |
Dietrich Fischer‐Dieskau
(track 12)
|
bass vocals [Méphistophélès]: | |
bass-baritone vocals [Ralph]: |
José van Dam
(track 6)
|
choir vocals: |
Choeurs de l'Opéra Royal de la Monnaie (1958-09-23 – 1958-10-09)
(track 1)
Chorus of the Paris Opera (1958-09-23 – 1958-10-09)
(track 1)
|
composer: |
Hector Berlioz
(track 9)
Léo Delibes
(track 2)
Jules Massenet
(tracks 4, 4–5)
Camille Saint‐Saëns
(track 11)
Richard Wagner
(track 12)
Richard Wagner (1840 – 1841)
(track 13)
Richard Wagner (1843 – 1845-04-13)
(track 12)
Richard Wagner (1846 – 1848)
(track 14)
Hector Berlioz (1856 – 1858)
(tracks 10, 10)
Richard Wagner (1857-10 – 1859-08)
(track 16)
Hector Berlioz (1858)
(track 10)
Richard Wagner (1869-03-01 – 1871-02-05)
(track 15)
|
conductor: |
Sir Thomas Beecham
(track 7)
Bernard Haitink
(track 15)
Rudolf Kempe
(track 14)
Franz Konwitschny
(track 12)
Alain Lombard
(track 2)
Michel Plasson
(tracks 3–4)
Georges Prêtre
(tracks 5–6, 8–11)
André Cluytens (1958-09-23 – 1958-10-09)
(track 1)
Herbert von Karajan (1971 – 1972)
(track 16)
|
librettist: |
Jules Adenis
(track 6)
Jules Barbier
(track 3)
Eugène Cormon
(tracks 8, 8)
Philippe Gille
(tracks 2, 4, 4)
Edmond Gondinet
(track 2)
Ludovic Halévy
(track 7)
Henri Meilhac
(tracks 4, 4, 7)
Jules-Henri Vernoy de Saint-Georges
(track 6)
Richard Wagner
(tracks 12–15)
Richard Wagner (1842-06 – 1843-04)
(track 12)
Richard Wagner (1857-08-20 – 1857-09-18)
(track 16)
|
mezzo-soprano vocals [Dalila]: | |
orchestra: |
Orchestre de Paris
(tracks 5, 9)
Orchestre de l’Opéra National de Paris
(tracks 8, 10–11)
Orchestre du Théâtre National de l’Opéra‐Comique
(tracks 2, 11)
Orchestre du Capitole de Toulouse
(tracks 3–4)
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
(track 13)
Orchester der Staatsoper Berlin
(track 12)
Symphonieorchester des Bayerischen Rundfunks
(track 15)
Wiener Philharmoniker
(track 14)
Orchestra of the Paris Opera (1958-09-23 – 1958-10-09)
(track 1)
Berliner Philharmoniker (1971 – 1972)
(track 16)
|
solo mezzo-soprano vocals: | |
solo tenor vocals: | |
soprano vocals [Brünnhilde]: |
Éva Marton
(track 15)
|
soprano vocals [Carmen]: |
Victoria de los Ángeles
(track 7)
|
soprano vocals [Didon]: |
Régine Crespin
(track 10)
|
soprano vocals [Isolde]: |
Helga Dernesch (1971 – 1972)
(track 16)
|
soprano vocals [Manon]: | |
soprano vocals [Nilakantha]: |
Mady Mesplé
(track 2)
|
soprano vocals [Senta]: | |
tenor vocals [Lohengrin]: |
Jess Thomas
(track 14)
|
tenor vocals [Nadir]: |
Alain Vanzo
(track 8)
|
tenor vocals [Roméo]: |
Alfredo Kraus
(track 3)
|
tenor vocals [Samson]: | |
tenor vocals [Siegfried]: |
Siegfried Jerusalem
(track 15)
|
tenor vocals [Werther]: |
Nicolai Gedda
(track 5)
|
recorded at: | |
arrangements: |
Isoldens Liebestod, S. 447
(track 16)
Isoldens Tod
(track 16)
Velvet Valves: IV. Romance
(track 8)
Venise
(track 8)
|
is based on: |
El arreglito
(track 7)
|
is the basis for: |
Carmen Suite no. 2: II. Habanera
(track 7)
Je suis Carmen l'araignée
(track 7)
O du mein holder Abendstern, S. 444
(track 12)
Señorita
(track 7)
|
later translated versions: |
Habanera de Carmen
(track 7)
Pērļu zvejnieks: Nadira ārija
(track 8)
|
later versions: |
Carmen Jones: Act I. Dat’s Love
(track 7)
|
part of: |
Der fliegende Holländer: Act II, Scene I
(track 13)
Lohengrin: Act III, Scene III
(track 14)
Roméo et Juliette: Acte II
(track 3)
Samson et Dalila, op. 47: Acte 2
(track 11)
Siegfried: Act III, Scene III
(track 15)
Werther: Acte III
(track 5)
Faust: Acte II
(track 1)
Manon: Acte II
(tracks 4, 4)
Les Pêcheurs de perles: Acte I.
(tracks 8, 8)
Les Troyens: Acte V
(tracks 10, 10)
Carmen: Acte I
(track 7)
Lakmé: Acte II
(track 2)
Tristan und Isolde, WWV 90: Akt III
(track 16)
|
partial recording of: |
La Jolie Fille de Perth
(track 6)
|
parts: |
La Jolie Fille de Perth: Intermezzo
(track 6)
|
recording of: |
Faust: Acte II, Scène III. "Le veau d'or" (Méphistophélès, Chœur)) (1958-09-23 – 1958-10-09)
(track 1)
Tristan und Isolde, WWV 90: Akt III, Szene III. "Mild und leise wir er lächelt" (1971 – 1972)
(track 16)
|
referred to in medleys: |
Hooked on a Song
(track 7)
|
CD 3
CD 4
alto vocals [Waltraute]: |
Ute Walther (1988-02 – 1988-03)
(track 14)
|
---|---|
baritone vocals [Escamillo]: |
Ernest Blanc
(track 6)
|
baritone vocals [Méphistophélès]: |
Gérard Souzay
(track 8)
|
bass vocals [Boniface]: |
Jules Bastin
(track 2)
|
bass-baritone vocals [Wotan]: |
Dietrich Fischer‐Dieskau
(track 13)
|
choir vocals: | |
composer: |
Hector Berlioz
(track 8)
Gustave Charpentier
(track 9)
Jules Massenet
(track 2)
Jacques Offenbach
(track 7)
Richard Wagner (1843 – 1845-04-13)
(track 12)
Richard Wagner (1846 – 1848)
(track 11)
Richard Wagner (1854 – 1856)
(track 14)
Richard Wagner (1854-06-28 – 1856-03-23)
(track 13)
|
conductor: |
Sir Thomas Beecham
(track 6)
Roger Boutry
(track 2)
Herbert von Karajan
(track 10)
Rafael Kubelík
(track 13)
Jean‐Pierre Marty
(track 7)
Georges Prêtre
(tracks 3, 5, 8, 11)
Julius Rudel
(track 9)
André Cluytens (1959)
(track 1)
Bernard Haitink (1988-02 – 1988-03)
(track 14)
|
contralto vocals [Schwertleite]: |
Ursula Kunz (1988-02 – 1988-03)
(track 14)
|
contralto vocals [Siegrune]: |
Margareta Hintermeier (1988-02 – 1988-03)
(track 14)
|
librettist: |
Jules Barbier
(track 1)
Ludovic Halévy
(track 6)
Hugo von Hofmannsthal
(track 10)
Maurice Léna
(track 2)
Henri Meilhac
(track 6)
Richard Wagner
(tracks 11, 13)
Richard Wagner (1842-06 – 1843-04)
(track 12)
|
mezzo-soprano vocals [Grimgerde]: |
Carolyn Watkinson (1988-02 – 1988-03)
(track 14)
|
mezzo-soprano vocals [Mignon]: |
Jane Rhodes
(track 4)
|
orchestra: |
Munich Radio Orchestra
(tracks 12–13)
Orchestre de l’Opéra National de Paris
(tracks 3, 7–9)
Orchestre National de la Radiodiffusion Française
(tracks 5–6)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
(track 10)
Orchestre de l’Opéra National de Paris (1959)
(track 1)
Symphonieorchester des Bayerischen Rundfunks (1988-02 – 1988-03)
(track 14)
|
solo soprano vocals: |
Anita Soldh
(track 14)
|
soprano vocals [Elisabeth]: |
Hildegard Behrens
(track 12)
|
soprano vocals [Elsa]: |
Régine Crespin
(track 11)
|
soprano vocals [Gerhilde]: |
Anita Soldh (1988-02 – 1988-03)
(track 14)
|
soprano vocals [Helmwige]: | |
soprano vocals [Louise]: |
Beverly Sills
(track 9)
|
soprano vocals [Marguerite]: |
Victoria de los Ángeles (1959)
(track 1)
|
soprano vocals [Marschallin]: | |
soprano vocals [Mireille]: |
Janine Micheau
(track 3)
|
soprano vocals [Olympia]: |
Mady Mesplé
(track 7)
|
soprano vocals [Ortlinde]: |
Sylvia Herman (1988-02 – 1988-03)
(track 14)
|
soprano vocals [Rossweisse]: |
Margarita Lilova (1988-02 – 1988-03)
(track 14)
|
tenor vocals [Wilhelm]: |
Nicolai Gedda
(track 5)
|
publisher: | |
recorded at: | |
arrangement of: | |
arrangements: | |
is the basis for: |
Aus Lohengrin, S. 446: No. 2. Elsas Traum
(track 11)
|
later translated versions: |
Mignon: Atto III. "Ah! Non credevi tu!"
(track 5)
|
later versions: |
Carmen Jones, Act I. Stan' Up and Fight
(track 6)
|
part of: |
Carmen: Acte II
(track 6)
Der Rosenkavalier, op. 59: Akt I
(track 10)
Die Walküre: Act III
(track 14)
Die Walküre: Act III, Scene III
(track 13)
Les Contes d'Hoffmann: Acte II (Olympia)
(track 7)
Lohengrin: Act I, Scene II
(track 11)
Louise: Acte III, Scène I.
(track 9)
Mignon: Acte I
(track 4)
Mignon: Acte III
(track 5)
Le jongleur de Notre-Dame
(track 2)
Mireille: Acte IV
(track 3)
Faust: Acte III
(track 1)
Huit scènes de Faust
(track 8)
|
partial recording of: |
Le jongleur de Notre-Dame : Acte II
(track 2)
|
recording of: |
Der Rosenkavalier, op. 59: Akt I. "Da geht er hin, der aufgeblasene schlechte Kerl" (Marschallin)
(track 10)
Lohengrin: Akt. I. "Einsam in trüben Tagen"
(track 11)
Faust: Acte III, Scène VI. "Je voudrais bien savoir...Il était un roi de Thulé" (Marguerite) (Air des bijoux) (1959)
(track 1)
Die Walküre: Walkürenritt (1988-02 – 1988-03)
(track 14)
|
referred to in medleys: |
Hooked on Classics, Part 3
(track 14)
Hooked on a Song
(track 6)
Barcelona Games Medley
(track 6)
|
CD 5
balance engineer: |
Stuart Eltham (1986-02)
(track 4)
|
---|---|
baritone vocals [Don Giovanni]: |
Eberhard Wächter (1959-10-07 – 1959-11-24)
(track 2)
|
baritone vocals [Enrico]: |
Renato Bruson
(track 6)
|
baritone vocals [Figaro]: | |
baritone vocals [Marullo]: | |
baritone vocals [Papageno]: | |
baritone vocals [Raimondo]: | |
bass vocals [Ceprano]: |
Michele Pertusi
(track 10)
|
bass vocals [Don Alfonso]: |
Claudio Desderi (1986-02)
(track 4)
|
choir vocals: |
Ambrosian Opera Chorus
(tracks 6–7)
Coro del Teatro alla Scala di Milano
(track 10)
Ambrosian Opera Chorus (1980)
(track 9)
|
choir vocals [Lucia]: |
Edita Gruberová
(track 6)
|
choir vocals [voci di donne]: |
Coro del Teatro dell’Opera di Roma
(track 13)
|
choir vocals [Women's voices]: |
Coro del Teatro dell’Opera di Roma
(track 14)
|
chorus master: | |
composer: |
Alfredo Catalani
(track 15)
|
conductor: |
Alceo Galliera
(track 8)
Paavo Järvi
(track 15)
Lorin Maazel
(track 12)
Riccardo Muti
(track 10)
Nicola Rescigno
(track 6)
Thomas Schippers
(track 14)
Tullio Serafin
(track 5)
Francesco Molinari‐Pradelli (1965)
(track 13)
Riccardo Muti (1980)
(track 9)
Bernard Haitink (1986-02)
(track 4)
Riccardo Muti (1986-09)
(track 1)
Sir Roger Norrington (1990-12)
(track 3)
|
librettist: |
Giuseppe Adami
(track 13)
Arrigo Boito
(track 12)
Lorenzo Da Ponte
(tracks 1–2, 4)
Antonio Ghislanzoni
(track 11)
Giuseppe Giacosa
(track 14)
Luigi Illica
(tracks 14–15)
Francesco Maria Piave
(tracks 9–10)
Emanuel Schikaneder
(track 3)
Renato Simoni
(track 13)
Cesare Sterbini
(track 8)
|
lyricist: |
Felice Romani (– 1831)
(track 5)
|
orchestra: |
London Symphony Orchestra
(track 7)
Orchestra del Teatro alla Scala di Milano
(tracks 5, 10, 12)
Orchestra del Teatro dell’Opera di Roma
(tracks 11, 14)
French Radio Philharmonic Orchestra
(track 15)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
(track 8)
Royal Philharmonic Orchestra
(track 6)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (1959-10-07 – 1959-11-24)
(track 2)
Orchestra del Teatro dell’Opera di Roma (1965)
(track 13)
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (1980)
(track 9)
London Philharmonic Orchestra (1986-02)
(track 4)
Wiener Philharmoniker (1986-09)
(track 1)
The London Classical Players (1990-12)
(track 3)
|
producer: | |
solo tenor vocals: |
Franco Corelli (1965)
(track 13)
|
soprano vocals [Adalgisa]: | |
soprano vocals [Aida]: |
Birgit Nilsson
(track 11)
|
soprano vocals [Desdemona]: |
Katia Ricciarelli
(track 12)
|
soprano vocals [Dorabella]: |
Dolores Ziegler (1986-02)
(track 4)
|
soprano vocals [Fiordiligi]: |
Carol Vaness (1986-02)
(track 4)
|
soprano vocals [Gilda]: |
Daniela Dessì
(track 10)
|
soprano vocals [Norma]: |
Maria Callas
(track 5)
|
soprano vocals [Papagena]: | |
soprano vocals [Rosina]: |
Maria Callas
(track 8)
|
soprano vocals [Violetta]: |
Renata Scotto (1980)
(track 9)
|
soprano vocals [Wally]: |
Barbara Hendricks
(track 15)
|
soprano vocals [Zerlina]: |
Graziella Sciutti (1959-10-07 – 1959-11-24)
(track 2)
|
tenor vocals [Alfredo]: |
Alfredo Kraus (1980)
(track 9)
|
tenor vocals [Borsa]: |
Ernesto Gavazzi
(track 10)
|
tenor vocals [Ernesto]: |
Alfredo Kraus
(track 7)
|
tenor vocals [il principe ignoto (Calaf)]: |
Franco Corelli
(track 13)
|
tenor vocals [Normanno]: |
Bruno Lazzaretti
(track 6)
|
tenor vocals [Rodolfo]: |
Nicolai Gedda
(track 14)
|
phonographic copyright by: |
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (1964)
(track 14)
|
publisher: |
Casa Ricordi BMG S.p.A.
(track 13)
|
recorded at: |
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, United Kingdom (1959-10-07 – 1959-11-24)
(track 2)
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, United Kingdom (1986-02)
(track 4)
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, United Kingdom (1990-12)
(track 3)
|
arrangements: |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina) (catch-all for arrangements)
(track 2)
|
is the basis for: |
Fantasia on "Una voce poco fa"
(track 8)
|
later translated versions: |
El nostre heroi
(track 13)
Going to Win
(track 13)
誰も寝てはならぬ
(track 13)
|
part of: |
Così fan tutte, K. 588: Atto I, Scena VI
(track 4)
Die Zauberflöte, K. 620: Akt II
(track 3)
Don Pasquale: Atto III
(track 7)
La Wally: Atto I
(track 15)
La traviata: Atto I
(track 9)
Norma: Atto II
(track 5)
Otello: Atto IV
(track 12)
Turandot: Atto III
(track 13)
Aida: Atto Primo
(track 11)
Lucia di Lammermoor: Atto III
(track 6)
Il barbiere di Siviglia: Atto I
(track 8)
La bohème: Atto I
(track 14)
Rigoletto: Atto I
(track 10)
Le nozze di Figaro, K. 492: Atto I
(track 1)
|
recording of: |
Lucia di Lammermoor: Atto III, Scena I. no. 14. "Oh giusto cielo" - "Il dolce suono" (Coro, Lucia)
(track 6)
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina) (1959-10-07 – 1959-11-24)
(track 2)
Turandot: Atto III, Scena I. Aria “Nessun dorma” (Calaf) (1965)
(track 13)
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (1980)
(track 9)
Così fan tutte, K. 588: Atto I, Scena VI. (no. 10) Terzettino "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso) (1986-02)
(track 4)
|
referred to in medleys: |
Can’t Stop the Classics, Part 2
(track 13)
Barcelona Games Medley
(tracks 8–9, 11)
|
CD 6
Release
ASIN: |
UK: B0007QOERC [info]
|
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Discogs: |
https://www.discogs.com/release/2023144 [info]
|
Release Group
part of: |
100 Best (EMI Classics)
|
---|
Allmusic: |
http://www.allmusic.com/album/mw0001836649 [info]
|
---|---|
Discogs: |
https://www.discogs.com/master/947595 [info]
|