Annotation

Individual cat#s run from 15 676 through 15 685.

Annotation last modified on 2015-02-26 04:59 UTC.

Tracklist

CD 1: Volume 1: The Top 10 of Classical Music 1685-1730
# Title Artist Rating Length
1 Toccata in D minor
Johann Sebastian Bach 3 2:47
2 Canon in D
Johann Pachelbel 3 4:25
3 Brandenburg Concerto No. 3 in G major, BWV 1048: I. Allegro
Johann Sebastian Bach 3 5:34
4 Water Music, Suite No. 2 in D
Georg Friedrich Händel 3 9:41
5 Trumpet Tune and Air
Henry Purcell 3 2:57
6 Orchestral Suite No. 3 in D major, BWV 1068: II. Air
Johann Sebastian Bach 3 4:32
7 The Four Seasons - Spring
Antonio Vivaldi 3 10:30
8 Adagio
Tomaso Giovanni Albinoni 4 9:52
9 Mandoline Concerto in C, RV 425
Antonio Vivaldi 3 7:43
10 Orchestral Suite No. 2 in B Minor "Minuet and Badinerie"
Johann Sebastian Bach 4 2:54
CD 2: Volume 2: The Top 10 of Classical Music 1731-1775
# Title Artist Rating Length
1 Messiah: Hallelujah
Georg Friedrich Händel 3 3:53
2 Orpheus and Eurydice: Dance of the Blessed Spirits
Christoph Willibald Gluck 3 7:27
3 Christmas Oratorio: Sinfonia in G
Johann Sebastian Bach 3 5:35
4 Violin Concerto No. 3 in G major, K. 216: I. Allegro
Wolfgang Amadeus Mozart 3 9:32
5 Xerxes: Largo
Georg Friedrich Händel 3 3:07
6 Flute Concerto in G minor "La Notte", VI. Allegro
Antonio Vivaldi 3 2:02
7 Solomon: Arrival of the Queen of Sheba
Georg Friedrich Händel 3 3:18
8 Oboe Concerto in D minor, 2nd Movement
Johann Sebastian Bach 3 3:07
9 Concerto grosso in A minor Op. 6 No. 4
Georg Friedrich Händel 3 10:53
10 Violin Concerto No. 5 in A major, K. 219: II. Adagio
Wolfgang Amadeus Mozart 3 10:01
CD 3: Volume 3: The Top 10 of Classical Music 1776-1787
# Title Artist Rating Length
1 Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro
Wolfgang Amadeus Mozart 3 5:44
2 Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": II. Andante
Wolfgang Amadeus Mozart 3 5:39
3 Le nozze di Figaro, K. 492: Sinfonia
Wolfgang Amadeus Mozart 4 4:20
4 Concerto for Flute No. 2 in D major, K. 285d/314: II. Adagio ma non troppo
Wolfgang Amadeus Mozart 3.5 5:29
5 Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto
Wolfgang Amadeus Mozart 4 3:42
6 Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto
Wolfgang Amadeus Mozart 3 6:11
7 Concerto for Horn No. 3 in E-flat major, K. 447: II. Romance. Larghetto
Wolfgang Amadeus Mozart 3 4:24
8 Concerto for Piano No. 23 in A major, K. 488: I. Allegro
Wolfgang Amadeus Mozart 4 10:51
9 Le nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. No. 23 Finale "Ecco la marcia, Andiamo" (Barbarina, Coro)
Wolfgang Amadeus Mozart 4 2:08
10 Serenata notturna, K. 239
Wolfgang Amadeus Mozart 3 13:10
CD 4: Volume 4: The Top 10 of Classical Music 1788-1810
# Title Artist Rating Length
1 Symphony No. 40 in G minor, K. 550: I. Allegro molto
Wolfgang Amadeus Mozart 4 7:39
2 Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
Ludwig van Beethoven 5:27
3 Symphony No. 94 in G major ("Surprise"), H. 1/94 2nd movement
Joseph Haydn 6:34
4 Die Zauberflöte (The Magic Flute), opera, K. 620 Overture
Wolfgang Amadeus Mozart 7:14
5 Bagatelle for Piano in A minor, WoO 59 "Für Elise"
Ludwig van Beethoven 3 2:53
6 String Quartet No. 62 in C major ("Emperor"), Op. 76/3, H. 3/77 Emperor's Hymn
Joseph Haydn 3 7:16
7 Symphony No. 5 in C minor, Op. 67 "Fate": I. Allegro con brio
Ludwig van Beethoven 3 7:19
8 Clarinet Concerto in A major, K. 622: II. Adagio
Wolfgang Amadeus Mozart 3 7:03
9 Minuet for Piano, WoO 10 No. 2 in G major
Ludwig van Beethoven 3 2:35
10 Trumpet Concerto in E flat major, H. 7e/1 3rd movement
Joseph Haydn 3 5:06
CD 5: Volume 5: The Top 10 of Classical Music 1811-1841
# Title Artist Rating Length
1 The Barber of Seville - Overture
Gioachino Rossini 4 7:47
2 Symphony No. 8 in B minor, 'Unfinished'
Franz Schubert 10:26
3 Spring Song
Felix Mendelssohn 2:46
4 Polonaise in A, Op. 40 No. 3, 'Military'
Frédéric Chopin 5:16
5 Ballet Music in G, From 'Rosamunde'
Franz Schubert 6:36
6 Der Freischütz - Overture
Carl Maria von Weber 10:08
7 Ave Maria
Franz Schubert 4.5 4:52
8 Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace
Felix Mendelssohn 8:21
9 Kinderszenen, Op. 15: Träumerei
Robert Schumann 3:10
10 German Dance No. 1
Franz Schubert 3:48
CD 6: Volume 6: The Top 10 of Classical Music 1842-1853
# Title Artist Rating Length
1 A Midsummer Night's Dream: Wedding March
Felix Mendelssohn 5:01
2 Liebestraum No. 3 in A flat
Franz Liszt 4:17
3 Nabucco: Overture
Giuseppe Verdi 7:53
4 The Merry Peasant
Robert Schumann 0:54
5 Hungarian Rhapsody No. 2
Franz Liszt 10:20
6 Lohengrin: Prelude to Act 3
Richard Wagner 3:12
7 La Traviata: Prelude to Act 1
Giuseppe Verdi 3:47
8 Tannhäuser: Arrival of the Guests at Wartburg
Richard Wagner 6:37
9 Violin Concerto in E minor, Op. 64: II. Andante
Felix Mendelssohn 8:16
10 Poet and Peasant: Overture
Franz von Suppé 9:57
CD 7: Volume 7: The Top 10 of Classical Music 1854-1866
# Title Artist Rating Length
1 Orpheus in the Underworld - Overture
Jacques Offenbach 9:34
2 Melody in F
Антон Григорьевич Рубинштейн 3:12
3 Les Preludes
Franz Liszt 16:30
4 Waltz in A flat
Johannes Brahms 2:26
5 The Force of Destiny - Overture
Giuseppe Verdi 8:09
6 I Love You
Edvard Grieg 1:34
7 The Bartered Bride - Overture
Bedřich Smetana 6:38
8 Barcarolle, From "The Tales of Hoffman"
Jacques Offenbach 3:34
9 Tritsch-Tratsch Polka, Op. 214
Johann Strauss II 2:43
10 Light Calvary - Overture
Franz von Suppé 6:48
CD 8: Volume 8: The Top 10 of Classical Music 1867-1876
# Title Artist Rating Length
1 Piano Concerto No. 1 in B-flat minor, Op. 23: 1st Movement (excerpt)
Пётр Ильич Чайковский 2.5 9:00
2 Cradle Song
Johannes Brahms 1:50
3 The Moldau
Bedřich Smetana 12:59
4 The Valkyrie: Ride of the Valkyries
Richard Wagner 5 5:26
5 Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
Edvard Grieg 3:35
6 Carmen: Les Toreadors
Georges Bizet 2:19
7 Coppelia: Notturno
Léo Delibes 2:30
8 Marche Slave, Op. 31
Пётр Ильич Чайковский 9:51
9 L'Arlesienne - Intermezzo
Georges Bizet 4:07
10 On the Beautiful Blue Danube, Op. 314
Johann Strauss II 10:54
CD 9: Volume 9: The Top 10 of Classical Music 1877-1893
# Title Artist Rating Length
1 Polonaise, From 'Eugene Onegin'
Пётр Ильич Чайковский 4:48
2 Symphony No. 9 in E minor, Op. 95 "From the New World": II. Largo
Antonín Dvořák 12:47
3 Waltz of the Flowers, From 'The Nutcracker'
Пётр Ильич Чайковский 6:42
4 Capriccio Espagnol, Op. 34: Alborada
Николай Андреевич Римский‐Корсаков 1:24
5 The Last Spring
Edvard Grieg 6:08
6 Slavonic Dance No. 2
Antonín Dvořák 5:31
7 The Sleeping Beauty - Introduction
Пётр Ильич Чайковский 2:49
8 Siegfried's Death and Funeral March, From 'Twilight of the Gods'
Richard Wagner 7:00
9 Songs My Mother Taught Me
Antonín Dvořák 2:18
10 Emperor Waltz
Johann Strauss II 11:52
CD 10: Volume 10: The Top 10 of Classical Music 1894-1928
# Title Artist Rating Length
1 Also Sprach Zarathustra ("Thus Spoke Zoroaster"), Tone Poem for Orchestra, Op. 30 (Trv 176): Fanfare
Richard Strauss 5 1:37
2 Symphony No. 5 in C-sharp minor: Adagietto
Gustav Mahler 9:49
3 Finlandia, Tone Poem for Orchestra, Op. 26
Jean Sibelius 9:04
4 Tale of Tsar Saltan, Suite for Orchestra/1-3 (Complete), Op 57: Flight of the Bumble Bee
Николай Андреевич Римский‐Корсаков 1:50
5 Thäis, Violin & Orchestra Version and Various Arrangements, Opera: Méditation
Jules Massenet 5:10
6 Pomp and Circumstance - March No. 1
Sir Edward Elgar 6:11
7 Humoresque No. 7 for Piano in G-flat major, B. 187/7 (Op. 101/7)
Antonín Dvořák 3:23
8 Kuolema, for Orchestra, Op. 44/1: Valse Triste
Jean Sibelius 4:48
9 Wiener Blut ("Vienna Blood"), Waltz for Orchestra, Op. 354 (Rv 354)
Johann Strauss II 9:32
10 Boléro, Ballet for Orchestra (or Piano)
Maurice Ravel 15:27

Credits

CD 1: Volume 1: The Top 10 of Classical Music 1685-1730

pipe organ:
Hannes Kästner (German organist and cembalist) (track 1)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1, 3, 6, 10, 10)
Jeremiah Clarke (track 5)
Remo Giazotto (track 8)
Johann Pachelbel (track 2)
Antonio Vivaldi (track 9)
George Frideric Handel (German‐British baroque composer) (1717) (track 4)
Antonio Vivaldi (1723) (track 7)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 6)
conductor:
Herbert Kegel (track 8)
Helmuth Winschermann (tracks 3, 6, 10)
Max Pommer (1982 – 1984) (track 2)
orchestra:
Deutsche Bachsolisten (tracks 3, 6, 10)
Neues Bachisches Collegium Musicum (1982 – 1984) (track 2)
performer:
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer) (track 8)
Henry Purcell (baroque composer) (track 5)
phonographic copyright by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (1985) (track 2)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) (track 8)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (1982 – 1984) (track 2)
part of:
Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (number: F. I/22) (track 7)
Ryom-Verzeichnis (number: RV 269) (track 7)
Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (number: F. V/1) (track 9)
Ryom-Verzeichnis (number: RV 425) (track 9)
Händel-Werke-Verzeichnis (number: HWV 349) (track 4)
arrangement of:
arrangements:
Adagio for Strings and Organ in G minor (catch all for arrangements) (track 8)
Adagio of the Sky (track 8)
Air on a G String (Guitar + modern ensemble arr. Myers) (track 6)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 6)
Air on the G String (for cello and orchestra, arr. Cullen) (track 6)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. (for piano, Friedman) (track 3)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. (Allegro) (catch-all for arrangements) (track 3)
Canon and Gigue in D major, T. 377: I. Canon (catch-all for arrangements) (track 2)
Canon and Gigue in D major: I. Canon (arr. Max Seiffert) (track 2)
Cold is Being (track 8)
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (catch-all for arrangements) (track 7)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (catch all for arrangements) (track 10)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (for piano 4 hands, Reger) (track 10)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (for piano 4 hands, Reger) (track 10)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements) (track 10)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 6)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 6)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 6)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 6)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 6)
Solo Amore (track 6)
Toccata (for brass band, Sykes) (track 1)
Toccata und Fuge d-Moll, BWV 565: I. Toccata (for piano 4 hands, Reger) (track 1)
Toccata und Fuge d-Moll, BWV 565: I. Toccata (catch all for arrangements) (track 1)
Trumpet Tune (for organ, Trevor) (track 5)
is the basis for:
Adagio (track 8)
Adagio (track 2)
Anytime, Anywhere (track 8)
Bach Aire (track 6)
Christmas Canon (original version) (track 2)
Happy (track 2)
Lemming 1 (Lemmings, Commodore 64) (track 2)
Lullaby (track 2)
Peace Planet (track 10)
Sanctus II (track 2)
Simple Joy (track 2)
Sweetest Love (track 6)
Toccata (lyrics by Tanzwut) (track 1)
the Fifth Death (UnEpic) (track 1)
ラブチク (track 7)
later versions:
Canon in D, Mostly (track 2)
Toccata (track 1)
medley including a recording of:
Trumpet Tune in D (from The Island Princess, erroneously attributed to Henry Purcell) (track 5)
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 6)
Toccata and Fugue in D minor, BWV 565: Toccata (arr. S. Skrowaczewski) (track 1)
part of:
Il cimento dell'armonia e dell'inventione, op. 8 (part of collection) (track 7)
Le quattro stagioni (“The Four Seasons”) (part of collection) (track 7)
parts:
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 6)
referred to in medleys:
Hooked on Bach (tracks 3, 10)
Hooked on Romance (track 6)

CD 2: Volume 2: The Top 10 of Classical Music 1731-1775

composed in:
Leipzig, Sachsen, Germany (1734 – 1735) (track 3)
premiered in:
Leipzig, Sachsen, Germany (1734-12-26) (track 3)
violin:
Christian Altenburger (German violinist) (tracks 4, 10)
oboe:
Burkhard Glaetzner (track 8)
choir vocals:
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 3, 8)
George Frideric Handel (German‐British baroque composer) (track 5)
Antonio Vivaldi (track 6)
George Frideric Handel (German‐British baroque composer) (– 1739-10-08) (track 9)
George Frideric Handel (German‐British baroque composer) (1741) (track 1)
George Frideric Handel (German‐British baroque composer) (1748) (track 7)
Wolfgang Amadeus Mozart (classical composer) (1775-04 – 1775-12) (tracks 4, 10)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings) (tracks 5, 7)
Marcus Creed (track 1)
András Kórodi (track 2)
Ralf Otto (track 3)
Max Pommer (tracks 8–9)
Helmut Winschermann (tracks 4, 10)
orchestra:
Budapest Philharmonic Orchestra (Budapest Philharmonic Orchestra) (track 2)
Budapest Strings (Budapest String Orchestra) (tracks 5, 7)
Cologne Concerto (track 3)
German Bach Soloists (tracks 4, 10)
publisher:
part of:
Händel-Werke-Verzeichnis (number: HWV 322) (track 9)
arrangement of:
Orfeo ed Euridice, Wq. 30: Atto II: Danza degli spiriti beati (instrumental ballet, for the original 1762 Italian version) (track 2)
arrangements:
Ballet des ombres heureuses (for solo piano, Friedman) (track 2)
Mélodie (Dance of the Blessed Spirits) (for violin and piano, arr. Kreisler) (track 2)
Mélodie de Gluck (Dance of the Blessed Spirits, arr. Sgambati for solo piano) (track 2)
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (track 2)
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (catch-all for arrangements) (track 3)
is the basis for:
later parody versions:
later translated versions:
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version) (track 2)
12 concerti grossi, op. 6 (part of collection) (track 9)
parts:
recording of:
Orfeo ed Euridice, Wq. 30: Atto II: Danza degli spiriti beati (instrumental ballet, for the original 1762 Italian version) (track 2)
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (track 2)
Serse, HWV 40: Atto I. Arioso "Ombra mai fù" (catch-all for arrangements) (track 5)
referred to in medleys:

CD 3: Volume 3: The Top 10 of Classical Music 1776-1787

composed in:
Paris, Île-de-France, France (1778) (track 5)
flute:
Kurt Berger (flautist, an Alfred Scholz pseudonym) (track 4)
Peter Jancovic (flautist, an Alfred Scholz pseudonym) (track 4)
piano:
Martha Bergerich (pseudonym used on budget recordings - not Martha Argerich) (track 2)
Evelyne Dubourg (track 5)
Vilmos Fischer (track 2)
Daniel Gerard (classical pianist) (track 8)
Angela Giulini (track 2)
Leonard Hokanson (tracks 2, 5)
Svetlana Stanceva (tracks 2, 8)
István Székely (track 2)
Silvia Čápová (track 2)
composer:
Wolfgang Amadeus Mozart (classical composer) (tracks 2, 9)
Wolfgang Amadeus Mozart (classical composer) (1776-01) (track 10)
Wolfgang Amadeus Mozart (classical composer) (1777 – 1778) (track 4)
Wolfgang Amadeus Mozart (classical composer) (1783) (track 5)
Wolfgang Amadeus Mozart (classical composer) (1784 – 1787) (track 7)
Wolfgang Amadeus Mozart (classical composer) (1786) (tracks 3, 9)
Wolfgang Amadeus Mozart (classical composer) (1786 – 1786-03-02) (track 8)
Wolfgang Amadeus Mozart (classical composer) (1787) (tracks 1, 6)
conductor:
Pietro di la Corona (Alfred Scholz pseudonym) (track 3)
Hans Graf (track 9)
Herbert Kraus (conductor, an Alfred Scholz pseudonym) (tracks 1–2, 4, 8)
Alberto Lizzio (conductor, an Alfred Scholz pseudonym) (tracks 2, 4, 8)
Kurt Redel (track 2)
Janos Rolla (track 2)
Alfred Scholz (tracks 2–3)
Laurence Gordon Siegel (conductor, possibly another pseudonym Alfred Scholz created) (track 3)
Alexander Titov (conductor) (track 6)
orchestra:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation) (track 3)
Liszt Ferenc Kamarazenekar (Franz Liszt Chamber Orchestra) (track 2)
London Festival Orchestra (Alfred Scholz pseudonym) (track 3)
Mozart Festival Orchestra (an Alfred Scholz pseudonym) (tracks 2, 4, 8)
Philharmonia Slovanica Orchester (an Alfred Scholz pseudonym) (track 3)
London Philharmonic Orchestra (Alfred Scholz related) (track 3)
Salzburg Consort (track 1)
Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym) (tracks 1–2, 4, 8)
part of:
Köchelverzeichnis (original numbering) (number: 239) (track 10)
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 239) (track 10)
arrangement of:
arrangements:
Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante (arranged for violin by Saint‐Saëns) (track 2)
Concerto for Piano no. 21 in C major, K. 467: II. Andante (for piano and string quintet, Lachner) (track 2)
Le nozze di Figaro, K. 492: Overture (catch-all for arrangements) (tracks 3, 9)
is the basis for:
Game Start A (Mario Bros.) (track 1)
Mozart/Figaro (tracks 3, 9)
later parody versions:
Mozart avec nous (track 5)
later versions:
orchestrations:
Turkish March (track 5)
part of:
parts:
recording of:
revision of:

CD 4: Volume 4: The Top 10 of Classical Music 1788-1810

trumpet:
Ludwig Güttler (1982 – 1984) (track 10)
piano:
Evelyne Dubourg (tracks 2, 5)
composer:
Joseph Haydn (track 6)
Wolfgang Amadeus Mozart (classical composer) (1788 – 1788-07-25) (track 1)
Joseph Haydn (1791) (track 3)
Wolfgang Amadeus Mozart (classical composer) (1791) (track 4)
Wolfgang Amadeus Mozart (classical composer) (1791-09-28 – 1791-10-07) (track 8)
Joseph Haydn (1796) (track 10)
Ludwig van Beethoven (1801) (track 2)
Ludwig van Beethoven (1804 – 1808) (track 7)
Ludwig van Beethoven (1808 – 1810) (track 5)
conductor:
Hans Graf (track 1)
Herbert Kraus (conductor, an Alfred Scholz pseudonym) (track 4)
Alfred Scholz (track 4)
János Sándor (track 1)
Max Pommer (1982 – 1984) (track 10)
orchestra:
Budapest Strings (Budapest String Orchestra) (track 9)
South German Philharmonic Orchestra (an Alfred Scholz pseudonym) (track 4)
Wiener Mozart‐Ensemble (an Alfred Scholz pseudonym) (track 4)
Neues Bachisches Collegium Musicum (1982 – 1984) (track 10)
phonographic copyright by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (1985) (track 10)
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (1988) (track 1)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (1982 – 1984) (track 10)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 59) (track 5)
arrangement of:
arrangements:
Andante from Symphony no. 94 (for piano, Alkan) (track 3)
Die Zauberflöte, K. 620: Ouverture (for two pianos, Busoni) (track 4)
Die Zauberflöte, K. 620: Ouverture (catch-all for arrangements) (track 4)
Symphony no. 40 in G minor, K. 550 "Great": I. Allegro molto (catch-all for arrangements) (track 1)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (catch all for arrangements) (track 7)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (for brass, Frackenpohl) (track 7)
The 5th (track 7)
is the basis for:
Mephistopheles (track 2)
Moonlight (The Piano Guys) (track 2)
Overture (track 2)
Passion Flower (track 5)
What Is Eternal (track 2)
イヴの誘惑 (track 5)
月光 (Mondscheinsonate+drumloops) (track 2)
熱情的花朵 (track 5)
later versions:
給愛麗斯 (track 5)
orchestrations:
Moonlight Sonata (orch. Stokowski) (track 2)
part of:
Symphony no. 40 in G minor, K. 550 "Great" (2nd version) (movement) (track 1)
recording of:
Minuet in G major, WoO 10 no. 2 (for strings) (track 9)
referred to in medleys:
Hooked on Romance (tracks 2, 8)
version of:

CD 5: Volume 5: The Top 10 of Classical Music 1811-1841

composer:
Gioachino Rossini (Italian composer 1792-1868) (track 1)
Franz Schubert (Austrian composer Franz Peter Schubert) (track 7)
Franz Schubert (Austrian composer Franz Peter Schubert) (1813-11-19) (track 10)
Franz Schubert (Austrian composer Franz Peter Schubert) (1822) (track 2)
Franz Schubert (Austrian composer Franz Peter Schubert) (1823) (track 5)
Felix Mendelssohn (1833) (track 8)
Fryderyk Chopin (composer) (1838) (track 4)
Robert Schumann (German classical composer) (1838) (track 9)
Felix Mendelssohn (1842 – 1844) (track 3)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings) (track 7)
János Kovács (tracks 2, 5)
Anton Nanut (conductor) (track 1)
Rouslan Raychev (track 1)
Alfred Scholz (track 1)
orchestra:
Budapesti Filharmóniai Társaság Zenekara (Budapest Philharmonic Orchestra) (tracks 2, 5)
Budapest Strings (Budapest String Orchestra) (tracks 3, 7)
London Festival Orchestra (Alfred Scholz pseudonym) (track 1)
Münchner Symphoniker (an Alfred Scholz pseudonym, not the former Symphonie-Orchester Graunke) (track 1)
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) (track 1)
Symphonic Festival Orchestra (Alfred Scholz pseudonym) (track 1)
phonographic copyright by:
Mediaphon (NOT for release label use! Mediaphon-Musikproduktion und Verlag GmbH) (1989) (track 1)
part of:
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work) (track 7)
arrangements:
Ballet Music from Rosamunde (for violin and piano) (track 5)
Il barbiere di Siviglia: Sinfonia (for wind ensemble, arr. Sedlak) (track 1)
Il barbiere di Siviglia: Sinfonia (catch-all for arrangements) (track 1)
Il barbiere di Siviglia: Sinfonia (for two guitars, Giuliani) (track 1)
Kinderszenen, op. 15: No. 7. Träumerei (for string quartet and piano, arr. Paul Cassidy) (track 9)
Kinderszenen, op. 15: Träumerei (for violin and piano, arr. Catherine) (track 9)
Kinderszenen, op. 15: Träumerei (catch-all for arrangements) (track 9)
Lied ohne Worte A-Dur, op. 62 Nr. 6 (for violin and piano, Hermann) (track 3)
Lied ohne Worte A-Dur, op. 62 Nr. 6 (catch-all for arrangements) (track 3)
Military Polonaise (for brass band, Mortimer) (track 4)
Ouverture aus der Oper Der Freischütz, S. 575 (for solo piano, Liszt) (track 6)
Polonaise in A major, op. 40 no. 1 "Military" (catch-all for arrangements) (track 4)
is the basis for:
Rabbit of Seville (1950 Warner Bros. Looney Tunes theatrical cartoon short) (track 1)
later parody versions:
orchestrations:
Chanson du printemps (orchestrated by Guiraud) (track 3)
Kinderszenen, op. 15: Träumerei (orchestrated by Herbeck) (track 9)
Kinderszenen, op. 15: Träumerei (orchestrated by Josef Strauss) (track 9)
Kinderszenen, op. 15: Träumerei (orchestrated by R. Tilling) (track 9)
part of:
Der Freischütz (track 6)
Polonaises, op. 40 (track 4)
Lieder ohne Worte, op. 62 (for piano) (track 3)
Rosamunde, D. 797 (track 5)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 "Ave Maria" (catch-all for arrangements) (track 7)
Kinderszenen, op. 15: Träumerei (for piano) (track 9)
referred to in medleys:
Hooked on Romance (track 7)

CD 6: Volume 6: The Top 10 of Classical Music 1842-1853

violin:
Emmy Verhey (track 9)
piano:
Evelyne Dubourg (track 4)
Donatella Failoni (track 2)
arranger:
Franz Liszt (track 2)
composer:
Franz Liszt (track 5)
Robert Schumann (German classical composer) (track 4)
Franz von Suppé (track 10)
Giuseppe Verdi (Italian opera composer) (tracks 3, 7)
Felix Mendelssohn (1838 – 1844-09-16) (track 9)
Felix Mendelssohn (1842) (track 1)
Richard Wagner (1843 – 1845-04-13) (track 8)
Richard Wagner (1846 – 1848) (track 6)
Franz Liszt (1850) (track 2)
conductor:
Josif Conta (conductor) (track 3)
Árpád Joó (track 9)
librettist:
Temistocle Solera (track 3)
orchestra:
Magyar Rádió Szimfonikus Zenekara (a.k.a. Budapest Symphony) (track 9)
Orchestra of the Budapest State Opera (Hungarian State Opera Orchestra) (track 3)
revised by:
Felix Mendelssohn (1845) (track 9)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version) (track 2)
arrangements:
Lohengrin: Act III. Vorspiel (for brass band, Wright) (track 6)
Poet and Peasant: Overture (for organ, Evans) (track 10)
Wedding March from "A Midsummer Night's Dream" (for organ, Woods) (track 1)
has revision:
is the basis for:
Desecration (track 5)
Ebony Rhapsody (track 5)
Einzug der Gäste auf der Wartburg, S. 445 no. 1/c (for solo piano, Neue vermehtre Ausgabe version) (track 8)
Einzug der Gäste auf der Wartburg, S. 634b no. 1 (for piano four hands) (track 8)
L'Alcool (track 5)
Red Wing (track 4)
The Tree (track 4)
later versions:
orchestrations:
Hungarian Rhapsody no. 2 in C-sharp minor, S. 244 no. 2 (for orchestra, arr. Müller-Berghaus) (track 5)
part of:
Dichter und Bauer (track 10)
La traviata (track 7)
Lohengrin: Act III (track 6)
Nabucco (track 3)
Violinkonzert in e-Moll, op. 64 (movement) (track 9)
parts:
recording of:
Nabucco: Overture (track 3)
referred to in medleys:

CD 7: Volume 7: The Top 10 of Classical Music 1854-1866

composed in:
additional composer:
Carl Binder (track 1)
additional conductor:
Carl Michalski (conductor) (track 9)
composer:
Jacques Offenbach (tracks 1, 8)
Johann Strauss (Austro-German composer, "Walzerkönig", Johann Strauss II, Sohn, Jr., the Younger, the Son) (track 9)
Franz von Suppé (track 10)
Giuseppe Verdi (Italian opera composer) (track 5)
Franz Liszt (1848) (track 3)
Franz Liszt (1850 – 1855) (track 3)
Bedřich Smetana (1863 – 1866) (track 7)
Edvard Grieg (1864) (track 6)
Johannes Brahms (1865) (track 4)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) (track 7)
Josif Conta (conductor) (track 5)
Peter Falk (conductor) (track 9)
Joseph Francek (conductor, probably a pseudonym for Alfred Scholz) (track 9)
Carl Michalski (conductor) (track 9)
János Sándor (tracks 7–8)
Leopold Hager (1983-12) (track 7)
librettist:
Jules Barbier (track 8)
lyricist:
orchestra:
Budapesti Filharmóniai Társaság Zenekara (Budapest Philharmonic Orchestra) (track 8)
Budapesti Vonósok (Budapest String Orchestra) (tracks 2, 6)
London Festival Orchestra (Alfred Scholz pseudonym) (track 7)
Budapest Symphony Orchestra (a.k.a. Budapest Symphony) (track 7)
Orchestra of the Budapest State Opera (Hungarian State Opera Orchestra) (track 5)
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (track 9)
Wiener Symphoniker (track 3)
recorded at:
Villa Louvigny in Luxembourg (1983-12) (track 7)
part of:
The Music of Liszt (number: S. 97) (track 3)
Works of Johann Strauss Jr. by opus number (number: op. 214) (track 9)
arrangement of:
16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands) (track 4)
2 Mélodies, op. 3: No. 1 in F major (for solo piano) (track 2)
arrangements:
La forza del destino (for brass band, Wright) (track 5)
Les Préludes, S. 511a (for solo piano) (track 3)
Les Préludes, S. 637 (for two pianos) (track 3)
Les Préludes, S. 97 (for piano and harmonium, Reinhard) (track 3)
Les contes d'Hoffmann: Barcarolle (catch-all for arrangements) (track 8)
Light Cavalry Overture (for brass band, Langford) (track 10)
Tritsch-Tratsch Polka, op. 214 (catch-all for arrangements) (track 9)
Tritsch–Tratsch Polka, op. 214 (for brass, Richards) (track 9)
is the basis for:
Barcarolles (track 8)
I Love Thee (op. 5, no. 3) (for voice and orchestra) (track 6)
later translated versions:
Ich liebe dich, op. 5 no. 3 (in German, von Holstein) (track 6)
Mīlas nakts (barkorāle no operas "Hofmaņa stāsti") (track 8)
part of:
Leichte Kavallerie (track 10)
Les Contes d'Hoffmann: Acte III (Giulietta) (alternate order) (track 8)
Orphée aux Enfers (opéra bouffe in two acts) (track 1)
Orphée aux enfers (opéra féerie in four acts) (track 1)
Prodaná nevěsta (track 7)
Hjertets melodier, op. 5 (for voice and piano) (part of collection) (track 6)
16 Waltzes, op. 39 (for solo piano) (track 4)
recording of:
2 Mélodies, op. 3: No. 1 in F major (catch-all unknown arrangement) (track 2)

CD 8: Volume 8: The Top 10 of Classical Music 1867-1876

premiered in:
Wien, Austria (1867-02-15) (track 10)
Moskva, Russia (1876-11-18) (track 8)
piano:
Jenő Jandó (track 1)
additional conductor:
Carl Michalski (conductor) (track 10)
arranger:
Ernest Guiraud (track 9)
composer:
Georges Bizet (French romantic composer) (track 6)
Léo Delibes (track 7)
Richard Wagner (1854 – 1856) (track 4)
Johann Strauss (Austro-German composer, "Walzerkönig", Johann Strauss II, Sohn, Jr., the Younger, the Son) (1866) (track 10)
Johannes Brahms (1868) (track 2)
Georges Bizet (French romantic composer) (1872) (track 9)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1874-11 – 1875-02) (track 1)
Bedřich Smetana (1874-11-20 – 1874-12-08) (track 3)
Edvard Grieg (1875) (track 5)
Pyotr Ilyich Tchaikovsky (Tchaikovsky - Russian romantic composer) (1876-09 – 1876-10) (track 8)
conductor:
Yuri Ahronovich (track 3)
Loic Bertrand (track 6)
Cesare Cantieri (an Alfred Scholz pseudonym) (track 6)
Pietro di la Corona (Alfred Scholz pseudonym) (track 3)
Emil Edlinger (track 6)
Peter Falk (conductor) (track 10)
Joseph Francek (conductor, probably a pseudonym for Alfred Scholz) (track 10)
Heinz Fricke (track 7)
Paul Kantschieder (track 10)
György Lehel (track 4)
András Ligeti (track 1)
Carl Michalski (conductor) (track 10)
Alfred Scholz (tracks 3, 6)
János Sándor (tracks 5–6, 9)
Adam Fischer (Hungarian conductor) (1989) (track 8)
dedicated to:
Bertha Faber (track 2)
lyricist:
Georg Scherer (track 2)
[traditional] (Special Purpose Artist) (track 2)
orchestra:
Budapesti Filharmóniai Társaság Zenekara (Budapest Philharmonic Orchestra) (tracks 1, 5–6, 9)
Budapesti Vonósok (Budapest String Orchestra) (track 2)
Hungarian State Orchestra (probably fictitious, or Alfred Scholz related) (track 8)
London Festival Orchestra (Alfred Scholz pseudonym) (tracks 3, 6)
London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) (track 3)
Magyar Rádió Szimfonikus Zenekara (a.k.a. Budapest Symphony) (track 4)
Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic Orchestra) (track 6)
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (track 10)
Philharmonia Slavonica (an Alfred Scholz pseudonym) (track 3)
Rundfunk‐Sinfonieorchester Berlin (East Berlin, 1923–) (track 7)
Symphonic Orchestra of the Ljubljana Radio (RTV Slovenia Symphony Orchestra) (track 6)
Strauss-Orchestra Wien (probably related to Alfred Scholz; to imitate the Wiener Johann Strauss Orchestra) (track 10)
The Vienna Symphony Orchestra (Alfred Scholz related) (track 3)
Wiener Symphoniker (track 3)
Hungarian State Orchestra (Hungarian National Philharmonic Orchestra) (1989) (track 8)
revised by:
Edvard Grieg (1888) (track 5)
premiered at:
[concert] (1869-12-22) (track 2)
publisher:
Schott Music (Germany) (track 4)
part of:
B. number catalogue by František Bartoš (number: B. 111) (track 3)
The Tchaikovsky Handbook (number: TH 45) (track 8)
Works of Johann Strauss Jr. by opus number (number: op. 314) (track 10)
arrangement of:
Die Walküre: Walkürenritt (arr. Hutschenruyter) (track 4)
arrangements:
5 Lieder, op. 49: Nr. 4. Wiegenlied (catch-all for arrangements) (track 2)
Agnus Dei, for voice & piano (or orchestra) ((Intermezzo from L’arlésienne Suite No. 2/6, arr. Ernest Guirard)) (track 9)
An der schönen, blauen Donau, op. 314 (for piano, by Cziffra) (track 10)
Carmen (arrangement for strings by Louise-Andrée Baril) (track 6)
Carmen Suite no. 1: VI. Les toréadors (catch-all for arrangements) (track 6)
Die Walküre: Der Ritt der Walküren (for piano solo, Stradal) (track 4)
Die Walküre: Walkürenritt (for piano, Brassin) (track 4)
L'Arlesienne: Intermezzo (catch-all for arrangements) (track 9)
L'Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet) (track 9)
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (catch-all for arrangements) (track 3)
Ride of the Valkyries (OpenBSD 5.6 theme) (track 4)
Ride of the Valkyries from "Die Walküre" (for organ, Lemare) (track 4)
Vltava (for baritone and orchestra) (track 3)
Vltava, op. 43 (track 3)
Wiegenlied (for violin and piano, Spalding) (track 2)
Wiegenlied (for piano, Cortot) (track 2)
ブラームスの子守歌 (translated) (track 2)
is based on:
Carmen: Prélude (track 6)
La Mantovana (track 3)
is the basis for:
AMERICA (STAGE 1) (City Connection) (track 1)
An der schönen blauen Donau (Comedian Harmonists version) (track 10)
Close Your Eyes (track 2)
Concerto (track 1)
Ma rivière (track 3)
Più delle valchirie (Il mio nome è Nessuno) (track 4)
Red Danube (track 10)
The Blue Danube (Spike Jones version) (track 10)
Tonight We Love (Freddy Martin 1941 hit) (track 1)
アマール (track 8)
ワルキューレの騎行 (スーパーロボット大戦F) (track 4)
later translated versions:
Berceuse de Brahms (French version (a.k.a. "Bonne nuit").) (track 2)
Le beau Danube bleu (track 10)
Lullaby (track 2)
later versions:
River of Light (track 10)
Wiegenlied (for piano solo, Grainger) (track 2)
part of:
L'Arlésienne Suite no. 2 (for orchestra) (track 9)
Má vlast, JB 1:112 (My Country / My Fatherland) (part of collection) (track 3)
5 Lieder, op. 49 (track 2)
Carmen Suite no. 1 (track 6)
partial recording of:
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied (for voice and piano) (track 2)
Carmen Suite no. 1: VI. Les Toréadors (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (track 6)
L'Arlésienne Suite no. 2: II. Intermezzo (for orchestra) (track 9)
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (track 3)
referred to in medleys:
version of:

CD 9: Volume 9: The Top 10 of Classical Music 1877-1893

premiered in:
Berlin, Germany (1889-10-21) (track 10)
additional conductor:
Carl Michalski (conductor) (track 10)
composer:
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (tracks 1, 3, 7)
Edvard Grieg (track 5)
Richard Wagner (1869 – 1874) (track 8)
Richard Wagner (1872-01-04 – 1874-11-21) (track 8)
Antonín Dvořák (1878-04 – 1878-08-22) (track 6)
Antonín Dvořák (1880-01 – 1880-02) (track 9)
Johann Strauss (Austro-German composer, "Walzerkönig", Johann Strauss II, Sohn, Jr., the Younger, the Son) (1889) (track 10)
Antonín Dvořák (1893-01-10 – 1893-05-24) (track 2)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings) (track 9)
Antal Doráti (track 1)
Ádám Fischer (Hungarian conductor) (track 6)
Herbert Kegel (track 5)
Pavel Urbanek (conductor) (tracks 2, 5)
Hans Vonk (track 3)
dedicated to:
librettist:
Richard Wagner (track 8)
orchestra:
Budapest Strings (Budapest String Orchestra) (track 9)
Hungarian State Orchestra (Hungarian National Philharmonic Orchestra) (track 6)
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (track 10)
orchestrator:
Edvard Grieg (track 5)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 437) (track 10)
arrangement of:
Gipsy Songs, op. 55: IV. Songs My Mother Taught Me (for voice and piano) (track 9)
arrangements:
Capriccio Espagnol, op. 34 (for brass band, Wilkinson) (track 4)
Götterdämmerung: Trauermarsch (for piano, Busoni) (track 8)
Götterdämmerung: Trauermusik aus dem letzten Aufzug (for piano solo, Stradal) (track 8)
Kaiser-Walzer (for chamber ensemble, Schönberg) (track 10)
Slavonic Dance no. 1 in G minor (for violin and piano, Kreisler) (track 6)
The Nutcracker: Valse des fleurs (for organ, Goss-Custard) (track 3)
is the basis for:
A New World (track 2)
Goin’ Home (track 2)
Más allá (track 2)
Polonaise aus Tschaikowskys „Eugen Onegin“, S. 429 (for solo piano, Liszt) (track 1)
later translated versions:
Valse de l'Empereur (track 10)
later versions:
Going Home (Largo "From the New World") (James Last pop arrangement) (track 2)
Negro Spiritual Melody (for violin and piano, Kreisler) (track 2)
orchestration of:
part of:
Спящая красавица, op. 66 (The Sleeping Beauty) (track 7)
Slavonic Dances, op. 46, B. 83 (for orchestra) (track 6)
To elegiske melodier, op. 34 (for orchestra) (track 5)
partial recording of:
parts:
recording of:
Gipsy Songs, op. 55: IV. Songs My Mother Taught Me (catch-all for arrangements) (track 9)
referred to in medleys:
revision of:

CD 10: Volume 10: The Top 10 of Classical Music 1894-1928

premiered in:
Helsinki, Uusimaa, Finland (1900-07-02) (track 3)
Liverpool, Merseyside, United Kingdom (1901-10-19) (track 6)
cello:
Miklós Perényi (track 4)
piano:
Zoltán Kocsis (track 4)
composer:
Johann Strauss (Austro-German composer, "Walzerkönig", Johann Strauss II, Sohn, Jr., the Younger, the Son) (track 9)
Antonín Dvořák (1894) (track 7)
Jules Massenet (1894) (track 5)
Richard Strauss (German composer) (1896) (track 1)
Jean Sibelius (1899) (track 3)
Edward Elgar (1901) (track 6)
Gustav Mahler (1901 – 1902) (track 2)
Jean Sibelius (1903) (track 8)
Maurice Ravel (classical composer) (1928) (track 10)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings) (track 7)
Iván Fischer (track 2)
Herbert Kegel (track 8)
Rouslan Raychev (track 3)
Rouslan Raychev (track 3)
János Sándor (track 1)
orchestra:
Budapesti Vonósok (Budapest String Orchestra) (track 7)
Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic Orchestra) (track 1)
Rouslan Raychev (track 3)
publisher:
revised by:
Jean Sibelius (1900) (track 3)
Jean Sibelius (1904) (track 8)
premiered at:
Konsertti (1904-04-25) (track 8)
Konsertti (1900-07-02) (track 3)
publisher:
Boosey & Co. Ltd. (track 6)
Breitkopf & Härtel (1905) (track 3)
premiered at:
Svenska Teatern in Helsinki, Uusimaa, Finland (1904-04-25) (track 8)
Palais Garnier in Paris, Île-de-France, France (1928-11-22) (track 10)
part of:
Works of Jean Sibelius by opus number (number: op. 26) (track 3)
Works of Johann Strauss Jr. by opus number (number: op. 354) (track 9)
arrangement of:
arrangements:
Adagietto From Symphony no. 5 (arr. J. Nurse for piano quintet) (track 2)
Adagietto aus der 5. Symphonie (for violin and piano, Wittinger) (track 2)
Boléro (arr. Ravel for piano 4-hands) (track 10)
Boléro (catch-all for arrangements) (track 10)
Finlandia (Nightwish’s version) (track 3)
Finlandia, op. 26 (catch-all for arrangements) (track 3)
Finlandia, op. 26 (for piano) (track 3)
Finlandia, op. 26 (for organ, Fricker) (track 3)
Finlandia-hymni, op. 26 (for male choir) (track 3)
Finlandia-hymni, op. 26 (for mixed choir in A-flat major, arr. Jean Sibelius) (track 3)
Finlandia-hymni, op. 26 (for mixed choir, arr. Jorma Panula) (track 3)
Finlandia-hymni, op. 26 (for mixed choir in F major, arr. Jean Sibelius) (track 3)
Flight of the Bumblebee (for banjo, arr. Charles Wood) (track 4)
Flight of the Bumblebee (Stokowski transcription) (track 4)
Flight of the Bumblebee (for cello and orchestra, arr. by B. Traubas) (track 4)
Flight of the Bumblebee (for choir, Swingle) (track 4)
Flight of the Bumblebee (for cello and piano, arr. Rose) (track 4)
Flight of the Bumblebee, TN iii/9 (for piano solo, Rachmaninov) (track 4)
Hymne de Finlandia, op. 26 no. 1 (for guitar, transcr. Unger) (track 3)
Le Vol du bourdon (for organ, Saint-Martin) (track 4)
Meditation from Thaïs (for orchestra, arr. Cullen) (track 5)
Meditation from Thaïs (for trumpet and orchestra, arr. Nakariakov) (track 5)
Meditation from Thaïs (catch-all for arrangements) (track 5)
Meditation from Thaïs (for violin and piano, arr. Marsick) (track 5)
Pomp and Circumstance Marches, op. 39: March no. 1 in D major (catch-all for arrangements) (track 6)
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (catch-all for arrangements) (track 2)
The Flight of the Bumble-Bee (for violin and orchestra, Kennedy & Lenehan) (track 4)
The Flight of the Bumblebee (for flute and orchestra, arr. Aho) (track 4)
The Flight of the Bumblebee (for violin and piano, arr. Heifetz) (track 4)
Valse Triste, op. 44 no. 1 (catch-all for arrangements) (track 8)
Valse triste, op. 44 no. 1 (for cello and piano, arr. Hermann) (track 8)
Полёт шмеля (catch-all for arrangements) (track 4)
is the basis for:
A Last Illusion (track 4)
Be Still My Soul (track 3)
Coronation Ode, op. 44: VI. Finale: "Land of Hope and Glory" (contralto soloist, with chorus) (track 6)
Gweddi Dros Gymru ("Dros Gymru'n gwlad, o Dad dyrchafwn gri" (Finlandia)) (track 3)
Honey Man (track 4)
Kuolema, op. 44: I. Valse triste (for piano) (track 8)
No More Boleros (track 10)
Vegli al mattino (track 3)
We Rest on Thee (track 3)
ボスBGM (Parodius) (track 4)
later parody versions:
Bolero (track 10)
Bolero (track 10)
Le Parti d'en rire (track 10)
later versions:
Also sprach Zarathustra (2001) (arr. Deodato) (track 1)
Bolero (Starink version) (track 10)
Bolero (arr. Hans Hasso Stamer) (track 10)
Boléro (arr. Ravel for 2 pianos) (track 10)
Boléro (arr. Django Rheinhardt) (track 10)
Troublant Bolero (track 10)
part of:
Thaïs: Acte II (track 5)
2 Pieces from Kuolema, op. 44 (part of collection) (track 8)
Also sprach Zarathustra (op 30; TrV 176) (track 1)
Symphony no. 5 (movement) (track 2)
recording of:
Boléro (track 10)
Finlandia, op. 26 (for orchestra) (track 3)
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements) (track 7)
Valse triste, op. 44 no. 1 (for orchestra) (track 8)
Wiener Blut, op. 354 (waltz) (track 9)
Полёт шмеля (catch-all for arrangements) (track 4)
referred to in medleys:
This Is the Story (Clare Muldaur) (track 10)
revision of:
version of: