Tracklist

CD 1: Bach
# Title Artist Rating Length
1 Brandenburg Concerto No. 3 in G major
Johann Sebastian Bach 14:01
2 Brandenburg Concerto No. 4 in G major
Johann Sebastian Bach 17:55
3 Brandenburg Concerto No. 5 in D major
Johann Sebastian Bach 21:34
4 Toccata and Fugue in D minor
Johann Sebastian Bach 7:42
CD 2: Berlioz
CD 3: Chopin
CD 4: Grieg
CD 5: Mahler
CD 6: Mussorgsky
CD 7: Rimsky-Korsakov
CD 8: Strauss
CD 9: Vivaldi I
CD 10: Relax With the Classics, Volume 1
CD 11: Baroque
CD 12: Bizet
CD 13: Debussy
CD 14: Händel
CD 15: Mendelssohn
CD 16: Orff
CD 17: Saint-Saëns
CD 18: Tchaikovsky I
CD 19: Wagner
CD 20: Relax With the Classics, Volume 2
CD 21: Beethoven I
CD 22: Bizet / Mendelssohn
CD 23: Dvořák
CD 24: Haydn
CD 25: Mozart I
CD 26: Rachmaninoff
CD 27: Schubert
CD 28: Tchaikovsky II
CD 29: Romantic Classics, Volume 1
CD 30: Tranquil Classics, Volume 1
CD 31: Beethoven II
CD 32: Brahms
CD 33: Elgar
CD 34: Holst: The Planets
CD 35: Mozart II
CD 36: Ravel
CD 37: Schumann
CD 38: Vivaldi II
CD 39: Romantic Classics, Volume 2
CD 40: Tranquil Classics, Volume 2

Credits

CD 1: Bach

organ:
Eberhard Kraus (organist, harpsichordist and composer) (track 4)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1–4)
conductor:
Henry Adolph (conductor, an Alfred Scholz pseudonym) (tracks 1–3)
dedicated to:
Christian Ludwig (Margrave of Brandenburg) (tracks 1–3)
orchestra:
Munich Chamber Ensemble (possibly an Alfred Scholtz pseudonym) (track 1)
part of:
Bach-Werke-Verzeichnis (number: BWV 565) (track 4)
Bach-Werke-Verzeichnis (number: BWV 1048) (track 1)
Bach-Werke-Verzeichnis (number: BWV 1049) (track 2)
Bach-Werke-Verzeichnis (number: BWV 1050) (track 3)
arrangements:
Brandenburg Concerto no. 3 in G major (for brass and jarocho strings/percussion) (track 1)
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (catchall for unknown versions) (track 1)
Toccata and Fugue in D minor (arr. Mike Batt) (track 4)
Toccata und Fuge d-Moll, BWV 565 (for piano 4 hands, Reger) (track 4)
Toccata und Fuge d-Moll, BWV 565 (for piano, Grainger) (track 4)
Toccata und Fuge d-Moll, BWV 565 (for band, Leidzén) (track 4)
Toccata und Fuge d-Moll, BWV 565 (catch-all for arrangements) (track 4)
Toccata und Fuge d-Moll, BWV 565 (for solo piano, Cortot) (track 4)
Toccata und Fuge d-Moll, BWV 565 (for piano, Friedman) (track 4)
Toccata und Fuge d-Moll, BWV 565 (for piano, Tausig) (track 4)
Toccata und Fuge d-Moll, BWV 565 (for piano solo, Reger) (track 4)
Toccata und Fugue d-Moll, BWV 565, BV B 29 no. 2 (Busoni piano arrangement) (track 4)
is the basis for:
The Real Thing (track 4)
Toccata (track 4)
later versions:
orchestrations:
Toccata and Fugue in D minor, BWV 565 (arr. S. Skrowaczewski) (track 4)
Toccata and Fugue in D minor, BWV 565 (Stokowski orchestration) (track 4)
Toccata und Fuge d-Moll, BWV 565 (orchestrated by H. Wood) (track 4)
part of:
Six concerts avec plusieurs instruments (Brandenburg concertos) (tracks 1–3)
parts:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part) (track 1)
recording of:
version of: