The Master Violinist

~ Release by Jascha Heifetz (see all versions of this release, 1 available)

Tracklist

▼ CD 1
# Title Artist Rating Length
1 Violin Concerto in D minor, op. 47: I. Allegro moderato
Jean Sibelius 14:29
2 Violin Concerto in D minor, op. 47: II. Adagio di molto
Jean Sibelius 6:50
3 Violin Concerto in D minor, op. 47: III. Allegro ma non tanto
Jean Sibelius 6:57
4 Violin Concerto in D, op. 35: I. Allegro moderato
Pyotr Ilyich Tchaikovsky 16:58
5 Violin Concerto in D, op. 35: II. Canzonetta: Andante
Pyotr Ilyich Tchaikovsky 7:01
6 Violin Concerto in D, op. 35: III. Finale: Allegro vivacissimo
Pyotr Ilyich Tchaikovsky 7:46
7 Violin Concerto in A minor, op. 82: I. Moderato
Alexander Glazunov 4:27
8 Violin Concerto in A minor, op. 82: II. Andante
Alexander Glazunov 7:37
9 Violin Concerto in A minor, op. 82: III. Cadenza
Alexander Glazunov 2:21
10 Violin Concerto in A minor, op. 82: IV. Animando
Alexander Glazunov 5:47
▼ CD 2
# Title Artist Rating Length
1 Violin Concerto no. 4 in D, K. 218: I. Allegro
Wolfgang Amadeus Mozart 8:04
2 Violin Concerto no. 4 in D, K. 218: II. Andante cantabile
Wolfgang Amadeus Mozart 6:39
3 Violin Concerto no. 4 in D, K. 218: III. Rondeau: Andante grazioso - Allegro ma non troppo
Wolfgang Amadeus Mozart 6:44
4 Violin Concerto in E minor, op. 64: I. Allegro molto appassionato
Felix Mendelssohn 11:05
5 Violin Concerto in E minor, op. 64: II. Andante
Felix Mendelssohn 8:17
6 Violin Concerto in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace
Felix Mendelssohn 5:15
7 Violin Concerto no. 5 in D, K. 219: I. Allegro aperto
Wolfgang Amadeus Mozart 9:58
8 Violin Concerto no. 5 in D, K. 219: II. Adagio
Wolfgang Amadeus Mozart 10:49
9 Violin Concerto no. 5 in D, K. 219: III. Tempo di minuetto
Wolfgang Amadeus Mozart 6:46
▼ CD 3
# Title Artist Rating Length
1 Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato
Henryk Wieniawski 7:49
2 Violin Concerto no. 2 in D minor, op. 22: II. Romance: Allegro non troppo
Henryk Wieniawski 5:17
3 Violin Concerto no. 2 in D minor, op. 22: III. Allegro con fuoco - Molto moderato
Henryk Wieniawski 5:41
4 Violin Concerto no. 4 in D minor, op. 31: I. Andante - Cadenza
Henri Vieuxtemps 6:33
5 Violin Concerto no. 4 in D minor, op. 31: II. Adagio religioso
Henri Vieuxtemps 6:13
6 Violin Concerto no. 4 in D minor, op. 31: III. Scherzo: Vivace - Trio: Meno mosso - Vivace da capo
Henri Vieuxtemps 4:17
7 Violin Concerto no. 4 in D minor, op. 31: IV. Finale marziale: Andante - Allegro
Henri Vieuxtemps 6:07
8 Violin Concerto no. 5 in A minor, op. 37: I. Allegro non troppo
Henri Vieuxtemps 9:22
9 Violin Concerto no. 5 in A minor, op. 37: II. Cadenza
Henri Vieuxtemps 2:56
10 Violin Concerto no. 5 in A minor, op. 37: III. Adagio
Henri Vieuxtemps 3:33
11 Violin Concerto no. 5 in A minor, op. 37: IV. Allegro con fuoco
Henri Vieuxtemps 1:12
12 Introduction and Rondo capriccioso in A minor, op. 28
Camille Saint‐Saëns 8:51
13 Havanaise in E, op. 83
Camille Saint‐Saëns 9:11
▼ CD 4
# Title Artist Rating Length
1 Sonata no. 1 in G minor, BWV 1001: I. Adagio
Johann Sebastian Bach 4:45
2 Sonata no. 1 in G minor, BWV 1001: II. Fuga: Allegro
Johann Sebastian Bach 4:57
3 Sonata no. 1 in G minor, BWV 1001: III. Siciliano
Johann Sebastian Bach 4:16
4 Sonata no. 1 in G minor, BWV 1001: IV. Presto
Johann Sebastian Bach 3:51
5 Partita no. 2 in D minor, BWV 1004: I. Allemande
Johann Sebastian Bach 3:32
6 Partita no. 2 in D minor, BWV 1004: II. Courante
Johann Sebastian Bach 2:59
7 Partita no. 2 in D minor, BWV 1004: III. Sarabande
Johann Sebastian Bach 3:26
8 Partita no. 2 in D minor, BWV 1004: IV. Gigue
Johann Sebastian Bach 4:03
9 Partita no. 2 in D minor, BWV 1004: V. Chaconne
Johann Sebastian Bach 13:16
10 Sonata no. 3 in C, BWV 1005: I. Adagio
Johann Sebastian Bach 4:13
11 Sonata no. 3 in C, BWV 1005: II. Fuga
Johann Sebastian Bach 9:06
12 Sonata no. 3 in C, BWV 1005: III. Largo
Johann Sebastian Bach 2:56
13 Sonata no. 3 in C, BWV 1005: IV. Allegro assai
Johann Sebastian Bach 4:55
14 Partita no. 3 in E, BWV 1006: IV. Menuet I - Menuet II
Johann Sebastian Bach 2:33
15 English Suite no. 3 in G minor, BWV 808: IV. Sarabande
Johann Sebastian Bach 3:14
▼ CD 5
# Title Artist Rating Length
1 Largo in C minor
Louis‐Nicolas Clérambault 4:05
2 La Ronde des Lutins (Scherzo fantastique), op. 25
Antonio Bazzini 4:28
3 Stimmungsbilder, op. 9 no. 2 "An einsamer Quelle"
Richard Strauss 3:49
4 Polonaise no. 1 in D, op. 4
Henryk Wieniawski 4:46
5 Méditation in D, op. 32
Alexander Glazunov 3:43
6 Scherzo-tarantelle in G minor, op. 16
Henryk Wieniawski 4:25
7 L'Enfant prodigue: Prélude
Claude Debussy 2:47
8 Suite española, op. 47: No. 3. "Sevilla"
Isaac Albéniz 4:04
9 La Capricieuse, op. 17
Edward Elgar 3:30
10 Guitarre, op. 45 no. 2
Moritz Moszkowski 3:09
11 La vida breve: Danse española no. 1
Manuel de Falla 3:23
12 Ruralia hungarica, op. 32a no. 6: Gypsy andante: Adagio non troppo
Ernő Dohnányi 4:44
13 Much Ado About Nothing, op. 11 no. 3: "Dogberry and Verges"
Erich Korngold 2:20
14 Saudades do Brazil, op. 67 no. 9
Darius Milhaud 2:01
15 Alt-Wien, op. 30 no. 1: Valse
Mario Castelnuovo-Tedesco 3:07
16 Trois mouvements perpétuels: No. 1. Assez modéré
Francis Poulenc 1:27
17 Trois mouvements perpétuels: No. 3. Alerte
Francis Poulenc 2:41
18 English Suite no. 3 in G minor, BWV 808: Gavottes 1 & 2
Johann Sebastian Bach 3:16
19 King Roger: Roxanna's Song
Karol Szymanowski 4:24
20 Hora staccato
Grigoraș Dinicu 2:15
21 Zigeunerweisen, op. 20 no. 1
Pablo de Sarasate 8:41
▼ CD 6
# Title Artist Rating Length
1 Sonata in A, op. 2 no. 2, RV 31: I. Preludio
Antonio Vivaldi ?:??
2 Sonata in A, op. 2 no. 2, RV 31: II. Capriccio
Antonio Vivaldi ?:??
3 Sonata in A, op. 2 no. 2, RV 31: III. Corrente
Antonio Vivaldi ?:??
4 Sonata in A, op. 2 no. 2, RV 31: IV. Recitativo
Antonio Vivaldi ?:??
5 Sonata in A, op. 2 no. 2, RV 31: V. Giga
Antonio Vivaldi ?:??
6 Violin Sonata no. 9 in A, op. 47 "Kreutzer": I. Adagio sostenuto - Presto
Ludwig van Beethoven ?:??
7 Violin Sonata no. 9 in A, op. 47 "Kreutzer": II. Andante con variazioni
Ludwig van Beethoven ?:??
8 Violin Sonata no. 9 in A, op. 47 "Kreutzer": III. Finale: Presto
Ludwig van Beethoven ?:??
9 24 Caprices, op. 1: No. 13 in B-flat: Allegro (arr. Kreisler)
Niccolò Paganini ?:??
10 24 Caprices, op. 1: No. 20 in D: Allegretto (arr. Kreisler)
Niccolò Paganini ?:??
11 24 Caprices, op. 1: No. 24 in A minor: Tema (Quasi presto) con variazioni I-XI (arr. Auer)
Niccolò Paganini ?:??
12 Violin Sonata in A: I. Allegretto ben moderato
César Franck ?:??
13 Violin Sonata in A: II. Allegro
César Franck ?:??
14 Violin Sonata in A: III. Recitativo - Fantasia: Ben moderato - Molto lento
César Franck ?:??
15 Violin Sonata in A: IV. Allegretto poco mosso
César Franck ?:??

Credits

CD 1

violin:
Jascha Heifetz (1934-03-28) (tracks 7–10)
Jascha Heifetz (1935-11-26) (tracks 1–3)
Jascha Heifetz (1937-03-25) (tracks 4–6)
balance engineer:
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) (1934-03-28) (tracks 7–10)
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) (1935-11-26) (tracks 1–3)
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) (1937-03-25) (tracks 4–6)
composer:
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1878) (tracks 4–5, 5–6)
Jean Sibelius (1903 – 1905) (tracks 1–3)
Александр Константинович Глазунов (composer) (1904) (tracks 7–10)
conductor:
Sir John Barbirolli (1934-03-28) (tracks 7–10)
Sir Thomas Beecham (1935-11-26) (tracks 1–3)
Sir John Barbirolli (1937-03-25) (tracks 4–6)
dedicated to:
Leopold Auer (tracks 7–10)
orchestra:
London Philharmonic Orchestra (1934-03-28) (tracks 7–10)
London Philharmonic Orchestra (1935-11-26) (tracks 1–3)
London Philharmonic Orchestra (1937-03-25) (tracks 4–6)
producer:
Walter Legge (British classical record producer, 1906-1979) (tracks 1–3)
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) (tracks 4–10)
premiered at:
Russian Musical Society: [concert] (1905-02-15) (tracks 7–10)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, United Kingdom (1934-03-28) (tracks 7–10)
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, United Kingdom (1935-11-26) (tracks 1–3)
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, United Kingdom (1937-03-25) (tracks 4–6)
part of:
Works of Alexander Glazunov by opus number (number: op. 82) (tracks 7–10)
arrangements:
Violin Concerto in D minor, op. 47: I. Allegro moderato (transcribed for violin and piano) (track 1)
Violin Concerto in D minor, op. 47: II. Adagio di molto (transcribed for violin and piano) (track 2)
Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto (transcribed for violin and piano) (track 3)
is the basis for:
Lynguistics (track 4)
part of:
Concerto for Violin and Orchestra in D major, op. 35 (tracks 4–5, 5–6)
Violin Concerto in D minor, op. 47 (movement) (tracks 1–3)
partial recording of:
Violin Concerto in A minor, op. 82 (1934-03-28) (tracks 7–8, 10)
Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo (1937-03-25) (tracks 5–6)
recording of:
Violin Concerto in A minor, op. 82 (1934-03-28) (track 9)
Violin Concerto in D minor, op. 47: I. Allegro moderato (1935-11-26) (track 1)
Violin Concerto in D minor, op. 47: II. Adagio di molto (1935-11-26) (track 2)
Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto (1935-11-26) (track 3)
Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato (1937-03-25) (track 4)
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante (1937-03-25) (track 5)

CD 2

violin:
Jascha Heifetz (1934-02-23) (tracks 7–9)
Jascha Heifetz (1947-11-10) (tracks 1–3)
Jascha Heifetz (1949-06-10) (tracks 4–6)
balance engineer:
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) (1934-02-23) (tracks 7–9)
Arthur S. Clarke (Engineer) (1947-11-10) (tracks 1–3)
Anthony Griffith (engineer) (1947-11-10) (tracks 1–3)
Anthony Griffith (engineer) (1949-06-10) (tracks 4–6)
composer:
Wolfgang Amadeus Mozart (classical composer) (1775-04 – 1775-12) (tracks 1–3, 7–9)
Felix Mendelssohn (1838 – 1844-09-16) (tracks 4–6)
conductor:
Sir John Barbirolli (1934-02-23) (tracks 7–9)
Sir Thomas Beecham (1949-06-10) (tracks 4–6)
orchestra:
London Philharmonic Orchestra (1934-02-23) (tracks 7–9)
Royal Philharmonic Orchestra (1947-11-10) (tracks 1–3)
Royal Philharmonic Orchestra (1949-06-10) (tracks 4–6)
producer:
David Bicknell (producer and engineer) (tracks 1–6)
Lawrance Collingwood (tracks 1–9)
revised by:
Felix Mendelssohn (1845) (tracks 4–6)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, United Kingdom (1934-02-23) (tracks 7–9)
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, United Kingdom (1947-11-10) (tracks 1–3)
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, United Kingdom (1949-06-10) (tracks 4–6)
arrangements:
Finale from the Violin Concerto (for horn and band, Hopkinson) (track 6)
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (catch-all for arrangements) (track 6)
part of:
Concerto for Violin and Orchestra no. 4 in D major, K. 218 (movement) (tracks 1–3)
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish” (movement) (tracks 7–9)
Violinkonzert in e-Moll, op. 64 (movement) (tracks 4–6)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: I. Allegro aperto (1934-02-23) (track 7)
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: II. Adagio (1934-02-23) (track 8)
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: III. Rondeau. Tempo di menuetto – Allegro (1934-02-23) (track 9)
Concerto for Violin and Orchestra no. 4 in D major, K. 218: I. Allegro aperto (1947-11-10) (track 1)
Concerto for Violin and Orchestra no. 4 in D major, K. 218: II. Andante cantabile (1947-11-10) (track 2)
Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau. Allegro grazioso - Allegro ma non troppo - Andante grazioso (1947-11-10) (track 3)
Violinkonzert in e-Moll, op. 64: I. Allegro molto appassionato (1949-06-10) (track 4)
Violinkonzert in e-Moll, op. 64: II. Andante (1949-06-10) (track 5)
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (1949-06-10) (track 6)

CD 3

composer:
Henryk Wieniawski (1870) (tracks 1–3)
arrangements:
Violin Concerto no. 2 in D minor, op. 22: II. Romance (for violin and piano) (track 2)
part of:
Second Concerto, op. 22 (tracks 1–3)
recording of:
Violin Concerto no. 2 in D minor, op. 22: I. Allegro moderato (track 1)
Violin Concerto no. 2 in D minor, op. 22: II. Romance. Andante non troppo (track 2)
Violin Concerto no. 2 in D minor, op. 22: III. Allegro con fuoco - Allegro moderato (a la Zingara) (track 3)

CD 5

violin:
Jascha Heifetz (tracks 1, 13–14, 17, 19, 21)
Jascha Heifetz (1934) (track 18)
Jascha Heifetz (1934-02-19) (track 15)
Jascha Heifetz (1934-02-21) (tracks 7–9)
Jascha Heifetz (1934-02-23) (track 6)
Jascha Heifetz (1934-03-27) (tracks 3, 5, 12)
Jascha Heifetz (1934-03-28) (track 10)
Jascha Heifetz (1935-12-11) (track 11)
Jascha Heifetz (1937-03-15) (track 4)
Jascha Heifetz (1937-04-09) (tracks 2, 16, 20)
piano:
Emanuel Bay (track 17)
Arpád Sándor (tracks 1, 13–14)
Arpád Sándor (1934) (track 18)
Arpád Sándor (1934-02-19) (track 15)
Arpád Sándor (1934-02-21) (tracks 7–9)
Arpád Sándor (1934-02-23) (track 6)
Arpád Sándor (1934-03-27) (tracks 3, 5, 12)
Arpád Sándor (1934-03-28) (track 10)
Emanuel Bay (1935-12-11) (track 11)
Emanuel Bay (1937-03-15) (track 4)
Emanuel Bay (1937-04-09) (tracks 2, 16, 20)
piano and violin arranger:
Jascha Heifetz (tracks 3, 7–8, 16, 18, 18)
Fritz Kreisler (violinist / composer) (track 12)
Pablo de Sarasate (track 10)
Jascha Heifetz (1932) (track 20)
arranger:
Fritz Kreisler (violinist / composer) (track 11)
composer:
Isaac Albéniz (tracks 8, 8)
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 18, 18)
Mario Castelnuovo-Tedesco (composer) (track 15)
Grigoraș Dinicu (track 20)
Ernő Dohnányi (Hungarian conductor, composer and pianist) (track 12)
Manuel de Falla (Spanish composer) (track 11)
Александр Константинович Глазунов (composer) (track 5)
Moritz Moszkowski (track 10)
Francis Poulenc (tracks 16, 16–17)
Antonio Bazzini (1852) (track 2)
Henryk Wieniawski (1852) (track 4)
Henryk Wieniawski (1855) (track 6)
Pablo de Sarasate (1878) (track 21)
Claude Debussy (1884) (track 7)
Richard Strauss (German composer) (1884) (track 3)
Edward Elgar (1891) (track 9)
conductor:
Sir John Barbirolli (track 21)
dedicated to:
Karol Lipiński (track 4)
Fred Ward (track 9)
orchestra:
London Symphony Orchestra (track 21)
revised by:
Claude Debussy (1907 – 1908) (track 7)
publisher:
Litolff (1853) (track 4)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1934) (track 18)
Abbey Road Studios in St John's Wood, Westminster, London, United Kingdom (1934-02-19) (track 15)
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1934-02-19) (track 15)
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1934-02-21) (tracks 7–9)
Abbey Road Studios in St John's Wood, Westminster, London, United Kingdom (1934-02-23) (track 6)
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1934-02-23) (track 6)
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1934-03-27) (tracks 3, 5, 12)
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1934-03-28) (track 10)
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1935-12-11) (track 11)
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1937-03-15) (track 4)
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1937-04-09) (tracks 2, 16, 20)
part of:
Works of Antonio Bazzini by opus number (number: op. 25) (track 2)
Works of Henryk Wieniawski by opus number (number: op. 4) (track 4)
Works of Edward Elgar by opus number (number: op. 17) (track 9)
Works of Henryk Wieniawski by opus number (number: op. 16) (track 6)
Works of Pablo de Sarasate by opus number (number: op. 20) (track 21)
Works of Alexander Glazunov by opus number (number: op. 32) (track 5)
arrangement of:
Englische Suite Nr. 3 g-Moll, BWV 808: V. Gavotte I (track 18)
Englische Suite Nr. 3 g-Moll, BWV 808: VI. Gavotte II ou la Musette - Gavotte I da capo (track 18)
Guitarre, op. 45 no. 2 (track 10)
Hora Staccato (for solo violin) (track 20)
La vida breve: Acto II. Danza española (track 11)
L’Enfant prodigue, L. 57, CD 61: I. Prélude (track 7)
Polonaise de concert no. 1 in D major, op. 4 (for violin and orchestra) (track 4)
Ruralia hungarica, op. 32c: II. Andante rubato alla Zingaresca (for violin and piano, arr. composer) (track 12)
Stimmungsbilder, op. 9 no. 2: An einsamer Quelle (track 3)
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (track 8)
Trois mouvements perpétuels: I. Assez modéré (track 16)
Zigeunerweisen, op. 20 (for violin and piano) (track 21)
arrangements:
Hora Staccato (for violin and orchestra, Heifetz) (track 20)
Hora Staccato (for band, Richards) (track 20)
La Capricieuse, op. 17 (for violin and piano, ed. Heifetz) (track 9)
La Capricieuse, op. 17 (catch-all for arrangements) (track 9)
La capricieuse, op. 17 (for string quartet, arr. Paul Cassidy) (track 9)
Meditation, op. 32 (arr. for violin and orchestra) (track 5)
Mouvements Perpétuels: No. 1. (for violin and piano, arr. Heifetz) (track 16)
Sevilla, sevillanas (for violin and piano, arr. Heifetz) (track 8)
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements) (track 8)
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (for guitar, Barrueco) (track 8)
is the basis for:
Caprichos no. 8 "Abstractions of Albéniz": V. Abstraction of Sevilla (track 8)
orchestrations:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (orchestrated by Frühbeck de Burgos) (track 8)
part of:
Suite española no. 1, op. 47 (movement) (track 8)
Trois mouvements perpétuels, FP 14 (tracks 16–17)
recording of:
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (track 8)
Trois mouvements perpétuels: I. Assez modéré (track 16)
Trois mouvements perpétuels: III. Alerte (track 17)
Zigeunerweisen, op. 20 (for violin and orchestra) (track 21)
Gavotte I (from English Suite No. 3, BWV 808) (for violin and piano, arr. Heifetz) (1934) (track 18)
Gavotte II (Musette) (from English Suite No. 3, BWV 808) (for violin and piano, arr. Heifetz) (1934) (track 18)
Alt-Wien, op. 30: No. 1. Valse (for violin and piano) (1934-02-19) (track 15)
La Capricieuse, op. 17 (for violin and piano) (1934-02-21) (track 9)
Prélude (from L’Enfant prodigue) (for violin and piano, arr. Heifetz) (1934-02-21) (track 7)
Sevilla, sevillanas (for violin and piano, arr. Heifetz) (1934-02-21) (track 8)
Scherzo-tarantelle, op. 16 (1934-02-23) (track 6)
An einsamer Quelle (for violin and piano, arr. Heifetz) (1934-03-27) (track 3)
Gypsy Andante (for violin and piano, arr. Kreisler) (1934-03-27) (track 12)
Meditation, op. 32 (for violin and piano) (1934-03-27) (track 5)
Guitarre, op. 45 no. 2 (for violin and piano, arr. Sarasate) (1934-03-28) (track 10)
Danse espagnole (for violin and piano, Kreisler) (1935-12-11) (track 11)
Polonaise de concert no. 1 in D major, op. 4 (for violin and piano) (1937-03-15) (track 4)
Hora Staccato (for violin and piano, arr. Heifetz) (1937-04-09) (track 20)
Mouvements Perpétuels: No. 1. (for violin and piano, arr. Heifetz) (1937-04-09) (track 16)
Scherzo fantastique, op. 25 "La Ronde des lutins" (1937-04-09) (track 2)
referred to in medleys:
Alma Barca (track 8)

CD 6

violin:
Jascha Heifetz (1934-02-21) (tracks 1–5)
Jascha Heifetz (1934-03-28) (track 9)
Jascha Heifetz (1937-04-03) (track 15)
piano:
Arpád Sándor (1934-02-21) (tracks 1–5)
Arpád Sándor (1934-03-28) (track 9)
Arthur Rubinstein (pianist) (1937-04-03) (track 15)
piano and violin arranger:
Adolf Busch (tracks 1–5)
Fritz Kreisler (violinist / composer) (track 9)
composer:
Niccolò Paganini (composer) (track 9)
Antonio Vivaldi (tracks 1–5)
César Franck (1886) (track 15)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1934-02-21) (tracks 1–5)
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1934-03-28) (track 9)
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London, United Kingdom (1937-04-03) (track 15)
arrangement of:
24 Caprices for Solo Violin, op. 1: No. 13 in B-flat major: Allegro “The Devil’s Laughter” (track 9)
Sonata in A major, op. 2 no. 2, RV 31 (tracks 1–5)
arrangements:
Sonata for Cello and Piano in A major: IV. Allegretto poco mosso (arranged by Delsart) (track 15)
Sonata for Piano and Violin in A major: IV. Allegretto poco mosso (transcription for Piano by Cortot) (track 15)
Sonata for Violin and Piano in A major: IV. Allegretto poco mosso (for flute and piano, Rampal) (track 15)
Sonata in A major: IV. Allegretto poco mosso (for saxophone and piano, Bornkamp) (track 15)
part of:
Sonata for Violin and Piano in A major, M. 8 (movement) (track 15)
partial recording of:
Sonata in A major, op. 2 no. 2, RV 31 (for violin and piano, arr. Busch) (1934-02-21) (tracks 1–5)
recording of:
Caprice no. 13 in B-flat (for violin and piano, Kreisler) (1934-03-28) (track 9)
Sonata for Violin and Piano in A major: IV. Allegretto poco mosso (1937-04-03) (track 15)

Release

part of: ICON (EMI Classics/Warner Classics compilations)
ASIN: UK: B001B1R1GI [info]