Tracklist

Digital Media 1
# Title Artist Rating Length
1 Symphony no. 1 “Titan”: I. Langsam. Schleppend - Im Anfang sehr gemächlich
Gustav Mahler 14:36
2 Symphony no. 1 “Titan”: II. Kräftig bewegt doch nicht zu schnell - Trio. Recht gemächlich
Gustav Mahler 7:03
3 Symphony no. 1 “Titan”: III. Feierlich und gemessen, ohne zu schleppen
Gustav Mahler 10:37
4 Symphony no. 1 “Titan”: IV. Stürmisch bewegt
Gustav Mahler 17:38
5 Symphony no. 2 “Resurrection”: I. Allegro maestoso
Gustav Mahler 19:54
6 Symphony no. 2 “Resurrection”: II. Andante moderato
Gustav Mahler 10:35
7 Symphony no. 2 “Resurrection”: III. Scherzo. In ruhig fliessender Bewegung
Gustav Mahler 10:11
8 Symphony no. 2 “Resurrection”: IV. “Urlicht”. Sehr feierlich, aber schlicht “O Röschen rot!”
Gustav Mahler 4:56
9 Symphony no. 2 “Resurrection”: Va. Im Tempo des Scherzos. Wild herausfahrend -
Gustav Mahler 17:36
10 Symphony no. 2 “Resurrection”: Vd. “Aufersteh’n, ja aufersteh’n wirst du” (Langsam. Misterioso) “Auferstehung”
Gustav Mahler 13:28
11 Symphony no. 3, Part 1: I. Kräftig. Entscheiden
Gustav Mahler 31:24
12 Symphony no. 3, Part 2: II. Tempo di minuetto. Sehr mäßig
Gustav Mahler 9:45
13 Symphony no. 3, Part 2: III. Comodo. Scherzando. Ohne Hast
Gustav Mahler 17:05
14 Symphony no. 3, Part 2: IV. Sehr langsam. Misterioso. “O Mensch! Gib acht!”
Gustav Mahler 9:22
15 Symphony no. 3, Part 2: V. Lustig im Tempo und keck im Ausdruck. “Bimm Bamm. Es sungen drei Engel”
Gustav Mahler 4:13
16 Symphony no. 3, Part 2: VI. Langsam. Ruhevoll. Empfunden
Gustav Mahler 22:01
17 Symphony no. 4: I. Bedächtig. Nicht eilen - Recht gemächlich
Gustav Mahler 15:52
18 Symphony no. 4: II. In gemächlicher Bewegung. Ohne Hast
Gustav Mahler 9:11
19 Symphony no. 4: III. Ruhevoll (Poco adagio)
Gustav Mahler 18:48
20 Symphony no. 4: IV. Sehr behaglich. “Wir genießen die himmlischen Freuden”
Gustav Mahler 8:01
21 Symphony no. 5: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I)
Gustav Mahler 11:43
22 Symphony no. 5: II. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito
Gustav Mahler 14:09
23 Symphony no. 5: III. Scherzo (Kräftig, nicht zu schnell)
Gustav Mahler 17:37
24 Symphony no. 5: IV. Adagietto (Sehr langsam)
Gustav Mahler 9:43
25 Symphony no. 5: V. Rondo-Finale (Allegro)
Gustav Mahler 15:26
26 Symphony no. 6: I. Allegro energico, ma non troppo. Heftig aber Markig
Gustav Mahler 21:10
27 Symphony no. 6: II. Scherzo (Wuchtig)
Gustav Mahler 11:46
28 Symphony no. 6: III. Andante moderato
Gustav Mahler 14:44
29 Symphony no. 6: IV. Finale (Allegro moderato)
Gustav Mahler 26:38
30 Symphony no. 7: I. Langsam - Allegro
Gustav Mahler 19:57
31 Symphony no. 7: II. Nachtmusik (Allegro moderato)
Gustav Mahler 14:55
32 Symphony no. 7: III. Scherzo
Gustav Mahler 9:28
33 Symphony no. 7: IV. Nachtmusik (Andante amoroso)
Gustav Mahler 12:19
34 Symphony no. 7: V. Rondo - Finale (Allegro ordinario - Allegro moderato ma energico)
Gustav Mahler 16:40
35 Symphony no. 8 “Symphony of a Thousand”: “Veni creator spiritus”
Gustav Mahler 22:12
36 Symphony no. 8 “Symphony of a Thousand”: Poco adagio. Waldung, sie schwankt heran
Gustav Mahler 27:52
37 Symphony no. 8 “Symphony of a Thousand”: "Dir, der Unberührbaren"
Gustav Mahler 24:24
38 Symphony no. 9: I. Andante comodo
Gustav Mahler 26:02
39 Symphony no. 9: II. Im Tempo eines gemächlichen Ländler. Etwas täppisch und sehr derb - Poco più mosso subito - Ländler, ganz langsam
Gustav Mahler 16:05
40 Symphony no. 9: III. Rondo. Burleske (Allegro assai. Sehr trotzig - Presto)
Gustav Mahler 13:23
41 Symphony no. 9: IV. Adagio (Sehr langsam)
Gustav Mahler 21:48
42 Symphony no. 10 (Unfinished): Andante - Adagio
Gustav Mahler 23:58

Credits

Digital Media 1

organ:
Eberhard Kraus (organist, harpsichordist and composer) (1970-06) (tracks 35, 37)
balance engineer:
Günter Hermanns (producer/engineer) (tracks 1–4)
Heinz Wildhagen (tracks 32, 34)
Heinz Wildhagen (1967-02 – 1967-03) (tracks 38–41)
Heinz Wildhagen (1967-05) (tracks 11–16)
Heinz Wildhagen (1968-04) (tracks 17–20, 42)
Heinz Wildhagen (1968-12) (tracks 26–29)
Heinz Wildhagen (1969-02 – 1969-03) (tracks 5–10)
Heinz Wildhagen (1970-06) (tracks 35–37)
Heinz Wildhagen (1970-11) (tracks 30–31, 33)
Heinz Wildhagen (1971-01) (tracks 21–25)
baritone vocals:
Dietrich Fischer‐Dieskau (1970-06) (tracks 35–37)
bass vocals:
Franz Crass (1970-06) (tracks 35–37)
choir vocals:
Chor des Bayerischen Rundfunks (1967-05) (track 15)
Tölzer Knabenchor (1967-05) (track 15)
Chor des Bayerischen Rundfunks (1969-02 – 1969-03) (track 10)
Chor des Bayerischen Rundfunks (1970-06) (tracks 35–37)
Chor des Norddeutschen Rundfunks (1970-06) (tracks 35–37)
Münchner MotettenChor (1970-06) (tracks 36–37)
Regensburger Domchor (Regensburg Cathedral Choir) (1970-06) (tracks 35–37)
WDR Rundfunkchor Köln (1970-06) (tracks 35–37)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (1967-05) (track 15)
Wolfgang Schubert (conductor) (1967-05) (track 15)
Wolfgang Schubert (conductor) (1969-02 – 1969-03) (track 10)
Helmut Franz (1970-06) (tracks 35–37)
Christoph Lickleder (1970-06) (tracks 35–37)
Herbert Schernus (1970-06) (tracks 35–37)
Josef Schmidhuber (1970-06) (tracks 35–37)
Hans Rudolf Zöbeley (1970-06) (tracks 36–37)
composer:
Gustav Mahler (1884 – 1888) (tracks 1–4)
Gustav Mahler (1888 – 1894) (tracks 5–10)
Gustav Mahler (1893 – 1896) (tracks 11–16)
Gustav Mahler (1899 – 1901) (tracks 17–20)
Gustav Mahler (1901 – 1902) (tracks 21–25)
Gustav Mahler (1903 – 1904) (tracks 26–29)
Gustav Mahler (1904 – 1905) (tracks 30–34)
Gustav Mahler (1906) (tracks 35–37)
Gustav Mahler (1908 – 1909) (tracks 38–41)
Gustav Mahler (1910) (track 42)
conductor:
Rafael Kubelík (1967-02 – 1967-03) (tracks 38–41)
Rafael Kubelík (1967-05) (tracks 11–16)
Rafael Kubelík (1967-10) (tracks 1–4)
Rafael Kubelík (1968-04) (tracks 17–20, 42)
Rafael Kubelík (1968-12) (tracks 26–29)
Rafael Kubelík (1969-02 – 1969-03) (tracks 5–10)
Rafael Kubelík (1970-06) (tracks 35–37)
Rafael Kubelík (1970-11) (tracks 30–34)
Rafael Kubelík (1971-01) (tracks 21–25)
contralto vocals:
Marjorie Thomas (1967-05) (tracks 14–15)
Norma Procter (1969-02 – 1969-03) (tracks 8, 10)
Julia Hamari (1970-06) (tracks 35–37)
Norma Procter (1970-06) (tracks 35, 37)
executive producer:
Wilfried Daenicke (producer at Deutsche Grammophon) (tracks 21–25)
Otto Gerdes (tracks 1–4)
librettist:
Johann Wolfgang von Goethe (tracks 36–37)
Hrabanus Maurus (track 35)
[anonymous] (Special Purpose Artist) (track 8)
Gustav Mahler (1888 – 1894) (tracks 9–10)
lyricist:
Friedrich Nietzsche (track 14)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (1967-02 – 1967-03) (tracks 38–41)
Symphonieorchester des Bayerischen Rundfunks (1968-04) (tracks 17–20, 42)
Symphonieorchester des Bayerischen Rundfunks (1969-02 – 1969-03) (tracks 5–10)
producer:
Hans Weber (producer/engineer) (tracks 1–42)
solo violin:
Rudolf Koeckert (the father, founder of the Koeckert-Quartett) (1968-04) (track 18)
soprano vocals:
Elsie Morison (1968-04) (track 20)
Edith Mathis (1969-02 – 1969-03) (track 10)
Martina Arroyo (1970-06) (tracks 35, 37)
Edith Mathis (1970-06) (track 37)
Erna Spoorenberg (1970-06) (tracks 35, 37)
tenor vocals:
Donald Grobe (1970-06) (tracks 35–37)
premiered at:
[concert] (1897) (tracks 12–13, 16)
[concert] (1895-03-04) (tracks 5–7)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1968) (tracks 1–4, 17–20)
Polydor International GmbH (not for release label use!) (1969) (tracks 5–10, 26–29)
Polydor International GmbH (not for release label use!) (1971) (tracks 21–25)
recorded at:
Herkulessaal in Munich, Bayern, Germany (1967-02 – 1967-03) (tracks 38–41)
Herkulessaal in Munich, Bayern, Germany (1967-05) (tracks 11–16)
Herkulessaal in Munich, Bayern, Germany (1967-10) (tracks 1–4)
Herkulessaal in Munich, Bayern, Germany (1968-04) (tracks 17–20, 42)
Herkulessaal in Munich, Bayern, Germany (1968-12) (tracks 26–29)
Herkulessaal in Munich, Bayern, Germany (1969-02 – 1969-03) (tracks 5–10)
Herkulessaal in Munich, Bayern, Germany (1970-06) (tracks 35–37)
Herkulessaal in Munich, Bayern, Germany (1970-11) (tracks 30–34)
Herkulessaal in Munich, Bayern, Germany (1971-01) (tracks 21–25)
edits:
arrangement of:
arrangements:
Adagietto From Symphony no. 5 (arr. J. Nurse for piano quintet) (track 24)
Adagietto aus der 5. Symphonie (for violin and piano, Wittinger) (track 24)
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (arr. Bruno Walter for piano 4 hands) (track 1)
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (arr. Bruno Walter for piano 4 hands) (track 2)
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (arr. Bruno Walter for piano 4 hands) (track 4)
Symphony no. 2 in C minor: I. Allegro maestoso (arr. Bruno Walter for piano 4 hands) (track 5)
Symphony no. 2 in C minor: II. Andante moderato (arr. Bruno Walter for piano 4 hands) (track 6)
Symphony no. 2 in C minor: III. In ruhig fließender Bewegung (arr. Bruno Walter for piano 4 hands) (track 7)
Symphony no. 2 in C minor: IV. Urlicht. Sehr feierlich, aber schlicht (arr. Bruno Walter for piano 4 hands) (track 8)
Symphony no. 2 in C minor: V. Im Tempo des Scherzos. Wild herausfahrend (arr. Bruno Walter for piano 4 hands) (tracks 9–10)
Symphony no. 4 in G major: I. Bedächtig, nicht eilen (arr. Erwin Stein for chamber orchestra) (track 17)
Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast (arr. Erwin Stein for chamber orchestra) (track 18)
Symphony no. 4 in G major: III. Ruhevoll, poco adagio (arr. Erwin Stein for chamber orchestra) (track 19)
Symphony no. 4 in G major: IV. Sehr behaglich (arr. Erwin Stein for chamber orchestra) (track 20)
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (catch-all for arrangements) (track 24)
has revision:
Symphony no. 10 in F-sharp major: I. Adagio (Cooke performing version II) (track 42)
Symphony no. 10 in F-sharp major: I. Adagio (Cooke performing version III) (track 42)
Symphony no. 10 in F-sharp minor: I. Adagio (Wheeler final revision, 1966) (track 42)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano) (track 13)
is the basis for:
later versions:
Symphony no. 10 in F-sharp major: I. Adagio (Barshai reconstruction) (track 42)
part of:
Symphony no. 10 in F-sharp major (original incomplete version) (movement) (track 42)
Symphonie Nr. 6 in a-Moll (movement) (tracks 26–29)
Symphony no. 1 in D major “Titan” (movement) (tracks 1–4)
Symphony no. 4 in G major (movement) (tracks 17–20)
Symphony no. 9 in D major (movement) (tracks 38–41)
Symphony no. 2 “Resurrection” (movement) (tracks 5–10)
Symphony no. 5 (movement) (tracks 21–25)
Symphony no. 7 in E minor "Lied der Nacht" (movement) (tracks 30–34)
Symphony no. 3 in D minor (movement) (tracks 11–16)
partial recording of:
parts:
recording of:
Symphony no. 9 in D major: I. Andante comodo (1967-02 – 1967-03) (track 38)
Symphony no. 10 in F-sharp major: I. Adagio (original incomplete version) (1968-04) (track 42)
Symphonie Nr. 6 in a-Moll: II. Andante moderato (sometimes III.) (1968-12) (track 28)
Symphonie Nr. 6 in a-Moll: III. Scherzo. Wuchtig (sometimes II.) (1968-12) (track 27)
version of:
Totenfeier (track 5)

Release

purchase for download: http://www.prostudiomasters.com/album/page/6250 [info]