Tracklist

CD 1
# Title Artist Rating Length
1 Magnificat D-Dur, BWV 243: II. Aria (Soprano II) "Et exsultavit spiritus meus"
Johann Sebastian Bach 2:23
2 Kantate, BWV 208 "Was mir behagt, ist nur die muntre Jagd!": IX. Aria "Schafe können sicher weiden" (Pales)
Johann Sebastian Bach 4:05
3 Kantate, BWV 84 "Ich bin vernügt mit meinem Glücke": III. Aria (Soprano) "Ich esse mit Freuden"
Johann Sebastian Bach 5:10
4 Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
Johann Sebastian Bach 7:33
5 Kantate, BWV 198 "Laß Fürstin, laß noch einen Strahl": V. Aria (Alto) "Wie starb die Heldin so vergnügt!"
Johann Sebastian Bach 6:59
6 Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": III. Aria (Soprano) "Erfüllet, ihr himmlischen göttlichen Flammen"
Johann Sebastian Bach 4:46
7 Kantate, BWV 14 "Wär Gott nicht mit uns diese Zeit": II. Aria (Soprano) "Unsre Stärke heißt zu schwach"
Johann Sebastian Bach 4:44
8 Johannes-Passion, BWV 245: Teil II, XXXV. Aria (Soprano) "Zerfließe, mein Herze"
Johann Sebastian Bach 6:42
9 Kantate, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen"
Johann Sebastian Bach 5:07
10 Kantate, BWV 70 "Wachet! betet! betet! wachet!": III. Aria (Alto) "Wenn kommt der Tag, an dem wir ziehen"
Johann Sebastian Bach 4:42
11 Kantate, BWV 198 "Laß Fürstin, laß noch einen Strahl": III. Aria (Soprano) "Verstummt, verstummt, ihr holden Saiten!"
Johann Sebastian Bach 3:37
12 Kantate, BWV 74 "Wer mich liebet, der wird mein Wort halten": II. Aria (Soprano) "Komm, komm, mein Herze steht dir offen"
Johann Sebastian Bach 2:52
13 Kantate, BWV 30 "Freue dich, erlöste Schar": Teil I, V. Aria (Alto) "Kommt, ihr angefochtnen Sünder"
Johann Sebastian Bach 5:21
14 Hohe Messe in h-Moll, BWV 232: IIc. Aria (Soprano II) "Laudamus te"
Johann Sebastian Bach 4:17

Credits

CD 1

composed in:
Weimar, Thüringen, Germany (track 2)
Leipzig, Sachsen, Germany (1727) (tracks 5, 11)
Leipzig, Sachsen, Germany (1728 – 1731) (track 1)
Leipzig, Sachsen, Germany (1747 – 1749) (track 14)
premiered in:
Weißenfels, Sachsen-Anhalt, Germany (1713-02) (track 2)
Leipzig, Sachsen, Germany (1725-03-25) (track 6)
Leipzig, Sachsen, Germany (1727-10-17) (tracks 5, 11)
Leipzig, Sachsen, Germany (1733-07-02) (track 1)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1, 4, 8, 14)
Johann Sebastian Bach (German Baroque period composer & musician) (1713) (track 2)
Johann Sebastian Bach (German Baroque period composer & musician) (1723) (track 10)
Johann Sebastian Bach (German Baroque period composer & musician) (1725) (tracks 6, 12)
Johann Sebastian Bach (German Baroque period composer & musician) (1726) (track 9)
Johann Sebastian Bach (German Baroque period composer & musician) (1727) (tracks 3, 5, 11)
Johann Sebastian Bach (German Baroque period composer & musician) (1735) (track 7)
Johann Sebastian Bach (German Baroque period composer & musician) (1738) (tracks 13, 13)
conductor:
Marek Štryncl (tracks 1–14)
librettist:
Salomon Franck (track 2)
Picander (tracks 3–4)
[anonymous] (Special Purpose Artist) (tracks 6, 9)
Johann Christoph Gottsched (1727) (tracks 5, 11)
lyricist:
mezzo-soprano vocals:
Magdalena Kožená (tracks 1, 4–14)
orchestra:
Musica Florea (tracks 1–14)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist) (track 4)
performer:
Musica Florea (track 2)
soprano vocals:
Magdalena Kožená (tracks 2–3)
vocals:
Magdalena Kožená (track 2)
recorded at:
arrangements:
Aria "Erbarme dich" (for voice, violin and organ, Liszt) (track 4)
Récitatif et Air from Cantata, BWV 30 (for piano, Saint-Säens) (tracks 13, 13)
Sheep May Safely Graze (arr. for piano, Egon Petri) (track 2)
Sheep May Safely Graze from Cantata, BWV 208 (for organ, Taylor) (track 2)
Sheep May Safely Graze from Cantata, BWV 208 (for piano, Friedman) (track 2)
is the basis for:
Blithe Bells (for piano) (track 2)
Blithe Bells (for orchestra) (track 2)
later translated versions:
later versions:
orchestrations:
Sheep May Safely Graze (from Cantata 208) (Stokowski orchestration) (track 2)
part of:
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (1996-07 – 1996-09) (track 14)