Tracklist

CD 1
# Title Artist Rating Length
1 Also sprach Zarathustra: Einleitung
Richard Strauss 1:58
2 Peer Gynt Suite Nr. 1: Morgenstimmung
Edvard Grieg 4:15
3 Tosca: Vissi d'arte, vissi d'amore
Giacomo Puccini 3:37
4 Symphonie Nr. 5 c-moll, op. 67: Allegro con brio
Ludwig van Beethoven 2:53
5 Toccata d-moll, BWV 565
Johann Sebastian Bach 2:35
6 Der Messias: Halleluja
Georg Friedrich Händel 4:15
7 Klavierkonzert Nr. 21 C-Dur, KV. 467 "Elvira Madigan": Andante
Wolfgang Amadeus Mozart 7:16
8 Feuerwerksmusik: La réjouissance
Georg Friedrich Händel 2:11
9 O Sole Mio
Eduardo di Capua 3:24
10 Ungarischer Tanz Nr. 5 g-moll
Johannes Brahms 2:35
11 Cavalleria rusticana: Intermezzo sinfonico
Pietro Mascagni 4:04
12 West Side Story: Tonight
Leonard Bernstein 2:36
13 Pomp and Circumstance, op. 39: Marsch Nr. 1
Sir Edward Elgar 5:55
14 Romeo und Julia: Tanz der Ritter (Ausschnitt)
Сергей Сергеевич Прокофьев 1:55
15 Concerto de Aranjuez: Adagio (Ausschnitt)
Joaquín Rodrigo 5:55
16 Requiem d-moll, KV. 626: Lacrimosa
Wolfgang Amadeus Mozart 5 4:14
17 Bilder einer Ausstellung: Promenade - Der Gnom
Модест Петрович Мусоргский 4:39
18 La Traviata: Libiamo ne' lieti calici (Brindisi)
Giuseppe Verdi 3:01
19 Orpheus in der Unterwelt: Ouvertüre - Can-Can
Jacques Offenbach 2:09
20 Bolero (Finale)
Maurice Ravel 8:26
CD 2
# Title Artist Rating Length
1 Carmen-Suite Nr. 1: Prélude
Georges Bizet 3:29
2 Das Land des Lächelns: Dein ist mein ganzes Herz
Franz Lehár 3:38
3 Klarinettenkonzert A-dur, KV. 622: Adagio
Wolfgang Amadeus Mozart 7:01
4 Der Freischütz: Was gleicht wohl auf Erden (Jägerchor)
Carl Maria von Weber 2:36
5 Aida: Triumphmarsch
Giuseppe Verdi 1:43
6 Symphonie Nr. 9 e-moll, op. 95 "Aus der Neuen Welt": Largo
Antonín Dvořák 5:15
7 Trompetenkonzert Es-dur, Hob. VIIe:1: Allegro
Joseph Haydn 4:39
8 Granada
Agustín Lara 3:57
9 Thais: Meditation
Jules Massenet 4:59
10 Turandot: Nessun Dorma
Giacomo Puccini 3:30
11 Der Karneval der Tiere: Der Schwan
Camille Saint‐Saëns 4:00
12 Klavierkonzert Nr.1 b-moll, op. 23: Allegro ma non troppo (Ausschnitt)
Пётр Ильич Чайковский 4:19
13 Rigoletta: La donna e mobile
Giuseppe Verdi 2:49
14 Die vier Jahreszeiten - Der Frühling: Allegro
Antonio Vivaldi 3:11
15 Kaiserwalzer, op. 437 (Ausschnitt)
Johann Strauss II 5:36
16 Klaviersonate Nr. 14 cis-moll, op. 27 Nr. 2 "Mondschein-Sonate": Adagio sostenuto
Ludwig van Beethoven 6:09
17 Rhapsody in Blue (Ausschnitt)
George Gershwin 5:11
18 Prélude du Te Deum
Marc‐Antoine Charpentier 1:23
19 Carmina Burana: O Fortuna
Carl Orff 2:46
20 Radetzky-Marsch
Johann Strauss I 2:53

Credits

CD 1

premiered in:
Liverpool, Merseyside, United Kingdom (1901-10-19) (track 13)
trumpet:
Maurice André (French trumpeter) (1964-06) (track 6)
organ:
Elmar Schloter (organist) (1964-06) (track 6)
Hans Haselböck (1971-04) (track 16)
Simon Preston (organist, conductor, composer) (1984-09) (track 5)
piano:
Anda Géza (1961-05) (track 7)
harpsichord:
Hedwig Bilgram (1964-06) (track 6)
additional composer:
Franz Xaver Süßmayr (1791 – 1792) (track 16)
arranger:
balance engineer:
Günter Hermanns (producer/engineer) (track 7)
Harald Baudis (track 6)
Günter Hermanns (producer/engineer) (1959-09-04) (track 10)
Hans-Peter Schweigmann (1984-09) (track 5)
baritone vocals:
Bruno Grella (track 18)
bass vocals:
Giovanni Foiani (bass) (track 18)
Alfredo Giacomotti (operatic bass) (track 18)
choir vocals:
Münchener Bach‐Chor (1964-06) (track 6)
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (1976-05-14 – 1977-06) (track 18)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (1971-04) (track 16)
Wolfgang Baumgart (1976-05-14 – 1977-06) (track 18)
co-executive producer:
Ellen Hickmann (producer for Deutsche Grammophon) (track 16)
Hans Hirsch (producer at Deutsche Grammophon) (track 16)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (track 5)
Johannes Brahms (track 10)
George Frideric Handel (German‐British baroque composer) (track 6)
Jacques Offenbach (track 19)
Giacomo Puccini (Italian composer) (track 3)
Giuseppe Verdi (Italian opera composer) (track 18)
George Frideric Handel (German‐British baroque composer) (1741) (track 6)
George Frideric Handel (German‐British baroque composer) (1749) (track 8)
Wolfgang Amadeus Mozart (classical composer) (1785 – 1785-03-09) (track 7)
Wolfgang Amadeus Mozart (classical composer) (1791) (tracks 16, 16)
Ludwig van Beethoven (1804 – 1808) (track 4)
Модест Петрович Мусоргский (composer) (1874-06-02 – 1874-06-22) (tracks 17, 17)
Edvard Grieg (1875) (track 2)
Pietro Mascagni (1888) (track 11)
Richard Strauss (German composer) (1896) (track 1)
Eduardo di Capua (1898) (track 9)
Edward Elgar (1901) (track 13)
Maurice Ravel (classical composer) (1928) (track 20)
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (1939) (track 15)
Leonard Bernstein (American composer and conductor) (1956) (track 12)
conductor:
Sir Colin Davis (track 3)
Neeme Järvi (track 11)
Herbert von Karajan (tracks 4, 17)
Lorin Maazel (tracks 1, 19)
Seiji Ozawa (conductor) (tracks 14, 20)
Reinhard Peters (track 15)
Herbert von Karajan (1959-09-04) (track 10)
Anda Géza (1961-05) (track 7)
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (1964-06) (track 6)
Karl Böhm (Austrian conductor) (1971-04) (track 16)
Norman Del Mar (1975-06) (track 13)
Carlos Kleiber (1976-05-14 – 1977-06) (track 18)
Giancarlo Chiaramello (1979) (track 9)
Trevor Pinnock (1985) (track 8)
Neeme Järvi (1987-06) (track 2)
engineer:
Klaus Scheibe (editor/engineer) (track 18)
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965) (track 7)
librettist:
Giuseppe Giacosa (track 3)
Luigi Illica (track 3)
lyricist:
Giovanni Capurro (1898) (track 9)
Stephen Sondheim (1956) (track 12)
mezzo-soprano vocals:
Stefania Malagú (mezzo-soprano) (track 18)
orchestra:
Berliner Philharmoniker (tracks 4, 15, 17)
Boston Symphony Orchestra (tracks 14, 20)
Wiener Philharmoniker (tracks 1, 19)
Berliner Philharmoniker (1959-09-04) (track 10)
Münchener Bach‐Orchester (1964-06) (track 6)
Wiener Philharmoniker (1971-04) (track 16)
Royal Philharmonic Orchestra (1975-06) (track 13)
Bayerisches Staatsorchester (1976-05-14 – 1977-06) (track 18)
National Philharmonic Orchestra (of London, mostly film music) (1979) (track 9)
The English Concert (1985) (track 8)
Gothenburg Symphony Orchestra (1987-06) (track 2)
orchestrator:
Albert Parlow (track 10)
Maurice Ravel (classical composer) (1922) (tracks 17, 17)
producer:
Karl Faust (producer) (track 6)
Ellen Hickmann (producer for Deutsche Grammophon) (track 16)
Hans Hirsch (producer at Deutsche Grammophon) (track 16)
Gerd Ploebsch (track 5)
Werner Wolf (engineer/producer) (track 10)
Hans Weber (producer/engineer) (track 7)
Hans Weber (producer/engineer) (1976-05-14 – 1977-06) (track 18)
publisher:
recording engineer:
Günter Hermanns (producer/engineer) (track 16)
Wolfgang Lohse (track 16)
Hans Weber (producer/engineer) (track 7)
revised by:
Edvard Grieg (1888) (track 2)
solo guitar:
Siegfried Behrend (track 15)
solo piano:
Anda Géza (track 7)
solo soprano vocals:
Ileana Cotrubaş (Romanian Soprano) (track 18)
solo tenor vocals:
Plácido Domingo (track 18)
soprano vocals [Violetta]:
Ileana Cotrubaş (Romanian Soprano) (1976-05-14 – 1977-06) (track 18)
tenor vocals:
José Carreras (track 12)
Walter Gullino (tenor) (track 18)
Luciano Pavarotti (1979) (track 9)
tenor vocals [Alfredo]:
Plácido Domingo (1976-05-14 – 1977-06) (track 18)
vocals:
Ileana Cotrubaş (Romanian Soprano) (track 18)
Plácido Domingo (track 18)
Alfredo Giacomotti (operatic bass) (track 18)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1960) (track 10)
Polydor International GmbH (not for release label use!) (1961) (track 7)
Polydor International GmbH (not for release label use!) (1965) (track 6)
Polydor International GmbH (not for release label use!) (1971) (track 16)
The Decca Record Company Ltd. (not for release label use!) (1979) (track 9)
publisher:
Boosey & Co. Ltd. (track 13)
premiered at:
Palais Garnier in Paris, Île-de-France, France (1928-11-22) (track 20)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1959-09-04) (track 10)
Großes Festspielhaus in Salzburg, Salzburg, Austria (1961-05) (track 7)
Herkulessaal in Munich, Bayern, Germany (1964-06) (track 6)
Bürgerbräukeller in Munich, Bayern, Germany (1976-05-14 – 1977-06) (track 18)
Kingsway Hall in London, England, United Kingdom (1979) (track 9)
Kreuzbergkirche in Bonn, Nordrhein-Westfalen, Germany (1984-09) (track 5)
compiled in:
edit of:
edits:
part of:
arrangements:
Boléro (catch-all for arrangements) (track 20)
Boléro (arr. Ravel for piano 4-hands) (track 20)
Concierto de Aranjuez: II. Adagio (catch-all for arrangements) (track 15)
Concierto de Aranjuez: II. Adagio (for harp and orchestra, Rodrigo 1974) (track 15)
Pomp and Circumstance Marches, op. 39: March no. 1 in D major (catch-all for arrangements) (track 13)
Romeo and Juliet, op. 64: Act I. Scene II. No. 13. Dance of the knights (arr. for solo violin and orchestra) (track 14)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (catch all for arrangements) (track 4)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (for brass, Frackenpohl) (track 4)
The 5th (track 4)
Toccata (for brass band, Sykes) (track 5)
Toccata und Fuge d-Moll, BWV 565: I. Toccata (for piano 4 hands, Reger) (track 5)
Toccata und Fuge d-Moll, BWV 565: I. Toccata (catch all for arrangements) (track 5)
Картинки с выставки: I. Promenade I (arranged by Hindsley) (track 17)
Картинки с выставки: II. №1, Gnomus (arr. Hindsley for symphonic band) (track 17)
is the basis for:
Ave Maria (Adapted from the Intermezzo of Cavalleria Rusticana) (track 11)
Coronation Ode, op. 44: VI. Finale: "Land of Hope and Glory" (contralto soloist, with chorus) (track 13)
Knighttime (Electronic derivative of Prokofiev's Dance of the Knights) (track 14)
Lacrymosa (track 16)
No More Boleros (track 20)
Sancta Maria (based on the Intermezzo from "Cavalleria rusticana" by Mascagni) (track 11)
Sex'n fax (track 7)
Toccata (lyrics by Tanzwut) (track 5)
the Fifth Death (UnEpic) (track 5)
later parody versions:
Bolero (track 20)
Bolero (track 20)
Le Parti d'en rire (track 20)
later translated versions:
Als ich dich sah (track 12)
Ağıt (track 16)
Mana saule (track 9)
later versions:
Also sprach Zarathustra (2001) (arr. Deodato) (track 1)
Bolero (Starink version) (track 20)
Bolero (arr. Hans Hasso Stamer) (track 20)
Boléro (arr. Ravel for 2 pianos) (track 20)
Boléro (arr. Django Rheinhardt) (track 20)
Can Can (track 19)
Toccata (track 5)
Troublant Bolero (track 20)
live recording of:
orchestration of:
Pictures at an Exhibition: No. 1 "Gnomus" (original piano version) (track 17)
Pictures at an Exhibition: Promenade (1st) (original piano version) (track 17)
orchestrations:
Toccata and Fugue in D minor, BWV 565: Toccata (arr. S. Skrowaczewski) (track 5)
part of:
Hungarian Dances for orchestra (Parlow orchestration) (track 10)
La traviata: Atto I (track 18)
Tosca: Atto II (track 3)
Also sprach Zarathustra (op 30; TrV 176) (track 1)
Tableaux d'une exposition (orchestrated by Ravel) (tracks 17, 17)
Concierto de Aranjuez (movement) (track 15)
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition) (movement) (track 16)
West Side Story (track 12)
Requiem in D minor, K. 626 (catch-all for unknown editions) (track 16)
Der Messias: Part II (arr. W.A. Mozart) (track 6)
partial recording of:
Boléro (track 20)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (catch-all for unknown editions) (track 16)
Tableaux d'une exposition: I. Gnomus (orchestrated by Ravel) (track 17)
Tableaux d'une exposition: Promenade (orchestrated by Ravel, 1st promenade) (track 17)
West Side Story: Tonight (Maria, Tony) (track 12)
Der Messias: 42. Chor: Halleluja (1964-06) (track 6)
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (1971-04) (track 16)
’O sole mio (1979) (track 9)
referred to in medleys:
Hooked on a Song (track 9)
This Is the Story (Clare Muldaur) (track 20)
West Side Story Medley (Clayderman) (track 12)
West Side Story (Peter Riese arrangement) (track 12)
Spaghetti mix (track 9)
translated version of:
version of:

CD 2

premiered in:
Berlin, Germany (1889-10-21) (track 15)
clarinet:
Karl Leister (track 3)
violin:
Gidon Kremer (1980-02) (track 14)
cello:
Mischa Maisky (cellist) (1991-06) (track 11)
cello arranger:
Paul Vidal (composer and teacher) (track 11)
trumpet:
Maurice André (French trumpeter) (1966-11) (track 7)
organ:
Leslie Pearson (1980-02) (track 14)
piano:
Emil Gilels (1980-09-09 – 1980-09-17) (track 16)
harpsichord:
Hilde Noe (1966-11) (track 7)
arranger:
Karl-Heinz Loges (track 2)
Marcel Peeters (track 8)
balance engineer:
Klaus Hiemann (track 5)
Hans-Peter Schweigmann (1966-12-28 – 1966-12-29) (track 20)
Günter Hermanns (producer/engineer) (1972-09) (track 15)
Günter Hermanns (producer/engineer) (1981-05-11 – 1981-05-18) (track 10)
choir vocals:
Arnold Schönberg Chor (1993-10) (track 19)
Wiener Sängerknaben (1993-10) (track 19)
chorus master:
Erwin Ortner (1993-10) (track 19)
composer:
Georges Bizet (French romantic composer) (track 1)
Franz Lehár (track 2)
Giuseppe Verdi (Italian opera composer) (track 5)
Giuseppe Verdi (Italian opera composer) (– 1851-03-11) (track 13)
Antonio Vivaldi (1723) (track 14)
Wolfgang Amadeus Mozart (classical composer) (1791-09-28 – 1791-10-07) (track 3)
Joseph Haydn (1796) (track 7)
Ludwig van Beethoven (1801) (track 16)
Johann Strauss (Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (1848) (track 20)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1874-11 – 1875-02) (track 12)
Johann Strauss (Austro-German composer, "Walzerkönig", Johann Strauss II, Sohn, Jr., the Younger, the Son) (1889) (track 15)
Antonín Dvořák (1893-01-10 – 1893-05-24) (track 6)
Jules Massenet (1894) (track 9)
Giacomo Puccini (Italian composer) (1921-03 – 1924-03) (track 10)
George Gershwin (composer) (1924) (track 17)
Agustín Lara (1932) (track 8)
Carl Orff (1936) (tracks 19, 19)
conductor:
Karl-Heinz Loges (track 2)
Marcel Peeters (track 8)
Claudio Abbado (track 1)
Carlo Maria Giulini (conductor) (track 13)
Neeme Järvi (track 9)
Herbert von Karajan (track 12)
Carlos Kleiber (track 4)
Rafael Kubelík (tracks 3, 6)
Kurt Masur (track 17)
Hans Stadlmair (1966-11) (track 7)
Herbert von Karajan (1966-12-28 – 1966-12-29) (track 20)
Karl Böhm (Austrian conductor) (1972-09) (track 15)
Claudio Abbado (1980-02) (track 14)
Claudio Abbado (1981-01) (track 5)
Herbert von Karajan (1981-05-11 – 1981-05-18) (track 10)
Semyon Bychkov (1991-06) (track 11)
André Previn (1993-10) (track 19)
Marc Minkowski (1997-03) (track 18)
dedicated to:
editor:
Stephan Flock (track 18)
Helmut Najda (track 7)
engineer:
Klaus Scheibe (editor/engineer) (track 7)
Gernot von Schultzendorff (Engineer) (track 11)
Gregor Zielinsky (Balance engineer) (track 18)
executive producer:
Dr. Peter Czornyj (track 18)
Hans Hickmann (track 7)
librettist:
Giuseppe Adami (track 10)
Renato Simoni (track 10)
Francesco Maria Piave (– 1851-03-11) (track 13)
lyricist:
Ludwig Herzer (track 2)
Fritz Löhner-Beda (track 2)
Agustín Lara (1932) (track 8)
orchestra:
Berliner Philharmoniker (tracks 3, 6)
London Symphony Orchestra (tracks 1–2, 8)
Wiener Philharmoniker (tracks 12–13)
Münchener Kammerorchester (1966-11) (track 7)
Berliner Philharmoniker (1966-12-28 – 1966-12-29) (track 20)
Wiener Philharmoniker (1972-09) (track 15)
London Symphony Orchestra (1980-02) (track 14)
Wiener Philharmoniker (1981-05-11 – 1981-05-18) (track 10)
Orchestre de Paris (1991-06) (track 11)
Wiener Philharmoniker (1993-10) (track 19)
Les Musiciens du Louvre (1997-03) (track 18)
orchestrator:
Paul Vidal (composer and teacher) (track 11)
Ferde Grofé (1942) (track 17)
producer:
Günther Breest (tracks 2, 8)
Rainer Brock (tracks 5, 14)
Christian Gansch (track 11)
Michel Glotz (track 10)
Ellen Hickmann (producer for Deutsche Grammophon) (track 15)
Renate Kupfer (track 5)
Wolfgang Lohse (track 7)
Arend Prohmann (track 18)
Bobby Schmidt (tracks 2, 8)
Hans Weber (producer/engineer) (track 20)
recording engineer:
Jürgen Bulgrin (track 18)
solo violin:
solo piano:
Святослав Теофилович Рихтер (Sviatoslav Richter, pianist) (track 12)
Siegfried Stöckigt (track 17)
solo tenor vocals:
Plácido Domingo (track 13)
tenor vocals:
Plácido Domingo (tracks 2, 8)
tenor vocals [Calaf]:
Plácido Domingo (track 10)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1967) (track 20)
Polydor International GmbH (not for release label use!) (1968) (tracks 3, 7)
Polydor International GmbH (not for release label use!) (1976) (tracks 2, 8)
Polydor International GmbH (not for release label use!) (1982) (tracks 5, 10)
Polydor International GmbH (not for release label use!) (1990) (track 9)
publisher:
Chappell Music Ltd. (track 17)
Ferde Grofé Music Publishing (New York) (track 17)
New World Music Co. (track 17)
Schott Music International (tracks 19, 19)
Warner Bros. Music (track 17)
Peer International Corp. (1932 –) (track 8)
premiered at:
Wasserglacis in Wien, Austria (1848-08-31) (track 20)
recorded at:
Herkulessaal in Munich, Bayern, Germany (1966-11) (track 7)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1966-12-28 – 1966-12-29) (track 20)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1980-09-09 – 1980-09-17) (track 16)
Centro Telecine Culturale in Milan, Milano, Italy (1981-01) (track 5)
Wiener Musikverein: Großer Musikvereinssaal in Wien, Austria (1981-05-11 – 1981-05-18) (track 10)
Salle Wagram in Paris, Île-de-France, France (1991-06) (track 11)
edit of:
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228) (track 20)
Works of Johann Strauss Jr. by opus number (number: op. 437) (track 15)
arrangements:
Das Land des Lächelns: Dein ist mein ganzes Herz (catch-all for arrangements) (track 2)
Kaiser-Walzer (for chamber ensemble, Schönberg) (track 15)
Meditation from Thaïs (catch-all for arrangements) (track 9)
Meditation from Thaïs (for orchestra, arr. Cullen) (track 9)
Meditation from Thaïs (for trumpet and orchestra, arr. Nakariakov) (track 9)
Meditation from Thaïs (for violin and piano, arr. Marsick) (track 9)
O Fortuna (QNTAL song) (track 19)
Plesový marš (track 20)
Radetzky March (for handbell ensemble) (track 20)
Radetzky March, op. 228 (catch-all for arrangements) (track 20)
Rhapsody in Blue (catch-all for arrangements) (track 17)
Rhapsody in Blue (arr. Dokshitser for trumpet and orchestra) (track 17)
Rhapsody in Blue (transcription for solo piano by Gershwin) (track 17)
Rhapsody in Blue (Glenn Miller arrangement) (track 17)
Rhapsody in Blue (arr. Carlos Barbosa-Lima) (track 17)
Rigoletto: Atto III. “La donna è mobile” (Duca) (catch-all for arrangements) (track 13)
is the basis for:
A New World (track 6)
AMERICA (STAGE 1) (City Connection) (track 12)
Blue (track 17)
Concerto (track 12)
Goin’ Home (track 6)
Mephistopheles (track 16)
Moonlight (The Piano Guys) (track 16)
Más allá (track 6)
Overture (track 16)
Radetzky Waltz (track 20)
Tonight We Love (Freddy Martin 1941 hit) (track 12)
What Happened (Sublime) (track 17)
What Is Eternal (track 16)
月光 (Mondscheinsonate+drumloops) (track 16)
later translated versions:
El nostre heroi (track 10)
Going to Win (track 10)
Granada (English version, lyrics by Dorothy Dodd) (track 8)
Hear My Prayer (English translation of Nessun dorma) (track 10)
Valse de l'Empereur (track 15)
You Are My Heart’s Delight (from “The Land of Smiles”) (track 2)
later versions:
Going Home (Largo "From the New World") (James Last pop arrangement) (track 6)
Negro Spiritual Melody (for violin and piano, Kreisler) (track 6)
The Mass (track 19)
Vincerai per me (track 5)
live recording of:
orchestration of:
Le Carnaval des animaux: XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano) (track 11)
orchestrations:
Moonlight Sonata (orch. Stokowski) (track 16)
part of:
Te Deum, H. 146 (track 18)
Thaïs: Acte II (track 9)
Carmen Suite no. 1 (track 1)
Rigoletto: Atto III (track 13)
Turandot: Atto III (track 10)
Der Freischütz: Akt III (number) (track 4)
Aida: Atto Secondo (track 5)
partial recording of:
Rhapsody in Blue (standard 1942 orchestration) (track 17)
Kaiser-Walzer, op. 437 (1972-09) (track 15)
recording of:
Granada (original Spanish version) (track 8)
Radetzky March, op. 228 (1966-12-28 – 1966-12-29) (track 20)
Le Carnaval des animaux: XIII. Le Cygne (for cello and orchestra, arr. Vidal) (1991-06) (track 11)
Te Deum, H. 146: Prélude (1997-03) (track 18)
referred to in medleys:
Hooked on America (track 17)
Hooked on Romance (tracks 3, 16)
revision of:
Rhapsody in Blue (original jazz band version, less often performed) (track 17)
version of:

Release

part of: Präsent (Deutsche Grammophon)
ASIN: DE: B000031W7Q [info]