Tracklist

CD 1
# Title Rating Length
1 Popo
2:59
2 Didi
2:24
3 Four Mothers
2:46
4 Over the Rainbow
2:59
5 Apropos
2:36
6 Sam and the Lady
3:05
7 Shank’s Pranks
3:16
8 Casa de luz
5:36
9 Lotus Bud
3:20
10 Left Bank
3:23
11 Jasmine
4:11
12 Just a Few
4:14
13 Isn’t It Romantic
5:42
14 Not Really the Blues
4:56
15 Martians Go Home
7:52
CD 2
# Title Rating Length
1 My Heart Stood Still
6:08
2 Loaded
6:40
3 Oh Play That Thing
6:29
4 Bill
3:04
5 Twelfth Street Rag
4:46
6 The Lady in Red
6:01
7 Trickleydidlier
4:38
8 Solarization
4:24
9 That’s What I’m Talkin’ ’bout
5:31
10 Michele’s Meditation
3:54
11 Barbaro
4:35
12 Planetarium
3:35
13 Martians Come Back
6:12
14 March of the Martians
4:34
CD 3
# Title Rating Length
1 Papouche (alternate version)
4:35
2 Papouche
4:18
3 Martians Stay Home
6:33
4 Pearls
5:09
5 Lotus Bud
4:53
6 Easy
4:24
7 Amber Leaves
4:13
8 Serenade in Sweets
6:33
9 Astral Alley
4:33
10 Pixieland
4:25
11 Wail of Two Cities
5:24
12 Baklava Bridge
5:46
13 Chant of the Cosmos
6:13
CD 4
# Title Rating Length
1 Dickie’s Dream
5:30
2 Moten Swing
5:59
3 Blues Way Up There
5:17
4 Blues Way Down There
4:15
5 Toyland
4:04
6 I Dig Ed
3:07
7 Adam in New York
3:10
8 Clickin’ With Clax
7:16
9 Put the Goodies On
6:13
10 Our Song
5:20
11 Pete’s Meat
4:46
12 Mike’s Peak
5:23

Credits

CD 1

recorded in:
Los Angeles, California, United States (1951-03-01) (tracks 13–15)
Los Angeles, California, United States (1951-10-08) (tracks 1–6)
Los Angeles, California, United States (1954-03) (tracks 7–12)
drumset:
Shelly Manne (1951-03-01) (tracks 13–15)
Shelly Manne (1951-10-08) (tracks 1–6)
Roy Harte (drummer and Pacific Jazz founder) (1954-03) (tracks 7–12)
trumpet:
Shorty Rogers (1951-03-01) (tracks 13–15)
Shorty Rogers (1951-10-08) (tracks 1–6)
double bass:
Curtis Counce (1951-03-01) (tracks 13–15)
Don Bagley (1951-10-08) (tracks 1–6)
Harry Babasin (1954-03) (tracks 7–12)
alto saxophone:
Art Pepper (1951-10-08) (tracks 1–6)
piano:
Pete Jolly (1951-03-01) (tracks 13–15)
Hampton Hawes (1951-10-08) (tracks 1–6)
Jimmy Rowles (1954-03) (tracks 7–12)
alto flute and alto saxophone:
Bud Shank (1954-03) (tracks 7–12)
baritone saxophone, clarinet and tenor saxophone:
Jimmy Giuffre (1951-03-01) (tracks 13–15)
tuba:
Gene Englund (tuba) (1951-10-08) (tracks 1–6)
tenor saxophone:
Jimmy Giuffre (1951-10-08) (tracks 1–6)
French horn:
John Graas (1951-10-08) (tracks 1–6)
flugelhorn:
Shorty Rogers (1954-03) (tracks 7–12)
composer:
Jimmy Giuffre (track 3)
Johnny Mandel (American composer and arranger) (track 14)
Shorty Rogers (tracks 1–2, 5–12, 15)
Richard Rodgers (1932) (track 13)
Harold Arlen (1938) (track 4)
lyricist:
Lorenz Hart (1932) (track 13)
Yip Harburg (1938) (track 4)
publisher:
EMI Music (do not use as release label! this is a music publisher) (track 4)
Leo Feist Music (track 4)
Sony/ATV Harmony (track 13)
Warner/Chappell (track 4)
株式会社ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (2017-04-01 –) (track 4)
arrangements:
instrumental recording of:
Isn’t It Romantic? (from 1932 film "Love Me Tonight") (1951-03-01) (track 13)
Over the Rainbow (The Wizard of Oz) (1951-10-08) (track 4)
is the basis for:
MAIN THEME (Rainbow Islands) (track 4)
later translated versions:
Ovan regnbågen (track 4)
Pāri varavīksnei (Over the Rainbow) (track 4)
虹の彼方 (Japanese Version of Over the Rainbow) (track 4)
later versions:
Somewhere Over the Rainbow (Marusha rave version of "Over the Rainbow") (track 4)
part of:
The Wizard of Oz (Arlen/Harburg musical, introduced in the 1939 motion picture) (track 4)
recording of:
Martians Go Home (1951-03-01) (track 15)
Not Really the Blues (1951-03-01) (track 14)
Apropos (1951-10-08) (track 5)
Didi (1951-10-08) (track 2)
Four Mothers (1951-10-08) (track 3)
Popo (1951-10-08) (track 1)
Sam and the Lady (1951-10-08) (track 6)
Casa de luz (1954-03) (track 8)
Jasmine (1954-03) (track 11)
Just a Few (1954-03) (track 12)
Left Bank (1954-03) (track 10)
Lotus Bud (1954-03) (track 9)
Shank’s Pranks (1954-03) (track 7)

CD 2

recorded in:
Los Angeles, California, United States (1951-03-01) (tracks 1–6)
Los Angeles, California, United States (1951-03-03) (tracks 7–10)
Los Angeles, California, United States (1955-10-26) (tracks 11–14)
drumset:
Shelly Manne (1951-03-01) (tracks 1–6)
Shelly Manne (1951-03-03) (tracks 7–10)
Shelly Manne (1955-10-26) (tracks 11–14)
trumpet:
Shorty Rogers (1951-03-01) (tracks 1–6)
Shorty Rogers (1951-03-03) (tracks 7–10)
Shorty Rogers (1955-10-26) (tracks 11–14)
double bass:
Curtis Counce (1951-03-01) (tracks 1–6)
Curtis Counce (1951-03-03) (tracks 7–10)
Ralph Pena (1955-10-26) (tracks 11–14)
piano:
Pete Jolly (1951-03-01) (tracks 1–6)
Pete Jolly (1951-03-03) (tracks 7–10)
Lou Levy (1955-10-26) (tracks 11–14)
baritone saxophone, clarinet and tenor saxophone:
Jimmy Giuffre (1951-03-01) (tracks 1–6)
Jimmy Giuffre (1951-03-03) (tracks 7–10)
Jimmy Giuffre (1955-10-26) (tracks 11–14)
composer:
Euday L. Bowman (track 5)
Bernie Miller (jazz composer) (track 2)
Shorty Rogers (tracks 3–4, 7–14)
Allie Wrubel (track 6)
Richard Rodgers (1927) (track 1)
lyricist:
Mort Dixon (track 6)
Lorenz Hart (1927) (track 1)
publisher:
instrumental recording of:
My Heart Stood Still (1951-03-01) (track 1)
The Lady in Red (1951-03-01) (track 6)
is the basis for:
orchestrations:
12th Street Rag (track 5)
recording of:
12th Street Rag (1951-03-01) (track 5)
Bill (1951-03-01) (track 4)
Loaded (1951-03-01) (track 2)
Oh Play That Thing (1951-03-01) (track 3)
Michele’s Meditation (1951-03-03) (track 10)
Solarization (1951-03-03) (track 8)
That’s What I’m Talkin’ ’bout (1951-03-03) (track 9)
Trickleydidlier (1951-03-03) (track 7)
Barbaro (1955-10-26) (track 11)
March of the Martians (1955-10-26) (track 14)
Martians Come Back (1955-10-26) (track 13)
Planetarium (1955-10-26) (track 12)
referred to in medleys:
Hooked on Polkas (track 5)

CD 3

recorded in:
Los Angeles, California, United States (1955-10-29) (track 1)
Los Angeles, California, United States (1955-11-03) (tracks 2–7)
Los Angeles, California, United States (1955-12-06) (tracks 8–10)
Los Angeles, California, United States (1955-12-09) (tracks 11–13)
drumset:
Shelly Manne (1955-10-29) (track 1)
Shelly Manne (1955-11-03) (tracks 2–7)
Shelly Manne (1955-12-06) (tracks 8–10)
Shelly Manne (1955-12-09) (tracks 11–13)
trumpet:
Shorty Rogers (1955-10-29) (track 1)
Shorty Rogers (1955-11-03) (tracks 2–7)
Conte Candoli (1955-12-06) (tracks 8–10)
Pete Candoli (1955-12-06) (tracks 8–10)
Harry “Sweets” Edison (1955-12-06) (tracks 8–10)
Don Fagerquist (1955-12-06) (tracks 8–10)
double bass:
Ralph Pena (1955-10-29) (track 1)
Ralph Pena (1955-11-03) (tracks 2–7)
Ralph Pena (1955-12-06) (tracks 8–10)
Ralph Pena (1955-12-09) (tracks 11–13)
alto saxophone:
Bud Shank (1955-12-09) (tracks 11–13)
piano:
Lou Levy (1955-10-29) (track 1)
Lou Levy (1955-11-03) (tracks 2–7)
Lou Levy (1955-12-06) (tracks 8–10)
Lou Levy (1955-12-09) (tracks 11–13)
baritone saxophone, clarinet and tenor saxophone:
Jimmy Giuffre (1955-10-29) (track 1)
Jimmy Giuffre (1955-11-03) (tracks 2–7)
Jimmy Giuffre (1955-12-09) (tracks 11–13)
tuba:
Paul Sarmento (jazz tubist) (1955-12-09) (tracks 11–13)
French horn:
John Graas (1955-12-09) (tracks 11–13)
flugelhorn and trumpet:
Shorty Rogers (1955-12-06) (tracks 8–10)
Shorty Rogers (1955-12-09) (tracks 11–13)
valve trombone:
Bob Enevoldsen (1955-12-09) (tracks 11–13)
composer:
Shorty Rogers (tracks 1–13)
recording of:
Papouche (1955-10-29) (track 1)
Amber Leaves (1955-11-03) (track 7)
Easy (1955-11-03) (track 6)
Lotus Bud (1955-11-03) (track 5)
Martians Stay Home (1955-11-03) (track 3)
Papouche (1955-11-03) (track 2)
Pearls (1955-11-03) (track 4)
Astral Alley (1955-12-06) (track 9)
Pixieland (1955-12-06) (track 10)
Serenade in Sweets (1955-12-06) (track 8)
Baklava Bridge (1955-12-09) (track 12)
Chant of the Cosmos (1955-12-09) (track 13)
Wail of Two Cities (1955-12-09) (track 11)

CD 4

recorded in:
Los Angeles, California, United States (1955-12-16) (tracks 1–4)
Los Angeles, California, United States (1956-03-27) (tracks 5–8)
Los Angeles, California, United States (1956-03-30) (tracks 9–12)
drumset:
Shelly Manne (1955-12-16) (tracks 1–4)
Shelly Manne (1956-03-27) (tracks 5–8)
Shelly Manne (1956-03-30) (tracks 9–12)
trumpet:
Harry “Sweets” Edison (1955-12-16) (tracks 1–4)
guitar:
Barney Kessel (1955-12-16) (tracks 1–4)
double bass:
Leroy Vinnegar (1955-12-16) (tracks 1–4)
Ralph Pena (1956-03-27) (tracks 5–8)
Ralph Pena (1956-03-30) (tracks 9–12)
alto saxophone:
Bud Shank (1955-12-16) (tracks 1–4)
Herb Geller (1956-03-27) (tracks 5–8)
Herb Geller (1956-03-30) (tracks 9–12)
alto saxophone, baritone saxophone and bass saxophone:
Bud Shank (1956-03-27) (tracks 5–8)
Bud Shank (1956-03-30) (tracks 9–12)
piano:
Pete Jolly (1955-12-16) (tracks 1–4)
Lou Levy (1956-03-27) (tracks 5–8)
Lou Levy (1956-03-30) (tracks 9–12)
baritone saxophone, clarinet and tenor saxophone:
Jimmy Giuffre (1956-03-27) (tracks 5–8)
Jimmy Giuffre (1956-03-30) (tracks 9–12)
tenor saxophone:
Bill Holman (1956-03-27) (tracks 5–8)
Bill Holman (1956-03-30) (tracks 9–12)
flugelhorn:
Shorty Rogers (1955-12-16) (tracks 1–4)
Shorty Rogers (1956-03-27) (tracks 5–8)
Shorty Rogers (1956-03-30) (tracks 9–12)
arranger:
Shorty Rogers (tracks 5–12)
composer:
Count Basie (track 1)
Bennie Moten (jazz pianist) (track 2)
Shorty Rogers (tracks 3–12)
Lester Young (track 1)
recording of:
Blues Way Down There (1955-12-16) (track 4)
Blues Way Up There (1955-12-16) (track 3)
Dickie’s Dream (1955-12-16) (track 1)
Moten Swing (1955-12-16) (track 2)
Adam in New York (1956-03-27) (track 7)
Clickin’ With Clax (1956-03-27) (track 8)
I Dig Ed (1956-03-27) (track 6)
Toyland (1956-03-27) (track 5)
Mike’s Peak (1956-03-30) (track 12)
Our Song (1956-03-30) (track 10)
Pete’s Meat (1956-03-30) (track 11)
Put the Goodies On (1956-03-30) (track 9)