Tracklist

CD 1
# Title Artist Rating Length
1 Vioolconcerto, "Allegro molto appassionato"
Felix Mendelssohn 11:44
2 Die Zauberflöte, "Der Hölle Rache kocht in meinem Herzen"
Wolfgang Amadeus Mozart 2:53
3 Klarinetkwintet, "Larghetto"
Wolfgang Amadeus Mozart 6:29
4 Dahomeyse Rapsodie
August de Boeck 4:27
5 Stabat Mater
Arvo Pärt 7:55
6 Nabucco, "Va, Pensiero, sull'ali dorate"
Giuseppe Verdi 4:35
7 Orfeo ed Euridice, "Che faro senza Euridice?"
Christoph Willibald Gluck 3:42
8 Strijkkwartet nr. 8, "Allegretto"
Дмитрий Дмитриевич Шостакович 4:29
9 Le Sacre du Printemps, "Danse Sacrale"
Игорь Фёдорович Стравинский 4:21
10 Pianoconcerto nr. 1, "Romance"
Frédéric Chopin 10:15
11 Adiós Nonino
Astor Piazzolla 9:36
CD 2
# Title Artist Rating Length
1 Symfonie nr. 5 ('Noodlotsymfonie'), "Allegro con brio"
Ludwig van Beethoven 6:28
2 Concierto de Aranjuez, "Adagio"
Joaquín Rodrigo 11:33
3 Rhapsody In Blue
George Gershwin 14:27
4 Ave Verum Corpus
Wolfgang Amadeus Mozart 3:29
5 Pianoconcerto nr. 2, "Moderato"
Сергей Васильевич Рахманинов 10:09
6 Lakmé, "Bloemenduet" (Viens, Malika, dôme épais le jasmin)
Léo Delibes 6:04
7 Fratres
Arvo Pärt 10:02
8 Pianoconcerto nr. 21, "Andante"
Wolfgang Amadeus Mozart 7:10
9 Vioolconcerto, "Finale: Allegro energico"
Max Bruch 7:09
CD 3
# Title Artist Rating Length
1 Messiah, "For Unto Us A Child Is Born"
Georg Friedrich Händel 3:29
2 Symfonie nr. 3, "Lento e Largo- Tranquillissimo"
Henryk Mikołaj Górecki 9:26
3 Boléro
Maurice Ravel 15:46
4 Lieder, "Ich bin der Welt abhanden gekommen"
Gustav Mahler 7:02
5 Fantasie nr. 3
Peter Benoit 5:02
6 Vioolconcerto in D, "Adagio"
Johannes Brahms 9:17
7 Concerto in d voor 2 violen en orkest, "Largo ma non tanto"
Johann Sebastian Bach 6:42
8 Gloria (fragment)
Antonio Vivaldi 11:12
CD 4
# Title Artist Rating Length
1 Jazz Suite nr. 2, "Wals nr. 2"
Дмитрий Дмитриевич Шостакович 3:47
2 Strijkkwarter nr. 14 ('Der Tod und das Mädchen'), "Andante con moto"
Franz Schubert 14:14
3 Klaviersonate Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondschein": I. Adagio sostenuto
Ludwig van Beethoven 6:00
4 Vier letzte Lieder, "Frühling"
Richard Strauss 3:18
5 Canon en Gigue
Johann Pachelbel 5:14
6 Rusalka, "Mesicku na nebi hlubokem" (O Zilveren Maan)
Antonín Dvořák 6:28
7 Vioolconcerto in E, "Lente"
Antonio Vivaldi 9:30
8 Romance No. 2 in F major, Op. 50
Ludwig van Beethoven 7:39
9 Turandot, "Nessun Dorma"
Giacomo Puccini 5 2:59
10 Pianoconcerto nr. 2, "Allegro non troppo"
Johannes Brahms 18:06
CD 5
# Title Artist Rating Length
1 Enigma Variaties, "Nimrod"
Sir Edward Elgar 3:48
2 Symfonie nr. 6 ('Pastorale'), "Allegro ma non troppo"
Ludwig van Beethoven 10:31
3 Adagio uit Strijkkwintet in C
Franz Schubert 14:44
4 Messiah, "Hallelujah"
Georg Friedrich Händel 3:57
5 Requiem, "Pie Jesu"
Andrew Lloyd Webber 3 3:56
6 Rinaldo, "Lascia ch'io pianga"
Georg Friedrich Händel 4:56
7 Mariavespers, "Nisi Dominus (Psalm 126)"
Claudio Monteverdi 4:42
8 Kol Nidrei
Max Bruch 10:47
9 Schindler's List, "Thema"
John Williams 3:44
10 Pianoconcerto nr. 3, "Allegro ma non tanto"
Сергей Васильевич Рахманинов 18:45
CD 6
# Title Artist Rating Length
1 Magnificat, "Magnificat anima mea Dominum / Et exultavit spiritus meus / Quia respexit humilitatem / Omnes generationes"
Johann Sebastian Bach 8:32
2 Serse, "Ombra mai fu"
Georg Friedrich Händel 3:02
3 Symfonie nr. 9 ('Uit de Nieuwe Wereld'), "Largo"
Antonín Dvořák 13:15
4 La Norma, "Casta diva"
Vincenzo Bellini 5:44
5 De Parelvissers, "Au fond du temple saint"
Georges Bizet 7:29
6 Carmina Burana, "O Fortuna / Fortuna plango vulnera"
Carl Orff 5:13
7 Peer Gynt, "Morgenstemming"
Edvard Grieg 4:06
8 Toccata en Fuga in d
Johann Sebastian Bach 9:20
9 Adagio in g
Tomaso Giovanni Albinoni 7:18
CD 7
# Title Artist Rating Length
1 Ein Deutsches Requiem, "Ihr habt nur Traurigkeit"
Johannes Brahms 8:23
2 Symfonie nr. 5, "Adagietto, Sehr langsam"
Gustav Mahler 10:57
3 Requiem, "Introitus"
Wolfgang Amadeus Mozart 4:58
4 Kantate: Herz und Mund und Tat und Leben, "Jesu bleibet meine Freude"
Johann Sebastian Bach 3:10
5 Weihnachtsoratorium, "Jauchzet, frohlocket / Es begab sich"
Johann Sebastian Bach 7:40
6 Gymnopédie nr. 1
Erik Satie 3:10
7 Adagio voor strijkers
Samuel Barber 10:02
8 Symfonie nr. 9 ('Koorsymfonie'), "Finale: Presto"
Ludwig van Beethoven 25:02
CD 8
# Title Artist Rating Length
1 Requiem, "Pie Jesu"
Gabriel Fauré 3:45
2 Dido and Aeneas, "When I Am Laid In Earth - With Drooping Wings Ye Cupids Come"
Henry Purcell 4:24
3 Klarinetconcerto, "Adagio"
Wolfgang Amadeus Mozart 7:44
4 Pianoconcerto Nr. 5, Op. 73 "Keizersconcerto": Rondo. Allegro ma non troppo
Ludwig van Beethoven 9:50
5 Requiem, "Lacrimosa"
Wolfgang Amadeus Mozart 2:20
6 Miserere mei, Deus
Gregorio Allegri 12:21
7 Stabat Mater, "Stabat Mater Dolorosa"
Giovanni Battista Pergolesi 4:10
8 Mattheuspassie, "Erbarme dich, mein Gott"
Johann Sebastian Bach 6:06
9 Cellosuite nr. 1
Johann Sebastian Bach 18:05
10 Mattheuspassie, "Wir setzen uns mit Tränen nieder"
Johann Sebastian Bach 5:36

Credits

CD 1

clarinet:
Sabine Meyer (clarinetist) (track 3)
violin:
Marc Danel (2004-12-20 – 2004-12-23) (track 8)
Gilles Millet (2004-12-20 – 2004-12-23) (track 8)
cello:
Guy Danel (2004-12-20 – 2004-12-23) (track 8)
strings:
Fretwork (track 5)
Wiener Streichsextett (Vienna String Sextet) (track 3)
strings [string quartet]:
Quatuor Danel (2004-12-20 – 2004-12-23) (track 8)
viola:
Tony Nys (2004-12-20 – 2004-12-23) (track 8)
piano:
Maria João Pires (pianist) (1997-04) (track 10)
balance engineer:
Gernot von Schultzendorff (Engineer) (1995-07) (track 2)
composer:
Wolfgang Amadeus Mozart (classical composer) (1789) (track 3)
Wolfgang Amadeus Mozart (classical composer) (1791) (track 2)
Fryderyk Chopin (composer) (1830-04 – 1830-09) (track 10)
Felix Mendelssohn (1838 – 1844-09-16) (track 1)
August de Boeck (1893) (track 4)
Игорь Фёдорович Стравинский (composer) (1911 – 1913) (track 9)
Astor Piazzolla (1959-10) (track 11)
Дмитрий Дмитриевич Шостакович (composer) (1960-07-12 – 1960-07-14) (track 8)
Arvo Pärt (1985) (track 5)
conductor:
Marc Soustrot (conductor) (track 4)
Sir John Eliot Gardiner (1995-07) (track 2)
Emmanuel Krivine (1997-04) (track 10)
Esa‐Pekka Salonen (2006-01-12 – 2006-01-18) (track 9)
countertenor vocals:
Andreas Scholl (track 7)
librettist:
mezzo-soprano vocals:
orchestra:
English Baroque Soloists (1995-07) (track 2)
Chamber Orchestra of Europe (1997-04) (track 10)
Los Angeles Philharmonic (2006-01-12 – 2006-01-18) (track 9)
producer:
Jörg Moser (track 8)
Karl-August Naegler (Balance engineer) (track 2)
revised by:
Felix Mendelssohn (1845) (track 1)
soprano vocals:
Joanne Andrews (track 5)
Cyndia Sieden (track 2)
tenor vocals:
Simon Berridge (tenor) (track 5)
publisher:
recorded at:
Cité de la musique in Paris, Île-de-France, France (1997-04) (track 10)
Bavarian Radio: Studio 2 in Munich, Bayern, Germany (2004-12-20 – 2004-12-23) (track 8)
Walt Disney Concert Hall (Los Angeles Music Center) in Los Angeles, California, United States (2006-01-12 – 2006-01-18) (track 9)
arrangements:
Adiós Nonino (catch-all for arrangements) (track 11)
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto (for clarinet (or violin) and piano, arr. [anonymous]) (track 3)
Romance (for solo piano, Balakirev, from Chopin's Piano Concerto no. 1) (track 10)
is the basis for:
later versions:
Adiós Nonino (Arr. José Bragato) (track 11)
Stabat Mater (for choir and string orchestra, 2008) (track 5)
orchestrations:
Sinfonietta in C minor: III. Allegretto (arr. Stasevich for string orchestra and timpani) (track 8)
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version) (track 7)
Violinkonzert in e-Moll, op. 64 (movement) (track 1)
partial recording of:
Stabat Mater (for SAT and string ensemble) (track 5)
recording of:
Adiós Nonino (original instrumental version) (track 11)
Dahomeyan Rhapsody (track 4)
String Quartet no. 8 in C minor, op. 110: III. Allegretto (2004-12-20 – 2004-12-23) (track 8)

CD 2

clarinet:
Timothy Lines (track 1)
violin:
Abigail Brown (track 1)
Alison Bury (track 1)
Adrian Butterfield (violinist) (track 1)
Elizabeth Edwards (violinist) (track 1)
Catherine Ford (track 1)
Miranda Fulleylove (track 1)
Jane Gillie (track 1)
Jennifer Godson (track 1)
Desmond Heath (track 1)
Lucy Howard (track 1)
Stephen Jones (violinist) (track 1)
Susan Kinnersley (track 1)
Peter Lissauer (track 1)
Roy Mowatt (track 1)
Pamela Munks (track 1)
Susie Mészáros (track 1)
Pauline Nobes (track 1)
Stephen Rouse (track 1)
Lucy Russell (violinist) (track 1)
Anne Schumann (track 1)
Hildburg Williams (track 1)
cello:
Ruth Alford (track 1)
Lynden Cranham (track 1)
Timothy Manson (track 1)
Timothy Merton (track 1)
David Watkin (cellist) (track 1)
oboe:
Richard Earle (Oboist) (track 1)
Anthony Robson (oboist) (track 1)
trumpet:
Anthony Cross (track 1)
Michael Harrison (British brass player) (track 1)
Robert Vanryne (track 1)
viola:
Lisa Cochrane (violist) (track 1)
Peter Collyer (track 1)
Alan George (track 1)
Kate Heller (track 1)
Annette Isserlis (track 1)
Colin Kitching (track 1)
Kenneth Mitchell (track 1)
Rosemary Nalden (track 1)
bassoon:
Alastair Mitchell (bassoonist) (track 1)
Philip Turbett (bassoonist) (track 1)
flute:
Rachel Beckett (track 1)
Janet See (track 1)
contrabassoon:
David Chatterton (track 1)
double bass:
Elizabeth Bradley (double bass) (track 1)
Andrew Durban (track 1)
Mark Horn (track 1)
Chi-Chi Nwanoku (double bass) (track 1)
Paul Sherman (track 1)
timpani:
John Chimes (percussionist) (track 1)
piano:
Piotr Anderszewski (track 8)
piccolo:
Utako Ikeda (track 1)
horn:
Raúl Díaz (horn player) (track 1)
Gavin Edwards (Horn player) (track 1)
Jonathan Peskett (track 1)
trombone:
Tom Lees (track 1)
Anthony Neal (track 1)
Stephen Saunders (bass trombone / euphonium / tuba / sackbut) (track 1)
arranger:
Arvo Pärt (1991) (track 7)
balance engineer:
Ulrich Vette (Engineer) (track 1)
choir vocals:
Les Arts Florissants (1994-11-22 – 1994-11-24) (track 4)
composer:
Léo Delibes (track 6)
Wolfgang Amadeus Mozart (classical composer) (1785 – 1785-03-09) (track 8)
Wolfgang Amadeus Mozart (classical composer) (1791) (track 4)
Ludwig van Beethoven (1804 – 1808) (tracks 1, 1)
Max Bruch (1866 – 1867) (track 9)
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (1939) (track 2)
Arvo Pärt (1977) (track 7)
concertmaster:
Monica Huggett (1994-11-22 – 1994-11-24) (track 4)
conductor:
Piotr Anderszewski (track 8)
Richard Bonynge (conductor and pianist) (1967-10) (track 6)
Sir John Eliot Gardiner (1994-03) (track 1)
William Christie (1994-11-22 – 1994-11-24) (track 4)
Franz Welser‐Möst (1995-05) (track 7)
dedicated to:
Eduard Tubin (track 7)
editor:
Stephan Flock (track 1)
Rainer Hebborn (track 1)
engineer:
Michael Mailes (track 6)
Kenneth Wilkinson (engineer) (track 6)
executive producer:
Dr. Peter Czornyj (track 1)
librettist:
Philippe Gille (track 6)
Edmond Gondinet (track 6)
mezzo-soprano vocals:
Jane Berbié (mezzo-soprano) (track 6)
orchestra:
Sinfonia Varsovia (track 8)
Les Arts Florissants (1994-11-22 – 1994-11-24) (track 4)
London Philharmonic Orchestra (1995-05) (track 7)
performer:
Jane Berbié (mezzo-soprano) (track 6)
Joan Sutherland (track 6)
producer:
John Mordler (track 6)
Arend Prohmann (track 1)
recording engineer:
Mark Bücker (recording engineer) (track 1)
Stephan Flock (track 1)
soprano vocals [Lakmé]:
Joan Sutherland (1967-10) (track 6)
vocals:
Jane Berbié (mezzo-soprano) (track 6)
Joan Sutherland (track 6)
recorded at:
Opéra de Monte-Carlo (1967-10) (track 6)
Ateliers Berthier in Paris, Île-de-France, France (1994-11-22 – 1994-11-24) (track 4)
part of:
Köchelverzeichnis (original numbering) (number: 618) (track 4)
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 618) (track 4)
arrangement of:
Fratres (parent work - if in doubt, use this one) (track 7)
arrangements:
Ave verum corpus (for band, Buehlman) (track 4)
Ave verum corpus de Mozart, S. 461a (for piano solo, Liszt) (track 4)
Ave verum corpus de Mozart, S. 674d (for organ, Liszt) (track 4)
Concierto de Aranjuez: II. Adagio (catch-all for arrangements) (track 2)
Concierto de Aranjuez: II. Adagio (for harp and orchestra, Rodrigo 1974) (track 2)
Motet in D major, K. 618: "Ave verum corpus" (catch-all for arrangements) (track 4)
Symphony no. 5 in C minor, S. 463a: I. Allegro con brio (for piano solo, Liszt) (tracks 1, 1)
Symphony no. 5 in C minor, S. 464 no. 5: I. Allegro con brio (for piano solo, Liszt) (tracks 1, 1)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (for brass, Frackenpohl) (tracks 1, 1)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (catch all for arrangements) (tracks 1, 1)
The 5th (tracks 1, 1)
is the basis for:
Child of the Night (track 6)
Night Enchanted (track 6)
Sex'n fax (track 8)
À la Chapelle Sixtine, S. 360 (for orchestra) (track 4)
À la Chapelle Sixtine, S. 461/1 (for solo piano, first version) (track 4)
À la Chapelle Sixtine, S. 461/2 (for solo piano, final version) (track 4)
À la Chapelle Sixtine, S. 633 (for piano four hands) (track 4)
later versions:
A Fifth of Beethoven (tracks 1, 1)
live recording of:
part of:
Concierto de Aranjuez (movement) (track 2)
Lakmé: Acte I (track 6)
recording of:
Fratres (for string orchestra and percussion, 1991) (track 7)
Ave verum corpus, K. 618 (for chorus, string and organ) (1994-11-22 – 1994-11-24) (track 4)

CD 3

violin:
Julia Fischer (violinist / pianist) (2008-06-02 – 2008-06-04) (track 7)
Alexander Sitkovetsky (British violinist) (2008-06-02 – 2008-06-04) (track 7)
piano:
Jozef de Beenhouwer (Belgian pianist) (track 5)
alto vocals:
Violeta Urmana (track 4)
balance engineer:
Rainer Maillard (2003-06) (track 4)
choir vocals:
composer:
Peter Benoit (Flemish classical composer) (track 5)
Gustav Mahler (track 4)
Johann Sebastian Bach (German Baroque period composer & musician) (1730 – 1731) (track 7)
conductor:
Marc Minkowski (track 1)
Trevor Pinnock (track 8)
Pierre Boulez (2003-06) (track 4)
editor:
Rainer Maillard (track 4)
lyricist:
Friedrich Rückert (German poet) (track 4)
mezzo-soprano vocals:
Violeta Urmana (track 4)
orchestra:
Wiener Philharmoniker (2003-06) (track 4)
Academy of St Martin in the Fields (2008-06-02 – 2008-06-04) (track 7)
producer:
Christian Gansch (track 4)
recording engineer:
Jürgen Bulgrin (2003-06) (track 4)
soprano vocals:
Violeta Urmana (2003-06) (track 4)
premiered at:
[concert] (1905-01-29) (track 4)
recorded at:
St. Paul's Church (Deptford) in Deptford, Lewisham, London, United Kingdom (2008-06-02 – 2008-06-04) (track 7)
arrangements:
BWV 1043: II. Largo ma non tanto (catch all for arrangements) (track 7)
part of:
Rückert-Lieder (movement) (track 4)
recording of:

CD 4

violin:
Thomas Zehetmair (track 8)
assistant producer:
balance engineer:
James Lock (engineer) (1988-04-28 – 1988-05-09) (track 6)
Philip Siney (1988-04-28 – 1988-05-09) (track 6)
choir vocals:
John Alldis Choir (1972-08-10) (track 9)
composer:
Franz Schubert (Austrian composer Franz Peter Schubert) (track 2)
Ludwig van Beethoven (1798) (track 8)
Ludwig van Beethoven (1801) (track 3)
Johannes Brahms (1878 – 1881) (track 10)
Antonín Dvořák (1900-04-21 – 1900-11-27) (track 6)
Giacomo Puccini (Italian composer) (1921-03 – 1924-03) (track 9)
Richard Strauss (German composer) (1948) (track 4)
conductor:
Frans Brüggen (track 8)
Riccardo Chailly (track 1)
Zubin Mehta (conductor) (1972-08-10 – 1972-08-25) (track 9)
Sir Charles Mackerras (Australian conductor) (1988-04-28 – 1988-05-09) (track 6)
Giuseppe Sinopoli (conductor) (1993-06) (track 4)
engineer:
Jürgen Bulgrin (track 6)
librettist:
Giuseppe Adami (track 9)
Renato Simoni (track 9)
lyricist:
Hermann Hesse (track 4)
orchestra:
London Philharmonic Orchestra (1972-08-10 – 1972-08-25) (track 9)
Czech Philharmonic Orchestra (Czech Philharmonic) (1988-04-28 – 1988-05-09) (track 6)
Staatskapelle Dresden (1993-06) (track 4)
producer:
Andrew Cornall (engineer / producer) (track 1)
Michael Haas (classical music producer) (track 6)
soprano vocals:
Renée Fleming (1988-04-28 – 1988-05-09) (track 6)
Cheryl Studer (1993-06) (track 4)
tenor vocals:
Luciano Pavarotti (1972-08-10 – 1972-08-25) (track 9)
vocals:
Cheryl Studer (track 4)
publisher:
premiered at:
recorded at:
Kingsway Hall in London, England, United Kingdom (1972-08-10 – 1972-08-25) (track 9)
Rudolfinum (House of Artists) in Praha, Czech Republic (1988-04-28 – 1988-05-09) (track 6)
Lukaskirche (Dresden) in Dresden, Sachsen, Germany (1993-06) (track 4)
part of:
arrangements:
Jazz Suite no. 2: V. Waltz no. 2 (for wind, de Meij) (track 1)
Romance (track 8)
Rusalka, op. 114: Song to the Moon (catch-all for arrangements) (track 6)
Suite for Variety Orchestra: VII. Waltz no. 2 (for string quartet and piano, arr. Jacqueline Thomas) (track 1)
is the basis for:
Mephistopheles (track 3)
Moonlight (The Piano Guys) (track 3)
Overture (track 3)
What Is Eternal (track 3)
月光 (Mondscheinsonate+drumloops) (track 3)
later translated versions:
El nostre heroi (track 9)
Going to Win (track 9)
Hear My Prayer (English translation of Nessun dorma) (track 9)
later versions:
orchestrations:
Moonlight Sonata (orch. Stokowski) (track 3)
part of:
Turandot: Atto III (track 9)
recording of:
Suite for Variety Orchestra: VII. Waltz II. Allegretto poco moderato (formerly thought to be from 2nd Jazz Suite) (track 1)
Turandot: Atto III, Scena I. Aria “Nessun dorma” (Calaf) (1972-08-10 – 1972-08-25) (track 9)
Rusalka, op. 114, B. 203: 1. jednání. "Měsíčku na nebi hlubokém" (Rusalka) (Song to the Moon) (1988-04-28 – 1988-05-09) (track 6)
referred to in medleys:
Hooked on Romance (track 3)

CD 5

organ:
James Lancelot (1984-12) (track 5)
associate engineer:
Martin Levan (track 5)
choir vocals:
Winchester Cathedral Choir (1984-12) (track 5)
The English Concert Choir (1988-01) (track 4)
chorus master:
Martin Neary (organist and choral conductor) (track 5)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) (track 5)
George Frideric Handel (German‐British baroque composer) (1741) (track 4)
Ludwig van Beethoven (1808) (track 2)
Max Bruch (1880-07) (track 8)
Edward Elgar (1899) (track 1)
conductor:
Lorin Maazel (1984-12) (track 5)
Trevor Pinnock (1988-01) (track 4)
Sir John Eliot Gardiner (1998-10) (track 1)
dedicated to:
Robert Hausmann (track 8)
Augustus J. Jaeger (track 1)
engineer:
John Kurlander (engineer) (track 5)
lyricist:
Andrew Lloyd Webber (English composer and impresario of musical theatre) (track 5)
orchestra:
English Chamber Orchestra (1984-12) (track 5)
The English Concert (1988-01) (track 4)
Wiener Philharmoniker (1998-10) (track 1)
producer:
David R. Murray (track 5)
publisher:
soprano vocals:
Sarah Brightman (1984-12) (track 5)
treble vocals:
Paul Miles-Kingston (1984-12) (track 5)
publisher:
MCA Music Ltd. (track 5)
The Really Useful Group Ltd. (not for release label use!) (track 5)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, United Kingdom (1984-12-20 – 1984-12-22) (track 5)
part of:
Works of Max Bruch by opus number (number: op. 47) (track 8)
arrangements:
Kol Nidrei, op. 47 (for violin and piano, Gingold) (track 8)
Pie Jesu from "Requiem" (for brass, Pearson) (track 5)
is the basis for:
Sanctus (based on "Nimrod" from Variations on an Original Theme ('Enigma'), op. 36) (track 1)
Sanctus Dei (track 1)
The Globalist (track 1)
later parody versions:
later translated versions:
later versions:
Nimrod (track 1)
part of:
Requiem (track 5)
recording of:
Kol Nidrei, op. 47 (track 8)
Pie Jesu (1984-12-20 – 1984-12-22) (track 5)
referred to in medleys:

CD 6

composed in:
Leipzig, Sachsen, Germany (1728 – 1731) (tracks 1, 1, 1, 1)
premiered in:
Leipzig, Sachsen, Germany (1733-07-02) (tracks 1, 1, 1, 1)
violin:
Eriko Sato (violinist) (1989-04) (track 9)
organ:
Peter Hurford (track 8)
Edward Brewer (1989-04) (track 9)
balance engineer:
Mike Clements (engineer) (track 3)
Günter Hermanns (producer/engineer) (1982-01-27 – 1982-02-18) (track 7)
Andreas Neubronner (engineer/producer) (1989-04) (track 9)
choir vocals:
Monteverdi Choir (track 1)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 1, 1, 1, 1, 8)
Remo Giazotto (track 9)
Edvard Grieg (1875) (track 7)
Antonín Dvořák (1893-01-10 – 1893-05-24) (track 3)
Carl Orff (1936) (tracks 6, 6)
conductor:
Herbert von Karajan (1982-01-27 – 1982-02-18) (track 7)
Charles Mackerras (Australian conductor) (1991-05-21 – 1991-05-23) (track 3)
executive producer:
Dr. Steven Paul (Classical arranger/producer for Deutsche Grammophon) (track 9)
orchestra:
Berliner Philharmoniker (1982-01-27 – 1982-02-18) (track 7)
Orpheus Chamber Orchestra (US orchestra) (1989-04) (track 9)
London Philharmonic Orchestra (1991-05-21 – 1991-05-23) (track 3)
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer) (track 9)
producer:
Wolf Erichson (engineer/producer) (track 9)
Michel Glotz (track 7)
Andrew Keener (engineer/editor/producer) (track 3)
revised by:
Edvard Grieg (1888) (track 7)
soprano vocals [Soprano I]:
Nancy Argenta (track 1)
soprano vocals [Soprano II]:
Patrizia Kwella (track 1)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) (track 9)
recorded at:
Berliner Philharmonie in Berlin, Germany (1982-01-27 – 1982-02-18) (track 7)
Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (1989-04) (track 9)
St. Augustine's Church (Kilburn, London) in London, England, United Kingdom (1991-05-21 – 1991-05-23) (track 3)
part of:
Bach-Werke-Verzeichnis (number: BWV 565) (track 8)
arrangements:
Adagio for Strings and Organ in G minor (catch all for arrangements) (track 9)
Adagio of the Sky (track 9)
Cold is Being (track 9)
O Fortuna (QNTAL song) (track 6)
The Wounds of Fate (track 6)
Toccata and Fugue in D minor (arr. Mike Batt) (track 8)
Toccata und Fuge d-Moll, BWV 565 (for piano solo, Reger) (track 8)
Toccata und Fuge d-Moll, BWV 565 (for piano, Grainger) (track 8)
Toccata und Fuge d-Moll, BWV 565 (for piano 4 hands, Reger) (track 8)
Toccata und Fuge d-Moll, BWV 565 (for piano, Friedman) (track 8)
Toccata und Fuge d-Moll, BWV 565 (for solo piano, Cortot) (track 8)
Toccata und Fuge d-Moll, BWV 565 (for band, Leidzén) (track 8)
Toccata und Fuge d-Moll, BWV 565 (catch-all for arrangements) (track 8)
Toccata und Fuge d-Moll, BWV 565 (for piano, Tausig) (track 8)
Toccata und Fugue d-Moll, BWV 565, BV B 29 no. 2 (Busoni piano arrangement) (track 8)
is the basis for:
A New World (track 3)
Adagio (track 9)
Anytime, Anywhere (track 9)
Goin’ Home (track 3)
Más allá (track 3)
The Real Thing (track 8)
Toccata (track 8)
later versions:
Going Home (Largo "From the New World") (James Last pop arrangement) (track 3)
Negro Spiritual Melody (for violin and piano, Kreisler) (track 3)
The Mass (track 6)
orchestrations:
Toccata and Fugue in D minor, BWV 565 (arr. S. Skrowaczewski) (track 8)
Toccata and Fugue in D minor, BWV 565 (Stokowski orchestration) (track 8)
Toccata und Fuge d-Moll, BWV 565 (orchestrated by H. Wood) (track 8)
part of:
Magnificat D-Dur, BWV 243 (tracks 1, 1, 1, 1)
parts:
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (1982-01-27 – 1982-02-18) (track 7)
referred to in medleys:
version of:

CD 7

composed in:
Leipzig, Sachsen, Germany (1734 – 1735) (track 5)
premiered in:
Leipzig, Sachsen, Germany (1723-07-02) (track 4)
Leipzig, Sachsen, Germany (1734-12-25) (track 5)
piano:
Pascal Rogé (pianist) (1983-05) (track 6)
additional composer:
additional orchestrator:
Franz Beyer (track 3)
balance engineer:
Simon Eadon (track 6)
Karl-August Naegler (Balance engineer) (track 5)
Rainer Maillard (1996-03) (track 2)
bass vocals:
Olaf Bär (track 5)
choir vocals:
The Monteverdi Choir (1987-01) (track 5)
Amsterdam Baroque Choir (1997-09 – 1997-10) (track 4)
Arnold Schönberg Chor (2003-11-27 – 2003-12-01) (track 3)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (track 5)
Johannes Brahms (track 1)
Johann Sebastian Bach (German Baroque period composer & musician) (1723) (track 4)
Wolfgang Amadeus Mozart (classical composer) (1791) (track 3)
Ludwig van Beethoven (1822 – 1824) (track 8)
Erik Satie (French composer) (1888-02 – 1888-04) (track 6)
Gustav Mahler (1901 – 1902) (track 2)
Samuel Barber (1936) (track 7)
conductor:
Leonard Bernstein (American composer and conductor) (1982-07-24) (track 7)
John Eliot Gardiner (1987-01) (track 5)
Pierre Boulez (1996-03) (track 2)
Ton Koopman (conductor, organist and harpsichordist) (1997-09 – 1997-10) (track 4)
Nikolaus Harnoncourt (2003-11-27 – 2003-12-01) (track 3)
editor:
Mark Bücker (recording engineer) (track 2)
Martin Derner (track 2)
librettist:
Friedrich Schiller (German poet and playwright) (track 8)
orchestra:
Los Angeles Philharmonic Orchestra (1982-07-24) (track 7)
The English Baroque Soloists (1987-01) (track 5)
Wiener Philharmoniker (1996-03) (track 2)
Amsterdam Baroque Orchestra (1997-09 – 1997-10) (track 4)
orchestrator:
Samuel Barber (1938) (track 7)
performer:
Concentus Musicus Wien (2003-11-27 – 2003-12-01) (track 3)
producer:
Christian Gansch (track 2)
Michael Haas (classical music producer) (track 6)
Karl-August Naegler (Balance engineer) (track 5)
recording engineer:
Reinhard Lagemann (1996-03) (track 2)
soprano vocals:
Christine Schäfer (2003-11-27 – 2003-12-01) (track 3)
tenor vocals:
premiered at:
[radio broadcast] (1938-11-05) (track 7)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1987) (track 5)
recorded at:
Kingsway Hall in London, England, United Kingdom (1983-05) (track 6)
Waalse Kerk in Amsterdam, Noord-Holland, Netherlands (1997-09 – 1997-10) (track 4)
Wiener Musikverein: Großer Musikvereinssaal in Wien, Austria (2003-11-27 – 2003-12-01) (track 3)
arrangement of:
arrangements:
"Jesus bleibet meine Freude" from Cantata, BWV 147 (for piano, Chuquisengo) (track 4)
Adagietto From Symphony no. 5 (arr. J. Nurse for piano quintet) (track 2)
Adagietto aus der 5. Symphonie (for violin and piano, Wittinger) (track 2)
Adagio for Strings (catch-all for arrangements) (track 7)
Adagio for Strings (arr. Lucien Cailliet for clarinet choir) (track 7)
Adagio for Strings (arr. John O'Reilly for woodwind band) (track 7)
Adagio for Strings (Lee Jackson arrangement) (track 7)
Adagio for Strings (for organ, Strickland) (track 7)
Agnus Dei (arr. Samuel Barber for chorus) (track 7)
An English Requiem, op. 45: V. Ye now are sorrowful (english translation of the deutsches Requiem) (track 1)
Ein deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit (for piano 4 hands, Brahms) (track 1)
Jesu, Joy of Man's Desire, from BWV 147 (for piano, Myra Hess) (track 4)
Jesu, Joy of Man's Desiring (for band, Reed) (track 4)
Jesu, Joy of Men's Desiring (Sportiello arrangement) (track 4)
Jesu, bleibet meine Freunde (Jesu, Joy of Man’s Desiring) (arr. for piano by Richard Tilling) (track 4)
Jesus bleibet meine Freude (for trumpet and organ, Alain) (track 4)
Jesus bleibet meine Freude (for organ, Duruflé) (track 4)
Jesus bleibet meine Freude, BWV 147 (arr. Wilhelm Kempff for piano) (track 4)
Kantate, BWV 147 "Herz und Mund und Tat und Leben": Teil II, X. Choral "Jesus bleibet meine Freude" (Jesu, Joy of Mans Desiring; catch-all for arrangements) (track 4)
Première Gymnopédie: Lent et douloureux (catch-all for arrangements) (track 6)
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (catch-all for arrangements) (track 2)
Three Chorales: Jesu, Joy of Man‘s Desiring (Milko Kelemen arrangement) (track 4)
is based on:
An die Freude (track 8)
is the basis for:
A Last Illusion (track 8)
Dov’è l’amore (track 7)
Drifting, Dreaming (track 6)
Ecos (track 4)
Euroopa hümn (track 8)
Lady Lynda (track 4)
Ode an die Freude (track 8)
On the Fritz (Electronic derivative of Beethoven's 9th) (track 8)
Overture (track 8)
What Is Eternal (track 8)
later translated versions:
later versions:
March from A Clockwork Orange (Beethoven: Ninth Symphony: Fourth Movement, abridged) (track 8)
Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale. Presto - Allegro assai (arranged by Mahler for large orchestra) (track 8)
Trois Gymnopedies (first movement) (Gary Numan version) (track 6)
地球交響曲-合唱- (Hanjuku Hero 4: The 7 Hanjuku Heroes) (track 8)
live recording of:
Adagio for Strings (1982-07-24) (track 7)
Requiem in D minor, K. 626: I. Introitus: "Requiem aeternam" (Beyer/Kunzelmann Edition) (2003-11-27 – 2003-12-01) (track 3)
orchestrations:
Gymnopédie no. 1: Lent et douloureux (orchestrated by Lenehan & Kennedy) (track 6)
Gymnopédies: II. Lent et douloureux (Satie: Gymnopédie No. 1 orchestrated by Debussy) (track 6)
Jesu, Joy of Man’s Desiring, BWV 147/10 (Stokowski orchestration) (track 4)
part of:
Gymnopédies (track 6)
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition) (track 3)
Symphony no. 5 (movement) (track 2)
Ein deutsches Requiem, op. 45 (movement) (track 1)
recording of:
referred to in medleys:

CD 8

clarinet:
Karl Leister (1988-09) (track 3)
cello:
Pieter Wispelwey (track 9)
balance engineer:
Neil Hutchinson (track 10)
Simon Eadon (1983-09) (track 5)
bass vocals:
Peter Harvey (bass-baritone) (2002-04) (track 10)
Stephan Loges (2002-04) (track 10)
choir vocals:
Academy of Ancient Music Chorus (1983-09) (track 5)
Westminster Cathedral Boys Choir (1983-09) (track 5)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 8–10)
Wolfgang Amadeus Mozart (classical composer) (track 5)
Henry Purcell (baroque composer) (track 2)
Henry Purcell (baroque composer) (1689) (track 2)
Wolfgang Amadeus Mozart (classical composer) (1791-09-28 – 1791-10-07) (track 3)
Ludwig van Beethoven (1809) (track 4)
Gabriel Fauré (French composer) (1886 – 1900) (track 1)
conductor:
Charles Dutoit (track 1)
Christopher Hogwood (1983-09) (track 5)
Trevor Pinnock (1988) (track 2)
Sir Neville Marriner (1988-09) (track 3)
Nikolaus Harnoncourt (2000-05) (track 8)
Paul McCreesh (2002-04) (track 10)
contralto vocals:
Bernarda Fink (2000-05) (track 8)
editor:
Ian Watson (Editor) (track 10)
Jenni Whiteside (track 10)
librettist:
Picander (tracks 8, 10)
Nahum Tate (tracks 2, 2)
mezzo-soprano vocals:
Anne Sofie von Otter (1988) (track 2)
Susan Bickley (mezzo) (2002-04) (track 10)
Magdalena Kožená (2002-04) (track 10)
orchestra:
Academy of Ancient Music (1983-09) (track 5)
The English Concert (1988) (track 2)
Concentus Musicus Wien (2000-05) (track 8)
Gabrieli Consort & Players (2002-04) (track 10)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist) (track 8)
producer:
Christopher Alder (editor/engineer/producer) (track 10)
Michael Bremner (producer/engineer) (track 3)
Morten Winding (track 5)
recording engineer:
Graham Meek (2002-04) (track 10)
soprano vocals:
Kiri Te Kanawa (track 1)
Julia Gooding (2002-04) (track 10)
Deborah York (2002-04) (track 10)
tenor vocals:
James Gilchrist (tenor) (2002-04) (track 10)
Mark Padmore (British tenor) (2002-04) (track 10)
recorded at:
Kingsway Hall in London, England, United Kingdom (1983-09) (track 5)
Roskilde Domkirke in Roskilde, Region Zealand, Denmark (2002-04) (track 10)
part of:
Bach-Werke-Verzeichnis (number: BWV 1007) (track 9)
arrangements:
Aria "Erbarme dich" (for voice, violin and organ, Liszt) (track 8)
Requiem, op. 48: IV. Pie Jesu (catch-all for arrangements) (track 1)
Requiem, op. 48: Pie Jesu (for saxophone and orchestra, Bauch) (track 1)
Suite no. 1 in G major, BWV 1007 (arr. Joachim Raff for piano) (track 9)
Suite no. 1 in G major, BWV 1007 (for viola, arr. Rowland-Jones) (track 9)
is the basis for:
later translated versions:
later versions:
Remember Me (track 2)
orchestrations:
Dido's Lament (track 2)
part of:
Requiem, op. 48 (track 1)
Requiem in D minor, K. 626 (C. Richard F. Maunder Edition) (track 5)
Dido and Aeneas, Z. 626: Act III (number) (tracks 2, 2)
parts:
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa (C. Richard F. Maunder Edition) (1983-09) (track 5)
referred to in medleys:
Hooked on Romance (track 3)
Suite (track 2)