Tracklist

CD 1: From Russia With Romance
# Title Artist Rating Length
1 Piano Concerto No. 1 in B-flat minor, Op. 23: I. Allegro non troppo e molto maestoso (Opening)
Pyotr Ilyich Tchaikovsky 3:24
2 Romeo and Juliet, Op. 64: Balcony Scene (Excerpt)
Sergei Prokofiev 5:34
3 The Gadfly, Op. 97a: Romance
Dmitri Shostakovich 3:15
4 Romeo and Juliet, Op. 64: Fantasy-Overture in B minor (Excerpt)
Pyotr Ilyich Tchaikovsky 2:59
5 Rhapsody on a Theme of Paganini in A minor, Op. 43: Variation XVIII
Sergei Vasilyevich Rachmaninoff 2:59
6 Masquerada: Waltz
Aram Khatchaturian 4:22
7 Vocalise, instrumental arrangement, Op. 34/14
Sergei Vasilyevich Rachmaninoff 6:06
8 Nutcracker, Op. 71: Grand pas de deux
Pyotr Ilyich Tchaikovsky 5:15
9 Piano Concerto No. 2 in F major, Op. 102: II. Andante
Dmitri Shostakovich 6:10
10 Scheherazade, Op. 35: II. The Story of the Kalendar Prince (Opening)
Nikolai Rimsky-Korsakov 3:52
11 Spartacus: Adagio of Spartacus and Phrygia (Excerpt)
Aram Khatchaturian 4:45
12 The Swan Lake, Op. 20: Act II. No. 10. "Scène"
Pyotr Ilyich Tchaikovsky 2:49
13 Piano Concerto No. 2 in C minor, Op. 18: II. Adagio sostenuto (Opening)
Sergei Vasilyevich Rachmaninoff 4:31
14 Prince Igor, opera: Polovtsian Dances (Opening)
Alexander Borodin 2:35
15 Symphony No. 2 in E minor, Op. 27: III. Adagio (Opening)
Sergei Vasilyevich Rachmaninoff 7:14
16 The Sleeping Beauty, Op. 66: Waltz
Pyotr Ilyich Tchaikovsky 5:00
17 L'oiseau de feu (Conclusion)
Igor Stravinsky 3:04
CD 2: An Austro-German Romance
# Title Artist Rating Length
1 Piano Concerto No. 21 in C major, "Elvira Madigan", K. 467: II. Andante (Excerpt)
Wolfgang Amadeus Mozart 5:22
2 String Serenade No. 13 in G major, "Eine kleine Nachtmusik", K. 525: II. Romanze: Andante
Wolfgang Amadeus Mozart 5:48
3 Piano Sonata No. 14 in C sharp minor, "Moonlight", Op. 27/2: I. Adagio sostenuto (Excerpt)
Ludwig van Beethoven 3:59
4 Piano Concerto No. 5 in E flat major, "Emperor", Op. 73: II. Adagio
Ludwig van Beethoven 7:04
5 Horn Concerto No. 4 in E flat major, K. 495: II. Romanza: Andante cantabile
Wolfgang Amadeus Mozart 4:46
6 Così fan tutte, ossia La scuola degli amanti, K. 588: Act I. No. 6 "Un'aura amorosa"
Wolfgang Amadeus Mozart 4:45
7 Piano Sonata No. 8 in C minor, "Pathétique", Op. 13: II. Adagio cantabile
Ludwig van Beethoven 5 5:35
8 Violin Concerto in E minor, Op. 64: II. Andante (Excerpt)
Felix Mendelssohn 4:31
9 Clarinet Concerto in A major, K. 622: II. Adagio
Wolfgang Amadeus Mozart 6:38
10 Song Without Words in A major, "Frühlingslied", Op. 62/6
Felix Mendelssohn 2:42
11 Violin Concerto No. 1 in G minor, Op. 26: II. Adagio (Opening)
Max Bruch 4:24
12 A Midsummer Night's Dream, Op. 61: Nocturne
Felix Mendelssohn 5:54
13 Vier letzte Lieder, TrV 296: Beim Schlafengehen (Conclusion)
Richard Strauss 4:25
14 An der schönen, blauen Donau, Op. 314 (Excerpt)
Johann Strauss 3:48
15 Liebesleid
Fritz Kreisler 3:26
16 A Midsummer Night's Dream, Op. 61: Wedding March
Felix Mendelssohn 5:35
CD 3: A French Romance
# Title Artist Rating Length
1 Les contes d'Hoffmann: Barcarolle
Jacques Offenbach 4:24
2 Le carnaval des animaux: XIII. "Le cygne" (Original and Arrangements)
Camille Saint‐Saëns 3:18
3 Carmen: Act I. No. 4 "Habanera"
Georges Bizet 4:21
4 Suite Bergamasque No. 3, L. 75/3: III. "Clair de lune"
Claude Debussy 5:12
5 Lakmé: Act I. No. 2 "Flower Duet"
Léo Delibes 4:52
6 Faust: Act V. "Les nubiennes"
Charles‐François Gounod 2:25
7 Samson et Dalila, Op. 47: Act II. "Mon coeur s'ouvre à ta voix"
Camille Saint‐Saëns 5:21
8 Pavane in F sharp minor, Op. 50
Gabriel Fauré 6:50
9 Plaisir d'amour
Jean‐Paul‐Égide Martini 2:53
10 Romance for violin & orchestra in C major, Op. 48
Camille Saint‐Saëns 5:55
11 Dolly Suite, Op. 56/1: Allegretto moderato "Berceuse"
Gabriel Fauré 2:38
12 Carmen: Act III. Entr'acte
Georges Bizet 2:35
13 Chanson d'amour, Op. 27/1
Gabriel Fauré 2:03
14 Gymnopédie No.1
Erik Satie 2:52
15 Sylvia, ou La nymphe de Diane: Act I. No. 4 "Valse lente"
Léo Delibes 4:25
16 Les Deux Pigeons: "Pas de deux pigeons"
André Messager 3:19
17 Thaïs: Act II. Entr'acte "Méditation"
Jules Massenet 6:44
CD 4: Romance in a Cold Climate
# Title Artist Rating Length
1 Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
Edvard Grieg 4:19
2 Má Vlast No. 2, JB 1:112/2: The Moldau (Excerpt)
Bedřich Smetana 5:01
3 Piano Concerto in A minor, Op. 16: II. Adagio
Edvard Grieg 6:40
4 Symphony No. 9 in E minor, "From the New World", Op. 95: II. Largo (Opening)
Antonín Dvořák 4:46
5 Bryllupsdag på Troldhaugen, Op. 65/6
Edvard Grieg 5:41
6 Rusalka, Op. 114: "Song to the Moon"
Antonín Dvořák 5:54
7 Piano Concerto No. 1 in E minor, Op. 11: II. Romance: Larghetto (Opening)
Fryderyk Chopin 3:53
8 Humoresque No. 7 for piano in G flat major, Op. 101/7
Antonín Dvořák 3:04
9 Prelude No. 7 in A major, "Les sylphides", Op. 28
Fryderyk Chopin 3:23
10 Piano Concerto No. 1 in E flat major, S. 124: II. Quasi adagio
Franz Liszt 4:33
11 Pelléas et Mélisande, Op. 46: Act I. No. 1 Prelude "At the Castle Gate"
Jean Sibelius 2:53
12 Berceuse for piano in D flat major, Op. 57
Fryderyk Chopin 4:30
13 Jalousie "Tango Tzigane"
Jacob Gade 4:12
14 Nocturne for piano No. 2 in E flat major, Op. 9/2
Fryderyk Chopin 5:18
15 Liebesträume, notturno for piano No. 3 in A flat major, "O Lieb, so lang du lieben kannst", S. 541/3
Franz Liszt 4:09
16 Die lustige Witwe: "Vilja"
Franz Lehár 4:52
CD 5: England & America in Love
# Title Artist Rating Length
1 Salut d'amour, Op. 12
Edward Elgar 3:55
2 Sir John In Love: "Fantasia on Greensleeves"
Ralph Vaughan Williams 4:41
3 Cello Concerto in E minor, Op. 85: I. Adagio — Moderato (Opening)
Edward Elgar 3:26
4 The Lark Ascending (Opening)
Ralph Vaughan Williams 6:25
5 Chanson de nuit and chanson de matin, Op. 15: "Chanson de matin"
Edward Elgar 3:06
6 Fantasia on a Theme by Thomas Tallis (Opening)
Ralph Vaughan Williams 6:13
7 Michelle
John Lennon & Paul McCartney 3:22
8 The Planets, Op. 32: "Venus" (Conclusion)
Gustav Holst 6:16
9 Standing Stone: "Celebration"
Paul McCartney 6:17
10 The Piano: The Heart Asks Pleasure First / The Promise
Michael Nyman 3:13
11 The Deer Hunter: "Cavatina"
Stanley Myers 3:17
12 American Beauty: "Any Other Name"
Thomas Newman 4:07
13 Titanic: "My Heart Will Go On"
James Horner 4:22
14 Floresta do Amazones, A. 556: "Melodia sentimental"
Heitor Villa‐Lobos 3:59
15 Porgy and Bess: "Summertime"
George Gershwin 2:43
16 Symphonic Dances from "West Side Story": II. Somewhere
Leonard Bernstein 4:02
17 Rhapsody in Blue (Conclusion)
George Gershwin 5:35
CD 6: Mediterranean Romance
# Title Artist Rating Length
1 Cavalleria rusticana: Intermezzo Sinfonico
Pietro Mascagni 3:44
2 Gianni Schicchi: "O mio babbino caro"
Giacomo Puccini 2:07
3 España,Op. 165: Tango
Isaac Albéniz 2:30
4 La Rondine: "Chi il bel sogno di Doretta"
Giacomo Puccini 3:08
5 Violin Concerto No. 1 in E major, Op.8/1: La Primavera
Antonio Vivaldi 3:42
6 L'incoronazione di Poppea, SV 308: "Pur ti miro"
Claudio Monteverdi 3:45
7 String Quintet in E major, Op. 11/5: Minuetto, trio (in A major)
Luigi Boccherini 3:56
8 L'amico Fritz: "O amore, o bella luce del core"
Pietro Mascagni 2:32
9 Recuerdos de la Alhambra
Francisco Tárrega 3:57
10 Romeo and Juliet: "Ai giochi addio"
Nino Rota 3:23
11 Concierto de Aranjuez: II. Adagio (Opening)
Joaquín Rodrigo 4:46
12 Madama Butterfly: "Vogliatemi bene"
Giacomo Puccini 7:56
13 Chamber Concerto in D major, RV 93: II. Largo
Antonio Vivaldi 6:08
14 Zigeunerweisen, "Gypsy Airs", Op. 20
Pablo de Sarasate 7:49
15 Con te partirò
Lucio Quarantotto 3:53
16 Suite Española No. 1, Op. 47/3: Sevilla
Isaac Albéniz 5:22
17 Turandot: "Nessun dorma"
Giacomo Puccini 4:12

Credits

CD 1: From Russia With Romance

premiered in:
Moskva, Russia (1900-12-15) (track 13)
violin:
Tasmin Little (track 3)
cello:
Natalie Clein (track 7)
piano:
Horacio Gutiérrez (track 1)
Piers Lane (Australian classical pianist, b. 1958) (track 3)
Cécile Ousset (track 13)
Charles Owen (British pianist) (track 7)
Dmitri Alexeev (1983-05) (track 9)
Cécile Ousset (1984-05-03 – 1984-05-04) (track 5)
arranger:
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (1976-05-26 – 1976-06-10) (track 12)
Michael Sheady (1984-05-03 – 1984-05-04) (track 5)
choir vocals:
Beecham Choral Society (1956-11-10) (track 14)
composer:
Александр Порфирьевич Бородин (Alexander Borodin) (tracks 14, 14)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (tracks 12, 16)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1874-11 – 1875-02) (track 1)
Игорь Фёдорович Стравинский (composer) (1909-10 – 1910-05-18) (track 17)
Сергей Васильевич Рахманинов (1934-07-03 – 1934-08-18) (track 5)
Сергей Сергеевич Прокофьев (Russian composer) (1935 – 1936) (track 4)
Արամ Խաչատրյան (Soviet-Armenian composer, Aram Khachaturian) (1944) (track 6)
Aram Khachaturian (Soviet-Armenian composer, Aram Khachaturian) (1955) (tracks 11, 11)
conductor:
Mariss Jansons (Latvian conductor) (tracks 4, 8, 15)
Efrem Kurtz (track 6)
John Lanchbery (track 16)
Riccardo Muti (tracks 2, 10)
Seiji Ozawa (conductor) (track 17)
André Previn (track 1)
Sir Simon Rattle (track 13)
Yuri Temirkanov (track 11)
Sir Thomas Beecham (1956-11-10) (track 14)
André Previn (1976-05-26 – 1976-06-10) (track 12)
Jerzy Maksymiuk (1983-05) (track 9)
Sir Simon Rattle (1984-05-03 – 1984-05-04) (track 5)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (tracks 6, 16)
Royal Philharmonic Orchestra (1956-11-10) (track 14)
London Symphony Orchestra (1976-05-26 – 1976-06-10) (track 12)
English Chamber Orchestra (1983-05) (track 9)
City of Birmingham Symphony Orchestra (1984-05-03 – 1984-05-04) (track 5)
producer:
Christopher Bishop (conductor/producer) (track 12)
John Fraser (UK producer) (1984-05-03 – 1984-05-04) (track 5)
publisher:
B. Schott's Söhne (track 17)
recorded at:
Kingsway Hall in London, England, United Kingdom (1976-05-26 – 1976-06-10) (track 12)
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, United Kingdom (1984-05-03 – 1984-05-04) (track 5)
compiled in:
arrangement of:
14 Romances, op. 34 no. 14: Vocalise (for voice and piano, original version) (track 7)
arrangements:
Adagio from Symphony no. 2 (for band and cornet, Farr) (track 15)
Polovtsian Dances (catch-all for arrangements) (track 14)
Polovtsian Dances (for brass band, Snell) (track 14)
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII (for violin and piano, Kreisler) (track 5)
Scheherazade, op. 35: II. The Kalendar Prince (for piano four hands) (tracks 10, 10)
Spartacus: Adagio of Spartacus & Phrygia (catch-all for arrangements) (tracks 11, 11)
is the basis for:
AMERICA (STAGE 1) (City Connection) (track 1)
All by Myself (track 13)
Concerto (track 1)
E Sarà Così (song based on "Rhapsody on a theme of Paganini") (track 5)
Firebird Suite (catch-all for unknown versions) (track 17)
L’Oiseau de feu (suite, arr. Leonard Slatkin) (track 17)
L’Oiseau de feu, suite de 1919 ("The Firebird" 1919 Suite, aka Concert Suite for Orchestra no. 2) (track 17)
Preghiera (track 13)
Prince Igor (Rapsody) (track 14)
Suite du ballet « L'Oiseau de feu » (1945 ballet suite) (track 17)
Suite from the Ballet "Romeo and Juliet" (for band, de Meij) (track 4)
Tonight We Love (Freddy Martin 1941 hit) (track 1)
(track 14)
秋の手紙 (track 15)
part of:
Spartacus, op. 82 (tracks 11, 11)
Scheherazade, op. 35 (tracks 10, 10)
The Sleeping Beauty, op. 66a (Suite) (track 16)
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra) (track 5)
partial recording of:
L’Oiseau de feu (track 17)
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890) (track 14)
parts:
recording of:
Romance from The Gadfly Suite (for violin and piano) (track 3)
Vocalise, op. 34 no. 14 (arr. for cello and piano, unspecified arranger) (track 7)
Swan Lake, op. 20: Act II, no. 10: Scene: Moderato (1976-05-26 – 1976-06-10) (track 12)
referred to in medleys:
Hooked on a Song (track 14)
version of:

CD 2: An Austro-German Romance

premiered in:
Wien, Austria (1867-02-15) (track 14)
clarinet:
Sabine Meyer (clarinetist) (track 9)
violin:
Yehudi Menuhin (tracks 8, 11)
Maxim Vengerov (track 15)
piano:
Daniel Adni (track 10)
Ian Brown (classical pianist) (track 15)
Stephen Hough (pianist) (track 1)
Moura Lympany (pianist) (track 3)
Stephen Kovacevich (classical pianist, aka Stephen Bishop) (1997-05) (track 7)
bass clarinet:
Sabine Meyer (clarinetist) (1990) (track 9)
horn:
Radovan Vlatković (1985-11-07 – 1985-11-09) (track 5)
harp:
Julia Thornton (track 4)
arranger:
Craig Leon (track 4)
balance engineer:
Mark Vigars (engineer) (1985-11-07 – 1985-11-09) (track 5)
composer:
Fritz Kreisler (violinist / composer) (track 15)
Wolfgang Amadeus Mozart (classical composer) (track 6)
Wolfgang Amadeus Mozart (classical composer) (1785 – 1785-03-09) (tracks 1, 1, 1)
Wolfgang Amadeus Mozart (classical composer) (1786) (track 5)
Wolfgang Amadeus Mozart (classical composer) (1787) (track 2)
Wolfgang Amadeus Mozart (classical composer) (1791-09-28 – 1791-10-07) (track 9)
Ludwig van Beethoven (1798) (track 7)
Ludwig van Beethoven (1801) (track 3)
Ludwig van Beethoven (1809) (track 4)
Felix Mendelssohn (1838 – 1844-09-16) (track 8)
Felix Mendelssohn (1842) (tracks 12, 16)
Felix Mendelssohn (1842 – 1844) (track 10)
Johann Strauss (Austro-German composer, "Walzerkönig", Johann Strauss II, Sohn, Jr., the Younger, the Son) (1866) (track 14)
Max Bruch (1866 – 1867) (track 11)
Richard Strauss (German composer) (1948) (track 13)
conductor:
Bernard Haitink (track 6)
Herbert von Karajan (track 14)
Efrem Kurtz (track 8)
Charles Mackerras (Australian conductor) (track 12)
Walter Süsskind (track 11)
Jeffrey Tate (conductor) (track 16)
Klaus Tennstedt (track 13)
Bryden Thomson (track 1)
Jeffrey Tate (conductor) (1985-11-07 – 1985-11-09) (track 5)
Hans Vonk (1990) (track 9)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s) (track 2)
librettist:
Lorenzo Da Ponte (track 6)
lyricist:
Hermann Hesse (track 13)
orchestra:
Hallé Orchestra (track 1)
New Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (tracks 8, 11)
English Chamber Orchestra (1985-11-07 – 1985-11-09) (track 5)
Staatskapelle Dresden (1990) (track 9)
producer:
Christopher Bishop (conductor/producer) (track 2)
David Groves (classical music producer at EMI) (track 5)
revised by:
Felix Mendelssohn (1845) (track 8)
soprano vocals:
Lucia Popp (soprano) (track 13)
tenor vocals:
John Aler (track 6)
vocals:
John Aler (track 6)
Lucia Popp (soprano) (track 13)
premiered at:
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, United Kingdom (1985-11-07 – 1985-11-09) (track 5)
AIR Studios (located at Oxford Street 1970–1991, Lyndhurst Hall 1991–present) in Hampstead, Camden, London, United Kingdom (1997-05) (track 7)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314) (track 14)
Köchelverzeichnis (original numbering) (number: 467) (track 1)
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 467) (track 1)
arrangement of:
arrangements:
An der schönen, blauen Donau, op. 314 (for piano, by Cziffra) (track 14)
Concerto for Piano no. 21 in C major, K. 467 (catch-all for arrangements) (track 1)
Liebesleid (catch-all for arrangements) (track 15)
Liebesleid (for flute and piano, Sinkova) (track 15)
Liebesleid (for string quartet, Leidzén) (track 15)
Lied ohne Worte A-Dur, op. 62 Nr. 6 (catch-all for arrangements) (track 10)
Lied ohne Worte A-Dur, op. 62 Nr. 6 (for violin and piano, Hermann) (track 10)
Vier letzte Lieder, AV 150: III. "Beim Schlafengehen" (catch-all for arrangements) (track 13)
Wedding March from "A Midsummer Night's Dream" (for organ, Woods) (track 16)
is the basis for:
An der schönen blauen Donau (Comedian Harmonists version) (track 14)
Concerto (track 7)
Great Expectations (track 7)
Interludio (track 7)
Mephistopheles (track 3)
Moonlight (The Piano Guys) (track 3)
Overture (track 3)
Red Danube (track 14)
Sex'n fax (tracks 1, 1)
Song Sung Blue (track 1)
The Blue Danube (Spike Jones version) (track 14)
This Night (track 7)
What Is Eternal (track 3)
月光 (Mondscheinsonate+drumloops) (track 3)
later translated versions:
Le beau Danube bleu (track 14)
later versions:
River of Light (track 14)
orchestrations:
Chanson du printemps (orchestrated by Guiraud) (track 10)
Moonlight Sonata (orch. Stokowski) (track 3)
part of:
Alt-Wiener Tanzweisen (for violin and piano) (track 15)
Violinkonzert in e-Moll, op. 64 (movement) (track 8)
Lieder ohne Worte, op. 62 (for piano) (track 10)
partial recording of:
parts:
recording of:
Liebesleid (for violin and piano) (track 15)
referred to in medleys:
Hooked on Romance (tracks 3, 7, 9)

CD 3: A French Romance

cello:
Han‐Na Chang (track 2)
harp:
Aline Brewer (track 2)
arranger:
Chris Hazell (track 2)
balance engineer:
John Kurlander (engineer) (1995-03) (track 4)
choir vocals:
Chœur René Duclos (1964-07-06 – 1964-07-20) (track 3)
composer:
Georges Bizet (French romantic composer) (track 3)
Jacques Offenbach (track 1)
Claude Debussy (1890 – 1905) (track 4)
conductor:
Sylvain Cambreling (track 1)
Leonard Slatkin (track 2)
Georges Prêtre (1964-07-06 – 1964-07-20) (track 3)
Wolfgang Sawallisch (1995-03) (track 4)
editor:
Matthew Cocker (editor) (track 4)
engineer:
Paul Vavasseur (engineer) (track 3)
librettist:
Jules Barbier (track 1)
Ludovic Halévy (track 3)
Henri Meilhac (track 3)
mezzo-soprano vocals:
Maria Callas (1964-07-06 – 1964-07-20) (track 3)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (track 1)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (track 2)
Orchestre de l’Opéra National de Paris (1964-07-06 – 1964-07-20) (track 3)
Philadelphia Orchestra (1995-03) (track 4)
orchestrator:
Leopold Stokowski (track 4)
producer:
John Fraser (UK producer) (track 4)
Michel Glotz (track 3)
solo cello:
Han‐Na Chang (track 2)
soprano vocals:
Maria Callas (track 3)
soprano vocals [Giulietta]:
Jessye Norman (track 1)
recorded at:
arrangement of:
Le Carnaval des animaux: XIII. Le Cygne (part of orig. Carnival of the Animals, for cello and dual piano) (track 2)
arrangements:
Carmen (jazz arrangement of the Habanera from Bizet's Carmen) (track 3)
Carmen: Habanera (catch-all for arrangements) (track 3)
Les contes d'Hoffmann: Barcarolle (catch-all for arrangements) (track 1)
is based on:
El arreglito (track 3)
is the basis for:
Barcarolles (track 1)
Chains of Love (Disney song based on the melody of the Habanera from Carmen) (track 3)
Señorita (track 3)
later translated versions:
Habanera de Carmen (track 3)
Mīlas nakts (barkorāle no operas "Hofmaņa stāsti") (track 1)
later versions:
orchestration of:
part of:
Les Contes d'Hoffmann: Acte III (Giulietta) (alternate order) (track 1)
Carmen: Acte I (track 3)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for unknown arrangement) (track 2)
Clair de lune from Suite bergamasque (orch. Stokowski) (1995-03) (track 4)
referred to in medleys:
Hooked on a Song (track 3)

CD 4: Romance in a Cold Climate

piano:
Dame Moura Lympany (pianist) (track 8)
balance engineer:
Stuart Eltham (1978-05) (track 11)
composer:
Antonín Dvořák (1893-01-10 – 1893-05-24) (track 4)
Antonín Dvořák (1894-08-07 – 1894-08-27) (track 8)
Antonín Dvořák (1900-04-21 – 1900-11-27) (track 6)
Jean Sibelius (1905) (track 11)
conductor:
Mariss Jansons (Latvian conductor) (track 4)
Stefan Soltesz (track 6)
Paavo Berglund (1978-05) (track 11)
orchestra:
Bournemouth Symphony Orchestra (1978-05) (track 11)
producer:
John Fraser (UK producer) (track 11)
soprano vocals:
Lucia Popp (soprano) (track 6)
recorded at:
arrangements:
Humoresque (Jack White arrangement) (track 8)
Humoresque in G-flat major, op. 101 no. 7 (catch-all for arrangements) (track 8)
Humoresque in G-flat major, op. 101 no. 7 (for violin and piano, arr. Wilhelmj) (track 8)
Humoresque in G-flat major, op. 101 no. 7 (for violin and piano, arr. Heifetz) (track 8)
Humoresque in G-flat major, op. 101 no. 7 (for violin and piano, Linz) (track 8)
Humoresque in G-flat major, op. 101 no. 7 (for violin and orchestra, arr. Waxman) (track 8)
Humoresque in G-flat major, op. 101 no. 7 (for violin and piano, arr. Kreisler) (track 8)
Humoresque in G-flat major, op. 101 no. 7 (for violin and piano, unknown arranger) (track 8)
Humoresque, op. 101 no. 7 (for string quartet, arr. Cassidy) (track 8)
Rusalka, op. 114: Song to the Moon (catch-all for arrangements) (track 6)
is the basis for:
A New World (track 4)
Desecration (track 8)
Goin’ Home (track 4)
Más allá (track 4)
later versions:
Going Home (Largo "From the New World") (James Last pop arrangement) (track 4)
Negro Spiritual Melody (for violin and piano, Kreisler) (track 4)
orchestrations:
Humoresque, op. 101 no. 7 (orch. Shilkret) (track 8)
part of:
Pelléas et Mélisande, op. 46 (for orchestra) (track 11)
partial recording of:
recording of:
Pelléas et Mélisande, op. 46: I. At the Castle Gate (for orchestra) (1978-05) (track 11)
referred to in medleys:

CD 5: England & America in Love

piano:
André Previn (track 17)
composer:
Stanley Myers (track 11)
Thomas Newman (film composer) (track 12)
George Gershwin (composer) (1924) (track 17)
conductor:
André Previn (track 17)
orchestra:
orchestrator:
Thomas Pasatieri (track 12)
Ferde Grofé (1942) (track 17)
publisher:
Chappell Music Ltd. (track 17)
Cherry Lane Music (track 12)
EMI Music Publishing (do not use as a release label!) (track 11)
Ferde Grofé Music Publishing (New York) (track 17)
New World Music Co. (track 17)
Robbins Music Corp. (track 11)
Warner Bros. Music (track 17)
arrangements:
Cavatina (catch-all for arrangements) (track 11)
Rhapsody in Blue (arr. Dokshitser for trumpet and orchestra) (track 17)
Rhapsody in Blue (Glenn Miller arrangement) (track 17)
Rhapsody in Blue (transcription for solo piano by Gershwin) (track 17)
Rhapsody in Blue (catch-all for arrangements) (track 17)
Rhapsody in Blue (arr. Carlos Barbosa-Lima) (track 17)
is the basis for:
Blue (track 17)
What Happened (Sublime) (track 17)
原野是我家 (track 11)
later versions:
He Was Beautiful (track 11)
recording of:
Any Other Name (track 12)
Cavatina (theme from The Deer Hunter) (track 11)
Rhapsody in Blue (standard 1942 orchestration) (track 17)
referred to in medleys:
Hooked on America (track 17)
revision of:
Rhapsody in Blue (original jazz band version, less often performed) (track 17)

CD 6: Mediterranean Romance

violin:
Yehudi Menuhin (1979-12) (track 5)
Anne‐Sophie Mutter (1985) (track 14)
piano:
Leif Ove Andsnes (track 3)
harpsichord:
Paul Crocker (harpsichord) (1979-12) (track 5)
composer:
Isaac Albéniz (track 16)
Pietro Mascagni (track 8)
Claudio Monteverdi (track 6)
Giacomo Puccini (Italian composer) (tracks 2, 4, 12)
Nino Rota (track 10)
Francesco Sartori (track 15)
Francisco Tárrega (track 9)
Antonio Vivaldi (track 13)
Antonio Vivaldi (1723) (track 5)
Luigi Boccherini (1771) (track 7)
Pablo de Sarasate (1878) (track 14)
Pietro Mascagni (1888) (track 1)
Isaac Albéniz (1890) (track 3)
Giacomo Puccini (Italian composer) (1921-03 – 1924-03) (track 17)
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (1939) (track 11)
conductor:
Charles Mackerras (Australian conductor) (track 4)
Riccardo Muti (track 1)
Seiji Ozawa (conductor) (track 14)
Alberto Lysy (1979-12) (track 5)
Antonio Pappano (1999) (track 2)
countertenor vocals:
Fernando Lima (track 6)
librettist:
Giuseppe Adami (tracks 4, 17)
Renato Simoni (track 17)
lyricist:
Lucio Quarantotto (track 15)
Eugene Walter (track 10)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) (track 1)
Camerata Lysy Gstaad (1979-12) (track 5)
London Symphony Orchestra (1999) (track 2)
soprano vocals:
Natasha Marsh (track 6)
Angela Gheorghiu (1999) (track 2)
publisher:
Casa Ricordi BMG S.p.A. (tracks 2, 12, 17)
recorded at:
part of:
Works of Pablo de Sarasate by opus number (number: op. 20) (track 14)
arrangement of:
Zigeunerweisen, op. 20 (for violin and piano) (track 14)
arrangements:
Celebrated Menuet (for violin and piano, Haddock) (track 7)
Concerto for Lute in D major, RV 93: II. Largo (catch-all for arrangements) (track 13)
Concerto for Lute in D major, RV 93: II. Largo (for guitar and orchestra, arr. Romero) (track 13)
Concerto for Lute in D major, RV 93: II. Largo (for guitar and orchestra, arr. Malipiero) (track 13)
Concierto de Aranjuez: II. Adagio (for harp and orchestra, Rodrigo 1974) (track 11)
Concierto de Aranjuez: II. Adagio (catch-all for arrangements) (track 11)
España, seis hojas de álbum, op. 165: II. Tango (catch-all for arrangements) (track 3)
España, seis hojas de álbum, op. 165: II. Tango (for guitar duo, Hill) (track 3)
España, seis hojas de álbum, op. 165: II. Tango (for piano, Godowsky version) (track 3)
España, seis hojas de álbum, op. 165: II. Tango (for violin and piano, Dushkin) (track 3)
España, seis hojas de álbum, op. 165: II. Tango (for violin and piano, arr. Kreisler) (track 3)
España, seis hojas de álbum, op. 165: II. Tango (for cello and piano, Maréchal) (track 3)
Gianni Schicchi: "O mio babbino caro" (catch-all for arrangements) (track 2)
Menuette (Comedian Harmonists arrangement) (track 7)
Minuet (for cello and piano, arr. Goltermann) (track 7)
Sevilla, sevillanas (for violin and piano, arr. Heifetz) (track 16)
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (catch-all for arrangements) (track 16)
is the basis for:
Ave Maria (Adapted from the Intermezzo of Cavalleria Rusticana) (track 1)
Obiad rodzinny (track 7)
Sancta Maria (based on the Intermezzo from "Cavalleria rusticana" by Mascagni) (track 1)
Étude (Mike Oldfield instrumental) (track 9)
later parody versions:
later translated versions:
El nostre heroi (track 17)
Going to Win (track 17)
Hear My Prayer (English translation of Nessun dorma) (track 17)
Por ti volaré (Spanish version of Bocelli’s “Con te partirò”) (track 15)
Time to Say Goodbye (version with predominantly Italian lyrics, except for the phrase “time to say goodbye”) (track 15)
私のお父さん (track 2)
later versions:
A Time for Us (track 10)
Ai giochi addio (track 10)
I Will Go With You (Con te partirò) (Donna Summer song) (track 15)
orchestrations:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (orchestrated by Stokowski) (track 7)
Suite española no. 1, op. 47: III. Sevilla (Sevillanas) (orchestrated by Frühbeck de Burgos) (track 16)
part of:
Gianni Schicchi (track 2)
La rondine (track 4)
La rondine: Atto I (track 4)
Concerto for Lute in D major, RV 93 (movement) (track 13)
Concierto de Aranjuez (movement) (track 11)
Turandot: Atto III (track 17)
Suite española no. 1, op. 47 (movement) (track 16)
partial recording of:
recording of:
Con te partirò (completely Italian lyrics; no “time to say goodbye”) (track 15)
What Is a Youth (Love Theme from Romeo and Juliet, 1968 film) (track 10)
Zigeunerweisen, op. 20 (for violin and orchestra) (track 14)
referred to in medleys:
Alma Barca (track 16)