Tracklist

CD 1: Tracks (1 - 8) Body and Soul / Tracks (9 - 13) Ella Fitzgerald and Billie Holiday at Newport / Tracks (14 - 21) Billie Holiday at Jazz at the Philharmonic
# Title Rating Length
1 Body and Soul
6:24
2 They Can’t Take That Away From Me
4:12
3 Darn That Dream
6:20
4 Let’s Call the Whole Thing Off
3:26
5 Comes Love
4:02
6 Gee, Baby, Ain’t I Good to You
5:38
7 Embraceable You
6:49
8 Moonlight in Vermont
3:51
9 Willow Weep for Me
3:09
10 My Man
3:30
11 Lover, Come Back to Me
2:06
12 Lady Sings the Blues
3:00
13 What a Little Moonlight Can Do
3:14
14 Body and Soul
3:21
15 Strange Fruit
2:53
16 Travelin’ Light
3:25
17 He’s Funny That Way
2:52
18 The Man I Love
3:04
19 Gee, Baby, Ain’t I Good to You
2:19
20 All of Me
4 1:56
21 Billie’s Blues
3:38
CD 2: Tracks (1 - 8) Music for Torching / Tracks (9 - 16) Velvet Mood / Track 17 the Sound of Jazz
# Title Rating Length
1 It Had to Be You
4:06
2 Come Rain or Come Shine
3 4:26
3 I Don’t Want to Cry Anymore
3:57
4 I Don’t Stand a Ghost of a Chance With You
4:30
5 A Fine Romance
3:35
6 Gone With the Wind
3 3:26
7 I Get a Kick Out of You
5:43
8 Isn’t This a Lovely Day
4:15
9 Prelude to a Kiss
5:36
10 When Your Lover Has Gone
4:59
11 Please Don’t Talk About Me When I’m Gone
4:23
12 Nice Work If You Can Get It
3:51
13 I Got a Right to Sing the Blues
5:55
14 What’s New
4:19
15 I Hadn’t Anyone Till You
4:06
16 Everything I Have Is Yours
4:33
17 Fine and Mellow From the Sound of Jazz
6:22

Credits

CD 1: Tracks (1 - 8) Body and Soul / Tracks (9 - 13) Ella Fitzgerald and Billie Holiday at Newport / Tracks (14 - 21) Billie Holiday at Jazz at the Philharmonic

recorded in:
Los Angeles, California, United States (1957-01-09) (track 6)
trumpet:
drums:
Larry Bunker (track 6)
Alvin Stoller (track 3)
guitar:
Barney Kessel (tracks 3, 6)
bass:
Red Mitchell (track 6)
Joe Mondragon (track 3)
piano:
Jimmy Rowles (tracks 3, 6)
tenor saxophone:
Ben Webster (tracks 3, 6)
arranger:
Joe Lovano (track 7)
composer:
Herbie Nichols (track 12)
Don Redman (track 6)
Sam H. Stept (track 5)
Karl Suessdorf (track 8)
Charles Tobias (Tin Pan Alley songwriter) (track 5)
Harry M. Woods (track 13)
Lewis Allan (track 15)
Billie Holiday (track 12)
Billie Holiday (– 1936-08-01) (track 21)
George Gershwin (composer) (1924) (track 18)
George Gershwin (composer) (1928) (track 7)
Sigmund Romberg (1928) (track 11)
Johnny Green (composer and conductor, often credited as John Green) (1930) (tracks 1, 14)
George Gershwin (composer) (1937) (tracks 2, 4)
Jimmy Van Heusen (1939) (track 3)
engineer:
Val Valentin (track 6)
lyricist:
Harry M. Woods (track 13)
Lewis Allan (track 15)
John Blackburn (songwriter) (track 8)
Lew Brown (track 5)
Billie Holiday (track 21)
Andy Razaf (track 6)
Ira Gershwin (1924) (track 18)
Ira Gershwin (1928) (track 7)
Oscar Hammerstein II (1928) (track 11)
Frank Eyton (1930) (tracks 1, 14)
Edward Heyman (1930) (tracks 1, 14)
Robert Sour (1930) (tracks 1, 14)
Ira Gershwin (1937) (tracks 2, 4)
Eddie DeLange (1939) (track 3)
producer:
Norman Granz (tracks 3, 6)
vocals:
Billie Holiday (tracks 3, 6)
writer:
Gerald Marks (1932) (track 20)
Seymour Simons (1932) (track 20)
publisher:
Basart Editions (tracks 15, 21)
Bourne Co. (track 20)
Connelly Basart (track 13)
Druropetal Music (tracks 1, 14)
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (track 15)
Ira Gershwin Music (track 2)
Marlong Music Corp. (track 20)
New World Company (track 18)
Quartet Music Inc. (tracks 1, 14)
Range Road Music Inc. (tracks 1, 14)
Razaf Music (track 6)
Scarsdale Music Corp. (ASCAP) (track 3)
WB Music Corp. (ASCAP) (tracks 1–2, 7, 14, 18)
Warner Bros. Music (track 13)
Warner Bros., Inc. (not for release label use!) (track 11)
Gershwin Publishing Corp (1937) (tracks 2, 4)
株式会社ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (2017-04-01 –) (track 11)
recorded at:
Capitol Studios (Hollywood, CA) in Hollywood, Los Angeles, California, United States (1957-01-07 – 1957-01-09) (track 3)
arrangements:
The Man I Love (for piano solo) (track 18)
The Man I Love (for solo piano, transcr. by Percy Grainger) (track 18)
is the basis for:
later translated versions:
Abraçável você (track 7)
Cuerpo y Alma (tracks 1, 14)
Mia zwa (track 18)
恋人よ我に帰れ (今は淋しく 君は去りて 忘れられない あの面影…) (track 11)
later versions:
live recording of:
Lover, Come Back to Me (The New Moon) (track 11)
part of:
An American in Paris (2015 Broadway musical) (tracks 2, 18)
Crazy For You (1992 Musical) (tracks 2, 7)
Girl Crazy (1930 Musical) (track 7)
Shall We Dance (1937 film soundtrack) (tracks 2, 4)
recording of:
All of Me (track 20)
Billie’s Blues (track 21)
Body and Soul (tracks 1, 14)
Comes Love (track 5)
Darn That Dream (track 3)
Embraceable You (track 7)
Strange Fruit (track 15)
The Man I Love (track 18)
referred to in medleys:
Ja-Da Medley (track 20)
version of:
Bitter Fruit (track 15)

CD 2: Tracks (1 - 8) Music for Torching / Tracks (9 - 16) Velvet Mood / Track 17 the Sound of Jazz

composer:
Billie Holiday (track 17)
Burton Lane (track 16)
Sam H. Stept (track 11)
Allie Wrubel (track 6)
Herb Magidson (track 6)
Isham Jones (1924) (track 1)
Harold Arlen (1932) (track 13)
Cole Porter (1934) (track 7)
Irving Berlin (1935) (track 8)
George Gershwin (composer) (1937) (track 12)
Harold Arlen (1946) (track 2)
lyricist:
Billie Holiday (track 17)
Harold Adamson (track 16)
Sidney Clare (track 11)
Herb Magidson (track 6)
Gus Kahn (1924) (track 1)
Ted Koehler (1932) (track 13)
Cole Porter (1934) (track 7)
Irving Berlin (1935) (track 8)
Ira Gershwin (1937) (track 12)
Johnny Mercer (1946) (track 2)
vocals:
Billie Holiday (tracks 7, 13)
publisher:
Bourne Co. (track 11)
Chappell Music (track 7)
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (track 17)
Harms, Inc. (track 7)
Gershwin Publishing Corp (1937) (track 12)
later parody versions:
Come Rain or Come Shine (Friars Club Tribute version) (track 2)
later translated versions:
part of:
A Damsel in Distress (1937 film score) (track 12)
Anything Goes (track 7)
Crazy For You (1992 Musical) (track 12)
recording of:
Gone With the Wind (track 6)
It Had to Be You (track 1)
Fine and Mellow (1939-04-20) (track 17)
referred to in medleys:
Top Hat Medley (Charlie Kunz) (track 8)