Annotation

5 disc set, cardboard box containing 5 jewel cases with separate barcodes.
Disc 1: 9399043744523
Disc 2: 9399043744622
Disc 3: 9399043744721
Disc 4: 9399043744820
Disc 5: 9399043744929

Annotation last modified on 2017-04-04 04:06 UTC.

Tracklist

CD 1
# Title Artist Rating Length
1 Adagio in G minor for Organ and Strings
Tomaso Giovanni Albinoni, Remo Giazotto 6:52
2 Canon and Gigue in D major
Johann Pachelbel 8:03
3 Tambourins in A major
Jean‐Philippe Rameau 2:23
4 Chacony in G minor
Henry Purcell 9:17
5 Air in D major (“Air on the G String”)
Johann Sebastian Bach 6:53
6 Fugue in E major, BWV 878: No. 9
Johann Sebastian Bach 3:16
7 Chorale: “Jesu, Joy of Man’s Desiring”
Johann Sebastian Bach 3:17
8 Badinerie in B minor
Johann Sebastian Bach 1:29
9 Ricercar a 6
Johann Sebastian Bach 8:36
10 Concerto for 2 Violins and String Orchestra in D minor: Largo na non tanto
Johann Sebastian Bach 7:15
11 Concerto for 2 Violins and String Orchestra in D minor: Allegro
Johann Sebastian Bach 5:36
CD 2
# Title Artist Rating Length
1 Flight of the Bumblebee
Nikolai Rimsky-Korsakov 1:16
2 Romance (from “Ovod” The Gadfly)
Dmitri Shostakovich 2:56
3 A Summer Evening, op. 41 no. 4: Poème
Zdeněk Fibich 3:35
4 Songs My Mother Taught Me, op. 55 no. 4: Melodia
Antonín Dvořák 3:35
5 Aria
Yevgeni Svetlanov 3:54
6 War and Peace, op. 91: Waltz
Sergei Prokofiev 3:37
7 Vocalise, op. 34 no. 14
Sergei Rachmaninov 5:37
8 Melody in F, op. 3 no. 1
Anton Rubinstein 2:18
9 Serenade for Strings in E major, op. 22: I. Moderato
Antonín Dvořák 4:29
10 Serenade for Strings in E major, op. 22: II. Tempo di Valse
Antonín Dvořák 6:34
11 Serenade for Strings in E major, op. 22: III. Scherzo. Vivace
Antonín Dvořák 4:56
12 Serenade for Strings in E major, op. 22: IV. Larghetto
Antonín Dvořák 6:21
13 Serenade for Strings in E major, op. 22: V. Finale. Allegro vivace
Antonín Dvořák 5:30
CD 3
# Title Artist Rating Length
1 Für Elise, WoO 59
Ludwig van Beethoven 3:12
2 Impromptu in B-flat major, op. 142 no. 3, D 780
Franz Schubert 7:16
3 Moment Musical no. 3 in F minor, op. 94, D 780
Franz Schubert 2:08
4 Träumerei from "Kinderszenen"
Robert Schumann 3:28
5 Wood Scenes, op. 82: Vogel als Prophet
Robert Schumann 2:45
6 Nocturne in E-flat major, op. 9 no. 2
Fryderyk Chopin 4:01
7 Liebestraum no. 3 in A-flat major, op. 62
Franz Liszt 4:46
8 Prelude in D-flat major, op. 28 no. 15 "Raindrop"
Fryderyk Chopin 4:51
9 Etude in E-flat major, op. 10 no. 3
Fryderyk Chopin 4:04
10 Barcarolle in F-sharp major, op. 60
Fryderyk Chopin 8:08
11 Arabesque, op. 18
Robert Schumann 6:27
12 Waltz in F minor, op. 70 no. 2
Fryderyk Chopin 2:33
13 Nocturne in G minor, op. 37 no. 1
Fryderyk Chopin 5:42
14 Nocturne in G major, op. 37 no. 2
Fryderyk Chopin 5:35
15 Clair de Lune
Claude Debussy 5:15
CD 4
# Title Artist Rating Length
1 Concierto de Aranjuez: 2. Adagio
Joaquín Rodrigo 11:34
2 Concertino in A minor, op. 72: 2. Romanza. Andante
Salvador Bacarisse 6:23
3 Fantasia para un gentilhombre: Españoleta y fanfare de la caballeria de Nápoles: Adagio
Joaquín Rodrigo 4:45
4 Fantasia para un gentilhombre: Españoleta y fanfare de la caballeria de Nápoles: Allegretto
Joaquín Rodrigo 5:04
5 Concerto in C major: 1. Moderato
Antonio Vivaldi 2:58
6 Concerto in C major: 2. Andante
Antonio Vivaldi 3:50
7 Concerto in A major: Allegro
Ferdinando Carulli 9:13
8 Concerto in D major: 2. Andante largo
Antonio Vivaldi 3:26
9 Concerto in A major, op. 30: 2. Siciliano. Andante
Mauro Giuliani 6:26
10 Concerto in A major, op. 30: 3. Polonaise. Allegretto
Mauro Giuliani 7:34
CD 5
# Title Artist Rating Length
1 Harp Concerto in B-flat major, op. 4 no. 6: I. Andante allegro
George Frideric Handel 5:41
2 Harp Concerto in B-flat major, op. 4 no. 6: II. Larghetto
George Frideric Handel 5:12
3 Harp Concerto in B-flat major, op. 4 no. 6: III. Allegro moderato
George Frideric Handel 2:46
4 Theme and Variations for harp in G minor (spurious)
George Frideric Handel 5:19
5 Keyboard Concerto no. 7 in F major, BWV 978: I. Allegro
Johann Sebastian Bach 2:37
6 Keyboard Concerto no. 7 in F major, BWV 978: II. Largo
Johann Sebastian Bach 2:41
7 Keyboard Concerto no. 7 in F major, BWV 978: III. Allegro
Johann Sebastian Bach 2:45
8 Lute Suite in E major, BWV 1006a: I. Prelude
Johann Sebastian Bach 3:57
9 Adagio and Rondo in C minor, KV 617
Wolfgang Amadeus Mozart 11:03
10 Harp Concerto in A major: III. Rondeau: Allegretto
Carl Ditters von Dittersdorf 4:05
11 Air and Variations for Harp
Jean-Baptiste Krumpholtz 4:30
12 Harp Concerto in G major: II. Andante
Georg Christoph Wagenseil 4:43
13 Harp Sonata in G major, Wq. 139: III. Allegro
Carl Philipp Emanuel Bach 3:16
14 Harp Concerto in C major, op. 77: II. Andante - Lento - attacca:
François‐Adrien Boïeldieu 4:03
15 Harp Concerto in C major, op. 77: III. Rondeau: Allegro agitato
François‐Adrien Boïeldieu 6:33

Credits

CD 1

premiered in:
Leipzig, Sachsen, Germany (1723-07-02) (track 7)
violin:
Walter Prystawski (1967-05) (track 1)
Zino Francescatti (1971-06) (tracks 10–11)
Régis Pasquier (1971-06) (tracks 10–11)
strings:
Lucerne Festival Strings (tracks 2–11)
flute:
Jean Soldan (1967-05) (track 8)
organ:
Eduard Kaufmann (classical organ and harpsichord player) (1967-05) (track 1)
harpsichord:
Eduard Kaufmann (classical organ and harpsichord player) (1967-05) (track 2)
arranger:
Rudolf Baumgartner (conductor) (track 7)
Wolfgang Amadeus Mozart (classical composer) (track 6)
Max Seiffert (track 2)
Wolfgang Amadeus Mozart (classical composer) (1782) (track 6)
Joby Talbot (2011) (track 4)
balance engineer:
Günter Hermanns (producer/engineer) (tracks 1–2, 4, 6, 8–9)
Heinz Wildhagen (tracks 3, 5, 7–8)
Hans-Peter Schweigmann (1971-06) (tracks 10–11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 7–9)
Remo Giazotto (track 1)
Johann Pachelbel (tracks 2, 2, 2)
Henry Purcell (baroque composer) (tracks 4, 4)
Johann Sebastian Bach (German Baroque period composer & musician) (1723) (track 7)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 5)
Johann Sebastian Bach (German Baroque period composer & musician) (1730 – 1731) (tracks 10–11)
Johann Sebastian Bach (German Baroque period composer & musician) (1744) (tracks 6, 6)
conductor:
Rudolf Baumgartner (conductor) (1967-05) (tracks 1–4, 6–9)
Rudolf Baumgartner (conductor) (1968) (track 5)
Rudolf Baumgartner (conductor) (1971-06) (tracks 10–11)
orchestra:
Festival Strings Lucerne (1967-05) (tracks 1–4, 6–9)
Festival Strings Lucerne (1968) (track 5)
Festival Strings Lucerne (1971-06) (tracks 10–11)
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer) (track 1)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon) (tracks 1–9)
Hans Ritter (tracks 3, 5, 7–8)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1968) (tracks 1–9)
Polydor International GmbH (not for release label use!) (1972) (tracks 10–11)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) (track 1)
recorded at:
Verkehrshaus in Lucerne, Luzern, Switzerland (1967-05) (tracks 1–4, 6–9)
Verkehrshaus in Lucerne, Luzern, Switzerland (1968) (track 5)
Lukaskirche (Lucerne) in Lucerne, Luzern, Switzerland (1971-06) (tracks 10–11)
part of:
arrangement of:
arrangements:
"Jesus bleibet meine Freude" from Cantata, BWV 147 (for piano, Chuquisengo) (track 7)
Adagio for Strings and Organ in G minor (catch all for arrangements) (track 1)
Adagio of the Sky (track 1)
Air on a G String (Guitar + modern ensemble arr. Myers) (track 5)
Air on the G String (for cello and orchestra, arr. Cullen) (track 5)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 5)
BWV 1043: II. Largo ma non tanto (catch all for arrangements) (track 10)
Canon and Gigue in D major, T. 377 (arr. Max Seiffert) (track 2)
Canon and Gigue in D major, T. 377: I. Canon (catch-all for arrangements) (track 2)
Canon and Gigue in D major: I. Canon (arr. Max Seiffert) (track 2)
Chacony in G minor (arranged by Talbot) (track 4)
Chacony in G minor (arranged by Britten) (track 4)
Cold is Being (track 1)
Cosmic Chorale (track 7)
Jesu, Joy of Man's Desire, from BWV 147 (for piano, Myra Hess) (track 7)
Jesu, Joy of Man's Desiring (for band, Reed) (track 7)
Jesu, Joy of Men's Desiring (Sportiello arrangement) (track 7)
Jesu, bleibet meine Freunde (Jesu, Joy of Man’s Desiring) (arr. for piano by Richard Tilling) (track 7)
Jesus bleibet meine Freude (for trumpet and organ, Alain) (track 7)
Jesus bleibet meine Freude (for organ, Duruflé) (track 7)
Jesus bleibet meine Freude, BWV 147 (arr. Wilhelm Kempff for piano) (track 7)
Kantate, BWV 147 "Herz und Mund und Tat und Leben": Teil II, X. Choral "Jesus bleibet meine Freude" (Jesu, Joy of Mans Desiring; catch-all for arrangements) (track 7)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (for piano 4 hands, Reger) (track 8)
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (catch-all for arrangements) (track 8)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 5)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 5)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 5)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 5)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 5)
Solo Amore (track 5)
Three Chorales: Jesu, Joy of Man‘s Desiring (Milko Kelemen arrangement) (track 7)
is the basis for:
Adagio (track 2)
Adagio (track 1)
Anytime, Anywhere (track 1)
Bach Aire (track 5)
Christmas Canon (original version) (track 2)
Ecos (track 7)
Happy (track 2)
Lady Lynda (track 7)
Lemming 1 (Lemmings, Commodore 64) (track 2)
Lullaby (track 2)
Peace Planet (track 8)
Sanctus II (track 2)
Simple Joy (track 2)
Sweetest Love (track 5)
神様 見てよ (track 7)
later translated versions:
later versions:
Canon in D, Mostly (track 2)
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 5)
Jesu, Joy of Man’s Desiring, BWV 147/10 (Stokowski orchestration) (track 7)
part of:
parts:
Canon and Gigue in D major: I. Canon (arr. Max Seiffert) (track 2)
Canon and Gigue in D major: II. Gigue (arr. Max Seiffert) (track 2)
recording of:
Canon and Gigue in D major, T. 377 (arr. Max Seiffert) (track 2)
Chacony in G minor (arranged by Talbot) (track 4)
Kantate, BWV 147 "Herz und Mund und Tat und Leben": Teil II, X. Choral "Jesus bleibet meine Freude" (Jesu, Joy of Mans Desiring; catch-all for arrangements) (1967-05) (track 7)
referred to in medleys:
Hooked on Bach (track 8)
Hooked on Romance (track 5)

CD 2

piano:
Irina Zaitseva (pianist) (tracks 2–13)
additional composer:
Сергей Сергеевич Прокофьев (Russian composer) (1946 – 1952) (track 6)
arranger:
G. Feigin (track 1)
G. Rozhdestwensky (track 4)
G. Saborow (arranger for strings) (tracks 2–3, 6–13)
composer:
Zdeněk Fibich (Czech composer) (track 3)
Антон Григорьевич Рубинштейн (Russian composer) (1852) (track 8)
Antonín Dvořák (1875-05-03 – 1875-05-14) (tracks 9–13)
Antonín Dvořák (1880-01 – 1880-02) (track 4)
Сергей Сергеевич Прокофьев (Russian composer) (1941 – 1943) (track 6)
conductor:
Yuli Reyentovich (conductor) (tracks 1–13)
librettist:
orchestra:
orchestrator:
revised by:
Antonín Dvořák (1878) (tracks 9–13)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1973) (tracks 1–13)
arrangement of:
14 Romances, op. 34 no. 14: Vocalise (for voice and piano, original version) (track 7)
2 Mélodies, op. 3: No. 1 in F major (for solo piano) (track 8)
Gipsy Songs, op. 55: IV. Songs My Mother Taught Me (for voice and piano) (track 4)
arrangements:
2 Mélodies, op. 3: No. 1 in F major (arr. David Popper) (track 8)
2 Mélodies, op. 3: No. 1 in F major (catch-all unknown arrangement) (track 8)
Flight of the Bumblebee (for cello and orchestra, arr. by B. Traubas) (track 1)
Flight of the Bumblebee (for cello and piano, arr. Rose) (track 1)
Flight of the Bumblebee (Stokowski transcription) (track 1)
Flight of the Bumblebee (for choir, Swingle) (track 1)
Flight of the Bumblebee (for banjo, arr. Charles Wood) (track 1)
Flight of the Bumblebee, TN iii/9 (for piano solo, Rachmaninov) (track 1)
Le Vol du bourdon (for organ, Saint-Martin) (track 1)
Poème (for violin and piano) (track 3)
Reilly (theme from the Thames TV series, Reilly ace of spies) (track 2)
Romance from The Gadfly (for brass band, Broadbent) (track 2)
Romance from The Gadfly Suite (for violin and piano) (track 2)
The Flight of the Bumble-Bee (for violin and orchestra, Kennedy & Lenehan) (track 1)
The Flight of the Bumblebee (for flute and orchestra, arr. Aho) (track 1)
The Flight of the Bumblebee (for violin and piano, arr. Heifetz) (track 1)
Полёт шмеля (catch-all for arrangements) (track 1)
is based on:
is the basis for:
A Last Illusion (track 1)
Honey Man (track 1)
My Destiny (track 7)
ボスBGM (Parodius) (track 1)
later versions:
orchestration of:
14 Romances, op. 34 no. 14: Vocalise (for voice and piano, original version) (track 7)
orchestrations:
2 Mélodies, op. 3: No. 1 in F major (orchestrated by D'Indy) (track 8)
part of:
2 Mélodies, op. 3 (track 8)
Smyčcová serenáda E dur, op. 22, B. 52 (movement) (tracks 9–13)
partial recording of:
parts:
recording of:
2 Mélodies, op. 3: No. 1 in F major (for solo piano) (track 8)
2 Mélodies, op. 3: No. 1 in F major (catch-all unknown arrangement) (track 8)
Aria (track 5)
Gipsy Songs, op. 55: IV. Songs My Mother Taught Me (catch-all for arrangements) (track 4)
Poème (track 3)
Romance from The Gadfly Suite (for violin and piano) (track 2)
Vocalise, op. 34 no. 14 (arr. by composer for orchestra) (track 7)
Vocalise, op. 34 no. 14 (catch-all for unknown arrangements) (track 7)
Полёт шмеля (catch-all for arrangements) (track 1)
referred to in medleys:

CD 3

piano:
Géza Anda (1959-07) (track 8)
Martha Argerich (1960-07) (track 10)
Wilhelm Kempff (1964-05) (track 1)
Tamás Vásáry (1965-04) (track 6)
Tamás Vásáry (1965-05) (tracks 9, 12–14)
Wilhelm Kempff (1965-09) (track 2)
Christoph Eschenbach (1966-05) (tracks 4–5)
Wilhelm Kempff (1967-08) (track 3)
Stefan Askenase (1968-12) (track 7)
Tamás Vásáry (1969-04) (track 15)
Wilhelm Kempff (1972-02) (track 11)
arranger:
Franz Liszt (track 7)
audio engineer:
Jobst Eberhardt (track 15)
balance engineer:
Wolfgang Lohse (tracks 13–14)
Klaus Scheibe (editor/engineer) (tracks 3, 6, 9, 11–12, 15)
Hans-Peter Schweigmann (tracks 4–5)
Heinz Wildhagen (tracks 1, 7–8)
Heinz Wildhagen (1960-07) (track 10)
Klaus Scheibe (editor/engineer) (1965-09) (track 2)
composer:
Franz Schubert (Austrian composer Franz Peter Schubert) (track 3)
Ludwig van Beethoven (1808 – 1810) (track 1)
Franz Schubert (Austrian composer Franz Peter Schubert) (1827) (track 2)
Fryderyk Chopin (composer) (1829 – 1832) (track 12)
Fryderyk Chopin (composer) (1830 – 1832) (track 6)
Fryderyk Chopin (composer) (1832) (track 9)
Fryderyk Chopin (composer) (1836 – 1839) (track 8)
Robert Schumann (German classical composer) (1838) (track 4)
Fryderyk Chopin (composer) (1839) (track 14)
Robert Schumann (German classical composer) (1839) (track 11)
Fryderyk Chopin (composer) (1840) (track 13)
Fryderyk Chopin (composer) (1845 – 1846) (track 10)
Robert Schumann (German classical composer) (1848 – 1849) (track 5)
Franz Liszt (1850) (track 7)
Claude Debussy (1890 – 1905) (track 15)
dedicated to:
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon) (track 11)
producer:
Wilfried Daenicke (producer at Deutsche Grammophon) (track 7)
Karl Faust (producer) (track 15)
Cord Garben (track 11)
Otto Gerdes (track 2)
Hans-Joachim Reiser (engineer/producer) (track 15)
Dr. Manfred Richter (Producer for Deutsche Grammophon) (tracks 4–5)
Hans Ritter (track 3)
Karl-Heinz Schneider (tracks 8, 10)
Tamás Vásáry (tracks 13–14)
Hans Weber (producer/engineer) (track 6)
Otto Ernst Wohlert (track 2)
Wolfgang Lohse (tracks 1, 7, 9, 12–14)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1960) (track 8)
Polydor International GmbH (not for release label use!) (1961) (track 10)
Polydor International GmbH (not for release label use!) (1964) (track 1)
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (1965) (tracks 6, 9)
Polydor International GmbH (not for release label use!) (1965) (tracks 9, 12)
Polydor International GmbH (not for release label use!) (1966) (tracks 2, 4–6, 13–14)
Deutsche Grammophon GmbH (this is the company; for release labels, use "Deutsche Grammophon") (1968) (track 3)
Polydor International GmbH (not for release label use!) (1969) (track 7)
Polydor International GmbH (not for release label use!) (1970) (track 15)
Polydor International GmbH (not for release label use!) (1973) (track 11)
publisher:
Brandus & Cie. (Paris) (1846) (track 10)
Breitkopf & Härtel (1846) (track 10)
Wessel & Co (London) (1846) (track 10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1959-07) (track 8)
Beethovensaal (Hannover) in Hanover, Niedersachsen, Germany (1960-07) (track 10)
Beethovensaal (Hannover) in Hanover, Niedersachsen, Germany (1964-05) (track 1)
Beethovensaal (Hannover) in Hanover, Niedersachsen, Germany (1965-04) (track 6)
Beethovensaal (Hannover) in Hanover, Niedersachsen, Germany (1965-05) (tracks 9, 12–14)
Beethovensaal (Hannover) in Hanover, Niedersachsen, Germany (1965-09) (track 2)
Beethovensaal (Hannover) in Hanover, Niedersachsen, Germany (1966-05) (tracks 4–5)
Beethovensaal (Hannover) in Hanover, Niedersachsen, Germany (1967-08) (track 3)
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in Munich, Bayern, Germany (1968-12) (track 7)
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in Munich, Bayern, Germany (1969-04) (track 15)
Beethovensaal (Hannover) in Hanover, Niedersachsen, Germany (1972-02) (track 11)
part of:
Works of Robert Schumann by opus number (number: op. 18) (track 11)
Kinsky catalogue (Beethoven WoO works) (number: WoO 59) (track 1)
Works of Fryderyk Chopin by opus number (number: op. 60) (track 10)
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version) (track 7)
arrangements:
Clair de lune (for cello and piano) (track 15)
Kinderszenen, op. 15: No. 7. Träumerei (for string quartet and piano, arr. Paul Cassidy) (track 4)
Kinderszenen, op. 15: Träumerei (for violin and piano, arr. Catherine) (track 4)
Kinderszenen, op. 15: Träumerei (catch-all for arrangements) (track 4)
Moment musical in F minor, D. 780 no. 3 (catch-all for arrangements) (track 3)
Moment musicaux, op. 94 no. 3 (Leschetizky arr.) (track 3)
Nocturne no. 12 in G major, op. 37 no. 2: Andantino (catch all for arrangements) (track 14)
Nocturne no. 2 in E-flat major, op. 9 no. 2 (for cello and orchestra, arr. Cullen) (track 6)
Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante (for violin and piano, arr. Sarasate) (track 6)
Nocturne no. 2 in E-flat major, op. 9 no. 2: Andante (catch-all for arrangements) (track 6)
Nocturne, op. 37 no. 1 (for violin and piano, arr. A. Wilhelmj) (track 13)
Nocturne, op. 9 no. 2 (for guitar, Tárrega) (track 6)
Prelude, op. 28 no. 15 (for guitar, Tárrega) (track 8)
Prélude in D-flat major, op. 28 no. 15 "Raindrop": Sostenuto (for cello and piano, Casals) (track 8)
Suite bergamasque : III. Clair de lune (catch-all for arrangements) (track 15)
Suite bergamasque : III. Clair de lune (arr. Phyllis Schlomovitz for harp) (track 15)
Suite bergamasque : III. Clair de lune (for cello and orchestra, arr. Palmer) (track 15)
Étude in E major, op. 10 no. 3: Lento ma non troppo (catch-all for arrangements) (track 9)
is the basis for:
Barcarolles (track 10)
Chopin's Nocturne in E Flat (Greeley adaptation) (track 6)
HAPPY BIRTHDAY MR.HELP (FixEight) (track 9)
My Twilight Dream (track 6)
No Other Love (Chopin adaptation) (track 9)
Passion Flower (track 1)
さびしんぼう (track 9)
イヴの誘惑 (track 1)
熱情的花朵 (track 1)
later versions:
6 Moments musicaux for Piano, op. 94, D. 780: No. 3 (for violin and piano, Kreisler) (track 3)
Chopin w Afryce (track 8)
Chopin w Brazylii (track 6)
Chopin w Chinach (track 9)
Dans la nuit (Sarah Brightman song) (track 9)
給愛麗斯 (track 1)
orchestrations:
Clair de lune (orch. Mouton) (track 15)
Clair de lune from Suite bergamasque (orch. Stokowski) (track 15)
Clair de lune from Suite bergamasque (orch. Caplet) (track 15)
Kinderszenen, op. 15: Träumerei (orchestrated by R. Tilling) (track 4)
Kinderszenen, op. 15: Träumerei (orchestrated by Josef Strauss) (track 4)
Kinderszenen, op. 15: Träumerei (orchestrated by Herbeck) (track 4)
Suite bergamasque : III. Clair de lune (orch. A. Reed) (track 15)
part of:
Nocturnes, op. 37 (tracks 13–14)
Nocturnes, op. 9 (track 6)
Waltzes, op. 70 (track 12)
Suite bergamasque, L. 75, CD 82a (for piano) (track 15)
Études, op. 10 (track 9)
Waldszenen, op. 82 (track 5)
parts:
recording of:
Kinderszenen, op. 15: Träumerei (for piano) (1966-05) (track 4)
Arabeske in C major, op. 18 (1972-02) (track 11)
referred to in medleys:

CD 4

recorded in:
Vevey, Vaud, Switzerland (1968-09) (tracks 5–8)
acoustic guitar [Gitarre]:
Siegfried Behrend (1968-09) (tracks 5–8)
guitar:
Siegfried Behrend (tracks 5–8)
Narciso Yepes (1969-05-08 – 1969-05-10) (track 1)
Narciso Yepes (1972-06) (track 2)
guitar arranger:
Siegfried Behrend (tracks 5–8)
composer:
Salvador Bacarisse (track 2)
Ferdinando Carulli (track 7)
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (tracks 3–4)
Antonio Vivaldi (tracks 5–6, 8)
Mauro Giuliani (– 1808) (tracks 9–10)
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (1939) (track 1)
conductor:
Garcia Navarro (conductor) (tracks 9–10)
Odón Alonso (Spanish conductor, long time with Orquesta Sinfónica de Radio Televisión Española) (1969-05) (tracks 3–4)
Odón Alonso (Spanish conductor, long time with Orquesta Sinfónica de Radio Televisión Española) (1969-05-08 – 1969-05-10) (track 1)
Odón Alonso (Spanish conductor, long time with Orquesta Sinfónica de Radio Televisión Española) (1972-06) (track 2)
orchestra:
English Chamber Orchestra (tracks 9–10)
I Musici (1968-09) (tracks 5–8)
Orquesta Sinfónica R.T.V. Española (1969-05-08 – 1969-05-10) (track 1)
producer:
Sándor Ferenczy (track 1)
Heinz Wildhagen (track 1)
solo classical guitar:
Narciso Yepes (tracks 9–10)
Narciso Yepes (1969-05) (tracks 3–4)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1969) (tracks 1, 3–8)
Polydor International GmbH (not for release label use!) (1973) (track 2)
Polydor International GmbH (not for release label use!) (1978) (tracks 9–10)
recorded at:
Phonogram Studio (Madrid) in Madrid, Comunidad de Madrid, Spain (1969-05) (tracks 3–4)
Phonogram Studio (Madrid) in Madrid, Comunidad de Madrid, Spain (1969-05-08 – 1969-05-10) (track 1)
Phonogram Studio (Madrid) in Madrid, Comunidad de Madrid, Spain (1972-06) (track 2)
edit of:
arrangements:
Concerto for Lute in D major, RV 93: II. Largo (catch-all for arrangements) (track 8)
Concerto for Lute in D major, RV 93: II. Largo (for guitar and orchestra, arr. Romero) (track 8)
Concerto for Lute in D major, RV 93: II. Largo (for guitar and orchestra, arr. Malipiero) (track 8)
Concierto de Aranjuez: II. Adagio (for harp and orchestra, Rodrigo 1974) (track 1)
Concierto de Aranjuez: II. Adagio (catch-all for arrangements) (track 1)
is the basis for:
orchestrations:
part of:
Concertino in A minor, op. 72 (movement) (track 2)
Concierto de Aranjuez (movement) (track 1)
partial recording of:
recording of:
Concierto de Aranjuez: II. Adagio (1969-05-08 – 1969-05-10) (track 1)

CD 5

cello:
Michel Renard (cellist) (1965-06) (track 9)
oboe:
Gaston Maugras (1965-06) (track 9)
viola:
Roger Lepauw (1965-06) (track 9)
flute:
Christian Lardé (French flutist) (1965-06) (track 9)
concert harp:
Nicanor Zabaleta (1968-09) (track 13)
Nicanor Zabaleta (1978-12) (tracks 5–7)
harp:
Nicanor Zabaleta (1959-10) (tracks 14–15)
Nicanor Zabaleta (1963-10) (tracks 4, 8)
Nicanor Zabaleta (1965-06) (tracks 9–10, 12)
Nicanor Zabaleta (1966-10) (tracks 1–3)
Nicanor Zabaleta (1968-09) (tracks 11, 13)
Nicanor Zabaleta (1978-12) (tracks 5–7)
arranger:
Karl Hermann Pillney (pianist / arranger / composer) (track 10)
Nicanor Zabaleta (tracks 5–8)
balance engineer:
Harald Baudis (tracks 11, 13)
Hans-Peter Schweigmann (tracks 1–3, 8–10, 12)
Gerhard Henjes (sound engineer and producer) (tracks 14–15)
Heinz Wildhagen (tracks 5–7)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 5–8)
Antonio Vivaldi (tracks 5–7)
George Frideric Handel (German‐British baroque composer) (1736) (tracks 1–3)
Carl Philipp Emanuel Bach (1762) (track 13)
Wolfgang Amadeus Mozart (classical composer) (1791) (track 9)
conductor:
Ernst Märzendorfer (1959-10) (tracks 14–15)
Paul Kuentz (1965-06) (tracks 10, 12)
Paul Kuentz (1966-10) (tracks 1–3)
Garcia Navarro (conductor) (1978-12) (tracks 5–7)
executive producer:
Helmut Najda (tracks 9–10, 12)
Rolf Peter Schröder (tracks 4, 8)
Hans-Peter Schweigmann (tracks 14–15)
Dr. Rudolf Werner (producer at Deutsche Grammophon) (tracks 5–7)
Gernot Westhäuser (tracks 11, 13)
orchestra:
Berlin Radio Symphony Orchestra (RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (1959-10) (tracks 14–15)
Orchestre de Chambre Paul Kuentz (1965-06) (tracks 10, 12)
Paul Kuentz Chamber Orchestra (1966-10) (tracks 1–3)
English Chamber Orchestra (1978-12) (tracks 5–7)
previously attributed to:
George Frideric Handel (German‐British baroque composer) (track 4)
producer:
Harald Baudis (tracks 11, 13)
Arthur Goldschmidt (classical conductor) (tracks 9–10, 12)
Wolfgang Lohse (tracks 11, 13)
Dr. Manfred Richter (Producer for Deutsche Grammophon) (tracks 1–4, 8)
Hans Ritter (tracks 14–15)
Dr. Rudolf Werner (producer at Deutsche Grammophon) (tracks 5–7)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1960) (tracks 14–15)
Polydor International GmbH (not for release label use!) (1964) (tracks 4, 8)
Polydor International GmbH (not for release label use!) (1965) (tracks 9–10, 12)
Polydor International GmbH (not for release label use!) (1967) (tracks 1–3)
Polydor International GmbH (not for release label use!) (1969) (tracks 11, 13)
Polydor International GmbH (not for release label use!) (1980) (tracks 5–7)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1959-10) (tracks 14–15)
Beethovensaal (Hannover) in Hanover, Niedersachsen, Germany (1963-10) (tracks 4, 8)
Polydor Studios in Paris, Île-de-France, France (1965-06) (tracks 9–10, 12)
Église Notre‐Dame du Liban in Paris, Île-de-France, France (1968-09) (tracks 11, 13)
Henry Wood Hall (London) in London, England, United Kingdom (1978-12) (tracks 5–7)
part of:
Köchelverzeichnis (original numbering) (number: 617) (track 9)
Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 617) (track 9)
arrangement of:
arrangements:
part of:
Harp Concerto in C major, op. 77 (movement) (tracks 14–15)
parts:
recording of:
Suite E-Dur, BWV 1006a: I. Prélude (catch all for arrangements) (1963-10) (track 8)
Theme and Variations for Harp (1963-10) (track 4)
Harp Concerto in B-flat major, op. 4 no. 6, HWV 294: I. Andante - Allegro (original version, for harp) (1966-10) (track 1)
Harp Concerto in B-flat major, op. 4 no. 6, HWV 294: II. Larghetto (original version, for harp) (1966-10) (track 2)
Harp Concerto in B-flat major, op. 4 no. 6, HWV 294: III. Allegro moderato (original version, for harp) (1966-10) (track 3)
Air and Variations for Harp (1968-09) (track 11)
Concerto in F major, BWV 978: I. Allegro (catch all for arrangements) (1978-12) (track 5)
Concerto in F major, BWV 978: II. Largo (catch all for arrangements) (1978-12) (track 6)
Concerto in F major, BWV 978: III. Allegro (catch all for arrangements) (1978-12) (track 7)