Annotation

9 disc box set; stereo hybrid SACD

Annotation last modified on 2016-02-12 05:09 UTC.

Tracklist

Hybrid SACD 1: Salome - Disc 1
# Title Artist Rating Length
1 Salome, Op. 54: "Wie schön is die Prinzessin Salome heute Nacht!"
Richard Strauss 2:52
2 Salome, Op. 54: "Nach mir wird einer kommen"
Richard Strauss 2:48
3 Salome, Op. 54: "Ich will nicht bleiben"
Richard Strauss 1:50
4 Salome, Op. 54: "Siehe, her Herr ist gekommen"
Richard Strauss 1:39
5 Salome, Op. 54: "Jauchze nicht, du Land Palästina"
Richard Strauss 2:26
6 Salome, Op. 54: "Du wirst das für mich tun"
Richard Strauss 4:22
7 Salome, Op. 54: "Wo ist er, dessen Sündenbecher jetzt voll ist?"
Richard Strauss 9:38
8 Salome, Op. 54: "Jochanaan! Ich bin verliebt in deinen Leib"
Richard Strauss 8:49
9 Salome, Op. 54: "Wird dir nicht bange, Tochter der Herodias?"
Richard Strauss 8:27
10 Salome, Op. 54: "Wo ist Salome? Wo ist die Prinzessin?"
Richard Strauss 2:38
11 Salome, Op. 54: "Es ist kalt hier. Es weht ein Wind"
Richard Strauss 1:27
12 Salome, Op. 54: "Salome, komm, trink Wein mit mir"
Richard Strauss 2:50
13 Salome, Op. 54: "Sieh, die Zeit ist gekommen"
Richard Strauss 0:54
14 Salome, Op. 54: "Warhaftig, Herr es wäre besser"
Richard Strauss 2:59
15 Salome, Op. 54: "Siehe, der Tag ist nahe, der Tag des Herrn"
Richard Strauss 3:03
Hybrid SACD 2: Salome - Disc 2
# Title Artist Rating Length
1 Salome, Op. 54: "Eine Menge Menschen wird sich gegen sie sammeln"
Richard Strauss 2:20
2 Salome, Op. 54: "Tanz für mich, Salome"
Richard Strauss 4:26
3 Salome, Op. 54: Tanz der Sieben Schleier
Richard Strauss 9:27
4 Salome, Op. 54: "Ah! Herrlich! Wundervoll!"
Richard Strauss 3:46
5 Salome, Op. 54: "Still, spricht nicht zu mir!"
Richard Strauss 3:16
6 Salome, Op. 54: "Salome, bedenk, was du tun willst"
Richard Strauss 3:34
7 Salome, Op. 54: "Wer hat meinen Ring genommen?"
Richard Strauss 1:41
8 Salome, Op. 54: "Es ist kein Laut zu vernehmen"
Richard Strauss 2:08
9 Salome, Op. 54: "Ah, du wolltest mich nicht deinem Mund küssen lassen"
Richard Strauss 12:25
10 Salome, Op. 54: "Sie ist ein Ungeheuer, deine Tochter"
Richard Strauss 1:07
11 Salome, Op. 54: "Ah! Ich habe deinen Mund geküßt"
Richard Strauss 4:24
Hybrid SACD 3: Aida - Disc 1
# Title Artist Rating Length
1 Aida: Preludio
Giuseppe Verdi 4:55
2 Aida: Si, corre voce che l'Etiope ardisca (Ramfis / Radamès)
Giuseppe Verdi 1:31
3 Aida: Se quel guerriero io fossi (Radamès)
Giuseppe Verdi 0:52
4 Aida: Celeste Aida (Radamès)
Giuseppe Verdi 3:57
5 Aida: Quale insolita gioia nel tuo sguardo! (Amneris / Radamès)
Giuseppe Verdi 3:27
6 Aida: Vieni, o diletta appressati (Amneris / Aida / Radamès)
Giuseppe Verdi 2:50
7 Aida: Alta cagion v'aduna (Il Re / Messaggero / Aida / Radamès / Amneris / Ministri / Capitani)
Giuseppe Verdi 3:21
8 Aida: Su! del Nilo al sacro lido (Il Re / Ramfis / Ministri / Capitani / Aida / Radamès / Amneris / Sacerdoti / Messaggero)
Giuseppe Verdi 3:09
9 Aida: Ritorna vincitor! (Aida)
Giuseppe Verdi 6:54
10 Aida: Possente Fthà... Tu che dal nulla hai tratto (Sacerdotessa / Ramfis / Sacerdoti / Sacerdotesse)
Giuseppe Verdi 3:21
11 Aida: Immenso Fthà!... Mortal, diletto ai Numi (Sacerdotesse / Ramfis / Sacerdoti)
Giuseppe Verdi 3:22
12 Aida: Nume custode e vindice (Ramfis / Radamès / Sacerdoti / Sacerdotesse / Sacerdotessa)
Giuseppe Verdi 4:15
Hybrid SACD 4: Aida - Disc 2
# Title Artist Rating Length
1 Aida: Chi mai fra gl'inni e i plausi (Schiave / Amneris)
Giuseppe Verdi 3:05
2 Aida: Danza degli Schiavi Mori / Dance of the Moorish Slaves / Sklaventanz der Mooren / Danse des esclaves maures
Giuseppe Verdi 1:28
3 Aida: Vieni, sul crin ti piovano (Schiave / Amneris)
Giuseppe Verdi 1:39
4 Aida: Fu la sorte dell'armi a' tuoi funesta (Amneris / Aida)
Giuseppe Verdi 5:45
5 Aida: Pietà ti prenda del mio dolor (Aida / Amneris)
Giuseppe Verdi 2:03
6 Aida: Su! del Nilo al sacro lido...Numi, pietà (Aida / Amneris / Coro)
Giuseppe Verdi 2:48
7 Aida: Glira all' Egitto, ad Iside (Popolo / Sacerdoti)
Giuseppe Verdi 3:25
8 Aida: Marica trionfale / Triumphal March / Triumphmarsch / Marche triomphale
Giuseppe Verdi 1:43
9 Aida: Ballabile / Ballet / Ballett
Giuseppe Verdi 4:14
10 Aida: Vieni, o guerriero vindice (Popolo / Sacerdoti)
Giuseppe Verdi 2:22
11 Aida: Salvator della patria (Il Re / Radamès / Ramfis / Sacerdoti)
Giuseppe Verdi 2:10
12 Aida: Che veggo! Egli? Mio padre!...Ma tu, Re tu signore possente (Aida / Amneris / Amonasro /Il Re / Schiave / Prigioneri / Ramfis / Sacerdoti / Popolo)
Giuseppe Verdi 3:53
13 Aida: Il dolor che in quel volto favello...Ma tu, o Re, tu signore possente (Radamès / Amneris / Amonasro / Il Re / Aida / Shiave / Prigioniero / Popolo / Ramfis / Sacerdoti)
Giuseppe Verdi 2:31
14 Aida: O Re, pei sacri Numi' Gloria all Egitto (Radamès / Ramfis / Il Re / Amneris / Popolo / Schiave / Prigionier / Sacerdoti / Aida / Amonasro)
Giuseppe Verdi 5:37
Hybrid SACD 5: Aida - Disc 3
# Title Artist Rating Length
1 Aida: O tu che sei d'Osiride (Coro)
Giuseppe Verdi 2:14
2 Aida: Vieni d'Iside al Tempio (Coro / Ramfis / Amneris)
Giuseppe Verdi 2:21
3 Aida: Qui Radamès verrà! (Aida)
Giuseppe Verdi 1:52
4 Aida: O patria mia (Aida)
Giuseppe Verdi 6:07
5 Aida: Ciel! mio padre! (Aida / Amonasro)
Giuseppe Verdi 1:14
6 Aida: Rivedrai le foreste imbalsamate (Aida / Amonasro)
Giuseppe Verdi 7:11
7 Aida: Pur ti riveggo, mia dolce Aida (Radamès / Aida)
Giuseppe Verdi 1:29
8 Aida: Nel fiero anelido di nuova guerra (Radamès / Aida)
Giuseppe Verdi 1:46
9 Aida: Fuggiam gli ardori inospiti...Là, tra foreste vergini (Aida / Radamès)
Giuseppe Verdi 6:50
10 Aida: Ma, dimmi: per qual via (Aida / Radamès / Amonasro / Amneris / Ramfis)
Giuseppe Verdi 3:21
11 Aida: L'abborrita rivale a me sfuggia (Amneris)
Giuseppe Verdi 3:10
12 Aida: Già i sacerdoti adunansi (Amneris / Radamès)
Giuseppe Verdi 7:40
13 Aida: Ohimè! morir mi sento! (Amneris)
Giuseppe Verdi 2:50
14 Aida: Spirto del Nume (Ramfis / Sacerdoti / Amneris)
Giuseppe Verdi 5:30
15 Aida: A lui vivo, la tomba!...Sacerdoti: compiste un delitto! (Amneris / Ramfis / Sacerdoti)
Giuseppe Verdi 3:45
16 Aida: La fatal pietra sovra me si chiuse (Radamès / Aida) Immenso Fthà (Sacerdotesse / Sacerdoti / Aida / Radamès)
Giuseppe Verdi 7:03
17 Aida: O terra addio (Aida / Radamès / Coro / Amneris)
Giuseppe Verdi 5:15
Hybrid SACD 6: Carmen - Disc 1
# Title Artist Rating Length
1 Carmen: Prélude
Georges Bizet 2:15
2 Carmen: Act I. "Sur la place"
Georges Bizet 7:22
3 Carmen: Act I. "Avec la garde montante"
Georges Bizet 3:54
4 Carmen: Act I. "C'est bien là, n'est-ce pas"
Georges Bizet 1:13
5 Carmen: Act I. "La cloche a sonné…"" / ""Dans l'air, nous suivons des yeux la fumée"
Georges Bizet 4:33
6 Carmen: Act I. "Quand je vous aimerai…?" / "L'amour est un oiseau rebelle"
Georges Bizet 4:22
7 Carmen: Act I. "Carmen ! sur tes pas nous nous pressons tous !"
Georges Bizet 1:28
8 Carmen: Act I. "Quels regards ! Quelle effronterie !"
Georges Bizet 0:56
9 Carmen: Act I. "Parle-moi de ma mère !"
Georges Bizet 8:56
10 Carmen: Act I. "Reste là, maintenant, pendant que je lirai"
Georges Bizet 1:31
11 Carmen: Act I. "Que se passe-t-il donc là-bas ?" / "Au secours ! Au secours !"
Georges Bizet 3:00
12 Carmen: Act I. "Mon officier, c'était une querelle"
Georges Bizet 3:44
13 Carmen: Act I. "Près des remparts de Séville"
Georges Bizet 4:31
14 Carmen: Act I. "Voici l'ordre ; partez"
Georges Bizet 1:59
15 Carmen: Act I. Entr'acte
Georges Bizet 1:40
16 Carmen: Act II. "Les tringles des sistres tintaient"
Georges Bizet 4:20
17 Carmen: Act II. "Messieurs, Pastia me dit"
Georges Bizet 0:57
18 Carmen: Act II. "Vivat ! vivat le toréro !"
Georges Bizet 1:09
19 Carmen: Act II. "Votre toast, je peux vous le rendre"
Georges Bizet 4:49
20 Carmen: Act II. "La belle, un mot"
Georges Bizet 1:34
21 Carmen: Act II. "Eh bien ! vite, quelles nouvelles ?" / "Nous avons en tête une affaire !"
Georges Bizet 5 4:47
Hybrid SACD 7: Carmen - Disc 2
# Title Artist Rating Length
1 Carmen: Act II. "Mais qui donc attends-tu ?"
Georges Bizet 0:27
2 Carmen: Act II. "Halte là !"
Georges Bizet 1:32
3 Carmen: Act II. "Enfin c'est toi !" / "Tout doux, Monsieur, tout doux"
Georges Bizet 5:51
4 Carmen: Act II. "La fleur que tu m'avais jetée" / "Non, tu ne m'aimes pas"
Georges Bizet 7:48
5 Carmen: Act II. "Holà ! Carmen ! Holà ! Holà !"
Georges Bizet 4:54
6 Carmen: Act II. Entr'acte
Georges Bizet 3:00
7 Carmen: Act III. "Écoute, écoute, compagnon, écoute"
Georges Bizet 4:01
8 Carmen: Act III. "Reposons-nous une heure ici, mes camarades"
Georges Bizet 2:15
9 Carmen: Act III. "Mêlons ! Coupons !"
Georges Bizet 6:50
10 Carmen: Act III. "Eh bien ?"
Georges Bizet 0:37
11 Carmen: Act III. "Quant au douanier, c'est notre affaire"
Georges Bizet 2:49
12 Carmen: Act III. "C'est des contrebandiers le refuge ordinaire" / "Je dis que rien ne m'épouvante"
Georges Bizet 5:49
13 Carmen: Act III. "Je ne me trompe pas… c'est lui sur ce rocher"
Georges Bizet 0:28
14 Carmen: Act III. "Quelques lignes plus bas…" / "Holà, holà ! José !"
Georges Bizet 11:29
15 Carmen: Act III. Entr'acte
Georges Bizet 2:02
16 Carmen: Act IV. "A deux cuartos ! A deux cuartos !"
Georges Bizet 1:55
17 Carmen: Act IV. "Les voici ! voici la quadrille !"
Georges Bizet 6:52
18 Carmen: Act IV. "C'est toi !" / "Carmen, il est temps encore" / "Viva ! la course est belle !"
Georges Bizet 8:44
Hybrid SACD 8: Tosca - Disc 1
# Title Artist Rating Length
1 Tosca: Act I, Scene I. "Ah! Finalmente!"
Giacomo Puccini 5:13
2 Tosca: Act I, Scene III. "Dammi i colori... Recondita armonia"
Giacomo Puccini 4:18
3 Tosca: Act I, Scene IV. "Gente là dentro!"
Giacomo Puccini 1:07
4 Tosca: Act I, Scene IV. "Mario! Mario! Mario!"
Giacomo Puccini 7:15
5 Tosca: Act I, Scene V. "Ah quegli occhi" - "Quale occhio al mondo può star di paro"
Giacomo Puccini 5:42
6 Tosca: Act I, Scene VI. "È buona la mia Tosca"
Giacomo Puccini 5:05
7 Tosca: Act I, Scene VIII. "Un tal baccano in chiesa!"
Giacomo Puccini 3:42
8 Tosca: Act I, Scene VIII. "Or tutto è chiaro... Tosca? Che non mi veda" / Act I, Scene IX. "Mario! Mario!"
Giacomo Puccini 3:02
9 Tosca: Act I, Scene IX. "Ed io venivo a lui tutta dogliosa"
Giacomo Puccini 3:58
10 Tosca: Act I, Scene IX. "Tre sbirri una carrozza"
Giacomo Puccini 3:45
Hybrid SACD 9: Tosca - Disc 2
# Title Artist Rating Length
1 Tosca: Act II, Scene I. "Tosca è un buon falco!"
Giacomo Puccini 3:16
2 Tosca: Act II, Scene I. "Ha più forte"
Giacomo Puccini 2:22
3 Tosca: Act II, Scene II. "Meno male!"
Giacomo Puccini 3:11
4 Tosca: Act II, Scene III. "Dov'è dunque Angelotti?"
Giacomo Puccini 2:27
5 Tosca: Act II, Scene IV. "Ed or fra noi parliam da buoni amici" - "Sciarrone, che dice il Cavalier?"
Giacomo Puccini 3:57
6 Tosca: Act II, Scene IV. "Orsù, Tosca, parlate"
Giacomo Puccini 3:12
7 Tosca: Act II, Scene IV. "Nel pozzo... nel giardino"
Giacomo Puccini 5:41
8 Tosca: Act II, Scene V. "Se la giurata fede debbo tradir"
Giacomo Puccini 3:27
9 Tosca: Act II, Scene V. "Vissi d'arte"
Giacomo Puccini 3:00
10 Tosca: Act II, Scene V. "Vedi, le man giunte io stendo a te!"
Giacomo Puccini 3:42
11 Tosca: Act II, Scene V. "E qual via scegliete?"
Giacomo Puccini 6:40
12 Tosca: Act III, Scene I. "Io de' sospiri"
Giacomo Puccini 5:48
13 Tosca: Act III, Scene II. "Mario Cavaradossi? A voi"
Giacomo Puccini 4:30
14 Tosca: Act III, Scene II. "E lucevan le stelle"
Giacomo Puccini 3:02
15 Tosca: Act III, Scene III. "Ah! Franchigia a Floria Tosca"
Giacomo Puccini 2:45
16 Tosca: Act III, Scene III. "O dolci mani mansuete e pure"
Giacomo Puccini 5:17
17 Tosca: Act III, Scene III. "E non giungono"
Giacomo Puccini 2:42
18 Tosca: Act III, Scene IV. "Com'è lunga l'attesa!"
Giacomo Puccini 2:31
19 Tosca: Act III, Scene IV. "Presto! Su, Mario! Mario! Su! Presto! Andiamo!"
Giacomo Puccini 1:26

Credits

Hybrid SACD 1: Salome - Disc 1

balance engineer:
Arthur Lilley (1977-05-09 – 1978-05-02) (tracks 1–15)
James Lock (engineer) (1977-05-09 – 1978-05-02) (tracks 1–15)
baritone vocals:
Erich Kunz (track 14)
José van Dam (tracks 2, 4–5, 7–9, 13, 15)
bass vocals:
Jules Bastin (tracks 14–15)
Helge von Bömches (track 2)
Gerd Nienstedt (tracks 1–2, 4–5, 10)
Kurt Rydl (tracks 1–2, 4–5)
composer:
Richard Strauss (German composer) (1903 – 1905) (tracks 1–15)
conductor:
Herbert von Karajan (1977-05-09 – 1978-05-02) (tracks 1–15)
contralto vocals:
Heljä Angervo (tracks 1–3, 5)
mezzo-soprano vocals:
Aγνή Mπάλτσα (mezzo-soprano) (tracks 10–15)
orchestra:
Wiener Philharmoniker (1977-05-09 – 1978-05-02) (tracks 1–15)
producer:
Michel Glotz (tracks 1–15)
soprano vocals:
Hildegard Behrens (tracks 3–9, 12)
tenor vocals:
Karl-Walter Böhm (German tenor) (tracks 10–15)
Dieter Ellenbeck (tenor) (track 15)
David Knutson (track 14)
Horst Nitsche (track 4)
Wiesław Ochman (tracks 1–2, 4–8)
Gerhard Unger (tenor) (track 14)
Martin Vantin (track 14)
Heinz Zednik (tracks 14–15)
recorded at:
Sofiensaal in Wien, Austria (1977-05-09 – 1978-05-02) (tracks 1–15)
part of:
Salome (op. 54; TrV 215) (tracks 1–15)
recording of:

Hybrid SACD 2: Salome - Disc 2

balance engineer:
Arthur Lilley (1977-05-09 – 1978-05-02) (tracks 1–11)
James Lock (engineer) (1977-05-09 – 1978-05-02) (tracks 1–11)
baritone vocals:
José van Dam (tracks 1–2)
composer:
Richard Strauss (German composer) (1903 – 1905) (tracks 1–11)
conductor:
Herbert von Karajan (1977-05-09 – 1978-05-02) (tracks 1–11)
mezzo-soprano vocals:
Aγνή Mπάλτσα (mezzo-soprano) (tracks 1–2, 4–5, 7, 10–11)
orchestra:
Wiener Philharmoniker (1977-05-09 – 1978-05-02) (tracks 1–11)
producer:
Michel Glotz (tracks 1–11)
soprano vocals:
Hildegard Behrens (tracks 2, 4–6, 8–9, 11)
tenor vocals:
Karl-Walter Böhm (German tenor) (tracks 1–2, 4–7, 10–11)
recorded at:
Sofiensaal in Wien, Austria (1977-05-09 – 1978-05-02) (tracks 1–11)
arrangements:
Salomes Tanz der sieben Schleier (arr. Doebber for two pianos) (track 3)
Salomes Tanz, TrV 215a (concert version) (track 3)
part of:
Salome (op. 54; TrV 215) (tracks 1–11)
recording of:
Salome: Vierte Szene. Tanz der sieben Schleier (1977-05-09 – 1978-05-02) (track 3)

Hybrid SACD 3: Aida - Disc 1

balance engineer:
Wolfgang Gülich (engineer) (1979-05) (tracks 1–12)
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (1979-05) (tracks 2, 8, 10–12)
composer:
Giuseppe Verdi (Italian opera composer) (tracks 1–2, 5–12)
Giuseppe Verdi (Italian opera composer) (1871) (tracks 3–4)
conductor:
Herbert von Karajan (1979-05) (tracks 1–12)
librettist:
Antonio Ghislanzoni (tracks 1, 9)
Antonio Ghislanzoni (1870) (tracks 3–4)
orchestra:
Wiener Philharmoniker (1979-05) (tracks 1–12)
producer:
Michel Glotz (tracks 1–12)
tenor vocals:
José Carreras (1979-05) (tracks 2–8, 12)
recorded at:
part of:
Aida (track 1)
Aida: Atto Primo (tracks 2–12)
partial recording of:
recording of:
Aida: Preludio (track 1)
referred to in medleys:

Hybrid SACD 4: Aida - Disc 2

balance engineer:
Wolfgang Gülich (engineer) (1979-05) (tracks 1–14)
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (1979-05) (tracks 11–14)
composer:
Giuseppe Verdi (Italian opera composer) (tracks 1–14)
conductor:
Herbert von Karajan (1979-05) (tracks 1–14)
librettist:
orchestra:
Wiener Philharmoniker (1979-05) (tracks 1–14)
producer:
Michel Glotz (tracks 1–14)
tenor vocals:
José Carreras (1979-05) (tracks 11–14)
recorded at:
arrangements:
Aida: Grand March (catch-all for arrangements) (track 7)
Grand March from "Aida" (for organ, Lemare) (track 7)
later versions:
Vincerai per me (track 8)
part of:
Aida: Atto Secondo (tracks 1–14)
recording of:

Hybrid SACD 5: Aida - Disc 3

balance engineer:
Wolfgang Gülich (engineer) (1979-05) (tracks 1–17)
bass vocals [Ramfis]:
Ruggero Raimondi (bass-baritone) (1979-05) (tracks 2, 10, 14–15)
composer:
Giuseppe Verdi (Italian opera composer) (tracks 1–17)
conductor:
Herbert von Karajan (1979-05) (tracks 1–17)
librettist:
Antonio Ghislanzoni (tracks 3–4, 9, 17)
orchestra:
Wiener Philharmoniker (1979-05) (tracks 1–17)
producer:
Michel Glotz (tracks 1–17)
tenor vocals:
José Carreras (1979-05) (tracks 9, 12, 16–17)
recorded at:
part of:
Aida: Atto Quarto (tracks 11–17)
Aida: Atto Terzo (tracks 1–10)
recording of:

Hybrid SACD 6: Carmen - Disc 1

baritone vocals:
Claude Cales (1964-07-06 – 1964-07-20) (track 3)
Jean-Paul Vauquelin (1964-07-06 – 1964-07-20) (track 21)
bass vocals:
Jacques Mars (bass vocalist (a.k.a. Jacques Hochard)) (1964-07-06 – 1964-07-20) (tracks 11, 14, 17–18, 20)
bass-baritone vocals:
Robert Massard (1964-07-06 – 1964-07-20) (tracks 19–20)
choir vocals:
Chœur René Duclos (1964-07-06 – 1964-07-20) (track 6)
composer:
Georges Bizet (French romantic composer) (tracks 1–5, 5–21, 21)
conductor:
Georges Prêtre (1964-07-06 – 1964-07-20) (tracks 1–21)
engineer:
Paul Vavasseur (engineer) (tracks 1–21)
librettist:
Ludovic Halévy (tracks 2–14, 16–21, 21)
Henri Meilhac (tracks 2–14, 16–21, 21)
mezzo-soprano vocals:
Jane Berbié (mezzo-soprano) (1964-07-06 – 1964-07-20) (tracks 16–17, 21)
Maria Callas (1964-07-06 – 1964-07-20) (tracks 6–7, 13–14, 17, 20–21)
orchestra:
Orchestre de l’Opéra National de Paris (1964-07-06 – 1964-07-20) (tracks 1–21)
producer:
Michel Glotz (tracks 1–21)
soprano vocals:
Maria Callas (track 6)
Maria Callas (1964-07-06 – 1964-07-20) (track 16)
Andréa Guiot (1964-07-06 – 1964-07-20) (tracks 8–10)
Nadine Sautereau (1964-07-06 – 1964-07-20) (tracks 16–17, 21)
tenor vocals:
Nicolai Gedda (1964-07-06 – 1964-07-20) (tracks 3, 7–10, 13)
Jacques Pruvost (French tenor vocalist) (1964-07-06 – 1964-07-20) (track 21)
phonographic copyright by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (1964) (track 16)
arrangements:
Carmen (jazz arrangement of the Habanera from Bizet's Carmen) (track 6)
Carmen: Habanera (catch-all for arrangements) (track 6)
is based on:
El arreglito (track 6)
is the basis for:
Carmen Suite no. 1: IV. Séguedille (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville ») (track 13)
Carmen Suite no. 1: V. Les Dragons d’Alcala (based on Carmen: Entr’acte between Acts I and II) (track 15)
Carmen Suite no. 1: VI. Les Toréadors (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (track 1)
Chains of Love (Disney song based on the melody of the Habanera from Carmen) (track 6)
Señorita (track 6)
later translated versions:
Habanera de Carmen (track 6)
later versions:
part of:
Carmen: Acte II (tracks 16–21, 21)
Carmen (track 1)
Carmen: Acte I (tracks 2–5, 5–15)
recording of:
Carmen: Acte I. Entr’acte (intermission between Acts I & II) (1964-07-06 – 1964-07-20) (track 15)
Carmen: Acte II, No. 14b. Récit : « La belle, un mot » (1964-07-06 – 1964-07-20) (track 20)
Carmen: Prélude (1964-07-06 – 1964-07-20) (track 1)
referred to in medleys:
Hooked on a Song (tracks 6, 19)
Barcelona Games Medley (tracks 1, 19)

Hybrid SACD 7: Carmen - Disc 2

baritone vocals:
Jean-Paul Vauquelin (1964-07-06 – 1964-07-20) (tracks 1–2, 5, 7–8, 10, 14)
bass vocals:
Jacques Mars (bass vocalist (a.k.a. Jacques Hochard)) (1964-07-06 – 1964-07-20) (tracks 5, 16)
bass-baritone vocals:
Robert Massard (1964-07-06 – 1964-07-20) (tracks 14, 17)
composer:
Georges Bizet (French romantic composer) (tracks 1–12, 12–18)
Georges Bizet (French romantic composer) (1875) (track 4)
conductor:
Georges Prêtre (1964-07-06 – 1964-07-20) (tracks 1–18)
engineer:
Paul Vavasseur (engineer) (tracks 1–18)
librettist:
Ludovic Halévy (tracks 1–5, 7–12, 12–14, 16–18)
Henri Meilhac (tracks 1–5, 7–12, 12–14, 16–18)
Ludovic Halévy (1875) (track 4)
Henri Meilhac (1875) (track 4)
mezzo-soprano vocals:
Jane Berbié (mezzo-soprano) (1964-07-06 – 1964-07-20) (tracks 2, 7, 9, 11, 14)
Maria Callas (1964-07-06 – 1964-07-20) (tracks 1–5, 7–11, 14, 17–18)
orchestra:
Orchestre de l’Opéra National de Paris (1964-07-06 – 1964-07-20) (tracks 1–18)
producer:
Michel Glotz (tracks 1–18)
soprano vocals:
Andréa Guiot (1964-07-06 – 1964-07-20) (tracks 12–14)
Nadine Sautereau (1964-07-06 – 1964-07-20) (tracks 2, 7, 9–11, 14, 17)
tenor vocals:
Nicolai Gedda (1964-07-06 – 1964-07-20) (tracks 2–5, 7–8, 14, 18)
Maurice Maievski (1964-07-06 – 1964-07-20) (tracks 5, 7)
Jacques Pruvost (French tenor vocalist) (1964-07-06 – 1964-07-20) (tracks 1–2, 14)
is the basis for:
Carmen Suite no. 1: II. Aragonaise (based on Carmen: Entr’acte between Acts III and IV) (track 15)
Carmen Suite no. 1: III. Intermezzo (based on Carmen: Entr’acte between Acts II and III) (track 6)
Carmen Suite no. 1: VI. Les Toréadors (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (track 17)
later translated versions:
later versions:
part of:
Carmen: Acte II (tracks 1–4, 4–6)
Carmen: Acte III (tracks 7–12, 12–15)
Carmen: Acte IV (tracks 16–18)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV) (1964-07-06 – 1964-07-20) (track 15)
Carmen: Acte II. Entr’acte (intermission between Acts II & III) (1964-07-06 – 1964-07-20) (track 6)
Carmen: Acte III. « Eh bien? - Eh bien » (1964-07-06 – 1964-07-20) (track 10)
Carmen: Acte III. « Je ne me trompe pas » (1964-07-06 – 1964-07-20) (track 13)
Carmen: Acte III. « Reposons-nous une heure ici » (1964-07-06 – 1964-07-20) (track 8)
referred to in medleys:

Hybrid SACD 8: Tosca - Disc 1

baritone vocals:
Tito Gobbi (1964) (track 10)
choir vocals:
Chœur de l’Opéra de Paris (1964) (track 10)
chorus master:
Jean Laforge (choral conductor) (1964) (track 10)
composer:
Giacomo Puccini (Italian composer) (tracks 1, 4–8, 10)
Giacomo Puccini (Italian composer) (1896 – 1899) (track 2)
conductor:
Georges Prêtre (1964) (tracks 1–10)
librettist:
Giuseppe Giacosa (tracks 4, 10)
Luigi Illica (tracks 4, 10)
Giuseppe Giacosa (1896 – 1899) (track 2)
Luigi Illica (1896 – 1899) (track 2)
orchestra:
publisher:
compiled in:
later translated versions:
part of:
Tosca: Atto I (tracks 1–2, 4–8, 10)
partial recording of:
recording of:

Hybrid SACD 9: Tosca - Disc 2

composer:
Giacomo Puccini (Italian composer) (tracks 1–2, 5–6, 9, 12–13, 15–16, 18–19)
Giacomo Puccini (Italian composer) (1896 – 1899) (track 14)
conductor:
Georges Prêtre (1964) (tracks 1–19)
librettist:
Giuseppe Giacosa (tracks 9, 19)
Luigi Illica (tracks 9, 19)
Giuseppe Giacosa (1896 – 1899) (track 14)
Luigi Illica (1896 – 1899) (track 14)
orchestra:
soprano vocals [Tosca]:
Maria Callas (1964) (track 9)
tenor vocals:
Carlo Bergonzi (tenor) (1964) (track 14)
phonographic copyright by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (1965) (track 9)
compiled in:
later translated versions:
Tosca: Aufzug III. "Und es blitzen die Sterne" ("E lucevan le stelle") (track 14)
part of:
Tosca: Atto II (tracks 1–2, 5–6, 9)
Tosca: Atto III (tracks 12–16, 18–19)
recording of:
referred to in medleys: