Tracklist

12" Vinyl 1
# Title Artist Rating Length
A1 Messe in H-moll, BWV 232: I. Missa. Kyrie. Kyrie eleison
Johann Sebastian Bach 8:44
A2 Messe in H-moll, BWV 232: I. Missa. Kyrie. Christie eleison
Johann Sebastian Bach 6:00
A3 Messe in H-moll, BWV 232: I. Missa. Kyrie. Kyrie eleison
Johann Sebastian Bach 3:05
A4 Messe in H-moll, BWV 232: I. Missa. Gloria. Gloria in excelsis Deo
Johann Sebastian Bach 1:51
A5 Messe in H-moll, BWV 232: I. Missa. Gloria. Et in terra pax
Johann Sebastian Bach 4:43
B1 Messe in H-moll, BWV 232: I. Missa. Gloria. Laudamus te
Johann Sebastian Bach 4:39
B2 Messe in H-moll, BWV 232: I. Missa. Gloria. Gratias agimus tibi
Johann Sebastian Bach 2:54
B3 Messe in H-moll, BWV 232: I. Missa. Gloria. Domine Deus
Johann Sebastian Bach 5:47
B4 Messe in H-moll, BWV 232: I. Missa. Gloria. Qui tollis
Johann Sebastian Bach 2:29
B5 Messe in H-moll, BWV 232: I. Missa. Gloria. Qui sedes
Johann Sebastian Bach 5:04
12" Vinyl 2
# Title Artist Rating Length
A1 Messe in H-moll, BWV 232: I. Missa. Gloria. Quoniam tu solus
Johann Sebastian Bach 4:32
A2 Messe in H-moll, BWV 232: I. Missa. Gloria. Cum Sancto Spiritu
Johann Sebastian Bach 4:17
A3 Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Credo in unum Deum
Johann Sebastian Bach 2:07
A4 Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Patrem omnipotentem
Johann Sebastian Bach 2:05
A5 Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. En in unum Dominum
Johann Sebastian Bach 5:38
A6 Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et incarnatus est
Johann Sebastian Bach 2:40
A7 Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Crucifixus
Johann Sebastian Bach 2:20
A8 Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et resurrexit
Johann Sebastian Bach 4:20
A9 Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Et in Spiritum
Johann Sebastian Bach 5:24
A10 Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Confiteor
Johann Sebastian Bach 3:33
A11 Messe in H-moll, BWV 232: II. Symbolum Nicenum. Credo. Ex expecto
Johann Sebastian Bach 2:19
B1 Messe in H-moll, BWV 232: III. Sanctus. Sanctus
Johann Sebastian Bach 4:52
B2 Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Osanna
Johann Sebastian Bach 2:53
B3 Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Benedictus
Johann Sebastian Bach 6:34
B4 Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Agnus Dei
Johann Sebastian Bach 4:46
B5 Messe in H-moll, BWV 232: IV. Osanna, Benedictus, Agnus Dei et Dona nobis pacem. Donna nobis pacem
Johann Sebastian Bach 3:01

Credits

12" Vinyl 1

composed in:
Leipzig, Sachsen, Germany (1747 – 1749) (tracks A1–B5)
alto vocals:
Helen Watts (contralto) (1968-04 – 1968-05) (track B5)
choir vocals:
Chorus Viennensis (1968-04 – 1968-05) (tracks A1, A3–A5, B2, B4–B5)
Wiener Sängerknaben (1968-04 – 1968-05) (tracks A1, A3–A5, B2, B4)
chorus master:
Hans Gillesberger (1968-04 – 1968-05) (tracks A1, A3–A5, B2, B4)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks A1–B5)
conductor:
Nikolaus Harnoncourt (1968-04 – 1968-05) (tracks A1–B5)
orchestra:
Concentus Musicus Wien (1968-04 – 1968-05) (tracks A1–B5)
soprano vocals:
Rotraud Hansmann (1968-04 – 1968-05) (tracks A2, B3)
Emiko Iiyama (1968-04 – 1968-05) (tracks A2, B1)
tenor vocals:
Kurt Equiluz (1968-04 – 1968-05) (track B3)
recorded at:
Casino Zögernitz in Wien, Austria (1968-04 – 1968-05) (tracks A1–B5)
arrangements:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (catch all for arrangements) (track B4)
is based on:
is the basis for:
part of:
h-Moll-Messe, BWV 232 (tracks A1–B5)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (1968-04 – 1968-05) (track A1)
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (1968-04 – 1968-05) (track A2)
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (1968-04 – 1968-05) (track A3)
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (1968-04 – 1968-05) (track A5)
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (1968-04 – 1968-05) (track B1)
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (1968-04 – 1968-05) (track B3)

12" Vinyl 2

composed in:
Leipzig, Sachsen, Germany (1747 – 1749) (tracks A1–B5)
alto vocals:
Helen Watts (contralto) (1968-04 – 1968-05) (tracks A5, B4)
bass vocals:
Max van Egmond (1968-04 – 1968-05) (tracks A1, A9)
choir vocals:
Chorus Viennensis (1968-04 – 1968-05) (tracks A1–A4, A6–A8, A10–B2, B5)
Wiener Sängerknaben (1968-04 – 1968-05) (tracks A2–A4, A6–A8, A10–B2, B5)
chorus master:
Hans Gillesberger (1968-04 – 1968-05) (tracks A2–A4, A6–A8, A10–B2, B5)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (tracks A1–B5)
conductor:
Nikolaus Harnoncourt (1968-04 – 1968-05) (tracks A1–B5)
orchestra:
Concentus Musicus Wien (1968-04 – 1968-05) (tracks A1–B5)
soprano vocals:
Rotraud Hansmann (1968-04 – 1968-05) (track A5)
tenor vocals:
Kurt Equiluz (1968-04 – 1968-05) (track B3)
recorded at:
Casino Zögernitz in Wien, Austria (1968-04 – 1968-05) (tracks A1–B5)
arrangements:
Agnus Dei from Mass in B minor, BWV 232 (arr. Henry Wood) (track B4)
Benedictus from Mass in B minor, BWV 232 (arr. Henry Wood) (track B3)
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (catch all for arrangements) (track A1)
is based on:
Dona nobis pacem (track B5)
is the basis for:
part of:
h-Moll-Messe, BWV 232 (tracks A1–B5)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (1968-04 – 1968-05) (track B1)