Tracklist

CD 1
# Title Artist Rating Length
1 Cavalleria rusticana: Intermezzo sinfonico
Pietro Mascagni 3:34
2 Canon and Gigue in D major (arr. Max Seiffert): Canon
Johann Pachelbel 5:07
3 Symphony no. 5 in C-sharp minor: Adagietto (Sehr langsam)
Gustav Mahler 11:57
4 Thaïs: Meditation
Jules Massenet 6:04
5 Orfeo Ed Euridice: Act II. Dance Of The Blessed Spirits
Christoph Willibald Gluck 6:48
6 Romeo and Juliet, Fantasy Overture: Love Theme
Пётр Ильич Чайковский 3:31
7 Adagio for Strings and Organ in G minor
Tomaso Giovanni Albinoni 11:49
8 Peer Gynt Suite no. 2, op. 55: Solveig's song
Edvard Grieg 6:06
9 Prélude à l'après-midi d'un faune
Claude Debussy 9:56
10 Concerto for Violin and Strings in F minor, op. 8, no. 4, R. 297 "L'inverno": Largo
Antonio Vivaldi 2:20
11 Valse triste, op. 44
Jean Sibelius 6:04
12 Suite no. 3 in D, BWV 1068: Air
Johann Sebastian Bach 5 6:08
CD 2
# Title Artist Rating Length
1 Gaîté parisienne Barcarolle
Jacques Offenbach 3:36
2 L'Arlésienne Suite no. 1: Adagietto
Georges Bizet 3:32
3 Peer Gynt Suite no. 1, op. 46: The Death of Aase
Edvard Grieg 4:39
4 Concerto in A minor for 2 Violins, Strings, and Continuo, R. 523: Largo
Antonio Vivaldi 3:39
5 La traviata: Act III. Prelude
Giuseppe Verdi 4:31
6 Serenade in G, K. 525 "Eine kleine Nachtmusik": Romance (Andante)
Wolfgang Amadeus Mozart 5:34
7 The Swan of Tuonela, op. 22 no. 2
Jean Sibelius 7:59
8 Serenade for Strings in C, op. 48: Elégie: Larghetto elegiaco
Пётр Ильич Чайковский 8:14
9 Madama Butterfly: Act II. Coro a bocca chiusa (Humming Chorus)
Giacomo Puccini 2:59
10 Pavane pour une infante défunte
Maurice Ravel 7:08
11 Antiche danze ed arie per liuto, Suite III: Siciliana. Andantino
Ottorino Respighi 3:24
12 Carmen Suite no. 1: Entr'acte
Georges Bizet 2:45
13 Les Sylphides (Arr. Roy Douglas): Nocturne
Fryderyk Chopin 5:58
14 Concerto grosso in B minor, op. 6 no. 12: Larghetto, e piano
George Frideric Handel 6:06
15 Tristan und Isolde Concert version Liebestod
Richard Wagner 7:24

Credits

CD 1

violin:
Michel Schwalbé (Polish violinist) (1967-09-22 – 1967-09-25) (track 4)
Michel Schwalbé (Polish violinist) (1972-08-15 – 1972-08-21) (track 10)
Leon Spierer (1983-09-28 – 1983-09-30) (track 7)
cello [cello continuo]:
Eberhard Finke (1972-08-15 – 1972-08-21) (track 10)
flute:
Karlheinz Zöller (1983-09-28 – 1983-09-30) (track 5)
Karlheinz Zöller (1985-12) (track 9)
organ:
Wolfgang Meyer (organist, harpsichordist) (1967-09-22 – 1967-09-25) (track 1)
David Bell (organist) (1983-09-28 – 1983-09-30) (tracks 7, 12)
harpsichord:
Frank Maus (1983-11) (track 2)
harpsichord [harpsichord continuo]:
Horst Göbel (1972-08-15 – 1972-08-21) (track 10)
arranger:
Max Seiffert (tracks 2, 2)
balance engineer:
Günter Hermanns (producer/engineer) (1967-09-22 – 1967-09-25) (tracks 1, 4)
Günter Hermanns (producer/engineer) (1972-08-15 – 1972-08-21) (track 10)
Günter Hermanns (producer/engineer) (1973-02-13 – 1973-02-16) (track 3)
Günter Hermanns (producer/engineer) (1982-01-27 – 1982-02-18) (track 8)
Günter Hermanns (producer/engineer) (1983-09-28 – 1983-09-30) (tracks 5, 7, 12)
Günter Hermanns (producer/engineer) (1984-02-19 – 1984-02-24) (track 11)
Günter Hermanns (producer/engineer) (1985-12-02 – 1986-02-21) (track 9)
composer:
Remo Giazotto (track 7)
Johann Pachelbel (track 2)
Antonio Vivaldi (1723) (track 10)
Johann Sebastian Bach (German Baroque period composer & musician) (1730) (track 12)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1869) (track 6)
Edvard Grieg (1875) (track 8)
Pietro Mascagni (1888) (track 1)
Claude Debussy (1891 – 1894-09) (track 9)
Jules Massenet (1894) (track 4)
Gustav Mahler (1901 – 1902) (track 3)
Jean Sibelius (1903) (track 11)
conductor:
Herbert von Karajan (1966-10) (track 6)
Herbert von Karajan (1967-09-22 – 1967-09-25) (tracks 1, 4)
Herbert von Karajan (1972-08-15 – 1972-08-21) (track 10)
Herbert von Karajan (1973-02-13 – 1973-02-16) (track 3)
Herbert von Karajan (1982-01-27 – 1982-02-18) (track 8)
Herbert von Karajan (1983-09-28 – 1983-09-30) (tracks 5, 7, 12)
Herbert von Karajan (1983-11) (track 2)
Herbert von Karajan (1984-02-19 – 1984-02-24) (track 11)
Herbert von Karajan (1985-12-02 – 1986-02-21) (track 9)
dedicated to:
Милий Алексеевич Балакирев (Mily Alexeyevich Balakirev) (track 6)
Raymond Bonheur (track 9)
engineer:
Günter Hermanns (producer/engineer) (1966-10) (track 6)
Günter Hermanns (producer/engineer) (1972-08) (track 10)
Günter Hermanns (producer/engineer) (1983-11) (track 2)
executive producer:
Günther Breest (tracks 7, 11–12)
Otto Gerdes (track 4)
orchestra:
Berliner Philharmoniker (1966-10) (track 6)
Berliner Philharmoniker (1967-09-22 – 1967-09-25) (tracks 1, 4)
Berliner Philharmoniker (1972-08-15 – 1972-08-21) (track 10)
Berliner Philharmoniker (1973-02-13 – 1973-02-16) (track 3)
Berliner Philharmoniker (1982-01-27 – 1982-02-18) (track 8)
Berliner Philharmoniker (1983-09-28 – 1983-09-30) (tracks 5, 7, 12)
Berliner Philharmoniker (1983-11) (track 2)
Berliner Philharmoniker (1984-02-19 – 1984-02-24) (track 11)
Berliner Philharmoniker (1985-12-02 – 1986-02-21) (track 9)
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer) (track 7)
producer:
Michel Glotz (tracks 5, 7–8, 12)
Werner Mayer (classical producer) (track 2)
Hans Weber (producer/engineer) (tracks 1, 3–4, 6, 10)
Hans Hirsch (producer at Deutsche Grammophon) (1972-08) (track 10)
Michel Glotz (1985-12) (track 9)
recording engineer:
Hans Weber (producer/engineer) (1972-08) (track 10)
revised by:
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1870) (track 6)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1880) (track 6)
Edvard Grieg (1891) (track 8)
Jean Sibelius (1904) (track 11)
solo violin:
Michel Schwalbé (Polish violinist) (1967-09-22 – 1967-09-25) (track 4)
premiered at:
Konsertti (1904-04-25) (track 11)
[concert] (1894-12-22) (track 9)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1968) (tracks 1, 4)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) (track 7)
Eugène Fromont (1895-10) (track 9)
premiered at:
Svenska Teatern in Helsinki, Uusimaa, Finland (1904-04-25) (track 11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1966-10) (track 6)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1967-09-22 – 1967-09-25) (tracks 1, 4)
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (1972-08-15 – 1972-08-21) (track 10)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1973-02-13 – 1973-02-16) (track 3)
Berliner Philharmonie in Berlin, Germany (1982-01-27 – 1982-02-18) (track 8)
Berliner Philharmonie in Berlin, Germany (1983-09-28 – 1983-09-30) (tracks 5, 7, 12)
Berliner Philharmonie in Berlin, Germany (1983-11) (track 2)
Berliner Philharmonie in Berlin, Germany (1984-02-19 – 1984-02-24) (track 11)
Berliner Philharmonie in Berlin, Germany (1985-12-02 – 1986-02-21) (track 9)
part of:
The Tchaikovsky Handbook (number: TH 42) (track 6)
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 "L.") (number: L. 86) (track 9)
Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 "CD") (number: CD 87) (track 9)
arrangement of:
arrangements:
Adagietto From Symphony no. 5 (arr. J. Nurse for piano quintet) (track 3)
Adagietto aus der 5. Symphonie (for violin and piano, Wittinger) (track 3)
Adagio for Strings and Organ in G minor (catch all for arrangements) (track 7)
Adagio of the Sky (track 7)
Air on a G String (Guitar + modern ensemble arr. Myers) (track 12)
Air on the G String (for violin & piano, arr. Wilhelmj) (track 12)
Air on the G String (for cello and orchestra, arr. Cullen) (track 12)
Ballet des ombres heureuses (for solo piano, Friedman) (track 5)
Cold is Being (track 7)
Extract from "The Afternoon of a Faun" (for violin and piano, Heifetz) (track 9)
Meditation from Thaïs (for violin and piano, arr. Marsick) (track 4)
Meditation from Thaïs (for orchestra, arr. Cullen) (track 4)
Meditation from Thaïs (for trumpet and orchestra, arr. Nakariakov) (track 4)
Meditation from Thaïs (catch-all for arrangements) (track 4)
Mélodie (Dance of the Blessed Spirits) (for violin and piano, arr. Kreisler) (track 5)
Mélodie de Gluck (Dance of the Blessed Spirits, arr. Sgambati for solo piano) (track 5)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (catch-all for unknown versions/arrangements) (track 12)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for violin and piano, arr. Windsperger) (track 12)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano 4 hands, Reger) (track 12)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (for piano, Siloti) (track 12)
Orchestersuite no. 3 D-dur, BWV 1068: II. Air (arr. Nigel Kennedy, John Lenehan) (track 12)
Orfeo ed Euridice: Dance of the Blessed Spirits (Melodie) (catch-all for arrangements) (track 5)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for two pianos, Ravel) (track 9)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (catch-all for arrangements) (track 9)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for two pianos, Debussy) (track 9)
Prélude à l'après-midi d'un faune, L. 86, CD 87 (for chamber ensemble, Sachs) (track 9)
Prélude à l’après-midi d’un faune (for flute and piano, arr. Samazeuilh) (track 9)
Romeo and Juliet, TH 42, ČW 39 (for piano four hands, Nadezhda Purgold) (track 6)
Solo Amore (track 12)
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (catch-all for arrangements) (track 3)
Valse Triste, op. 44 no. 1 (catch-all for arrangements) (track 11)
Valse triste, op. 44 no. 1 (for cello and piano, arr. Hermann) (track 11)
is the basis for:
Adagio (track 7)
Anytime, Anywhere (track 7)
Ave Maria (Adapted from the Intermezzo of Cavalleria Rusticana) (track 1)
Bach Aire (track 12)
Kuolema, op. 44: I. Valse triste (for piano) (track 11)
Prélude à L'après-midi d'un faune (arr. Tomita) (track 9)
Sancta Maria (based on the Intermezzo from "Cavalleria rusticana" by Mascagni) (track 1)
Solveig's Song (with Herik Ibsen lyrics) (track 8)
Solveig's Song (track 8)
Sweetest Love (track 12)
later versions:
orchestrations:
Aria from Overture no. 3, BWV 1068 ("Air on the G-string", Stokowski orchestration) (track 12)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version) (track 5)
Thaïs: Acte II (track 4)
2 Pieces from Kuolema, op. 44 (part of collection) (track 11)
Canon and Gigue in D major, T. 377 (arr. Max Seiffert) (track 2)
Symphony no. 5 (movement) (track 3)
partial recording of:
Romeo and Juliet, TH 42, ČW 39 (1880 version, commonly performed) (1966-10) (track 6)
recording of:
Cavalleria rusticana: Intermezzo (1967-09-22 – 1967-09-25) (track 1)
Thaïs: Acte II. Entr'acte "Méditation" (1967-09-22 – 1967-09-25) (track 4)
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (1973-02-13 – 1973-02-16) (track 3)
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (1982-01-27 – 1982-02-18) (track 8)
Adagio for Strings and Organ in G minor (1983-09-28 – 1983-09-30) (track 7)
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (1983-09-28 – 1983-09-30) (track 12)
Orfeo ed Euridice, Wq. 30: Atto II: Danza degli spiriti beati (instrumental ballet, for the original 1762 Italian version) (1983-09-28 – 1983-09-30) (track 5)
Canon and Gigue in D major: I. Canon (arr. Max Seiffert) (1983-11) (track 2)
Valse triste, op. 44 no. 1 (for orchestra) (1984-02-19 – 1984-02-24) (track 11)
Prélude à l’après-midi d’un faune, L. 86, CD 87 (for orchestra) (1985-12-02 – 1986-02-21) (track 9)
referred to in medleys:
Hooked on Romance (track 12)
revision of:
Romeo and Juliet (1870, rarely performed) (track 6)
version of:

CD 2

violin:
Emil Maas (track 4)
cello:
Ottomar Borwitzky (track 4)
English horn:
Gerhard Stempnik (1984-02) (track 7)
flute:
Andreas Blau (track 4)
alto saxophone:
Daniel Deffayet (1970-12) (track 2)
harpsichord:
Wolfgang Meyer (organist, harpsichordist) (track 4)
arranger:
Manuel Rosenthal (track 1)
assistant producer:
Michael Woolcock (producer) (1974-01) (track 9)
balance engineer:
Günter Hermanns (producer/engineer) (1961-04-25 – 1961-04-28) (track 13)
Günter Hermanns (producer/engineer) (1966-08-17 – 1966-08-23) (track 14)
Günter Hermanns (producer/engineer) (1967-09-22 – 1967-09-25) (track 5)
Günter Hermanns (producer/engineer) (1969-08-05) (track 11)
Günter Hermanns (producer/engineer) (1970-12-28 – 1970-12-29) (tracks 2, 12)
Günter Hermanns (producer/engineer) (1980-06-10 – 1980-09-30) (track 1)
Günter Hermanns (producer/engineer) (1980-09-22 – 1980-09-23) (track 8)
Günter Hermanns (producer/engineer) (1981-01-28 – 1981-02-24) (track 6)
Günter Hermanns (producer/engineer) (1982-01-27 – 1982-02-18) (track 3)
Günter Hermanns (producer/engineer) (1984-02-18 – 1984-02-19) (track 15)
Günter Hermanns (producer/engineer) (1984-02-19 – 1984-02-24) (track 7)
Günter Hermanns (producer/engineer) (1985-12-02 – 1986-02-21) (track 10)
choir vocals:
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (track 9)
composer:
Georges Bizet (French romantic composer) (track 12)
Fryderyk Chopin (composer) (track 13)
George Frideric Handel (German‐British baroque composer) (track 14)
Jacques Offenbach (tracks 1, 1)
Giacomo Puccini (Italian composer) (track 9)
Giuseppe Verdi (Italian opera composer) (track 5)
Antonio Vivaldi (track 4)
Wolfgang Amadeus Mozart (classical composer) (1787) (track 6)
Richard Wagner (1857-10 – 1859-08) (track 15)
Georges Bizet (French romantic composer) (1872) (track 2)
Edvard Grieg (1875) (track 3)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1880) (track 8)
Jean Sibelius (1895) (track 7)
Maurice Ravel (classical composer) (1899) (track 10)
Ottorino Respighi (1932) (track 11)
conductor:
Herbert von Karajan (1961-04-25 – 1961-04-28) (track 13)
Herbert von Karajan (1966-08-17 – 1966-08-23) (track 14)
Herbert von Karajan (1967-09-22 – 1967-09-25) (track 5)
Herbert von Karajan (1969-08-05) (track 11)
Herbert von Karajan (1970-08) (track 4)
Herbert von Karajan (1970-12-28 – 1970-12-29) (tracks 2, 12)
Herbert von Karajan (1974-01) (track 9)
Herbert von Karajan (1980-06-10 – 1980-09-30) (track 1)
Herbert von Karajan (1980-09-22 – 1980-09-23) (track 8)
Herbert von Karajan (1981-01-28 – 1981-02-24) (track 6)
Herbert von Karajan (1982-01-27 – 1982-02-18) (track 3)
Herbert von Karajan (1984-02-18 – 1984-02-19) (track 15)
Herbert von Karajan (1984-02-19 – 1984-02-24) (track 7)
Herbert von Karajan (1985-12-02 – 1986-02-21) (track 10)
editor:
Reinhild Schmidt (track 6)
engineer:
Günter Hermanns (producer/engineer) (1984-02) (track 15)
executive producer:
Günther Breest (tracks 1, 3, 7, 15)
librettist:
Richard Wagner (1857-08-20 – 1857-09-18) (track 15)
orchestra:
Berliner Philharmoniker (1961-04-25 – 1961-04-28) (track 13)
Berliner Philharmoniker (1966-08-17 – 1966-08-23) (track 14)
Berliner Philharmoniker (1967-09-22 – 1967-09-25) (track 5)
Berliner Philharmoniker (1969-08-05) (track 11)
Berliner Philharmoniker (1970-08) (track 4)
Berliner Philharmoniker (1970-12-28 – 1970-12-29) (tracks 2, 12)
Wiener Philharmoniker (1974-01) (track 9)
Berliner Philharmoniker (1980-06-10 – 1980-09-30) (track 1)
Berliner Philharmoniker (1980-09-22 – 1980-09-23) (track 8)
Berliner Philharmoniker (1981-01-28 – 1981-02-24) (track 6)
Berliner Philharmoniker (1982-01-27 – 1982-02-18) (track 3)
Berliner Philharmoniker (1984-02-18 – 1984-02-19) (track 15)
Berliner Philharmoniker (1984-02-19 – 1984-02-24) (track 7)
Berliner Philharmoniker (1985-12-02 – 1986-02-21) (track 10)
orchestrator:
Maurice Ravel (classical composer) (1910) (track 10)
Roy Douglas (1936) (track 13)
producer:
Günther Breest (track 6)
Michel Glotz (tracks 1, 3, 7–8, 15)
Hans Weber (producer/engineer) (tracks 2, 5, 11–14)
Christopher Raeburn (1974-01) (track 9)
Michel Glotz (1985-12) (track 10)
recording engineer:
Jack Law (engineer) (1974-01) (track 9)
James Lock (engineer) (1974-01) (track 9)
Gordon Parry (engineer) (1974-01) (track 9)
revised by:
Edvard Grieg (1888) (track 3)
phonographic copyright by:
Polydor International GmbH (not for release label use!) (1961) (track 13)
Polydor International GmbH (not for release label use!) (1971) (tracks 2, 12)
Polydor International GmbH (not for release label use!) (1981) (track 1)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1961-04-25 – 1961-04-28) (track 13)
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (1966-08-17 – 1966-08-23) (track 14)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1967-09-22 – 1967-09-25) (track 5)
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (1969-08-05) (track 11)
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (1970-08) (track 4)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1970-12-28 – 1970-12-29) (tracks 2, 12)
Sofiensaal in Wien, Austria (1974-01) (track 9)
Berliner Philharmonie in Berlin, Germany (1980-06-10 – 1980-09-30) (track 1)
Berliner Philharmonie in Berlin, Germany (1980-09-22 – 1980-09-23) (track 8)
Berliner Philharmonie in Berlin, Germany (1981-01-28 – 1981-02-24) (track 6)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1981-02) (track 6)
Berliner Philharmonie in Berlin, Germany (1982-01-27 – 1982-02-18) (track 3)
Berliner Philharmonie in Berlin, Germany (1984-02-18 – 1984-02-19) (track 15)
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (1984-02-18 – 1984-02-19) (track 15)
Berliner Philharmonie in Berlin, Germany (1984-02-19 – 1984-02-24) (track 7)
Berliner Philharmonie in Berlin, Germany (1985-12-02 – 1986-02-21) (track 10)
arrangement of:
arrangements:
Isoldens Tod (track 15)
Isoldes Liebestod from “Tristan und Isolde” (for organ, Lemare) (track 15)
Tristan und Isolde: Liebestod (catch-all for arrangements) (track 15)
Tristan und Isolde: Prelude and Liebestod (concert piece) (track 15)
is based on:
Carmen: Acte II. Entr’acte (intermission between Acts II & III) (track 12)
is the basis for:
Güzel Sevda Bahçesi Gül Bizim Mestimize (Based on Les contes d'Hoffmann: Barcarolle) (track 1)
Never Say Goodbye (track 10)
Tornerai (track 9)
(track 1)
later versions:
L'Arlésienne Suite no. 1: III. Adagietto (for piano, Bizet) (track 2)
orchestration of:
Pavane pour une infante défunte (for solo piano) (track 10)
part of:
Les Sylphides (orch. by Douglas) (track 13)
Carmen Suite no. 1 (track 12)
L'Arlésienne Suite no. 1, op. 23bis (for orchestra) (track 2)
recording of:
Les contes d'Hoffmann: Barcarolle (catch-all for arrangements) (track 1)
Les Sylphides: II. Nocturne in F major, op. 15 no. 1 (orch. by Douglas) (1961-04-25 – 1961-04-28) (track 13)
La traviata: Atto III. Preludio (1967-09-22 – 1967-09-25) (track 5)
Carmen Suite no. 1: III. Intermezzo (based on Carmen: Entr’acte between Acts II and III) (1970-12-28 – 1970-12-29) (track 12)
L'Arlésienne Suite no. 1: III. Adagietto (for orchestra) (1970-12-28 – 1970-12-29) (track 2)
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (1974-01) (track 9)
Gaîté Parisienne: XXIII. Barcarolle (arr. Manuel Rosenthal) (1980-06-10 – 1980-09-30) (track 1)
Peer Gynt Suite no. 1, op. 46: II. Åses død (1982-01-27 – 1982-02-18) (track 3)
Lemminkäis-sarja (Neljä legendaa), op. 22: II. Tuonelan joutsen (The Swan of Tuonela) (1984-02-19 – 1984-02-24) (track 7)
Pavane pour une infante défunte (orchestrated version) (1985-12-02 – 1986-02-21) (track 10)
referred to in medleys:
version of: