Tracklist

CD 1
# Title Artist Rating Length
1 Concierto para cuerda y bajo continuo en re mayor, RV 121: III.
Antonio Vivaldi 2:05
2 Suite n.º 1 en do mayor, BWV 1066: Bourrée y passepied
Johann Sebastian Bach 5:11
3 Acis y Galatea: Coro “Happy we”
Georg Friedrich Händel 1:13
4 Música acuática. Suite en sol mayor, HWV 350: Giga y trío final
Georg Friedrich Händel 1:30
5 Sinfonía n.º 88: IV.
Joseph Haydn 3:44
6 Rapto en el serrallo, acto I: N.º 5. Coro “Singt dem grossen bassa lieder”
Wolfgang Amadeus Mozart 1:48
7 Las bodas de Fígaro: Marcha nupcial
Wolfgang Amadeus Mozart 1:09
8 La flauta mágica: Coro “Das klinger so herrlich, das klinger so shön”
Wolfgang Amadeus Mozart 0:51
9 Sinfonía n.º 39: III.
Wolfgang Amadeus Mozart 3:59
10 Las ruinas de Atenas: Marcha turca
Ludwig van Beethoven 1:45
11 Sinfonía n.º 7: III.
Ludwig van Beethoven 7:40
12 El sueño de una noche de verano: N.º 4. Canción con coro
Felix Mendelssohn 3:35
13 El cazador furtivo: Coro de cazadores
Carl Maria von Weber 2:45
14 La scala di seta: Obertura
Gioachino Rossini 5:59
15 Il trovatore: Coro de soldados “Squilli, echeggi la tromba guerriera”
Giuseppe Verdi 2:44
16 Danza húngara n.º 6
Johannes Brahms 3:20
17 Sinfonía n.º 1: III.
Georges Bizet 5:51
18 Suite Iberia: El puerto
Isaac Albéniz 4:46
19 Scherzo a la russa
Igor Stravinsky 4:15

Credits

CD 1

additional librettist:
Johann Gottlieb Stephanie ('The Younger') (track 6)
arranger:
bass vocals:
Pablo Schad (1998-06-01 – 1998-06-12) (track 6)
choir vocals:
Coro de Radio Televisión Española (1998-06-01 – 1998-06-12) (tracks 3, 6, 8, 12–13, 15)
composer:
Isaac Albéniz (track 18)
Johann Sebastian Bach (German Baroque period composer & musician) (tracks 2, 2)
George Frideric Handel (German‐British baroque composer) (track 3)
Wolfgang Amadeus Mozart (classical composer) (tracks 6–8)
Gioachino Rossini (Italian composer 1792-1868) (track 14)
Giuseppe Verdi (Italian opera composer) (track 15)
Antonio Vivaldi (track 1)
George Frideric Handel (German‐British baroque composer) (1717) (track 4)
Joseph Haydn (1787) (track 5)
Wolfgang Amadeus Mozart (classical composer) (1788 – 1788-06-26) (track 9)
Ludwig van Beethoven (1811) (track 10)
Ludwig van Beethoven (1811 – 1812) (track 11)
Felix Mendelssohn (1842) (track 12)
Georges Bizet (French romantic composer) (1855-10 – 1855-11) (track 17)
Johannes Brahms (1868) (track 16)
Isaac Albéniz (1906) (track 18)
conductor:
Enrique García Asensio (1998-06-01 – 1998-06-12) (tracks 1–19)
librettist:
Salvadore Cammarano (Italian librettist) (track 15)
Andrea Maffei (19th century poet, translator and librettist) (track 15)
mezzo-soprano vocals:
Marina Pardo (1998-06-01 – 1998-06-12) (track 6)
Susana Santiago (1998-06-01 – 1998-06-12) (track 12)
orchestra:
Orquesta Sinfónica de Radio Televisión Española (1998-06-01 – 1998-06-12) (tracks 1–19)
orchestrator:
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) (track 16)
soprano vocals:
Ewa Hyla Zamojska (1998-06-01 – 1998-06-12) (track 12)
Marta Sandoval (1998-06-01 – 1998-06-12) (track 6)
tenor vocals:
Francisco Fernández (tenor) (1998-06-01 – 1998-06-12) (track 6)
premiered at:
[concert] (1946-03-22) (track 19)
publisher:
B. Schott's Söhne (track 19)
Chappell & Co., Inc. (1945) (track 19)
premiered at:
Salle Pleyel (1839-1927) in Paris, Île-de-France, France (1906-05-09) (track 18)
part of:
Händel-Werke-Verzeichnis (number: HWV 350) (track 4)
arrangement of:
Scherzo à la russe (for jazz band) (track 19)
arrangements:
Iberia: 2. El Puerto (for two guitars, Cañizares) (track 18)
Marche turque des Ruines d'Athènes, S. 388a (for piano, arr. Liszt) (track 10)
Orchestersuite Nr. 1 C-Dur, BWV 1066: VI. Bourrée (for piano 4 hands, Reger) (track 2)
Orchestersuite Nr. 1 C-Dur, BWV 1066: VII. Passepied (for piano 4 hands, Reger) (track 2)
Symphony no. 39 in E-flat major: III. Minuetto (for piano, arr. Julius Schulhoff) (track 9)
Symphony no. 7 in A major, op. 92: III. Presto (catch-all for arrangements) (track 11)
Turkish March (for violin and piano. arr Auer) (track 10)
Turkish March from Beethoven's "The Ruins of Athens" (for piano, arr. Rubinstein) (track 10)
is the basis for:
Zbroja (track 10)
later translated versions:
later versions:
Symphony no. 7 in A major, op. 92: III. Presto (for piano four hands) (track 11)
orchestration of:
orchestrations:
Iberia, B. 47: Book I: II. El puerto (orchestrated by Arbós) (track 18)
part of:
La scala di seta (track 14)
Iberia, B. 47 (track 18)
Concerto in D major, RV 121 (movement) (track 1)
Symphony no. 7 in A major, op. 92 (movement) (track 11)
Der Freischütz: Akt III (number) (track 13)
Hungarian Dances for orchestra (unknown orchestration, do not merge works, move recordings to the correct work) (track 16)
Macbeth: Atto IV (track 15)
partial recording of:
Water Music Suite no. 3 in G major, HWV 350 (1998-06-01 – 1998-06-12) (track 4)
parts:
recording of:
Concerto in D major, RV 121: III. Allegro (1998-06-01 – 1998-06-12) (track 1)
Die Ruinen von Athen, op. 113: IV. Marcia alla turca (1998-06-01 – 1998-06-12) (track 10)
Hungarian Dance for orchestra no. 6 in D major: Vivace (unknown orchestration) (1998-06-01 – 1998-06-12) (track 16)
Iberia, B. 47: Book I: II. El puerto (orchestrated by Arbós) (1998-06-01 – 1998-06-12) (track 18)
La scala di seta: Overture (1998-06-01 – 1998-06-12) (track 14)
Scherzo à la russe (for symphony orchestra) (1998-06-01 – 1998-06-12) (track 19)
Symphonie no. 1 en ut majeur : III. Allegro vivace (1998-06-01 – 1998-06-12) (track 17)
Symphony no. 7 in A major, op. 92: III. Presto (1998-06-01 – 1998-06-12) (track 11)