Annotation

Packaging

Packaging is a 5-sided box with 10 jewel cases inside.

Possibly also sold as individual discs—each disc has its own bar code and catalog number:

#1   14 147   018111414722
#2   14 148   018111414821
#3   14 149   018111414920
#4   14 150   018111415026
#5   14 151   018111415125
#6   14 159   018111415927
#7   14 160   018111416023
#8   14 161   018111416122
#9   14 162   018111416221
#10  14 163   018111416320

Mistakes in the Original

  • Disc 5, track 8 believes Allegro marziale animato to be the 3rd movement, not the 4th. (Fixed as a typo in the MB tracklist)
  • Disc 8, track 2 believes Vivace non troppo to be the 3rd movement, not the 2nd. (Fixed as a typo in the MB tracklist)
  • Disc 9, track 9 credits "Franz Schumann" instead of Robert Schumann.
  • Disc 10, track 5 claims Lebhaft is Mv. 4. It's actually 1 or 5—in this case, 5. (Fixed as a typo in the the MB tracklist).
Annotation last modified on 2016-07-02 09:03 UTC.

Tracklist

CD 1
# Title Artist Rating Length
1 Les toréadors from “Carmen”
Georges Bizet 2:17
2 Slavonic Dance no. 8 in G minor, op. 46
Antonín Dvořák 4:34
3 Farandole from “L'Arlésienne”
Georges Bizet 3:37
4 Symphony no. 3: 3. Ziemlich schnell
Anton Bruckner 6:15
5 Siegfried's Death & Funeral March from “Götterdämmerung”
Richard Wagner 6:58
6 Symphony no. 3 in E flat major, op. 97 “Rhenish”
Robert Schumann 8:59
7 Piano Concerto no. 1 in B-flat minor, op. 23: 3. Allegro con fuoco
Peter I. Tchaikovsky 7:02
8 Symphony no. 1 “Titan”: 2. Kräftig bewegt
Gustav Mahler 7:15
9 Coronation March from “The Prophet”
Giacomo Meyerbeer 3:55
10 Hungarian Rhapsody no. 1
Franz Liszt 11:55
CD 2
# Title Artist Rating Length
1 Toccata in D minor
Johann Sebastian Bach 3 2:46
2 Symphony no. 5 in C minor: 1. Allegro con brio
Ludwig van Beethoven 7:16
3 Mazurka from “Swan Lake”
Peter I. Tchaikovsky 4:11
4 Mastersingers of Nuremburg — Overture
Richard Wagner 10:51
5 Czardas from “Coppélia”
Léo Delibes 4:15
6 Allegro Vivo from the Ballet Music of “Faust”
Charles Gounod 2:42
7 Symphony no. 4 in A major: 1. Allegro vivace
Felix Mendelssohn 8:19
8 Piano Concerto in A minor, op. 16: 1. Allegro molto e marcato
Edvard Grieg 10:48
9 Rakozy March from “The Damnation of Faust”
Hector Berlioz 4:37
10 Entry of the Gods into Walhalla from “The Rhine Gold”
Richard Wagner 7:30
CD 3
# Title Artist Rating Length
1 Ride of the Valkyries
Richard Wagner 5:24
2 Hungarian Dance No. 5 in G minor
Johannes Brahms 2:25
3 Cortége de Bacchus from “Sylvia”
Léo Delibes 5:57
4 Trepak — Russian Dance from “The Nutcracker”
Peter I. Tchaikovsky 1:14
5 Bartered Bride — Overture
Friedrich Smetana 6:37
6 Soldiers’ Dance from “William Tell”
Giacchino Rossini 5:16
7 Symphony no. 1: 3. Scherzo
Robert Schumann 5:45
8 The Flying Dutchman — Overture
Richard Wagner 9:55
9 España
Alexis Emmanuel Chabrier 6:31
10 Totentanz
Franz Liszt 15:45
CD 4
# Title Artist Rating Length
1 Lohengrin — Prelude to Act 3
Richard Wagner 3:10
2 Wedding March from “A Midsummer Night’s Dream”
Felix Mendelssohn 5:00
3 Marche Slave, op. 31
Peter I. Tchaikovsky 9:49
4 Hungarian Rhapsody no. 2
Franz Liszt 10:19
5 Danze hongroise Czardas from “Swan Lake”
Peter I. Tchaikovsky 2:57
6 Flight of the Bumble Bee
Nikolai Rimsky-Korsakov 1:36
7 Polonaise from “Eugene Onegin”
Peter I. Tchaikovsky 4:47
8 Symphony no. 9 in E minor “New World”: III. Scherzo
Antonín Dvořák 8:05
9 Arrival of the guests at Wartburg from “Tannhäuser”
Richard Wagner 6:37
10 Symphony no. 5 in E minor: Finale. Andante Maestoso
Peter I. Tchaikovsky 11:23
CD 5
# Title Artist Rating Length
1 Ruslan and Ludmilla: Overture
Michael Glinka 5:29
2 Polka from “The Bartered Bride”
Friedrich Smetana 4:58
3 Symphony no. 4 in E minor: 3. Allegro giocoso
Johannes Brahms 6:19
4 Coriolan Overture, op. 62
Ludwig van Beethoven 8:45
5 Symphony no. 4 in A major “Italian”: 4. Saltarello presto
Felix Mendelssohn 6:03
6 Bacchanal from “Böcklin Suite”
Max Reger 5:03
7 Magic Fire Music from “The Valkyries”
Richard Wagner 4:48
8 Piano Concerto no. 1 in E flat major: 4. Allegro marziale animato — Presto
Franz Liszt 4:23
9 Symphony no. 2: 3. Scherzo. Allegro molto vivace
Peter I. Tchaikovsky 5:19
10 Symphony no. 9 “From the New World”: Finale. Allegro con fuoco
Antonín Dvořák 11:22
CD 6
# Title Artist Rating Length
1 Introduction (from “The Sleeping Beauty”)
Peter Tchaikovsky 2:47
2 Dance of the Tumblers (from “Snegurochka”)
Nikolai Rimsky-Korsakov 3:53
3 Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace
Frederic Chopin 8:10
4 Symphony in G major: IV. Allegro ma non troppo
Antonín Dvořák 9:55
5 Dance of the Persian Slaves (from “Chowanschtschina”)
Modest Mussorgsky 7:08
6 Slavonic Folk Melody (from “Coppélia”)
Léo Delibes 5:25
7 Dance of the Apprentices & Entrance of the Masters (from “Die Meistersinger von Nürnberg”)
Richard Wagner 5:52
8 Furiant (from “The Bartered Bride”)
Friedrich Smetana 2:13
9 Symphony no. 6 “Tragic”: II. Scherzo. Wuchtig
Gustav Mahler 13:02
10 Waltz-Finale & Apothese (from “The Nutcracker”)
Peter Tchaikovsky 5:18
CD 7
# Title Artist Rating Length
1 Cortége (from “Mlada”)
Nikolai Rimsky-Korsakov 4:35
2 Piano Concerto no. 1 in E-flat major: I. Allegro maestoso
Franz Liszt 5:16
3 Waltz (from “The Sleeping Beauty”)
Peter Tchaikovsky 4:17
4 Gopak (from “Soroshintsy Fair”)
Modest Mussorgsky 2:39
5 Symphony no. 0 in D minor: III. Scherzo. Presto
Anton Bruckner 7:29
6 Organ Concerto op. 137: III. Finale. Con moto
Joseph Gabriel Rheinberger 7:41
7 Symphony no. 7 in D minor: III. Scherzo. Vivace
Antonín Dvořák 7:40
8 Pastorale (from “L’Arlesienne”)
Georges Bizet 5:30
9 Fétes (from “Nocturnes”)
Claude Debussy 6:35
10 Symphony no. 1 in C minor: IV. Allegro non troppo, ma con brio
Johannes Brahms 12:39
CD 8
# Title Artist Rating Length
1 Slavonic Dance no. 1 in C major
Antonín Dvořák 4:13
2 Symphony no. 3 “Scottish”: II. Vivace non troppo
Felix Mendelssohn 4:31
3 Homage March
Edvard Grieg 8:41
4 Dance Espagnole (from “Swan Lake”)
Peter Tchaikovsky 2:39
5 Symphony no. 4 in E minor, op. 98: III. Allegro giocoso
Johannes Brahms 6:37
6 Festive Dance and Waltz of the Hours (from “Coppélia”)
Léo Delibes 6:22
7 A Night on Bald Mountain
Modest Mussorgsky 11:14
8 Krakoviak (from “A Life for the Tsar”)
Michail Glinka 5:56
9 Slavonic Dance no. 3 in A flat major
Antonín Dvořák 4:35
10 Symphony no. 4: Finale. Allegro con fuoco
Peter Tchaikovsky 9:15
CD 9
# Title Artist Rating Length
1 Marriage of Figaro: Overture
Wolfgang Amadeus Mozart 4:16
2 Symphony No. 3 in D major: IV. Presto vivace
Franz Schubert 4:35
3 Prelude — Les Chaseresses (from 'Syliva')
Léo Delibes 4:56
4 Prelude on “B-A-C-H”
Franz Liszt 2:51
5 Symphony no. 8 in C minor, II. Scherzo. Allegro moderato (excerpt)
Anton Bruckner 5:11
6 Sheherazade: I. Lento — Allegro non troppo
Nikolai Rimsky-Korsakov 10:17
7 Euranthe: Overture
Carl Maria von Weber 8:39
8 Waltz (from “Swan Lake”)
Peter Tchaikovsky 6:55
9 Symphony no. 2 in C major: II. Scherzo. Allegro vivace
Franz Schumann 6:48
10 Piano Concerto no. 2 in A major: Allegro deciso — Marziale — Allegro animato
Franz Liszt 8:37
CD 10
# Title Artist Rating Length
1 Piano Concerto no. 1 in B flat minor: I. Allegro non troppo (excerpt)
Peter Tchaikovsky 4:08
2 Hungarian Dance no. 1 in G minor
Johannes Brahms 3:29
3 Bohemian Dance (from “Carmen”)
Georges Bizet 4:34
4 Intermezzo (from “Chowanschtschina”)
Modest Mussorgsky 3:45
5 Symphony no. 3, “Rhenish”: V. Lebhaft
Robert Schumann 5:43
6 Piano Concerto no. 2 in B major, op. 83: II. Allegro Appassionato
Johannes Brahms 9:09
7 Carillon (from “L'Arlesienne”)
Georges Bizet 4:23
8 Symphonie Fantastique: IV. Allegretto non troppo
Hector Berlioz 5:05
9 Waltz (from “Eugene Onegin”)
Peter Tchaikovsky 6:41
10 Husitská — Overture, op. 67
Antonín Dvořák 14:12

Credits

CD 1

premiered in:
Düsseldorf, Nordrhein-Westfalen, Germany (1851-02-06) (track 6)
arranger:
Ernest Guiraud (track 3)
composer:
Georges Bizet (French romantic composer) (track 1)
Franz Liszt (track 10)
Giacomo Meyerbeer (track 9)
Robert Schumann (German classical composer) (1850-11-02 – 1850-12-09) (track 6)
Richard Wagner (1869 – 1874) (track 5)
Georges Bizet (French romantic composer) (1872) (track 3)
Richard Wagner (1872-01-04 – 1874-11-21) (track 5)
Anton Bruckner (1873) (track 4)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1874-11 – 1875-02) (track 7)
Antonín Dvořák (1878-04 – 1878-08-22) (track 2)
Gustav Mahler (1884 – 1888) (track 8)
conductor:
Loic Bertrand (track 1)
Cesare Cantieri (an Alfred Scholz pseudonym) (track 1)
Emil Edlinger (track 1)
Anton Nanut (conductor) (track 8)
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) (track 8)
Alfred Scholz (track 1)
Vladimir Suk (possibly Alfred Scholz related) (track 8)
János Sándor (track 1)
Pavel Urbanek (conductor) (track 8)
librettist:
Richard Wagner (track 5)
orchestra:
Budapesti Filharmóniai Társaság Zenekara (Budapest Philharmonic Orchestra) (track 1)
London Festival Orchestra (Alfred Scholz pseudonym) (track 1)
Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic Orchestra) (track 1)
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) (track 8)
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra) (tracks 1, 8)
Ukrainian Festival Orchestra (possibly Alfred Scholz related) (track 8)
revised by:
Anton Bruckner (1889) (track 4)
part of:
Works of Robert Schumann by opus number (number: op. 97) (track 6)
arrangements:
Carmen (arrangement for strings by Louise-Andrée Baril) (track 1)
Carmen Suite no. 1: VI. Les toréadors (catch-all for arrangements) (track 1)
Götterdämmerung: Trauermarsch (for piano, Busoni) (track 5)
Götterdämmerung: Trauermusik aus dem letzten Aufzug (for piano solo, Stradal) (track 5)
Slavonic Dance no. 8 (arr. Isaac) (track 2)
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (arr. Bruno Walter for piano 4 hands) (track 8)
is based on:
Carmen: Prélude (track 1)
later versions:
L'Arlésienne Suite no. 2: IV. Farandole (for piano, Bizet) (track 3)
part of:
Symphony no. 3 in D minor, WAB 103 (1889 version, ed. Nowak 1959) (track 4)
L'Arlésienne Suite no. 2 (for orchestra) (track 3)
Carmen Suite no. 1 (track 1)
Slavonic Dances, op. 46, B. 83 (for orchestra) (track 2)
parts:
recording of:
Carmen Suite no. 1: VI. Les Toréadors (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (track 1)
L'Arlésienne Suite no. 2: IV. Farandole (for orchestra) (track 3)
referred to in medleys:
version of:

CD 2

pipe organ:
Hannes Kästner (German organist and cembalist) (track 1)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (track 1)
Hector Berlioz (track 9)
Léo Delibes (track 5)
Charles‐François Gounod (French composer) (track 6)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (track 3)
Ludwig van Beethoven (1804 – 1808) (track 2)
Felix Mendelssohn (1833) (track 7)
Richard Wagner (1851 – 1854) (track 10)
Richard Wagner (1863 – 1867) (track 4)
Edvard Grieg (1868) (track 8)
conductor:
Alfred Scholz (track 6)
János Sándor (track 6)
orchestra:
Budapest Philharmonic Orchestra (Budapest Philharmonic Orchestra) (track 6)
London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) (track 6)
Philharmonia Slavonica (an Alfred Scholz pseudonym) (track 6)
arrangements:
Marche hongroise de "La damnation de Faust" (for organ, Büsser) (track 9)
Overture to "Die Meistersinger" (for organ, Lemare) (track 4)
Piano Concerto in A minor, op. 16: I. Allegro molto moderato (catch-all for arrangements) (track 8)
Rákóczi March from La Damnation de Faust (for organ, Best) (track 9)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (catch all for arrangements) (track 2)
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (for brass, Frackenpohl) (track 2)
The 5th (track 2)
Toccata (for brass band, Sykes) (track 1)
Toccata und Fuge d-Moll, BWV 565: I. Toccata (catch all for arrangements) (track 1)
Toccata und Fuge d-Moll, BWV 565: I. Toccata (for piano 4 hands, Reger) (track 1)
is the basis for:
Toccata (lyrics by Tanzwut) (track 1)
the Fifth Death (UnEpic) (track 1)
later versions:
Toccata (track 1)
orchestrations:
Toccata and Fugue in D minor, BWV 565: Toccata (arr. S. Skrowaczewski) (track 1)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements) (track 3)
recording of:
referred to in medleys:

CD 3

composer:
Franz Liszt (track 10)
Gioachino Rossini (Italian composer 1792-1868) (track 6)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (track 4)
Richard Wagner (1840 – 1841) (track 8)
Robert Schumann (German classical composer) (1841-01-23 – 1841-02-20) (track 7)
Richard Wagner (1854 – 1856) (track 1)
Bedřich Smetana (1863 – 1866) (track 5)
Johannes Brahms (1868) (track 2)
Léo Delibes (1876 – 1880) (track 3)
Emmanuel Chabrier (1883) (track 9)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) (track 5)
András Kórodi (track 6)
Alfred Scholz (track 9)
Janos Sandor (tracks 5–6)
Leopold Hager (1983-12) (track 5)
dedicated to:
Charles Lamoureux (track 9)
librettist:
Hippolyte Louis-Florent Bis (librettist) (track 6)
Étienne de Jouy (track 6)
orchestra:
Budapest Philharmonic Orchestra (Budapest Philharmonic Orchestra) (track 6)
London Festival Orchestra (Alfred Scholz pseudonym) (tracks 5, 9)
Budapest Symphony Orchestra (a.k.a. Budapest Symphony) (track 5)
orchestrator:
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) (track 2)
publisher:
Schott Music (Germany) (track 1)
recorded at:
Villa Louvigny in Luxembourg (1983-12) (track 5)
arrangement of:
Die Walküre: Walkürenritt (arr. Hutschenruyter) (track 1)
arrangements:
Der fliegende Holländer: Ouvertüre (for piano 4-hands, Debussy) (track 8)
Die Walküre: Der Ritt der Walküren (for piano solo, Stradal) (track 1)
Die Walküre: Walkürenritt (for piano, Brassin) (track 1)
España (for voice and piano) (track 9)
España (catch-all for arrangements) (track 9)
España (for 2 pianos 8 hands, Chevillard) (track 9)
Overture to “Der fliegende Holländer” (for organ, Lemare) (track 8)
Ride of the Valkyries (OpenBSD 5.6 theme) (track 1)
Ride of the Valkyries from "Die Walküre" (for organ, Lemare) (track 1)
is the basis for:
Più delle valchirie (Il mio nome è Nessuno) (track 1)
ワルキューレの騎行 (スーパーロボット大戦F) (track 1)
orchestration of:
part of:
Der fliegende Holländer (movement) (track 8)
Prodaná nevěsta (track 5)
Guillaume Tell (track 6)
Sylvia - Suite (track 3)
Hungarian Dances for orchestra (unknown orchestration, do not merge works, move recordings to the correct work) (track 2)
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2) (track 4)
partial recording of:
parts:
Totentanz, S. 126: I. Andante - Allegro - Allegro moderato (for piano and orchestra) (track 10)
Totentanz, S. 126: II. Variation I (for piano and orchestra) (track 10)
Totentanz, S. 126: III. Variation II (for piano and orchestra) (track 10)
Totentanz, S. 126: IV. Variation III (for piano and orchestra) (track 10)
Totentanz, S. 126: V. Variation IV (for piano and orchestra) (track 10)
Totentanz, S. 126: VI. Variation V (for piano and orchestra) (track 10)
Totentanz, S. 126: VII. Cadenza (for piano and orchestra) (track 10)
Totentanz, S. 126: VIII. Variation VI (for piano and orchestra) (track 10)
Totentanz, S. 126: IX. Cadenza (for piano and orchestra) (track 10)
Totentanz, S. 126: X. Allegro animato (for piano and orchestra) (track 10)
recording of:
Hungarian Dance for Orchestra no. 5 in G minor: Allegro - Vivace (for unknown orchestrations - please move recordings to the correct work) (track 2)
Totentanz, S. 126 (for piano and orchestra) (track 10)
referred to in medleys:

CD 4

premiered in:
Moskva, Russia (1876-11-18) (track 3)
composer:
Franz Liszt (track 4)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (track 7)
Felix Mendelssohn (1842) (track 2)
Richard Wagner (1843 – 1845-04-13) (track 9)
Richard Wagner (1846 – 1848) (track 1)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1876) (track 5)
Pyotr Ilyich Tchaikovsky (Tchaikovsky - Russian romantic composer) (1876-09 – 1876-10) (track 3)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1888-05 – 1888-08) (track 10)
Antonín Dvořák (1893-01-10 – 1893-05-24) (track 8)
librettist:
Richard Wagner (1842-06 – 1843-04) (track 9)
orchestrator:
Franz Liszt (track 4)
Franz Doppler (track 4)
part of:
The Tchaikovsky Handbook (number: TH 45) (track 3)
arrangements:
Flight of the Bumblebee (for cello and orchestra, arr. by B. Traubas) (track 6)
Flight of the Bumblebee (for choir, Swingle) (track 6)
Flight of the Bumblebee (for cello and piano, arr. Rose) (track 6)
Flight of the Bumblebee (Stokowski transcription) (track 6)
Flight of the Bumblebee, TN iii/9 (for piano solo, Rachmaninov) (track 6)
Le Vol du bourdon (for organ, Saint-Martin) (track 6)
Lohengrin: Act III. Vorspiel (for brass band, Wright) (track 1)
The Flight of the Bumble-Bee (for violin and orchestra, Kennedy & Lenehan) (track 6)
The Flight of the Bumblebee (for flute and orchestra, arr. Aho) (track 6)
The Flight of the Bumblebee (for violin and piano, arr. Heifetz) (track 6)
Wedding March from "A Midsummer Night's Dream" (for organ, Woods) (track 2)
Полёт шмеля (catch-all for arrangements) (track 6)
is based on:
is the basis for:
Honey Man (track 6)
Polonaise aus Tschaikowskys „Eugen Onegin“, S. 429 (for solo piano, Liszt) (track 7)
アマール (track 3)
ボスBGM (Parodius) (track 6)
later versions:
orchestration of:
part of:
Lohengrin: Act III (track 1)
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements) (track 5)
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements) (track 5)
recording of:
referred to in medleys:

CD 5

composer:
Ludwig van Beethoven (1807) (track 4)
Franz Liszt (1830 – 1856) (track 8)
Felix Mendelssohn (1833) (track 5)
Михаил Иванович Глинка (Russian composer) (1837 – 1842) (track 1)
Richard Wagner (1854 – 1856) (track 7)
Richard Wagner (1854-06-28 – 1856-03-23) (track 7)
Bedřich Smetana (1863 – 1870) (track 2)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1872) (track 9)
Johannes Brahms (1884 – 1885) (track 3)
Antonín Dvořák (1893-01-10 – 1893-05-24) (track 10)
Max Reger (1913-05 – 1913-07) (track 6)
conductor:
Herbert Kegel (track 4)
Peter Wohlert (track 4)
dedicated to:
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (track 4)
revised by:
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1879 – 1880) (track 9)
premiered at:
Palais Lobkowitz in Wien, Austria (1807-03) (track 4)
part of:
arrangements:
Die Walküre: Feuerzauber (for piano, Brassin) (track 7)
Die Walküre: Magic Fire Music (Stokowski orchestration) (track 7)
Die Walküre: Wotans Abschied und Feuerzauber (for two pianos, Reger) (track 7)
Die Walküre: Wotans Abschied und Feuerzauber (arr. Hutschenruyter) (track 7)
Saltarello - Presto from Symphony no. 4 "Italian" (for 16 player pianos, Lehrman) (track 5)
Sinfonie Nr. 4 e-Moll, op. 98: III. Allegro giocoso (for two pianos, Brahms) (track 3)
Sinfonie Nr. 4 e-Moll, op. 98: III. Allegro giocoso (for piano four hands, Brahms) (track 3)
The New World Symphony: Finale (for band, Leidzén) (track 10)
has revision:
is the basis for:
Cans and Brahms (track 3)
later versions:
part of:
Symphony no. 2 in C minor, op. 17 "Little Russian" (1880 revision [commonly performed]) (track 9)
partial instrumental recording of:
recording of:
referred to in medleys:
Hooked on America (track 10)
revision of:

CD 6

composer:
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (tracks 1, 10)
Fryderyk Chopin (composer) (1829 – 1830) (track 3)
Richard Wagner (1863 – 1867) (track 7)
Bedřich Smetana (1863 – 1870) (track 8)
Léo Delibes (1870) (track 6)
Antonín Dvořák (1889-08-26 – 1889-11-08) (track 4)
Gustav Mahler (1903 – 1904) (track 9)
conductor:
Hartmut Haenchen (track 9)
librettist:
Richard Wagner (1862) (track 7)
orchestra:
arrangements:
orchestrations:
Khovanshchina: Act IV, Scene I. Dance of the Persian Slave Girls (orchestrated by Rimsky-Korsakov) (track 5)
part of:
Спящая красавица, op. 66 (The Sleeping Beauty) (track 1)
Symphonie Nr. 6 in a-Moll (movement) (track 9)
Symphony no. 8 in G major, op. 88 (movement) (track 4)
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2) (track 10)
partial recording of:
parts:
recording of:
referred to in medleys:

CD 7

composer:
Georges Bizet (French romantic composer) (track 8)
Anton Bruckner (track 5)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (track 3)
Franz Liszt (1830 – 1856) (track 2)
Johannes Brahms (1855 – 1876) (track 10)
Antonín Dvořák (1884-12-13 – 1885-03-17) (track 7)
Claude Debussy (1897-12 – 1899-12) (track 9)
revised by:
Antonín Dvořák (1885) (track 7)
premiered at:
[concert] (1900-12-09) (track 9)
arrangements:
Gopak (for cello and piano, Stutschewsky) (track 4)
Hopak from Sorochintsy Fair, TN iii/8 (for piano, Rachmaninoff) (track 4)
Nocturnes, L. 91, CD 98: II. Fêtes (arranged by Ravel for piano duo) (track 9)
The Fair at Sorochintsï: Gopak (for violin and piano, arr. Rachmaninoff) (track 4)
The Fair at Sorochintsï: Hopak (for piano, Mussorgsky) (track 4)
orchestrations:
The Fair at Sorochintsï: Gopak (orchestrated by Lyadov) (track 4)
part of:
L'Arlésienne (track 8)
Nocturnes, L. 91, CD 98 (for orchestra) (track 9)
Symphony no. 0 in D minor "Nullte", WAB 100 (generic, use if unsure which edition to use) (movement) (track 5)
Symphony no. 7 in D minor, op. 70 (movement) (track 7)
Sinfonie Nr. 1 c-Moll, op. 68 (movement) (track 10)
Mlada Suite (track 1)
The Sleeping Beauty, op. 66a (Suite) (track 3)
partial recording of:
recording of:
Symphony no. 0 in D minor "Nullte", WAB 100: III. Scherzo: Presto (generic, use if unsure which edition to use) (track 5)

CD 8

composer:
Léo Delibes (track 6)
Михаил Иванович Глинка (Russian composer) (track 8)
Edvard Grieg (track 3)
Felix Mendelssohn (1841 – 1842) (track 2)
Modest Mussorgsky (composer) (1867-06-12 – 1867-06-23) (track 7)
Pyotr Ilyich Tchaikovsky (Tchaikovsky - Russian romantic composer) (1876) (track 4)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1877 – 1878) (track 10)
Antonín Dvořák (1878-04 – 1878-08-22) (tracks 1, 9)
Johannes Brahms (1884 – 1885) (track 5)
conductor:
Ádám Fischer (Hungarian conductor) (tracks 1, 9)
librettist:
orchestra:
Hungarian State Orchestra (probably fictitious, or Alfred Scholz related) (track 1)
Hungarian State Orchestra (Hungarian National Philharmonic Orchestra) (tracks 1, 9)
orchestrator:
Nikolai Rimsky-Korsakov (composer) (1886) (track 7)
arrangements:
Night on Bald Mountain (for piano duet, arr. Nikolai Artsybushev) (track 7)
Sinfonie Nr. 4 e-Moll, op. 98: III. Allegro giocoso (for two pianos, Brahms) (track 5)
Sinfonie Nr. 4 e-Moll, op. 98: III. Allegro giocoso (for piano four hands, Brahms) (track 5)
Slavonic Dance in C major, op. 46 no. 1 (for 2 pianos 8 hands, Keller) (track 1)
Slavonic Dance no. 3 (arr. Isaac) (track 9)
Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco (for piano four hands, Taneyev) (track 10)
is based on:
St. John's Night on the Bare Mountain (original version) (track 7)
is the basis for:
A Night on Bald Mountain (arr. Tomita) (track 7)
A Night on Bare Mountain (orchestrated by Stokowski) (track 7)
Cans and Brahms (track 5)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra) (tracks 1, 9)
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements) (track 4)
partial recording of:
parts:
recording of:
A Night on Bald Mountain (orchestrated by Rimsky-Korsakov) (track 7)
referred to in medleys:
Fantasmic! (theme park show soundtrack) (track 7)
version of:

CD 9

composer:
Anton Bruckner (track 5)
Franz Liszt (track 4)
Wolfgang Amadeus Mozart (classical composer) (1786) (track 1)
Franz Schubert (Austrian composer Franz Peter Schubert) (1815-05-24 – 1815-07-19) (track 2)
Franz Liszt (1839 – 1861) (track 10)
Robert Schumann (German classical composer) (1845-12 – 1846-10) (track 9)
Pyotr Ilyich Tchaikovsky (Tchaikovsky - Russian romantic composer) (1876) (track 8)
Léo Delibes (1876 – 1880) (track 3)
conductor:
Alfred Walter (1988-03-27 – 1988-03-31) (track 7)
dedicated to:
engineer:
Martin Sauer (engineer/producer) (1988-03) (track 7)
orchestra:
Deutsches Symphonie‐Orchester Berlin (RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (track 1)
Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) (1988-03-27 – 1988-03-31) (track 7)
producer:
Günter Appenheimer (producer/engineer) (1988-03) (track 7)
premiered at:
[concert] (1857-01-07) (track 10)
publisher:
Schott Music (Germany) (1863) (track 10)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj, Slovakia (1988-03-27 – 1988-03-31) (track 7)
part of:
The Music of Liszt (number: S. 125) (track 10)
arrangements:
Le nozze di Figaro, K. 492: Overture (catch-all for arrangements) (track 1)
Scheherazade, op. 35: I. The Sea and Sinbad's Ship (for piano four hands) (track 6)
is based on:
is the basis for:
Mozart/Figaro (track 1)
later versions:
Sinfonie No. 8 in c-Moll, WAB 108: II. Scherzo: Allegro moderato (1892 version (Schalk); ed. Haslinger-Schlesinger-Lienau) (track 5)
part of:
Euryanthe (1825 revision) (track 7)
Sylvia - Suite (track 3)
Sinfonie No. 8 in c-Moll, WAB 108 (1890 version; ed. L. Nowak, 1955) (track 5)
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements) (track 8)
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements) (track 8)
partial recording of:
Sinfonie No. 8 in c-Moll, WAB 108: II. Scherzo: Allegro moderato (1890 version; ed. L. Nowak, 1955) (track 5)
recording of:
Euryanthe: Ouvertüre (1988-03-27 – 1988-03-31) (track 7)

CD 10

composer:
Georges Bizet (French romantic composer) (track 3)
Johannes Brahms (track 2)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (track 9)
Hector Berlioz (1830) (track 8)
Robert Schumann (German classical composer) (1850-11-02 – 1850-12-09) (track 5)
Johannes Brahms (1858 – 1868) (track 2)
Johannes Brahms (1868) (track 2)
Georges Bizet (French romantic composer) (1872) (track 7)
Пётр Ильич Чайковский (Tchaikovsky - Russian romantic composer) (1874-11 – 1875-02) (track 1)
Johannes Brahms (1878 – 1881) (track 6)
Antonín Dvořák (1883-08-09 – 1883-09-09) (track 10)
conductor:
Julian Armstrong (conductor, Alfred Scholz pseudonym) (track 2)
Cesare Cantieri (an Alfred Scholz pseudonym) (track 2)
Alfred Scholz (track 2)
Pavel Urbanek (conductor) (track 2)
orchestra:
Berliner Symphoniker (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990) (track 2)
London Festival Orchestra (Alfred Scholz pseudonym) (track 2)
Philharmonia Slavonica (an Alfred Scholz pseudonym) (track 2)
London Philharmonic Orchestra (Alfred Scholz related) (track 2)
orchestrator:
[unknown] (Special Purpose Artist - Do not add releases here, if possible.) (track 2)
Johannes Brahms (1873) (track 2)
premiered at:
[concert] (1883-11-18) (track 10)
publisher:
N. Simrock (1884) (track 10)
was commissioned by:
part of:
Works of Antonín Dvořák by opus number (number: op. 67) (track 10)
Antonín Dvořák: Thematický katalog (Burghauser [B.]) (number: B. 132) (track 10)
arrangements:
Hungarian Dance no. 1 in G minor (for violin and piano, unknown arranger) (track 2)
Hungarian Dance no. 1 in G minor (for violin and strings, arr. Dupin) (track 2)
Hungarian Dances: No. 1 in G minor (for violin and piano, Joachim) (track 2)
Marche au supplice de la Symphonie fantastique, S. 470a no. 2 (for piano solo, Liszt, revised version) (track 8)
Symphonie fantastique, S. 470: IV. Marche au supplice (for piano solo, Liszt) (track 8)
Symphonie fantastique, op. 14: IV. Marche au supplice (catch all for arrangements) (track 8)
is based on:
is the basis for:
AMERICA (STAGE 1) (City Connection) (track 1)
Concerto (track 1)
Tonight We Love (Freddy Martin 1941 hit) (track 1)
later versions:
L'Arlésienne Suite no. 1: IV. Carillon (for piano, Bizet) (track 7)
orchestration of:
orchestrations:
Hungarian Dance for orchestra no. 1 in G minor (catch all for unknown orchestration) (track 2)
part of:
Hungarian Dances for orchestra, WoO 1 (Brahms orchestration) (track 2)
Hungarian Dances for orchestra (unknown orchestration, do not merge works, move recordings to the correct work) (track 2)
L'Arlésienne Suite no. 1, op. 23bis (for orchestra) (track 7)
Carmen Suite no. 2 (track 3)
partial recording of:
recording of:
Hungarian Dance for orchestra no. 1 in G minor (catch all for unknown orchestration) (track 2)
version of: